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The Lure of the Mask

Chapter 62: "Take me, and oh! be good and kind to me"
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About This Book

A man enticed by a mysterious soprano heard through a fog becomes determined to learn her identity, and his curiosity launches a string of letters, masked encounters, and social invitations. Romance and suspense intertwine as disguises, false leads, and anonymous communications propel the plot from urban salons to an Italian coastal scene, where official pursuit and rival claimants complicate matters. The narrative leans on theatrical episodes and musical allusion to explore appearance versus truth, and a final dénouement untangles mistaken identities while resolving both romantic and criminal strands.

"Take me, and oh! be good and kind to me"


"I sent it because I wanted you, because I am tired of lying to my heart, because I have a right to be happy, because—because I love you! Take me, and oh! be good and kind to me, for I have been very lonely and unhappy.... Kiss me!" with a touch of the old imperiousness.


The rim of the early moon shouldered above the frowning death-mask of Napoleon, the huge salmon-tinted mountain on the far side of the Lecco. In the villages the day-sounds had given way to the more peaceful voices of the night. They could hear the occasional light laughter of the gardeners on the second terrace; the bark of a dog in the hills; from the house of the silk-weaver came the tinkle of a guitar. In the houses on the hill opposite and in the villages below the first lights of evening began to glimmer, now here, now there, like fireflies become stationary.

"See Naples and die," she whispered, "but the spirit will come to Bellaggio."

THE END