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The Lives of the Most Famous English Poets (1687)

Chapter 96: THOMAS MIDLETON.
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About This Book

The work compiles brief biographies, bibliographical notes, and excerpts for a wide range of English poets spanning the medieval period to the late seventeenth century. Entries vary in length and method: some reproduce earlier catalogues, while others include original quotations, publication details, and the compiler's judgments about merit. The arrangement is roughly chronological and aims to guide readers through evolving reputations, textual sources, and issues of attribution. An introduction discusses the compiler's sources and methods, and the whole reads as an early popular survey intended for both curious readers and collectors.

Nihil hic Diomede remoto,
When Diomedes was gone,
He could do nought alone.

Though some think them inferior to the former, and no wonder if a single thread was not so strong as a twisted one, Mr. Fletcher (as it is said) died in London of the Plague, in the first year of King Charles the First, 1625.


WILLIAM SHAKESPEAR.

This eminent Poet, the Glory of the English Stage (and so much the more eminent, that he gained great applause and commendation, when able Wits were his Contemporaries) was born at Stratford upon Avon in Warwickshire, and is the highest honour that Town can boast of. He was one of the Triumvirate, who from Actors, became Makers of Comedies and Tragedies, viz. Christopher Marlow before him, and Mr. John Lacy, since his time, and one in whom three eminent Poets may seem in some sort to be compounded, 1. Martial, in the warlike sound of his Sirname, Hastivibrans, or Shakespear; whence some have supposed him of military extraction. 2. Ovid, the most natural and witty of all Poets; and hence it was that Queen Elizabeth coming into a Grammar-School, made this extemporary Verse.

Persius a Crab-staff, Bawdy Martial, Ovid a fine Wag.

3. Plautus, a most exact Comedian, and yet never any Scholar, as our Shakespear (if alive) would confess himself; but by keeping company with Learned persons, and conversing with jocular Wits, whereto he was naturally inclin'd, he became so famously witty, or wittily famous, that by his own industry, without the help of Learning, he attained to an extraordinary height in all strains of Dramatick Poetry, especially in the Comick part, wherein we may say he outwent himself; yet was he not so much given to Festivity, but that he could (when so disposed) be solemn and serious; so that Heraclitus himself might afford to smile at his Comedies, they were so merry, and Democritus scarce forbear to sigh at his Tragedies, they were so mournful.

Nor were his Studies altogether confined to the Stage, but had excursions into other kinds of Poetry, witness his Poem of the Rape of Lucrece, and that of Venus and Adonis; wherein, to give you a taste of the loftiness of his Style, we shall insert some few Lines of the beginning of the latter.

Even as the Sun with purple-colour'd face
Had tane his last leave of the weeping Morn,
Rose-cheek'd Adonis hy'd him to the Chase,
Hunting he lov'd, but Love he laught to scorn.
Sick thoughted Venus makes amain unto him,
And like a bold-fac'd Suiter 'gins to woo him.
Thrive fairer than my self (thus she begins)
The fields chief flower, sweet above compare,
Stain to all Nymphs, more lovely than a man;
More white and red than Doves or Roses are:
Nature that made thee with herself at strife,
Says that the world hath ending with thy life, &c

He was an eminent instance of the truth of that Rule, Poeta non fit, sed nascitur; one is not made, but born a Poet; so that as Cornish Diamonds are not polished by any Lapidary, but are pointed and smoothed even as they are taken out of the Earth, so Nature itself was all the Art which was used on him.

He was so great a Benefactor to the Stage, that he wrote of himself eight and forty Plays; whereof 18 Comedies, viz. As you like it, All's well that ends well, A Comedy of Errors, Gentleman of Verona, Loves Labour lost, London Prodigal, Merry Wives of Windsor, Measure for measure, Much ado about Nothing, Midsummer Nights Dream, Merchant of Venice, Merry Devil of Edmonton, Mucedorus, the Puritan Widow, the Tempest, Twelf-Night, or what you will, the taming of the Shrew, and a winters Tale. Fourteen Tragedies, viz. Anthony and Cleopatra, Coriolanus, Cymbeline, Hamlet, Julius Cæsar, Lorrino, Leir and his three Daughters, Mackbeth, Othello the Moor of Venice, Romeo and Juliet, Troylus and Cressida, Tymon of Athens, Titus Andronicus, and the Yorkshire Tragedy. Also fifteen Histories, viz. Cromwel's History, Henry 4. in two parts, Henry 5. Henry 6. in three parts, Henry 8. John King of England, in three parts, Pericles Prince of Tyre, Richard 2. Richard 3. and Oldrastes Life and Death. Also the Arraignment of Paris, a Pastoral.

Many were the Wit-combats betwixt him and Ben Johnson, which two we may compare to a Spanish great Gallion, and an English Man of war: Mr. Johnson, (like the former) was built far higher in Learning, solid, but slow in his performances; Shakespear, with the English Man of war, lesser in Bulk, but lighter in sayling, could turn with all Tides, tack about, and take advantage of all Winds, by the quickness of his Wit and Invention. His History of Henry the Fourth is very much commended by some, as being full of sublime Wit, and as much condemned by others, for making Sir John Falstaffe the property of Pleasure for Prince Henry to abuse, as one that was a Thrasonical Puff, and emblem of mock Valour; though indeed he was a man of Arms every inch of him, and as valiant as any his Age, being for his Martial Prowess made Knight of the Garter by King Henry the 6th.

This our famous Comedian died An. Dom. 16—and was buried at Stratford upon Avon, the Town of his Nativity; upon whom one hath bestowed this Epitaph, though more proper had he been buried in Westminster Abbey.

Renowned Spencer, lie a thought more nigh
To learned Chaucer, and rare Beaumont lie
A little nearer Spencer to make room
For Shakespear, in your threefold, fourfold Tomb,
To lodge all four in one Bed make a shift
Until Doomsday, for hardly will a fifth
Betwixt this day and that, by Fates be slain
For whom your Curtains may be drawn again.
If your precedency in Death do bar
A fourth place in your sacred Sepulcher,
Under this sacred Marble of thine own,
Sleep rare Tragedian Shakespear! sleep alone,
Thy unmolested Peace in an unshar'd Cave,
Possess as Lord, not Tenant of thy Grave,
That unto us, and others it may be
Honour hereafter to be laid by thee.

CHRISTOPHER MARLOW.

Christopher Marlow was (as we said) not only contemporary with William Shakespear, but also, like him, rose from an Actor, to be a maker of Comedies and Tragedies, yet was he much inferior to Shakespear not only in the number of his Plays, but also in the elegancy of his Style. His Pen was chiefly employ'd in Tragedies; namely, his Tamberlain the first and second Part, Edward the Second, Lust's Dominion, or the Lascivious Queen, the Massacre of Paris, his Jew of Malta, a Tragi-comedy, and his Tragedy of Dido, in which he was joyned with Nash. But none made such a great Noise as his Comedy of Doctor Faustus with his Devils, and such like tragical Sport, which pleased much the humors of the Vulgar. He also begun a Poem of Hero and Leander; wherein he seemed to have a resemblance of that clear and unsophisticated Wit which was natural to Musæus that incomparable Poet. This Poem being left unfinished by Marlow who in some riotous Fray came to an untimely and violent end, was thought worthy of the finishing hand of Chapman, as we intimated before; in the performance whereof, nevertheless he fell short of the Spirit and Invention with which it was begun.


BARTON HOLYDAY.

Barton Holyday, an old Student of Christ-Church in Oxford, who besides his Translation of Juvenal with elaborate Notes, writ several other things in English Verse, rather learned than elegant; and particularly a Comedy, called The Marriage of the Arts: Out of which, to shew you his fluent (but too Satyrical Style) take these Verses made by him to be spoken by Pocta, as an Execration against Women.

O Women, Witches, Fayries, Devils,
The impure extract of a world of Evils;
Natures great Errour, the Obliquity
Of the Gods Wisdom; and th'Anomaly
From all that's good; Ile curse you all below
The Center, and if I could, then further throw
Your cursed heads, and if any should gain
A place in Heaven, Ile rhyme 'em down again
To a worse Ruine, &c.

CYRIL TURNER.

Cyril Turner was one who got a Name amongst the Poets, by writing of two old Tragedies, the Athei'st's Tragedy, and the Revenger's Tragedy; which two Tragedies, saith one,

His Fame unto that Pitch so only raised,
As not to be despised, nor too much prais'd.

THOMAS MIDLETON.

Thomas Midleton was one who by his Industry added very much to the English Stage, being a copious Writer of Dramatick Poetry. He was Contemporary with Johnson and Fletcher and tho' not of equal Repute with them, yet were well accepted of those times such Plays as he wrote; namely, Blurt Mr. Constable, the chaste Maid in Cheapside, Your fine Gallants, Family of Love, More Dissemblers than Women, the Game at Chess, the Mayor of Quinborough, a mad world my Masters, Michaelmas Term, No Wit like a womans, the Roaring Girl, any thing for a quiet Life, the Phenix and a new Trick to catch the old one, Comedies; The world toss'd at Tennis, and the Inner Temple, Masques; and Women beware Women, a Tragedy. Besides what, he was an Associate with William Rowley in several Comedies and Tragi-Comedies; as, the Spanish Gypsies, the Changeling, the Old Law, the fair Quarrel, the Widow: Of all which, his Michaelmas Term is highly applauded both for the plot and neatness of the style.


WILLIAM ROWLEY.

William Rowley was likewise a great Benefactor to the English Stage, not only in those Plays mentioned before with Thomas Midleton, but also what he wrote alone; as, A Woman never vext a Comedy; A Match at Midnight, and All's lost by Lust, Tragedies; and joyn'd with Webster, two Comedies, The Thracian wonder, and A Cure for a Cuckold, with Shakespere, The Birth of Merlin, a Tragi-Comedy; and The Travels of the three English Brothers, a History, wherein he was joyn'd with Day and Wilkins.


THOMAS DECKER.

Thomas Decker, a great pains-taker in the Dramatick strain, and as highly conceited of those pains he took; a high-flyer in wit, even against Ben Johnson himself, in his Comedy, call'd, The untrussing of the humorous Poet. Besides which he wrote also, The Honest Whore, in two Parts; Fortunatus; If this ben't a good Play the Devil's in't; Match me in London; The Wonder of a Kingdom; The Whore of Babylon, all of them Comedies. He was also an associate with John Webster in several well entertain'd Plays, viz. Northward, hoe? The Noble Stranger; New trick to cheat the Devil; Westward, hoe? The Weakest goes to the Wall; And A Woman will have her will: As also with Rowley and Ford in the Witch of Edmunton, a Tragi-Comedy; And also Wiat's History with Webster.


JOHN MARSTON.

John Marston was one whose fluent Pen both in a Comick and Tragick strain, made him to be esteemed one of the chiefest of our English Dramaticks, both for solid judgment, and pleasing variety. His Comedies are, the Dutch Curtezan; the Fawn; What you will. His Tragedies, Antonio and Melida; Sophonisba; the insatiate Countess: Besides the Malecontent, a Tragi-Comedy; and the faithful Shepherd, a Pastoral.


Dr. JASPER MAIN.

He was in his youth placed a Student of Christ-Church in Oxford, a Nursery of many and excellent good wits, where he lived for many years in much credit and reputation for his florid wit and ingenious vein in Poetry, which diffused itself in all the veins and sinews thereof; making it (according to its right use) an Handmaid to Theology. In his younger years he wrote two very ingenious and well-approved Comedies, viz. the City Match, and the Amorous War, both which, in my judgment, comparable to the best written ones of that time; Nor did he after his application to Theology, of which he was Doctor, and his Ecclesiastical preferment, totally relinquish those politer Studies to which he was before addicted, publishing Lucian's Works, of his own translating, into English, besides many other things of his composing, not yet publish'd.


JAMES SHIRLEY.

Mr. James Shirley may justly claim a more than ordinary place amongst our English Poets, especially for his Dramatick Poetry, being the fourth for number who hath written most Plays, and for goodness little inferiour to the best of them all. His Comedies, in number twenty two, are these; The Ball, the Bird in a Cage, the Brothers, Love in a Maze, the Constant Maid, Coronation, Court Secret, the Example, the Gamester, Grateful Servant, Hide-Park, Humorous Courtier, Honoria and Mammon, Opportunity, the Lady of Pleasure, the Polititian, the Royal Master, the School of Complements, the Sisters, the witty fair one, the Wedding, and the young Admiral: His Tragedies six, viz. Chabot Admiral of France, the Cardinal, Loves Cruelty, the Maids Revenge, the Traytor, and the martyr'd Soldier. Four Tragi-Comedies, viz. Dukes Mistress, the Doubtful Heir, the Gentleman of Venice, and the Imposture, four Masques, Cupid and Death, Contention of Honour and Riches, the Triumph of Peace, and the Triumph of Beauty; Patrick for Ireland, a History; and the Arcadia, a Pastoral.


PHILIP MASSINGER.

Philip Massinger was likewise one who in his time was no mean contributer unto the Stage, wherein he so far excell'd as made his Name sufficiently famous, there being no less than sixteen of his Plays printed, viz. The Bondman, the bashful Lover, the City Madam, the Emperour of the East, the-Great Duke of Florence, the Guardian, Maid of Honour, New Way to pay Old Debts, the Picture, the Renegado, and the merry Woman, Comedies: The Duke of Millain, Fatal Dowry, Roman Actor, Unnatural Combat, and the Virgin Martyr, Tragedies.


JOHN WEBSTER.

John Webster was also one of those who in that plentiful age of Dramatick Writers contributed his endeavours to the Stage; being (as we said before) associated with Thomas Decker, in several Plays, which pass'd the Stage with sufficient applause, as also in two Comedies with William Rowley; besides what he wrote alone, the Devil's Lam-Case, a Tragi Comedy, and the white Devil, and Dutchess of Malfy, Tragedies.


WILLIAM BROWN.

Mr. William Brown was a Gentleman (as I take it) of the Middle Temple, who besides his other ingenious Employments, had his excursions to those sweet delights of Poetry, writing a most ingenious Piece, entituled, Britain's Pastorals, it being for a Subject of an amorous and rural Nature, worthily deserving commendations, as any one will confess who shall peruse it with an impartial eye. Take a view of his abilities, out of his Second Book, first Song of his Pastorals, speaking of a deform'd Woman.

And is not she the Queen of Drabs,
Whose Head is perriwigg'd with scabs?
Whose Hair hangs down incurious flakes,
All curl'd and crisp'd, like crawling Snakes;
The Breath of whose perfumed Locks
Might choke the Devil with a Pox;
Whose dainty twinings did entice
The whole monopoly of Lice;
Her Forehead next is to be found,
Resembling much the new-plough'd ground,
Furrow'd like stairs, whose windings led
Unto the chimney of her head;
The next thing that my Muse descries,
Is the two Mill-pits of her Eyes,
Mill-pits whose depth no plum can sound,
For there the God of Love was drown'd,
On either side there hangs a Souse,
And Ear I mean keeps open house,
An Ear which always there did dwell,
And so the Head kept sentinel,
Which there was placed to descry,
If any danger there was nigh,
But surely danger there was bred
Which made them so keep off the head;
Something for certain caus'd their fears,
Which made them so to hang their ears;
But hang her ears; Thalia seeks
To suck the bottle of her cheeks, &c.

THOMAS RANDOLPH.

This Famous Poet was born at Houghton in Northampton-shire, and was first bred in Westminster-School, then Fellow in Trinity-Colledge in Cambridge; He was one of such a pregnant Wit, that the Muses may seem not only to have smiled, but to have been tickled at his Nativity, such the festivity of his Poems of all sorts. Yet was he also sententiously grave, as may appear by many of his Writings, not only in his Necessary Precepts, but also in several other of his Poems; take one instance in the conclusion of his Commendatory Verses to Mr. Feltham, on his excellent Book of Resolves.

'Mongst thy Resolves, put my Resolves in too;
Resolve who will, this I resolve to do,
That should my Errors chuse anothers line
Whereby to write, I mean to live by thine.

His extraordinary indulgence to the too liberal converse with the multitude of his applauders, drew him to such an immoderate way of living, that he was seldom out of Gentlemens company, and as it often happens that in drinking high quarrels arise, so there chanced some words to pass betwixt Mr. Randolf and another Gentleman, which grew to be so high, that the Gentleman drawing his Sword, and striking at Mr. Randolph, cut off his little finger, whereupon, in an extemporary humour, he instantly made these Verses:

Arithmetick nine digits and no more
Admits of, then I have all my store;
But what mischance hath tane from my Lefthand,
It seems did only for a cypher stand,
Hence, when I scan my Verse if I do miss,
I will impute the fault only to this,
A fingers loss, I speak it not in sport,
Will make a Verse a foot too short.

That he was of a free generous disposition, not regarding at all the Riches of the World, may be seen in the first Poem of his Book, speaking of the inestimable content he enjoyed in the Muses, to those of his friends which dehorted him from Poetry.

Go sordid earth, and hope not to bewitch
My high born Soul, which flies a nobler pitch;
Thou canst not tempt her with adulterate show,
She bears no appetite that flags so low, &c.

His Poems publish'd after his death, and usher'd into the World by the best Wits of those times, passed the Test with general applause, and have gone through several Impressions; To praise one, were in some sort to dispraise the other, being indeed all praise-worthy. His Cambridge Duns facetiously pleasing, as also his Parley with his Empty Purse, in their kind not out-done by any. He was by Ben. Johnson adopted for his Son, and that as is said upon this occasion.

Mr. Randolph having been at London so long as that he might truly have had a parley with his Empty Purse, was resolved to go see Ben. Johnson with his associates, which as he heard at a set-time still kept a Club together at the Devil-Tavern near Temple-Bar; accordingly at the time appointed he went thither, but being unknown to them, and wanting Money, which to an ingenious spirit is the most daunting thing in the World, he peep'd in the Room where they were, which being espied by Ben. Johnson, and seeing him in a Scholars thredbare habit, John Bo-peep, says he, come in, which accordingly he did, when immediately they began to rime upon the meanness of his Clothes, asking him, If he could not make a Verse? and withal to call for his Quart of Sack; there being four of them, he immediately thus replied,

I John Bo-peep, to you four sheep,
With each one his good fleece,
If that you are willing to give me five shilling,
'Tis fifteen pence a piece.

By Jesus quoth Ben. Johnson, (his usual Oath) I believe this is my Son Randolph, which being made known to them, he was kindly entertained into their company, and Ben. Johnson ever after called him Son.

He wrote besides his Poems, the Muses Looking-glass, Jealous Lovers, and Hey for Honesty, down with Knavery, Comedies; Amintas, a Pastoral, and Aristippus, an Interlude.


Sir JOHN BEAUMONT Baronet.

Sir John Beaumont was one who Drank as deep Draughts of Helicon as any of that Age; and though not many of his Works are Extant, yet those we have be such as are displayed on the Flags of highest Invention; and may justly Stile him to be one of the chief of those great Souls of Numbers. He wrote besides several other things, a Poem of Bosworth Field, and that so Ingeniously, as one thus writes of it.

Could divine Maro, hear his Lofty Strain;
He would condemn his Works to fire again.

I shall only give you an Instance of some few lines of his out of the aforesaid Poem, and so conclude.

Here Valiant Oxford, and Fierce Norfolk meet;
And with their Spears, each other rudely greet:
About the Air the shined Pieces play,
Then on their Swords their Noble Hand they lay.
And Norfolk first a Blow directly guides,
To Oxfords Head, which from his Helmet slides
Upon his Arm, and biteing through the Steel,
Inflicts a Wound, which Vere disdains to feel.
But lifts his Faulcheon with a threatning grace,
And hews the Beaver off from Howards Face,
This being done, he with compassion charm'd,
Retires asham'd to strike a Man disarm'd.
But strait a deadly Shaft sent from a Bow,
(Whose Master, though far off, the Duke could know:
Untimely brought this combat to an end,
And pierc'd the Brains of Richards constant Friend.
When Oxford saw him Sink his Noble Soul,
Was full of grief, which made him thus condole.
Farewel true Knight, to whom no costly Grave
Can give due honour, would my Tears might save
Those streams of Blood, deserving to be Spilt
In better service, had not Richard's guilt
Such heavy weight upon his Fortune laid,
Thy Glorious vertues had his Sins outweigh'd.

Dr. PHILEMON HOLLAND.

This worthy Doctor, though we find not many Verses of his own Composing, yet is deservedly placed amongst the Poets; for his numerous Translations of so many Authors: insomuch that he might be called the Translator General of his Age; So that those Books alone of his turning into English, are sufficient to make a Country Gentleman a Competent Library for Historians. He is thought to have his Birth in Warwick-shire, but more certain to have his Breeding in Trinity Colledge in Cambridge; where he so Profited, that he became Doctor of Physick: and practised the same in Coventry in his (if so it were) native Country. Here did he begin and finish the Translation of so many Authors, that considering their Voluminousness, a Man would think he had done nothing else; which made one thus to descant on him.

Holland with his Translations doth so fill us,
He will not let Suetonius be Tranquillus.

Now as he was a Translator of many Authors, so was he very Faithful in what he did; But what commended him most in the Praise of Posterity, was his Translating Cambdens Britania, a Translation more then a Translation: he adding to it many more notes then what were first in the Lattin Edition, but such as were done by Mr. Cambden in his Life time, discoverable in the former part with Astericks in the Margent; But these Additions with some Antiquaries obtain not equal Authenticalness with what was set forth by Mr. Cambden himself.

Some of these Books (notwithstanding their Gigantick bigness) he wrote with one Pen, where he himself thus pleasantly versified.

With one sole Pen, I writ this Book,
Made of a Gray Goose quill:
A Pen it was when I it took,
And a Pen I leave it still.

This Monumental Pen he kept by him, to show Friends when they came to visit him, as a great Rarity.


THOMAS GOFF.

Thomas Goff was one whose Abilities rais'd him to a high Reputation in the Age he lived in; chiefly for his Dramatick Writings: Being the Author of the Couragious Turk, Rageing Turk, Selimus and Orestes Tragedies; the Careless Shepherdess a Tragi-Comedy, and Cupids Whirligig a Comedy.


THOMAS NABBES.

Thomas Nabbes was also one who was a great Contributer to the English Stage, chiefly in the Reign of King Charles the First; His Comedies were the Brides, Covent-Garden, Totnam Court, and the Woman-hater Arraigned. His Tragedies, The Unfortunate Mother, Hannibal and Scipio, and The Tragedy of King Charles the First; besides two Masques, The Springs Glory, and Microcosmus, and an Entertainment on the Princes Birth-day, an interlude.


RICHARD BROOME.

Richard Broome was a Servant to Mr. Benjamin Johnson, a Servant (saith one) suitable to such a Master; having an excellent Vain fitted for a Comique Strain, and both natural Parts and Learning answerable thereunto; though divers witty only in reproving, say, That this Broome had only what he swept from his Master: But the Comedies he Wrote, so well received and generally applauded, give the Lie to such Detractors; three of which, viz. His Northern Lass, The Jovial Crew, and Sparagus Garden, are little inferior if not equal to the writings of Ben. Johnson himself; besides these three Comedies before mentioned he wrote twelve others, viz. The Antipodes, Court Beggar, City Wit, Damoyselle, Mock Marriage, Love Sick Court, Mad Couple well Matcht, Novella, New Exchange, Queens Exchange, Queen and Concubine, Covent Garden Wedding, and a Comedy called the Lancaster Witches, in which he was joyned with Heyward.

Now what Account the Wits of that Age had of him, you shall hear from two of his own Profession in Commendation of two of his Plays; and first those of Mr. James Shirley on his Comedy the Jovial Crew.

This Comedy (ingenious Friends) will raise
Itself a Monument, without a praise.
Beg'd by the Stationer, who, with strength of purse,
And Pens, takes care, to make his Book sell worse.
And I dare calculate thy Play, although
Not Elevated unto fifty two;
It may grow old as time or wit, and he
That dares dispise may after envy thee.
Learning the file of Poesy may be
Fetch'd from the Arts and University:
But he that writes a Play, and good must know,
Beyond his Books, Men, and their Actions too.
Copies of Verse, that makes the new Men sweat,
Reach not a Poem, nor the Muses heat;
Small Brain Wits, and wood may burn a while,
And make more noise then Forrests on a Pile.
Whose Finers shrunk, ma' invite a Piteans Stream,
Not to Lament, but to extinguish them,
Thy fancies Mettal, and thy stream's much higher,
Proof 'gainst their wit, and what that dreads the Fire.

The other of Mr. John Ford on the Northern Lass.

Poets and Painters curiously compar'd
Give life to Fancy, and Atchieve reward,
By immortality of name, so thrives
Arts Glory, that All, which it breaths on lives.
Witness this Northern Piece, The Court affords
No newer Fashion, or for wit, or words.
The Body of the Plot is drawn so fair,
That the Souls language quickens with fresh Air.
This well Limb'd Poem, by no rule, or thought
Too dearly priz'd, being or sold, or bought.

We could also produce you Ben. Johnsons Verses, with other of the prime Wits of those times; but we think these sufficient to shew in what respect he was held by the best Judgments of that Age.


ROBERT CHAMBERLAIN.

This Robert Chamberlain is also remembred amongst the Dramatick Writers of that time for two Plays which he wrote; the Swaggering Damosel, a Comedy: and Sicelides a Pastoral. There was also one W. Chamberlain who wrote a Comedy called Loves Victory.


WILLIAM SAMPSON.

About the same time also Flourisht William Sampson, who wrote of himself two Tragedies; The Vow Breaker, and the Valiant Scot: and joyned with Markham a Tragedy called Herod and Antipater, and how to choose a good Wife from a Bad, a Tragi-Comedy.


GEORGE SANDYS, Esquire.

This worthy Gentleman was youngest Son of Edwin Sandys Arch-Bishop of York, and born at Bishops Throp in that County. He having good Education, proved a most Accomplished Gentleman, and addicting his mind to Travel, went as far as the Sepulcher at Jerusalem; the rarities whereof, as also those of Ægypt, Greece, and the remote parts of Italy: He hath given so lively a Description, as may spare others Pains in going thither to behold them; none either before or after him having more lively and truly described them. He was not like to many of our English Travellers, who with their Breath Suck in the vices of other Nations, and instead of improving their Knowledge, return knowing in nothing but what they were ignorant of, or else with Tom. Coriat take notice only of Trifles and Toyes, such Travellers as he in his most excellent Book takes notice of, the one sayes he

Do Toyes divulge——

The other carried on in the latter part of the Distick.

——Still add to what they hear,
And of a Mole-hill do a Mountain rear.

But his Travels were not only painful, but profitable, living piously, and by that means having the blessing of God attending on his endeavours, making a holy use of his viewing those sacred places which he saw Jerusalem; Take an instance upon his sight of that place where the three wise men of the East offered their Oblations to our Saviour.

Three Kings to th' King of Kings three gifts did bring,
Gold, Incense, Myrrh, as Man, as God, as King;
Three holy gifts be likewise given by thee
To Christ, even such as acceptable be;
For Myrhah, Tears; for Frankincense impart
Submissive Prayers; for pure Gold, a pure Heart.

He most elegantly translated Ovid his Metamorphosis into English Verse, so that as the Soul of Aristotle was said to have transfigured into Thomas Aquinas, so might Ovid's Genius be said to have passed into Mr. Sandys, rendring it to the full heighth, line for line with the Latin, together with most excellent Annotations upon each Fable. But his Genius directed him most to divine subjects, writing a Paraphrase on the Book of Job, Psalms, Ecclesiastes, Canticles, &c. as also a divine Tragedy on Christs Passion. He lived to be a very aged man, having a youthful Soul in a decayed Body, and died about the year 1641.


Sir JOHN SUCKLING.

Sir John Suckling, in his time, the delight of the Court and darling of the Muses, was one so filled with Phoebean fire, as for excellency of his wit, was worthy to be Crowned with a Wreath of Stars, though some attribute the strength of his lines to favour more of the Grape than the Lamp; Indeed he made it his Recreation, not his Study, and did not so much seek fame as it was put upon him: In my mind he gives the best Character of himself in those Verses of his in the Sessions of the Poets:

Suckling next was call'd, but did not appear,
But strait one whisper'd Apollo i'th' ear,
That of all men living he cared not for't,
He lov'd not the Muses so well as his sport.
And prized black eyes, or a lucky hit
At Bowles, above all the Trophies of wit.
But Apollo was angry, and publickly said,
Twere fit that a fine were set upon's head.

Besides his Poems, he wrote three Plays, the Goblins a Comedy, Brenovalt a Tragedy, and Aglaura a Tragi-Comedy. He was a loyal person to his Prince, and in that great defection of Scotch Loyalty in 1639. freely gave the King a hundred Horses. And for his Poems, I shall conclude with what the Author of his Epistle to the Reader saies of them, It had been a Prejudice to posterity, and an injury to his own Ashes, should they have slept in Oblivion.


Mr. WILLIAM HABINGTON.

He was one of a quick wit and fluent language, whose Poems coming forth above thirty years ago, under the Title of Castara, gained a general fame and estimation, and no wonder, since that human Goddess by him so celebrated, was a person of such rare endowments as was worthy the praises bestowed upon her, being a person of Honour as well as Beauty, to which was joyned a vertuous mind, to make her in all respects compleat. He also wrote the History of the Reign of King Edward the Fourth, and that in a style sufficiently florid, yet not altogether pleasing the ear, but as much informing the mind, so that we may say of that Kings Reign, as Mr. Daniel saith in his Preface to his History of England, That there was never brought together more of the main. He also wrote a Tragi-Comedy, called, the Queen of Arragon, which as having never seen, I can give no great account of it.


Mr. FRANCIS QUARLES.

Francis Quarles, son to James Quarles, Esq; was born at Stewards at the Parish of Rumford, in the County of Essex, and was bred up in the University of Cambridge, where he became intimately acquainted with Mr. Edward Benlowes, and Mr. Phineas Fletcher, that Divine Poet and Philosopher, on whose most excellent Poem of the Purple Island, hear these Verses of Mr. Quarles, which if they be as delightful to you in the reading, as to me in the writing, I question not but they will give you content.

Mans Body's like a House, his greater Bones
Are the main Timber; and the lesser ones
Are smaller splints: his ribs are laths daub'd o're
Plaister'd with flesh and blood: his mouth's the door,
His throat's the narrow entry, and his heart
Is the great Chamber, full of curious art:
His midriff is a large Partition-wall
'Twixt the great Chamber, and the spacious Hall:
His stomach is the Kitchin, where the meat
Is often but half sod for want of heat:
His Spleen's a vessel Nature does allot
To take the skum that rises from the Pot:
His lungs are like the bellows, that respire
In every Office, quickning every fire:
His Nose the Chimny is, whereby are vented
Such fumes as with the bellowes are augmented:
His bowels are the sink, whose part's to drein
All noisom filth, and keep the Kitchin clean:
His eyes are Christal windows, clear and bright;
Let in the object and let out the sight.
And as the Timber is or great, or small,
Or strong, or weak, 'tis apt to stand or fall:
Yet is the likeliest Building sometimes known
To fall by obvious chances; overthrown
Oft times by tempests, by the full mouth'd blasts
Of Heaven; sometimes by fire; sometimes it wafts
Through unadvis'd neglect: put case the stuff
Were ruin-proof, by nature strong enough
To conquer time, and age; put case it should
Nere know an end, alas, our Leases would;
What hast thou then, proud flesh and blood, to boast
Thy daies are evil, at best; but few, at most;
But sad, at merriest; and but weak, at strongest;
Unsure, at surest; and but short, at longest.

He afterwards went over into Ireland, where he became Secretary to the Reverend James Usher, Arch-bishop of Armagh: one suitable to his disposition, having a Genius byassed to Devotion; Here at leisure times did he exercise himself in those ravishing delights of Poetry, but (alwaies with the Psalmist) his heart was inditing a good matter; these in time produced those excellent works of his, viz. his Histories of Jonas, Esther, Job, and Sampson; his Sions Songs and Sions Elegies, also his Euchyridion, all of them of such a heavenly strain, as if he had drank of Jordan instead of Helicon, and slept on Mount Olivet for his Pernassus. He had also other excursions into the delightful walks of Poetry, namely, his Argulus and Parthenia, a Science (as he himself saith) taken out of Sir Philip Sidney's Orchard, likewise his Epigrams, Shepherds Oracles, Elegies on several persons, his Hierogliphicks, but especially his Emblems, wherein he hath Out-Alciated Alcialus himself. There hath been also acted a Comedy of his called, The Virgin Widdow, which passed with no ordinary applause. But afterwards the Rebellion breaking forth in Ireland (where his losses were very great) he was forced to come over; and being a true Loyalist to his Soveraign, was again plundred of his Estate here, but what he took most to heart (for as for his other losses he practiced the patience of Job he had described) was his being plundred of his Books, and some rare Manuscripts which he intended for the Press, the loss of which, as it is thought, facilitated his death, which happned about the year of our Lord, 1643. to whose memory one dedicated these lines by way of Epitaph.