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The Log School-House on the Columbia

Chapter 9: CHAPTER II.
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Set along the Columbia River, the narrative follows a young immigrant girl and an older pioneer woman as they move through frontier valleys, forests, and mountain vistas. Episodic chapters mix domestic scenes, encounters with wildlife, and community events such as a potlatch with regional folklore, including an indigenous legend of a bereaved chief. The text alternates personal episodes of settlement life and adventure with reflections on cultural contact, and concludes with historical notes that contextualize explorers, trails, and local landmarks.

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Title: The Log School-House on the Columbia

Author: Hezekiah Butterworth

Release date: February 2, 2005 [eBook #14881]
Most recently updated: December 19, 2020

Language: English

Credits: E-text prepared by Emmy and Ben Beasley, Audrey Longhurst, and the Project Gutenberg Online Distributed Proofreading Team

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E-text prepared by Emmy and Ben Beasley, Audrey Longhurst,
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THE

LOG SCHOOL-HOUSE ON

THE COLUMBIA

A TALE OF THE PIONEERS OF THE GREAT NORTHWEST

BY

HEZEKIAH BUTTERWORTH

AUTHOR OF THE ZIGZAG BOOKS

ILLUSTRATED

 

New York
D. Appleton and Company

1890

 

Gretchen at the Potlatch Feast.


 

PREFACE.

A year or more ago one of the librarians in charge of the young people's books in the Boston Public Library called my attention to the fact that there were few books of popular information in regard to the pioneers of the great Northwest. The librarian suggested that I should write a story that would give a view of the heroic lives of the pioneers of Oregon and Washington.

Soon after this interview I met a distinguished educator who had lately returned from the Columbia River, who told me the legend of the old chief who died of grief in the grave of his son, somewhat in the manner described in this volume. The legend had those incidental qualities that haunt a susceptible imagination, and it was told to me in such a dramatic way that I could not put it out of my mind.

A few weeks after hearing this haunting legend I went over the Rocky Mountains by the Canadian Pacific Railway, and visited the Columbia River and the scenes associated with the Indian story. I met in Washington, Yesler, Denney, and Hon. Elwood Evans, the historian; visited the daughter of Seattle, the chief, "Old Angeline"; and gathered original stories in regard to the pioneers of the Puget Sound country from many sources. In this atmosphere the legend grew upon me, and the outgrowth of it is this volume, which, amid a busy life of editorial and other work, has forced itself upon my experience.

H.B.
28 WORCESTER STREET, BOSTON, July 4, 1890.


CONTENTS.

CHAPTER
I. GRETCHEN'S VIOLIN
II. THE CHIEF OF THE CASCADES
III. "BOSTON TILICUM"
IV. MRS. WOODS'S TAME BEAR, LITTLE "ROLL OVER"
V. THE NEST OF THE FISHING EAGLE
VI. THE MOUNTAIN LION
VII. THE "SMOKE-TALK"
VIII. THE BLACK EAGLE'S NEST OF THE FALLS OF THE MISSOURI
IX. GRETCHEN'S VISIT TO THE OLD CHIEF OF THE CASCADES
X. MRS. WOODS MEETS LITTLE "ROLL OVER" AGAIN
XI. MARLOWE MANN'S NEW ROBINSON CRUSOE
XII. OLD JOE MEEK AND MR. SPAULDING
XIII. A WARNING
XIV. THE POTLATCH
XV. THE TRAUMEREI AGAIN
XVI. A SILENT TRIBE
XVII. A DESOLATE HOME AND A DESOLATE PEOPLE
XVIII. THE LIFTED CLOUD--THE INDIANS COME TO THE SCHOOLMASTER

HISTORICAL NOTES.

I. Vancouver
II. The Oregon Trail
III. Governor Stevens
IV. Seattle the Chief
V. Whitman's Ride for Oregon
VI. Mount Saint Helens

LIST OF ILLUSTRATIONS.

PAGE
Gretchen at the Potlatch Feast E.J. Austen Frontispiece
Indians spearing fish at Salmon Falls 16
"Here were mountains grander than Olympus."
The North Puyallup Glacier, Mount Tacoma
28
In the midst of this interview Mrs. Woods
appeared at the door of the cabin.
A.E. Pope 72
The eagle soared away in the blue heavens,
and the flag streamed after him in his talon
84
The Mountain Lion D. Carter Beard 92
An Indian village on the Columbia 130
Afar Loomed Mount Hood 135
A castellated crag arose solitary and solemn 142
At the Cascades of the Columbia 183
Multnomah Falls in earlier years Redrawn by Walter C. Greenough 205
The old chief stood stoical and silent. E.J. Austen 209
Middle block-house at the Cascades 242

THE LOG SCHOOL-HOUSE ON THE COLUMBIA.


CHAPTER I.

GRETCHEN'S VIOLIN.

An elderly woman and a German girl were walking along the old Indian trail that led from the northern mountains to the Columbia River. The river was at this time commonly called the Oregon, as in Bryant's poem:

"Where rolls the Oregon,
And no sound is heard save its own dashings."

The girl had a light figure, a fair, open face, and a high forehead with width in the region of ideality, and she carried under her arm a long black case in which was a violin. The woman had lived in one of the valleys of the Oregon for several years, but the German girl had recently arrived in one of the colonies that had lately come to the territory under the missionary agency of the Rev. Jason Lee.

There came a break in the tall, cool pines that lined the trail and that covered the path with glimmering shadows. Through the opening the high summits of Mount St. Helens glittered like a city of pearl, far, far away in the clear, bright air. The girl's blue eyes opened wide, and her feet stumbled.

"There, there you go again down in the hollow! Haven't you any eyes? I would think you had by the looks of them. Well, Gretchen, they were placed right in the front of your head so as to look forward; they would have been put in the top of your head if it had been meant that you should look up to the sky in that way. What is it you see?"

"Oh, mother, I wish I was—an author."

"An author! What put that into your simple head? You meant to say you would like to be a poet, but you didn't dare to, because you know I don't approve of such things. People who get such flighty ideas into their loose minds always find the world full of hollows. No, Gretchen, I am willing you should play on the violin, though some of the Methody do not approve of that; and that you should finger the musical glasses in the evening—they have a religious sound and soothe me, like; but the reading of poetry and novels I never did countenance, except Methody hymns and the 'Fool of Quality,' and as for the writing of poetry, it is a Boston notion and an ornary habit. Nature is all full of poetry out here, and what this country needs is pioneers, not poets."

There came into view another opening among the pines as the two went on. The sun was ascending a cloudless sky, and far away in the cerulean arch of glimmering splendors the crystal peaks and domes of St. Helens appeared again.

The girl stopped.

"What now?" said the woman, testily.

"Look—yonder!"

"Look yonder—what for? That's nothing but a mountain, a great waste of land all piled up to the sky, and covered with a lot of ice and snow. I don't see what they were made for, any way—just to make people go round, I suppose, so that the world will not be too easy for them."

"Oh, mother, I do not see how you can feel so out here! I never dreamed of anything so beautiful!"

"Feel so out here! What do you mean? Haven't I always been good to you? Didn't I give you a good home in Lynn after your father and mother died? Wasn't I a mother to you? Didn't I nurse you through the fever? Didn't I send for you to come way out here with the immigrants, and did you ever find a better friend in the world than I have been to you?"

"Yes, mother, but—"

"And don't I let you play the violin, which the Methody elder didn't much approve of?"

"Yes, mother, you have always been good to me, and I love you more than anybody else on earth."

There swept into view a wild valley of giant trees, and rose clear above it, a scene of overwhelming magnificence.

"Oh, mother, I can hardly look at it—isn't it splendid? It makes me feel like crying."

The practical, resolute woman was about to say, "Well, look the other way then," but she checked the rude words. The girl had told her that she loved her more than any one else in the world, and the confession had touched her heart.

"Well, Gretchen, that mountain used to make me feel so sometimes when I first came out here. I always thought that the mountains would look peakeder than they do. I didn't think that they would take up so much of the land. I suppose that they are all well enough in their way, but a pioneer woman has no time for sentiments, except hymns. I don't feel like you now, and I don't think that I ever did. I couldn't learn to play the violin and the musical glasses if I were to try, and I am sure that I should never go out into the woodshed to try to rhyme sun with fun; no, Gretchen, all such follies as these I should shun. What difference does it make whether a word rhymes with one word or another?"

To the eye of the poetic and musical German girl the dead volcano, with its green base and frozen rivers and dark, glimmering lines of carbon, seemed like a fairy tale, a celestial vision, an ascent to some city of crystal and pearl in the sky. To her foster mother the stupendous scene was merely a worthless waste, as to Wordsworth's unspiritual wanderer:

"A primrose by the river's brim,
A yellow primrose was to him,
And it was nothing more."

She was secretly pleased at Gretchen's wonder and surprise at the new country, but somehow she felt it her duty to talk querulously, and to check the flow of the girl's emotions, which she did much to excite. Her own life had been so circumscribed and hard that the day seemed to be too bright to be speaking the truth. She peered into the sky for a cloud, but there was none, on this dazzling Oregon morning. The trail now opened for a long way before the eyes of the travelers. Far ahead gleamed the pellucid waters of the Columbia, or Oregon. Half-way between them and the broad, rolling river a dark, tall figure appeared.

"Gretchen?"

"What, mother?"

"Gretchen, look! There goes the Yankee schoolmaster. Came way out here over the mountains to teach the people of the wilderness, and all for nothing, too. That shows that people have souls—some people have. Walk right along beside me, proper-like. You needn't ever tell any one that I ain't your true mother. If I ain't ashamed of you, you needn't be ashamed of me. I wish that you were my own girl, now that you have said that you love me more than anybody else in the world. That remark kind o' touched me. I know that I sometimes talk hard, but I mean well, and I have to tell you the plain truth so as to do my duty by you, and then I won't have anything to reflect upon.

"Just look at him! Straight as an arrow! They say that his folks are rich. Come out here way over the mountains, and is just going to teach school in a log school-house—all made of logs and sods and mud-plaster, adobe they call it—a graduate of Harvard College, too."

A long, dark object appeared in the trees covered with bark and moss. Behind these trees was a waterfall, over which hung the crowns of pines. The sunlight sifted through the odorous canopy, and fell upon the strange, dark object that lay across the branching limbs of two ancient trees.

Gretchen stopped again.

"Mother, what is that?"

"A grave—an Indian grave."

The Indians bury their dead in the trees out here, or used to do so. A brown hawk arose from the mossy coffin and winged its way wildly into the sunny heights of the air. It had made its nest on the covering of the body. These new scenes were all very strange to the young German girl.

The trail was bordered with young ferns; wild violets lay in beds of purple along the running streams, and the mountain phlox with its kindling buds carpeted the shelving ways under the murmuring pines. The woman and girl came at last to a wild, open space; before them rolled the Oregon, beyond it stretched a great treeless plain, and over it towered a gigantic mountain, in whose crown, like a jewel, shone a resplendent glacier.

Just before them, on the bluffs of the river, under three gigantic evergreens, each of which was more than two hundred feet high, stood an odd structure of logs and sods, which the builders called the Sod School-house. It was not a sod school-house in the sense in which the term has been applied to more recent structures in the treeless prairie districts of certain mid-ocean States; it was rudely framed of pine, and was furnished with a pine desk and benches.

Along the river lay a plateau full of flowers, birds, and butterflies, and over the great river and flowering plain the clear air glimmered. Like some sun-god's abode in the shadow of ages, St. Helens still lifted her silver tents in the far sky. Eagles and mountain birds wheeled, shrieking joyously, here and there. Below the bluffs the silent salmon-fishers awaited their prey, and down the river with paddles apeak drifted the bark canoes of Cayuses and Umatillas.

Indians spearing fish at Salmon Falls.

A group of children were gathered about the open door of the new school-house, and among them rose the tall form of Marlowe Mann, the Yankee schoolmaster.

He had come over the mountains some years before in the early expeditions organized and directed by Dr. Marcus Whitman, of the American Board of Missions. Whether the mission to the Cayuses and Walla Wallas, which Dr. Whitman established on the bend of the Columbia, was then regarded as a home or foreign field of work, we can not say. The doctor's solitary ride of four thousand miles, in order to save the great Northwest territory to the United States, is one of the most poetic and dramatic episodes of American history. It has proved to be worth to our country more than all the money that has been given to missionary enterprises. Should the Puget Sound cities become the great ports of Asia, and the ships of commerce drift from Seattle and Tacoma over the Japan current to the Flowery Isles and China; should the lumber, coal, minerals, and wheat-fields of Washington, Oregon, Montana, and Idaho at last compel these cities to rival New York and Boston, the populous empire will owe to the patriotic missionary zeal of Dr. Whitman a debt which it can only pay in honor and love. Dr. Whitman was murdered by the Indians soon after the settlement of the Walla Walla country by the pioneers from the Eastern States.

Mr. Mann's inspiration to become a missionary pioneer on the Oregon had been derived from a Boston schoolmaster whose name also the Northwest should honor. An inspired soul with a prophet's vision usually goes before the great movements of life; solitary men summon the march of progress, then decrease while others increase. Hall J. Kelley was a teacher of the olden time, well known in Boston almost a century ago. He became possessed with the idea that Oregon was destined to become a great empire. He collected all possible information about the territory, and organized emigration schemes, the first of which started from St. Louis in 1828, and failed. He talked of Oregon continually. The subject haunted him day and night. It was he who inspired Rev. Jason Lee, the pioneer of the Willamette Valley. Lee interested Senator Linn, of Missouri, in Oregon, and this senator, on December 11, 1838, introduced the bill into Congress which organized the Territory.

Some of the richly endowed new schools of Oregon would honor history by a monumental recognition of the name of Hall J. Kelley, the old schoolmaster, whose dreams were of the Columbia, and who inspired some of his pupils to become resolute pioneers. Boston was always a friend to Washington and Oregon. Where the old schoolmaster now rests we do not know. Probably in a neglected grave amid the briers and mosses of some old cemetery on the Atlantic coast.

When Marlowe Mann came to the Northwest he found the Indian tribes unquiet and suspicious of the new settlements. One of the pioneers had caused a sickness among some thievish Indians by putting emetic poison in watermelons. The Indians believed these melons to have been conjured by the white doctor, and when other sickness came among them, they attributed it to the same cause. The massacre at Waülaptu and the murder of Whitman grew in part out of these events.

Mr. Mann settled near the old Chief of the Cascades. He sought the Indian friendship of this chief, and asked him for his protection.

"People fulfill the expectation of the trust put in them—Indians as well as children," he used to say. "A boy fulfills the ideals of his mother—what the mother believes the boy will be, that he will become. Treat a thief as though he were honest, and he will be honest with you. We help people to be better by believing in what is good in them. I am going to trust the friendship of the old Chief of the Cascades, and he will never betray it."

It was summer, and there was to be a great Indian Potlatch feast under the autumn moon. The Potlatch is a feast of gifts. It is usually a peaceful gathering of friendly tribes, with rude music and gay dances; but it bodes war and massacre and danger if it end with the dance of the evil spirits, or the devil dance, as it has been known—a dance which the English Government has recently forbidden among the Northwestern tribes.

The Indians were demanding that the great fall Potlatch should end with this ominous dance of fire and besmearings of blood. The white people everywhere were disturbed by these reports, for they feared what might be the secret intent of this wild revel. The settlers all regarded with apprehension the October moon.

The tall schoolmaster watched the approach of Mrs. Woods and Gretchen with a curious interest. The coming of a pupil with no books and a violin was something unexpected. He stepped forward with a courtly grace and greeted them most politely, for wherever Marlowe Mann might be, he never forgot that he was a gentleman.

"This is my gal what I have brought to be educated," said Mrs. Woods, proudly. "They think a great deal of education up around Boston where I came from. Where did you come from?"

"From Boston."

"So I have been told—from Harvard College. Can I speak with you a minute in private?"

"Yes, madam. Step aside."

"I suppose you are kinder surprised that I let my gal there, Gretchen, bring her violin with her; but I have a secret to tell ye. Gretchen is a kind of a poet, makes rhymes, she does; makes fool rhyme with school, and such things as that. Now, I don't take any interest in such things. But she does play the violin beautiful. Learned of a German teacher. Now, do you want to know why I let her bring her violin? Well, I thought it might help you. You've got a hard lot of scholars to deal with out here, and there are Injuns around, too, and one never knows what they may do.

"Well, schoolmaster, you never heard nothin' like that violin. It isn't no evil spirit that is in Gretchen's violin; it's an angel. I first noticed it one day when husband and I had been havin' some words. We have words sometimes. I have a lively mind, and know how to use words when I am opposed. Well, one day when husband and I had been havin' words, which we shouldn't, seein' we are Methody, Gretchen began to cry, and went and got her violin, and began to play just like a bird. And my high temper all melted away, and my mind went back to the old farm in New England, and I declare, schoolmaster, I just threw my apron over my head and began to cry, and I told Gretchen never to play that tune again when I was talking to husband for his good.

"Well, one day there came a lot of Injuns to the house and demanded fire-water. I am Methody, and don't keep any such things in the house. Husband is a sober, honest man. Now, I've always noticed that an Injun is a coward, and I think the best way to get along with Injuns is to appear not to fear them. So I ordered the stragglers away, when one of them swung his tommyhawk about my head, and the others threatened to kill me. How my heart did beat! Gretchen began to cry; then she ran all at once for her violin and played the very same tune, and the Injuns just stood like so many dumb statues and listened, and, when the tune was over, one of them said 'Spirits,' and they all went away like so many children.

"Now, I thought you would like to hear my gal play between schools, and, if ever you should get into any trouble with your scholars or Injuns or anybody, just call upon Gretchen, and she will play that tune on the violin."

"What wonderful tune is it, madam?"

"I don't know. I don't know one tune from another, though I do sing the old Methody hymns that I learned in Lynn when I am about my work. I don't know whether she knows or not. She learned it of a German."

"I am glad that you let her bring the instrument. I once played the violin myself in the orchestra of the Boston Handel and Haydn Society."

"Did you? Then you like it. I have a word or two more to say about Gretchen. She's a good gal, and shows her bringing up. Teach her reading, writing, and figures. You needn't teach her no grammar. I could always talk without any grammar, in the natural way. I was a bound-girl, and never had much education. I have had my ups and downs in life, like all the rest of the world. You will do the best you can for Gretchen, won't you?"

"Yes, my dear madam, and for every one. I try to make every one true to the best that is in them. I am glad to have Gretchen for a scholar. I will speak to her by and by."

How strange was the scene to Gretchen! She remembered the winding Rhine, with its green hills and terraced vineyards and broken-walled castles; Basel and the singing of the student clubs in the gardens on summer evenings; the mountain-like church at Strasburg; and the old streets of Mayence. She recalled the legends and music of the river of song—a river that she had once thought to be the most beautiful on earth. But what were the hills of the Rhine to the scenery that pierced the blue sky around her, and how light seemed the river itself to the majestic flow of the Columbia! Yet the home-land haunted her. Would she go back again? How would her real parents have felt had they known that she would have found a home here in the wilderness? Why had Providence led her steps here? Her mother had been a pious Lutheran. Had she been led here to help in some future mission to the Indian race?

"Dreaming?" said Mrs. Woods. "Well, I suppose it can't be helped. If a body has the misfortune to be kiting off to the clouds, going up like an eagle and coming down like a goose, it can't be helped. There are a great many things that can't be helped in this world, and all we can do is to make the best of them. Some people were born to live in the skies, and it makes it hard for those who have to try to live with them. Job suffered some things, but—I won't scold out here—I have my trials; but it may be they are all for the best, as the Scripture says."

These forbearing remarks were not wholly meant for Gretchen's reproval. Mrs. Woods liked to have the world know that she had her trials, and she was pleased to find so many ears on this bright morning open to her experiences.

She liked to say to Gretchen things that were meant for other ears; there was novelty in the indirection. She also was accustomed to quote freely from the Scriptures and from the Methodist hymnbook, which was almost her only accomplishment. She had led a simple, hard-working life in her girlhood; had become a follower of Jason Lee during one of the old-time revivals of religion; had heard of the Methodist emigration to Oregon, and wished to follow it. She hardly knew why. Though rough in speech and somewhat peculiar, she was a kind-hearted and an honest woman, and very industrious and resolute. Mr. Lee saw in her the spirit of a pioneer, and advised her to join his colony. She married Mr. Woods, went to the Dalles of the Columbia, and afterward to her present home upon a donation claim.


CHAPTER II.

THE CHIEF OF THE CASCADES.

Marlowe Mann was a graduate of Harvard in the classic period of the college. He had many scholarly gifts, and as many noble qualities of soul as mental endowments. He was used to the oratory of Henry Ware and young Edward Everett, and had known Charles Sumner and Wendell Phillips at college, when the Greek mind and models led the young student in his fine development, and made him a Pericles in his dreams.

But the young student of this heroic training, no matter how well conditioned his family, usually turned from his graduation to some especial mission in life. "I must put myself into a cause," said young Wendell Phillips. Charles Sumner espoused the struggle of the negro for freedom, and said: "To this cause do I offer all I have." Marlowe Mann was a member of the historic Old South Church, like Phillips in his early years. There was an enthusiasm for missions in the churches of Boston then, and he began to dream of Oregon and the mysterious empire of the great Northwest, as pictured by the old schoolmaster, Kelley; just at this time came Dr. Whitman to the East, half frozen from his long ride, and asked to lead an emigration to Walla Walla, to save the Northern empire to the territory of the States. He heard the doctor's thrilling story of how he had unfurled the flag over the open Bible on the crags that looked down on the valleys of the Oregon, and his resolution was made. He did not follow Dr. Whitman on the first expedition of colonists, but joined him a year or two afterward. He built him a log-cabin on the Columbia, and gave his whole soul to teaching, missionary work among the Indians, and to bringing emigrants from the East.

The country thrilled him—its magnificent scenery, the grandeur of the Columbia, the vastness of the territory, and the fertility of the soil. Here were mountains grander than Olympus, and harbors and water-courses as wonderful as the Ægean. He was almost afraid to map the truth in his extensive correspondence with the East, lest it should seem so incredible as to defeat his purpose.

The North Puyallup Glacier, Mount Tacoma.

When the log school-house was building, Mr. Mann had gone to the old Chief of the Cascades and had invited him to send his Indian boy to the school. He had shown him what an advantage it would be to the young chief to understand more thoroughly Chinook and English. He was wise and politic in the matter as well as large-hearted, for he felt that the school might need the friendliness of the old chief, and in no way could it be better secured.

"The world treats you as you treat the world," he said; "and what you are to the world, the world is to you. Tell me only what kind of a neighborhood you come from, and I will tell you what kind of a neighborhood you are going to; we all see the world in ourselves. I will educate the boy, and his father will protect the school. The Indian heart is hot and revengeful, but it is honest and true. I intend to be honest with the Indians in all things, and if there should occur a dance of the evil spirits at the Potlatch, no harm will ever come to the log school-house; and I do not believe that such a dance with evil intent to the settlers will ever take place. Human nature is all one book everywhere."

As he stood there that morning, with uncovered head, an unexpected event happened. The children suddenly said:

"Look!" and "Umatilla!"

Out of the forest came an aged Indian, of gigantic stature—Umatilla, one of the chiefs of the Cascades; and beside him walked his only son, the Light of the Eagle's Plume, or, as he had been named by the English, Benjamin.

Umatilla, like Massasoit, of the early colonial history of Plymouth, was a remarkable person. Surrounded by warlike tribes, he had been a man of peace. He was a lover of Nature, and every shining cloud to his eye was a chariot. He personified everything, like the ancient Greeks. He talked in poetic figures; to him the sky was alive, every event had a soul, and his mind had dwelt upon the great truths of Nature until he had become more of a philosopher than a ruler.

He had been the father of a large family, but six of his sons had died of the plague, or rather of the treatment which the medicine-men had used in the disease, which was to sweat the victims in hot earthen ovens, and then plunge them into the Columbia.

His whole heart in his old age was fixed upon his only son, Benjamin. The two were seldom separated. To make the boy happy was the end of the old chief's life.

The two approached the courtly schoolmaster.

"White master," said the old chief, "I have brought to you the Light of the Eagle's Plume. He is my heart, and will be the heart of my people when my suns are all passed over and my stars gone out. Will you teach him to be a good chief? I want him to know English, and how to worship the Master of Life. Will you take him to your school lodge?"

The tall master bowed low, and took the Indian boy by the hand.

The boy was a princely youth. His figure would have held the eye of a sculptor in long admiration. The chisel of a Phidias could hardly have exceeded such a form. His features were like the Roman, his eye quick and lustrous, and his lips noble and kindly. He wore a blanket over his shoulders, gathered in a long sash, ornamented with shells, about his loins, and a crest of eagle plumes and shells on his head indicated his rank and dignity. He could speak some words of Chinook, and English imperfectly. He had mingled much with the officers of the Hudson Bay Company, and so had learned many of the customs of civilization.

"I am honored," said the courtly, tall schoolmaster, "in having such a youth for my pupil. Chief of the Umatillas, I thank thee. All that is good in me will I give to your noble boy. I live with my eye upon the future; the work of my life is to lead people to follow their better natures and to be true to their best selves. There is a good angel in all men here"—he put his hand on his heart—"it leads men away from evil; it seeks the way of life; its end is yonder with the Infinite. Chief of the Umatillas, I will try to teach the young man to follow it. Do you understand?"

The aged chief bowed. He caught the meaning of the thought, if not of the rather formal words. He comprehended the idea that the tall schoolmaster believed goodness to be immortal. The regions of the Cascades were indeed beautiful with their ancient forests and gleaming mountain walls, but he had been taught to believe that the great Master of Life had provided eternal scenes that transcended these for those who were worthy to receive them.

An unexpected turn came to this stately and pacific interview. Mrs. Woods was piqued at the deference that the tall schoolmaster had shown to the chief and his son. She walked about restlessly, cut a rod from one of the trees with a large knife which she always carried with her, and at last called the master aside again.

"Say, mister, here. You ain't going to take that young Injun into your school, are you? There'll be trouble, now, if you do. Know Injuns—you don't. You are young, but 'tain't best for you to eat all your apples green. I've always been very particular about the company I keep, if I was born poor and have had to work hard, and never studied no foreign languages. I warn you!"

She raised her voice, and Benjamin heard what she had said. He suspected her ill-will toward him from her manner, but he comprehended the meaning of her last words.

He at first looked puzzled and grieved, then suddenly his thin lips were pressed together; the passion of anger was possessing him, soon to be followed by the purpose of revenge.

Mrs. Woods saw that she had gone too far in the matter, and that her spirit and meaning had been discovered by the son of the chief. The danger to which she had exposed herself made her nervous. But she began to act on her old principle never to show fear in the presence of an Indian.

"Here, mister, I must go now," she said, in a loud voice. "Take this rod, and govern your school like a man. If I were a teacher, I'd make my scholars smart in more ways than one." She held out the rod to the master.

There was a movement in the air like a flash. Benjamin, with noiseless feet, had slipped up behind her. He had conceived the idea that the offer of the rod somehow meant enmity to him. He seized the rod from behind the woman, and, sweeping it through the air, with kindled eye and glowing cheeks, wheeled before the master.

"Boston tilicum, don't you dare!"

"Boston tilicum" was the Chinook for an American, and the Chinook or trade language had become common to all the tribes on the Columbia. The early American traders on the Northern Pacific coast were from Boston.

He raised the rod aloft defiantly like a young champion, and presented a heroic figure, which excited the tremulous admiration and wonder of the little group. He then pointed it toward Mrs. Woods, and said contemptuously in Chinook:

"Cloochman!" (woman).

The scene changed to the comical. Mrs. Woods snatched off her broad sun-bonnet, revealing her gray hair, and assumed an appearance of defiance, though her heart was really trembling with fear.

"I ain't afraid of no Injuns," she said, "and I don't take any impudence from anybody. I've had to fight the whole world all my life, and I've always conquered. There—now—there!"

She whipped the rod out of the young Indian's hand.

Benjamin's eyes blazed.

"Closche nanitch" (look out), he said. "I am an Umatilla. Siwash (Indian) will remember. There are hawks in the sky."

"Kamooks" (dog), returned Mrs. Woods, defiantly. "Kamooks."

She would have said "cultus" had she dared. "Cultus" is the most insulting word that can be applied to an Indian, and, when it is used, it invites the most deadly revenge. The word had come to her lips, but she had not the courage to invoke the consequences of such a taunt.

But the young Indian further excited her. He shook the rod at her, and her passion mastered her prudence. She struggled with herself, and was silent for a few moments. But, suddenly catching the young Indian's eye, which had in it a savage triumph, she exclaimed:

"Cultus Umatilla—"

The old chief stepped forward and lifted his hands.

"Pil-pil" (blood), said Benjamin. "There are hawks in the air—"

"Be still!" said the chief.

"—they whet their beaks," continued Benjamin. "Potlatch!"

The whole company were filled with excitement or terror. Gretchen trembled, and began to cry. Three Indians were seen coming down the trail, and the sight seemed to fill Benjamin with a mysterious delight. Mrs. Woods saw them with secret fear, and the master with apprehension. Several of the children began to cry, and there was a look of pain, terror, or distress on all the faces.

Suddenly Gretchen stepped apart from the group and lifted to her shoulder her violin.

A hunting strain rose on the bright morning air. It seemed like the flight of a singing bird.

The chief's arms dropped. The music arose like a sweet memory of all that is good and beautiful.

The three Indians stopped to listen. The music became more sweet and entrancing. The anger went out of Benjamin's face, and there came better feelings into his soul.

The music breathed of the Rhine, of vineyards and festivals, but he understood it not; to him it recalled the mysterious legends of the Umatillas, the mysteries of life, and the glory of the heroes who slept on the island of the dead or amid the sweetly sighing branches of the trees. The air was the Traumerei.

When the music ceased there was a long silence. In it Mrs. Woods turned away slowly, with a word of advice to Gretchen that under other circumstances would have appeared amusing:

"Behave yourself like a lady," she said, "and remember your bringing up. Good-morning to ye all."

The little group watched her as she moved safely away. A little black bear crossed her path as she was entering the wood, and stopped on the way. But her steps were growing rapid, and, as she did not seem to regard him as a matter of any consequence, he turned and ran. The company smiled, and so the peril of the morning seemed to pass away.

The scene would have been comical but for the painful look in the kindly face of the old Chief of the Cascades. He had come toward the school-house with high hopes, and what had happened caused him pain. The word "Potlatch," spoken by the Indian boy, had caused his brow to cloud and his face to turn dark.

"We will all go into the house," said the master. "Umatilla, will you not honor us with a visit this morning?"

"No—me come this afternoon for the boy; me wait for him outside. Boston tilicum, let me speak to you a little. I am a father."

"Yes, and a good father."

"I am a father—you no understand—Boston tilicum—father. I want you to teach him like a father—not you understand?"

"Yes, I understand."

"Father—teacher—you, Boston tilicum."

"Yes, I understand, and I will be a father teacher to your Benjamin."

"I die some day. You understand?"

"Yes, I understand."

"You understand, Boston tilicum, you understand. What I want my boy to become that I am for my boy. That you be."

"Yes, Umatilla, I believe an Indian's word—you may trust mine. I will be to your boy what you may have him become. The Indian is true to his friends. I believe in you. I will be true."

The old chief drew his blanket round him proudly.

"Boston tilicum," said he, "if ever the day of trouble comes, I will protect you and the log school-house. You may trust my word. Indian speak true."

The tall schoolmaster bowed.

"Nika atte cepa" (I like you much), said the chief. "Potlatch shall no harm you. Klahyam klahhye—am!" (Good-by).

Mrs. Woods hurried homeward and tried to calm her excited mind by singing a very heroic old hymn: