The Lives of the Poets of Great Britain and Ireland (1753) Volume II.

Thomas Nabbes.

[25] The following are his plays;

1. The Bride, a Comedy; acted in the Year 1638 at a private House in Drury-Lane by their Majesty's Servants, printed 4to. 1640.
2. Covent Garden, a Comedy; acted in the Year 1632.
3. Hannibal and Scipio, an Historical Tragedy, acted in the year 1635.
4. Microcosmus, a Moral Masque, represented at a private house in Salisbury Court, printed 1637.
5. Spring's Glory, Vindicating Love by Temperance, against the Tenet, Sine Cerere & Baccho friget Venus; moralized in a Masque. With other Poems, Epigrams, Elegies, and Epithalamiums of the author's, printed in 4to, London, 1638. At the end of these poems is a piece called A Presentation, intended for the Prince's Birth day, May 29, 1638, annually celebrated.
6. Tottenham-Court, a Comedy, acted in the year 1633, at a private house in Salisbury Court, printed in 4to. 1638.
7. Unfortunate Lovers, a Tragedy, never acted, printed in 4to. London, 1640.

Mr. Philips and Mr. Winstanley, according to their old custom, have ascribed two other anonymous plays to our author: The Woman Hater Arraigned, a Comedy, and Charles the First, a Tragedy, which Langbaine has shewn not to be his.

James Shirley,

Shirley had unfortunately a large mole upon his left cheek, which much disfigured him, and gave him a very forbidding appearance. Laud observed very justly, that an audience can scarce help conceiving a prejudice against a man whose appearance shocks them, and were he to preach with the tongue of an angel, that prejudice could never be surmounted; besides the danger of women with child fixing their eyes on him in the pulpit, and as the imagination of pregnant women has strange influence on the unborn infants, it is somewhat cruel to expose them to that danger, and by these means do them great injury, as [27] ones fortune in some measure depends upon exterior comeliness[1]. But Shirley, who was resolute to be in orders, left that university soon after, went to Cambridge, there took the degrees in arts, and became a minister near St. Alban's in Hertfordshire; but never having examined the authority, and purity of the Protestant Church, and being deluded by the sophistry of some Romish priests, he changed his religion for theirs[2], quitted his living, and taught a grammar school in the town of St. Alban's; which employment he finding an intolerable drudgery, and being of a fickle unsteady temper, he relinquished it, came up to London, and took lodgings in Gray's Inn, where he commenced a writer for the stage with tolerable success. He had the good fortune to gain several wealthy and beneficent patrons, especially Henrietta Maria the Queen Consort, who made him her servant.

When the civil war broke out, he was driven from London, and attended upon his Royal Mistress, while his wife and family were left in a deplorable condition behind him. Some time after that, when the Queen of England was forced, by the fury of opposition, to sollicit succours from France, in order to reinstate her husband; our author could no longer wait upon her, and was received into the service of William Cavendish, marquis of Newcastle, to take his fortune with him in the wars. That noble spirited patron had given him such distinguishing marks of his liberality, as Shirley thought himself happy in his service, especially as by these means he could at the same time serve the King.

Having mentioned Henrietta Maria, Shirley's Royal Mistress, the reader will pardon a digression, which flows from tenderness, and is no more than an expression of humanity. Her life-time in England [28] was embittered with a continued persecution; she lived to see the unhappy death of her Lord; she witnessed her exiled sons, not only oppressed with want, but obliged to quit France, at the remonstrance of Cromwel's ambassador; she herself was loaded with poverty, and as Voltaire observes, "was driven to the most calamitous situation that ever poor lady was exposed to; she was obliged to sollicit Cromwel to pay her an allowance, as Queen Dowager of England, which, no doubt, she had a right to demand; but to demand it, nay worse, to be obliged to beg it of a man who shed her Husband's blood upon a scaffold, is an affliction, so excessively heightened, that few of the human race ever bore one so severe."

After an active service under the marquis of Newcastle, and the King's cause declining beyond hope of recovery, Shirley came again to London, and in order to support himself and family, returned his former occupation of teaching a school, in White Fryars, in which he was pretty successful, and, as Wood says, 'educated many ingenious youths, who, afterwards in various faculties, became eminent.' After the Restoration, some of the plays our author had written in his leisure moments, were represented with success, but there is no account whether that giddy Monarch ever rewarded him for his loyalty, and indeed it is more probable he did not, as he pursued the duke of Lauderdale's maxim too closely, of making friends of his enemies, and suffering his friends to shift for themselves, which infamous maxim drew down dishonour on the administration and government of Charles II. Wood further remarks, that Shirley much assisted his patron, the duke of Newcastle, in the composition of his plays, which the duke afterwards published, and was a drudge to John Ogilby in his translation of Homer's Iliad [29] and Odysseys, by writing annotations on them. At length, after Mr. Shirley had lived to the age of 72, in various conditions, having been much agitated in the world, he, with his second wife, was driven by the dismal conflagration that happened in London, Anno 1666, from his habitation in Fleet-street, to another in St. Giles's in the Fields. Where, being overcome with miseries occasioned by the fire, and bending beneath the weight of years, they both died in one day, and their bodies were buried in one grave, in the churchyard of St. Giles's, on October 29, 1666.

The works of this author

1. Changes, or Love in a Maze, a Comedy, acted at a private house in Salisbury Court, 1632.
2. Contention for Honour and Riches, a Masque, 1633.
3. Honoria and Mammon, a Comedy; this Play is grounded on the abovementioned Masque.
4. The Witty Fair One, a Comedy, acted in Drury Lane, 1633.
5. The Traitor, a Tragedy, acted by her Majesty's servants, 1635. This Play was originally written by Mr. Rivers, a jesuit, but altered by Shirley.
6. The Young Admiral, a Tragi-Comedy, acted at a private house in Drury Lane, 1637.
7. The Example, a Tragi-Comedy, acted in Drury Lane by her Majesty's Servants, 1637.
8. Hyde Park, a Comedy, acted in Drury Lane, 1637.
9. The Gamester, a Comedy, acted in Drury Lane, 1637; the plot is taken from Queen Margate's Novels, and the Unlucky Citizen.
10. The Royal Master, a Tragi-Comedy, acted at the Theatre in Dublin, 1638.
11. [30] The Duke's Mistress, a Tragi-Comedy, acted by her Majesty's servants, 1638.
12. The Lady of Pleasure, a Comedy, acted at a private house in Drury Lane, 1638.
13. The Maid's Revenge, a Tragedy, acted at a private house in Drury Lane, with applause, 1639.
14. Chabot, Admiral of France, a Tragedy, acted in Drury Lane, 1639; Mr. Chapman joined in this play; the story may be found in the histories of the reign of Francis I.
15. The Ball, a Comedy, acted in Drury Lane, 1639; Mr. Chapman likewise assisted in this Comedy.
16. Arcadia, a Dramatic Pastoral, performed at the Phænix in Drury Lane by the Queen's servants, 1649.
17. St. Patrick for Ireland, an Historical Play, 1640; for the plot see Bedes's Life of St. Patrick, &c.
18. The Humorous Courtier, a Comedy, presented at a private house in Drury Lane, 1640.
19. Love's Cruelty, a Tragedy, acted by the Queen's servants, 1640.
20. The Triumph of Beauty, a Masque, 1646; part of this piece seems to be taken from Shakespear's Midsummer's Night's Dream, and Lucian's Dialogues.
21. The Sisters, a Comedy, acted at a private house in Black Fryars, 1652.
22. The Brothers, a Comedy, 1652.
23. The Doubtful Heir, a Tragi-Comedy, acted at Black Fryars, 1652.
24. The Court Secret, a Tragi-Comedy, acted at a private house in Black Fryars, 1653, dedicated to the Earl of Strafford; this play was printed before it was acted.
25. The Impostor, a Tragi-Comedy, acted at a private house in Black Fryars, 1653.
26. [31] The Politician, a Tragedy, acted in Salisbury Court, 1655; part of the plot is taken from the Countess of Montgomery's Urania.
27. The Grateful Servant, a Tragi-Comedy, acted at a private house in Drury Lane, 1655.
28. The Gentleman of Venice, a Tragi-Comedy, acted at a private house in Salisbury Court. Plot taken from Gayron's Notes on Don Quixote.
29. The Contention of Ajax and Ulysses for Achilles's Armour, a Masque, 1658. It is taken from Ovid's Metamorphosis, b. xiii.
30. Cupid and Death, a Masque, 1658.
31. Love Tricks, or the School of Compliments, a Comedy, acted by the Duke of York's servants in little Lincoln's-Inn-Fields, 1667.
32. The Constant Maid, or Love will find out the Way, a Comedy, acted at the New House called the Nursery, in Hatton Garden, 1667.
33. The Opportunity, a Comedy, acted at the private house in Drury Lane by her Majesty's servants; part of this play is taken from Shakespear's Measure for Measure.
34. The Wedding, a Comedy, acted at the Phænix in Drury Lane.
35. A Bird in a Cage, a Comedy, acted in Drury Lane.
36. The Coronation, a Comedy. This play is printed with Beaumont's and Fletcher's.
37. The Cardinal, a Tragedy, acted at a private house in Black Fryars.
38. The Triumph of Peace, a Masque, presented before the King and Queen at Whitehall, 1633, by the Gentlemen of the Four Inns of Court.

We shall present the reader with a quotation taken from a comedy of his, published in Dodsley's collection of old plays, called A Bird in a Cage, p. 234. Jupiter is introduced thus speaking,

James Howel, Esq;

Was born at Abernant in Carmarthenshire, the place where his father was minister, in the year 1594[1]. Howel himself, in one of his familiar epistles, says, that his ascendant was that hot constellation of Cancer about the middle of the Dog Days. After he was educated in grammar learning in the free school of Hereford, he was sent to Jesus College in the beginning of 1610, took a degree in arts, and then quitted the university. By the help of friends, and a small sum of money his father assisted him with, he travelled for three years into several countries, where he improved himself in the various languages; some years after his return, the reputation of his [33] parts was so great, that he was made choice of to be sent into Spain, to recover of the Spanish monarch a rich English ship, seized by the Viceroy of Sardinia for his master's use, upon some pretence of prohibited goods being found in it.

During his absence, he was elected Fellow of Jesus College, 1623, and upon his return, was patronized by Emanuel, lord Scroop, Lord President of the North, and by him was made his secretary[2]. As he resided in York, he was, by the Mayor and Aldermen of Richmond, chose a Burgess for their Corporation to sit in that Parliament, that began at Westminster in the year 1627. Four years after, he went secretary to Robert, earl of Leicester, ambassador extraordinary from England to the King of Denmark, before whom he made several Latin speeches, shewing the occasion of their embassy, viz. to condole the death of Sophia, Queen Dowager of Denmark, Grandmother to Charles I. King of England.

Our author enjoyed many beneficial employments, and at length, about the beginning of the civil war, was made one of the clerks of the council, but being extravagant in his temper, all the money he got was not sufficient to preserve him from a Jail. When the King was forced from the Parliament, and the Royal interest declined, Howel was arrested; by order of a certain committee, who owed him no good-will, and carried prisoner to the Fleet; and having now nothing to depend upon but his wits, he was obliged to write and translate books for a livelihood, which brought him in, says Wood, a comfortable subsistance, during his stay there; he is the first person we have met with, in the course of this work, who may be said to have made a trade of authorship, having written no less than 49 books on different subjects.

[34] In the time of the rebellion, we find Howel tampering with the prevailing power, and ready to have embraced their measures; for which reason, at the reiteration, he was not continued in his place of clerk to the council, but was only made king's historiographer, being the first in England, says Wood, who bore that title; and having no very beneficial employment, he wrote books to the last.

He had a great knowledge in modern histories, especially in those of the countries in which he had travelled, and he seems, by his letters, to have been no contemptible politician: As to his poetry, it is smoother, and more harmonious, than was very common with the bards of his time.

As he introduced the trade of writing for bread, so he also is charged with venal flattery, than which nothing can be more ignoble and base. To praise a blockhead's wit because he is great, is too frequently practised by authors, and deservedly draws down contempt upon them. He who is favoured and patronized by a great man, at the expence of his integrity and honour, has paid a dear price for the purchase, a miserable exchange, patronage for virtue, dependance for freedom.

Our author died the beginning of November, 1666, and was buried on the North side of the Temple church.

We shall not trouble the reader with an enumeration of all the translations and prose works of this author; the occasion of his being introduced here, is, his having written

Nuptials of Peleus and Thetis, consisting of a Masque and a Comedy, for the Great Royal Ball, acted in Paris six times by the King in person, the Duke of Anjou, the Duke of York, with other Noblemen; also by the Princess Royal, Henrietta [35] Maria, Princess of Conti, &c. printed in 4to. 1654, and addressed to the Marchioness of Dorchester. Besides this piece, his Dodona's Grove, or Vocal Forest, is in the highest reputation.

His entertaining letters, many of whom were written to the greatest personages in England, and some in particular to Ben Johnson, were first published in four volumes; but in 1737, the tenth edition of them was published in one volume, which is also now become scarce. They are interspersed with occasional verses; from one of these little pieces we shall select the following specimen of this author's poetical talent.

Sir Richard Fanshaw

Was the youngest, and tenth son of Sir Henry Fanshaw of Ware-park in Hertfordshire; he was born in the year 1607, and was initiated in learning by the famous Thomas Farnaby. He afterwards compleated his studies in the university of Cambridge, and from thence went to travel into foreign countries, by which means he became a very accomplished gentleman. In 1635 he was patronized by King Charles I. on account of his early and promising abilities; he took him into his service, and appointed him resident at the court of Spain[1]. During his embassy there, his chief business was, to demand reparation [37] and punishment of some free-booters, who had taken ships from the English, and to endeavour the restoration of amity, trade and commerce.

When the civil war broke out, he returned to England, having accomplished the purposes of his embassy abroad, and attached himself with the utmost zeal to the Royal Standard; and during those calamitous times was intrusted with many important matters of state.

In 1644, attending the court at Oxford, the degree of Doctor of Civil Laws was conferred upon him[2], and the reputation of his parts every day increasing, he was thought a proper person to be secretary to Charles, Prince of Wales, whom he attended into the Western parts of England, and from thence into the Isles of Scilly and Jersey.

In 1648 he was appointed treasurer of the navy, under the command of Prince Rupert, in which office he continued till the year 1650, when he was created a baronet by King Charles II. and sent envoy extraordinary to the court of Spain. Being recalled thence into Scotland, where the King then was, he served there in quality of secretary of state, to the satisfaction of all parties, notwithstanding he refused to take the covenant engagements, which Charles II. forced by the importunity of the Presbyterians, entered into, with a resolution to break them. In 1651 he was made prisoner at the battle of Worcester and committed to close custody in London, where he continued, 'till his confinement introduced a very dangerous sickness; he then had liberty granted him, upon giving bail, to go for the recovery of his health, into any place he should chuse, provided he stirred not five miles from thence, without leave from the Parliament.

In February, 1659, he repaired to the King at [38] Breda, who knighted him the April following. Upon his Majesty's reiteration, it was expected, from his great services, and the regard the King had for him, that he would have been made secretary of state, but at that period there were so many people's merits to repay, and so great a clamour for preferment, that Sir Richard was disappointed, but had the place of master of requests conferred on him, a station, in those times, of considerable profit and dignity.

On account of his being a good Latin scholar, he was also made a secretary for that tongue[3]. In 1661, being one of the burgesses for the university of Cambridge, he was sworn a privy counsellor for Ireland, and having by his residence in foreign parts, qualified himself for public employment, he was sent envoy extraordinary to Portugal, with a dormant commission to the ambassador, which he was to make use of as occasion should require. Shortly after, he was appointed ambassador to that court, where he negotiated the marriage between his master King Charles II. and the Infanta Donna Catharina, daughter to King John VI. and towards the end of the same year he returned to England. We are assured by Wood, that in the year 1662, he was sent again ambassador to that court, and when he had finished his commission, to the mutual satisfaction of Charles II. and Alphonso King of Portugal, being recalled in 1663, he was sworn one of his Majesty's Privy Council. In the beginning of the year 1644 he was sent ambassador to Philip IV. King of Spain, and arrived February 29 at Cadiz, where he met with a very extraordinary and unexpected salutation, and was received with some circumstances of particular esteem. It appears from one of Sir Richard's letters, that this distinguishing respect was paid him, not only on his own, but on his [39] master's account; and in another of his letters he discovers the secret why the Spaniard yielded him, contrary to his imperious proud nature, so much honour, and that is, that he expected Tangier and Jamaica to be restored to him by England, which occasioned his arrival to be so impatiently longed for, and magnificently celebrated. During his residence at this court King Philip died, September 17, 1665, leaving his son Charles an infant, and his dominions under the regency of his queen, Mary Anne, daughter of the emperor Ferdinand III. Sir Richard taking the advantage of his minority, put the finishing hand to a peace with Spain, which was sufficiently tired and weakened with a 25 years war, for the recovery of Portugal, which had been dismembered from the Spanish crown in 1640; the treaty of peace was signed at Madrid December 6, 1665. About the 14th of January following, his excellency took a journey into Portugal, where he staid till towards the end of March; the design of his journey certainly was to effect an accommodation between that crown and Spain, which however was not produced till 1667, by the interposition of his Britannic Majesty. Our author having finished his commission was preparing for his return to England, when June 4, 1666, he was seized at Madrid with a violent fever, which put an end to his valuable life, the 16th of the same month, the very day he intended to set out for England: his body being embalmed, it was conveyed by his lady, and all his children, then living, by land to Calais, and so to London, whence being carried to All Saints church in Hertford, it was deposited in the vault of his father-in-law, Sir John Harrison. The Author of the Short Account of his Life, prefixed to his letters, says, 'that he was remarkable for his meekness, sincerity, humanity and piety, and also was an able statesman and a great [40] scholar, being in particular a compleat master of several modern languages, especially the Spanish, which he spoke and wrote with as much advantage, as if he had been a native.' By his lady, eldest daughter of Sir John Harrison, he had six sons, and eight daughters, whereof only one son and four daughters survived him.

The following is an account of his works,

1. An English Translation in Rhyme, of the celebrated Italian Pastoral, called Il Pastor Fido, or the Faithful Shepherd, written originally by Battista Guarini, printed in London, 1644 in 4to. and 1664 8vo.
2. A Translation from English into Latin Verse, of the Faithful Shepherders, a Pastoral, written originally by John Fletcher, Gent. London, 1658.
3. In the octavo edition of the Faithful Shepherd, Anno 1664, are inserted the following Poems of our author, viz. 1st, An Ode upon the Occasion of his Majesty's Proclamation, 1630, commanding the Gentry to reside upon their Estates in the Country. 2d, A Summary Discourse of the Civil Wars of Rome, extracted from the best Latin Writers in Prose and Verse. 3d, An English Translation of the Fourth Book of Virgil's Æneid on the Loves of Dido and Æneas. 4th, Two Odes out of Horace, relating to the Civil Wars of Rome, against covetous, rich Men.
4. He translated out of Portuguese into English, The Lusiad, or Portugal's Historical Poem, written originally by Luis de Camoens, London, 1655, &c. folio.

After his decease, namely, in 1671, were published these two posthumous pieces of his in 4to, Querer per solo Querer, To Love only for Love's sake, a Dramatic Romance, represented before the King and Queen of Spain, and Fiestas de Aranjuez, [41] Festivals at Aranjuez: both written originally in Spanish, by Antonio de Mendoza, upon occasion of celebrating the Birth-day of King Philip IV. in 1623, at Aranjuez; they were translated by our author in 1654, during his confinement at Taukerley-park in Yorkshire, which uneasy situation induced him to write the following stanzas on this work, which are here inserted, as a specimen of his versification.

We are told that he composed several other things remaining still in manuscript, which he had not leisure to compleat; even some of the printed pieces have not all the finishing so ingenious an author could have bestowed upon them; for as the writer of his Life observes, 'being, for his loyalty and zeal to his Majesty's service, tossed from place to place, and from country to country, during the unsettled times of our anarchy, some of his [42] Manuscripts falling into unskilful hands, were printed and published without his knowledge, and before he could give them the last finishing strokes.' But that was not the case with his Translation of the Pastor Fido, which was published by himself, and applauded by some of the best judges, particularly Sir John Denham, who after censuring servile translators, thus goes on,

Abraham Cowley

Was the son of a Grocer, and born in London, in Fleet-street, near the end of Chancery Lane, in the year 1618. His mother, by the interest of her friends, procured him to be admitted a King's scholar in Westminster school[1]; his early inclination to poetry was occasioned by reading accidentally Spencer's Fairy Queen, which, as he himself gives an account, 'used to lye in his mother's parlour, he knew not by what accident, for she read no books but those of devotion; the knights, giants, and monsters filled his imagination; he read the whole over before he was 12 years old, and was made a poet, as immediately as a child is made an eunuch.'

In the 16th year of his age, being still at Westminster school, he published a collection of poems, [43] under the title of Poetical Blossoms, in which there are many things that bespeak a ripened genius, and a wit, rather manly than puerile. Mr. Cowley himself has given us a specimen in the latter end of an ode written when he was but 13 years of age. 'The beginning of it, says he, is boyish, but of this part which I here set down, if a very little were corrected, I should not be much ashamed of it.' It is indeed so much superior to what might be expected from one of his years, that we shall satisfy the reader's curiosity by inserting it here.

It is remarkable of Mr. Cowley, as he himself tells us, that he had this defect in his memory, that his teachers could never bring him to retain the ordinary rules of grammar, the want of which, however, he abundantly supplied by an intimate acquaintance with the books themselves, from whence those rules had been drawn. In 1636 he was removed to Trinity College in Cambridge, being elected a scholar of that house[2]. His exercises of all kinds were highly applauded, with this peculiar praise, that they were fit, not only for the obscurity of an academical life, but to have made their appearance on the true theatre of the world; and there he laid the designs, and formed the plans of most of the masculine, and excellent attempts he afterwards happily finished. In 1638 he published his Love's Riddle, written at the time of his being a scholar in Westminster school, and dedicated by a copy of verses to Sir Kenelm Digby. He also wrote a Latin Comedy entitled Naufragium Joculare, or the Merry Shipwreck. The first occasion of his entering into business, was, an elegy he wrote on the death of Mr. William Harvey, which introduced him to the acquaintance of Mr. John Harvey, the brother of his deceased friend, from whom he received many offices of kindness through the whole course of his life[3]. In 1643, being then master of arts, he was, among many others, ejected his college, and the university; whereupon, retiring to Oxford, he settled [45] in St. John's College, and that same year, under the name of a scholar of Oxford, published a satire entitled the Puritan and the Papist. His zeal in the Royal cause, engaged him in the service of the King, and he was present in many of his Majesty's journies and expeditions; by this means he gained an acquaintance and familiarity with the personages of the court and of the gown, and particularly had the entire friendship of my lord Falkland, one of the principal secretaries of state.

During the heat of the civil war, he was settled in the family of the earl of St. Alban's, and accompanied the Queen Mother, when she was obliged to retire into France. He was absent from his native country, says Wood, about ten years, during which time, he laboured in the affairs of the Royal Family, and bore part of the distresses inflicted upon the illustrious Exiles: for this purpose he took several dangerous journies into Jersey, Scotland, Flanders, Holland, and elsewhere, and was the principal instrument in maintaining a correspondence between the King and his Royal Consort, whose letters he cyphered and decyphered with his own hand.

His poem called the Mistress was published at London 1647, of which he himself says, "That it was composed when he was very young. Poets (says he) are scarce thought free men of their company, without paying some duties and obliging themselves to be true to love. Sooner or later they must all pass through that trial, like some Mahometan monks, who are bound by their order once at least in their life, to make a pilgrimage to Mecca. But we must not always make a judgment of their manners from their writings of this kind, as the Romanists uncharitably do of Beza for a few lascivious [46] sonnets composed by him in his youth. It is not in this sense that poetry is said to be a kind of painting: It is not the picture of the poet, but of things, and persons imagined by him. He may be in his practice and disposition a philosopher, and yet sometimes speak with the softness of an amorous Sappho. I would not be misunderstood, as if I affected so much gravity as to be ashamed to be thought really in love. On the contrary, I cannot have a good opinion of any man who is not at least capable of being so."

What opinion Dr. Sprat had of Mr. Cowley's Mistress, appears by the following passage extracted from his Life of Cowley. "If there needed any excuse to be made that his love-verses took up so great a share in his works, it may be alledged that they were composed when he was very young; but it is a vain thing to make any kind of apology for that sort of writing. If devout or virtuous men will superciliously forbid the minds of the young to adorn those subjects about which they are most conversant, they would put them out of all capacity of performing graver matters, when they come to them: for the exercise of all men's wit must be always proper for their age, and never too much above it, and by practice and use in lighter arguments, they grow up at last to excell in the most weighty. I am not therefore ashamed to commend Mr. Cowley's Mistress. I only except one or two expressions, which I wish I could have prevailed with those that had the right of the other edition to have left out; but of all the rest, I dare boldly pronounce, that never yet was written so much on a subject so delicate, that can less offend the severest rules of morality. The whole passion of love is intimately described by all its [47] mighty train of hopes, joys and disquiets. Besides this amorous tenderness, I know not how in every copy there is something of more useful knowledge gracefully insinuated; and every where there is something feigned to inform the minds of wise men, as well as to move the hearts of young men or women."

Our author's comedy, named the Guardian, he afterwards altered, and published under the title of the Cutter of Coleman-Street. Langbaine says, notwithstanding Mr. Cowley's modest opinion of this play, it was acted not only at Cambridge, but several times afterwards privately, during the prohibition of the stage, and after the King's return publickly at Dublin; and always with applause. It was this probably that put the author upon revising it; after which he permitted it to appear publickly on the stage under a new title, at his royal highness the Duke of York's theatre. It met with opposition at first from some who envied the author's unshaken loyalty; but afterwards it was acted with general applause, and was esteemed by the critics an excellent comedy.

In the year 1656 it was judged proper by those on whom Mr. Cowley depended, that he should come over into England, and under pretence of privacy and retirement, give notice of the situation of affairs in this nation. Upon his return he published a new edition of all his poems, consisting of four parts, viz.

1. Miscellanies.
2. The Mistress; or several copies of love-verses.
3. Pindarique Odes, written in imitation of the stile and manner of Pindar.
4. Davedeis, a sacred poem of the troubles of David in four books.

[48] "Which, says Dr. Sprat, was written in so young an age, that if we shall reflect on the vastness of the argument, and his manner of handling it, he may seem like one of the miracles that he there adorns; like a boy attempting Goliah. This perhaps, may be the reason, that in some places, there may be more youthfulness and redundance of fancy, than his riper judgement would have allowed. But for the main of it I will affirm, that it is a better instance and beginning of a divine poem, than ever I yet saw in any language. The contrivance is perfectly ancient, which is certainly the true form of an heroic poem, and such as was never yet done by any new devices of modern wits. The subject was truly divine, even according to God's own heart. The matters of his invention, all the treasures of knowledge and histories of the bible. The model of it comprehended all the learning of the East. The characters lofty and various; the numbers firm and powerful; the digressions beautiful and proportionable. The design, to submit mortal wit to heavenly truths. In all, there is an admirable mixture of human virtues and passions with religious raptures. The truth is, continues Dr. Sprat, methinks in other matters his wit exceeded all other men's, but in his moral and divine works it out-did itself; and no doubt it proceeded from this cause, that in the lighter kinds of poetry he chiefly represented the humours and affections of others; but in these he sat to himself, and drew the figure of his own mind. We have the first book of the Davideis translated out of English into very elegant Latin by Mr. Cowley himself." Dr. Sprat says of his Latin poetry, "that he has expressed to admiration all the numbers of verse and figures of poetry, [49] that are scattered up and down amongst the ancients; and that there is hardly to be found in them any good fashion of speech, or colour of measure; but he has comprehended it, and given instances of it, according as his several arguments required either a majestic spirit, or passionate, or pleasant. This he observes, is the more extraordinary, in that it was never yet performed by any single poet of the ancient Romans themselves."

The same author has told us, that the occasion of Mr. Cowley's falling on the pindarique way of writing, was his accidentally meeting with Pindar's works in a place where he had no other books to direct him. Having thus considered at leisure the heighth of his invention, and the majesty of his stile, he tried immediately to imitate it in English, and he performed it, says the Dr. without the danger that Horace presaged to the man that should attempt it. Two of our greatest poets, after allowing Mr. Cowley to have been a successful imitator of Pindar, yet find fault with his numbers. Mr. Dryden having told us, that our author brought Pindaric verse as near perfection as possible in so short a time, adds, "But if I may be allowed to speak my mind modestly, and without injury to his sacred ashes, somewhat of the purity of English, somewhat of more sweetness in the numbers, in a word, somewhat of a finer turn and more lyrical verse is yet wanting;" and Mr. Congreve having excepted against the irregularity of the measure of the English Pindaric odes, yet observes, "that the beauty of Mr. Cowley's verses are an attonement for the irregularity of his stanzas; and tho' he did nor imitate Pindar in the strictness of his numbers, he has very often happily copied him in the force of his figures, and sublimity of his stile and sentiments."

[50] Soon after his return to England, he was seized upon thro' mistake; the search being intended after another gentleman of considerable note in the King's party. The Republicans, who were sensible how much they needed the assistance and coalition of good men, endeavoured sometimes by promises, and sometimes by threatning, to bring our author over to their interest; but all their attempts proving fruitless, he was committed to a severe confinement, and with some difficulty at last obtained his liberty, after giving a thousand pounds bail, which Dr. Scarborough in a friendly manner took upon himself. Under these bonds he continued till Cromwell's death, when he ventured back into France, and there remained, as Dr. Sprat says, in the same situation as before, till near the time of the King's return. This account is a sufficient vindication of Mr. Cowley's unshaken loyalty, which some called in question; and as this is a material circumstance in the life of Cowley, we shall give an account of it in the words of the elegant writer of his life just now mentioned, as it is impossible to set it in a fairer, or more striking light than is already done by that excellent prelate. "The cause of his loyalty being called in question, he tells us, was a few lines in a preface to one of his books; the objection, says he, I must not pass in silence, because it was the only part of his life that was liable to misinterpretation, even by the confession of those that envied his fame.

"In this case it were enough to alledge for him to men of moderate minds, that what he there said was published before a book of poetry; and so ought rather to be esteemed as a problem of his fancy and invention, than as a real image of his judgement; but his defence in this matter may be laid on a surer [51] foundation. This is the true reason to be given of his delivering that opinion: Upon his coming over he found the state of the royal party very desperate. He perceived the strength of their enemies so united, that till it should begin to break within itself, all endeavours against it were like to prove unsuccessful. On the other side he beheld their zeal for his Majesty's cause to be still so active, that often hurried them into inevitable ruin. He saw this with much grief; and tho' he approved their constancy as much as any man living, yet he found their unreasonable shewing it, did only disable themselves, and give their adversaries great advantages of riches and strength by their defeats. He therefore believed it would be a meritorious service to the King, if any man who was known to have followed his interest, could insinuate into the Usurper's minds, that men of his principles, were now willing to be quiet, and could persuade the poor oppressed Royalists to conceal their affections for better occasions. And as for his own particular, he was a close prisoner when he writ that against which the exception is made; so that he saw it was impossible for him to pursue the ends for which he came hither, if he did not make some kind of declaration of his peaceable intentions. This was then his opinon; and the success of the thing seems to prove that it was not ill-grounded. For certainly it was one of the greatest helps to the King's affairs about the latter end of that tyranny, that many of his best friends dissembled their counsels, and acted the same designs under the disguises and names of other parties. The prelate concludes this account with observing, that, that life must needs be very [52] unblameable, which had been tried in business of the highest consequence, and practised in the hazardous secrets of courts and cabinets, and yet there can nothing disgraceful be produced against it, but only the error of one paragraph, and single metaphor."

About the year 1662, his two Books of Plants were published, to which he added afterwards four more, and all these together, with his Latin poems, were printed in London, 1678; his Books on Plants was written during his residence in England, in the time of the usurpation, the better to distinguish his real intention, by the study of physic, to which he applied.

It appears by Wood's Fasti Oxon. that our poet was created Dr. of Physic at Oxford, December 2, 1657, by virtue of a mandamus from the then government. After the King's restoration, Mr. Cowley, being then past the 4Oth year of his age, the greatest part of which had been spent in a various and tempestuous condition, resolved to pass the remainder of his life in a studious retirement: In a letter to one of his friends, he talks of making a voyage to America, not from a view of accumulating wealth, but there to chuse a habitation, and shut himself up from the busy world for ever. This scheme was wildly romantic, and discovered some degree of vanity, in the author; for Mr. Cowley needed but retire a few miles out of town, and cease from appearing abroad, and he might have been sufficiently secured against the intrusion of company, nor was he of so much consequence as to be forced from his retirement; but this visionary scheme could not be carried into execution, by means of Mr. Cowley's want of money, for he had never been much on the road of gain. Upon the settlement of the peace of the nation, he obtained a competent estate, by the favour of his principal patrons, the duke of Buckingham, and the earl of St. Albans. Thus furnished [53] for a retreat, he spent the last seven or eight years of his life in his beloved obscurity, and possessed (says Sprat) that solitude, which from his very childhood he so passionately desired. This great poet, and worthy man, died at a house called the Porch-house, towards the West end of the town of Chertsey in Surry, July 28, 1667, in the 49th year of his age. His solitude, from the very beginning, had never agreed so well with the constitution of his body, as his mind: out of haste, to abandon the tumult of the city, he had not prepared a healthful situation in the country, as he might have done, had he been more deliberate in his choice; of this, he soon began to find the inconvenience at Barn-elms, where he was afflicted with a dangerous and lingring fever. Shortly after his removal to Chertsey, he fell into another consuming disease: having languished under this for some months, he seemed to be pretty well cured of its ill symptoms, but in the heat of the summer, by staying too long amongst his labourers in the meadows, he was taken with a violent defluxion, and stoppage in his breast and throat; this he neglected, as an ordinary cold, and refused to send for his usual physicians, 'till it was past all remedy, and so in the end, after a fortnight's sickness, it proved mortal to him.

He was buried in Westminster Abbey, the 3d of August following, near the ashes of Chaucer and Spenser. King Charles II. was pleased to bestow upon him the best character, when, upon the news of his death, his Majesty declared, that Mr. Cowley had not left a better man behind him in England. A monument was erected to his memory in May 1675, by George, duke of Buckingham, with a Latin inscription, written by Dr. Sprat, afterwards lord bishop of Rochester.

Besides Mr. Cowley's works already mentioned, we have, by the fame hand, A Proposition for the advancement [54] of Experimental Philosophy. A Discourse, by way of Vision, concerning the Government of Oliver Cromwel, and several Discourses, by way of Essays, in Prose and Verse. Mr. Cowley had designed a Discourse on Stile, and a Review of the Principles of the Primitive Christian Church, but was prevented by death. In Mr. Dryden's Miscellany Poems, we find a poem on the Civil War, said to be written by our author, but not extant in any edition of his works: Dr. Sprat mentions, as very excellent in their kind, Mr. Cowley's Letters to his private friends, none of which were published. As a poet, Mr. Cowley has had tribute paid him from the greatest names in all knowledge, Dryden, Addison, Sir John Denham, and Pope. He is blamed for a redundance of wit, and roughness of verification, but is allowed to have possessed a fine understanding, great reading, and a variety of genius. Let us see how Mr. Addison characterizes him in his Account of the great English Poets.