The Man Next Door

There was only one thing kept that armory from going up right on our flower beds. The weak side of Old Man Wright was, he couldn't help doing anything a woman ast him to do. This Katherine girl, one day she comes down to our place, with the paper in her hand, and she says to him:

"Look here, Colonel Wright," says she, "what's in the paper! Is that true?"

"If it ain't true," says he, "it may be before long."

"Why, Colonel Wright," says she, looking at him with her eyes wide open—and when she looked at you thataway couldn't no man help liking her—"I wisht you wouldn't do that, sir—please!" says she.

"Why not?" says he.

"Well," says she, "because."

He turns around and throws up both hands. He never said another word about it after that. But after a while the calvary regiment went somewheres else—on some more land he had bought, so it turned out. Nobody knew what changed his mind. It was Katherine, the first girl friend that Bonnie Bell had had in the city.

You see, Katherine used to come to our house regular now; her and Bonnie Bell was right thick together. One time Katherine come in quite excited.

"My brother Tom's coming back next week," says she. "Ain't that fine?"

"Is that so?" says Bonnie Bell. "I'd like to see him."

"Tom's going to live with us," says Katherine, "and be in the office downtown—unless he gets married, or something of that kind. I wisht he would. Now I wisht he would get engaged. I'd like to see how he'd act. You can't guess what I'd like!"

"No," says Bonnie Bell; "I can't."

"Well, he's awfully good-looking," says Katherine. "He hasn't got much sense though. He dances and can play a mandolin, and has been around the world a good bit. He's sweet-tempered, but he smokes too much. Sometimes of mornings he's cross. But you can't guess what I'd like!"

"No; I can't," says Bonnie Bell.

Then Katherine kissed her and taken her hands.

"Why," says she, "I'd like it awfully if you and Tom could hit it off together," says she. "I think it would be lovely—perfectly lovely! Then we'd be sisters, wouldn't we?" Bonnie Bell she blushed a-plenty.

"Why, how you talk!" says she. "I've never seen your brother yet and he's never seen me."

"I've told him you're lovely," says Katherine. "I'll bring him over sometime."

"I don't know how I could allow it after what you said," says Bonnie Bell; "but if he's as nice as you I'll jump right square down his throat. Could you ask me to do anything more than that?"

They giggled, then, and held hands, and ate candy and drank tea, and talked, both with their mouths full.

"Oh, look at the Wisners' new car!" says Katherine after a while, and she run to the window.

Their car was just coming in to the sidewalk at their curb now. From where I set I could see it. Their driver opened the door and Old Lady Wisner got out; then a young man. They both went out of sight right away around the fence—you couldn't see into their yard from where we set.

The girls by this time had got so sometimes they'd talk about the Wisners. Bonnie Bell says now:

"Why don't you call on the Wisners any more?"

"Oh, because," says Katherine. "We're friendly, of course, for the families have lived in here so long; but Mrs. Wisner and mommah haven't been very warm since the last Charity Ball business."

"I don't know about that," says Bonnie Bell.

"Oh, Lord! Yes," says Katherine. "They didn't speak for a while. You know, Honey, the Wisners are among our best people. But then, mommah's a Daughter of the Revolution and a Colonial Dame, and a Patriot Son, or something of the sort besides. Mrs. Wisner, she's only a Daughter and not a Dame; so she doesn't rank quite as high as mommah. Some said that she faked her ancestors when she come in too. Anyway, when she tried for the Dames they threw her down. Mommah was Regent or something of the Dames then too—not that I think mommah would do anything that isn't fair. But Old Lady Wisner got her back up then, and she's been hard to curry ever since. We don't try."

"Well," says Bonnie Bell, "isn't that strange? I thought everybody in the Row was friendly except—except——"

"Except the Wisners?" laughed Katherine. "But don't you worry. There's plenty of differences in the Row. They have their fallings out. You see, they all want to be leaders."

"I know," says Bonnie Bell. "In any pack train there always had to be one old gray critter, with the bell."

"That's it!" says Katherine. "Well now, all these leaders of our best people they want to carry the bell and go on ahead. That's what Mrs. Wisner wants—and maybe mommah, though she has a different way of doing things. Mommah's a dear! So are you, Honey; and I do wish Tom and you——"

"I was just wondering who it was got out of their car just now," says Bonnie Bell. "But the fence——"

"Ain't the ivy pretty on your side of your fence?" says Katherine.

Bonnie Bell stood in front of her and looked at her square.

"Look here, Kitty Kimberly, you're as sweet as can be and I love you, but don't try to keep up the bluff about that fence. They built it to keep us—to keep us——"

"Well, maybe," says Katherine. "But they can't."

"They built it to show us our place," says Bonnie Bell, brave as you like. "They didn't think that—they didn't know——"

"It was cruel," says Katherine, red in her face now, she was so mad about it. "I'm glad you mentioned that fence—I couldn't; but all my people said it was the meanest thing ever done. It was vulgar! It was low! That's what my mommah says. We were always sorry for you, but we didn't know how—— But, Honey, I'm glad you planted the ivy on it. It shows you're forgiving."

"We're not," says Bonnie Bell. "We're far from it—at least my dad. He's awful when you cross him. He won't quit—he'll never quit!"

"We all know that," says Katherine. "Everybody in the Row does."

"I don't know how much you know," says Bonnie Bell. "I don't know how much people have talked about us."

"Well, I can tell you one thing," says Katherine. "We heard some of the talk; and I want to say that it isn't favorable to the Wisners. There are others in town besides them. Tell me, Honey, aren't you all the way American?"

"Yes," says Bonnie Bell. "I can be a Daughter of the Revolution and a Colonial Dame, and a Patriot Son, and all the rest, so far as having ancestors is concerned."

"Could you?" says Katherine. "Then I rather guess you will!"

"We go back to the Carrolls a good deal, in Maryland," says Bonnie Bell. "You see, my mother married my father and went West, and out there we didn't pay much attention to such things. I didn't know they cared so much here. But my people were first settlers and builders, and always in the army and navy."

"How perfectly dear!" says Katherine. "We'll start you in as a Daughter; that'll make Old Lady Wisner mad, but she can't help it—mommah will take care of that. Then we'll make you a Dame next—that'll help things along. And when you're in two or three more of these Colonial businesses, where the Wisners can't get—well, then I'll be more comfortable, for one.

"I don't blame your poppah for feeling savage towards the Wisners," says she after a while. "Who're the Wisners anyways? Carrolls—huh! I guess that's about as good as coming from Iowa and carrying your dinner in a pail while you're getting your start selling sausage casings in a basket. I don't think a packer's much nohow. We're in leather.

"But, good-by," says she now. "I've got to go home. I've got to tell mommah to get those papers started. Pretty soon I'll bring Tom over."

Nothing much happened around our place for a little while. I didn't see nobody from the Wisners' and I didn't care to. Kind of from force of habit I used to walk up and down the line fence once in a while, just to have a eye on it. I done that one evening and walked back towards our garridge, for it seemed to me I heard some sort of noise down that way. It wasn't far from the end of the wall that was close to the lake. I set down and waited. It seemed to me like someone was trying to break a hole through the wall. I could hear it plunk, plunk, like someone was using a chisel or crowbar, soft and easy, like he didn't want to be heard. I waited to see what would happen.

By and by I seen a brick fall out on our side of the wall. I just picked it up and set there waiting to bust in the head of anybody that come through after the brick if he couldn't explain what he was about.

The fellow on the other side kept on working. He pulled bricks out on his side now. By and by I could see light through—it wasn't right dark in the yard yet. He pulled out the bricks and made quite a little hole close to the ground.

"Hello there!" says he, soft like. "Is that you, Curly?" says he.

"Who're you and what do you want?" says I.

"I am the hired man, Jimmie," says he. "I've come back."

"The hell you have!" says I. "Well, I can't talk to you. What made you come back? Where you been?"

"Out West," says he, "on the Circle Arrow Ranch."

"What's that!" says I. "What do you mean?"

"Just what I said. I've been working out there. I found I could rope a little and I didn't always fall off a horse. You see, the old man owns a lot in that company."

"Why didn't you tell me you was going out there?" says I. "And how come these folks to take you back?"

"They couldn't help it," he says. "I told you I had too much on them. You'd ought to see how things is going out there! They had to take me back."

"Well, what are you breaking a hole in our fence for?" says I. "Quit it! Do you want to get buried in a sunk garden, instead of on the lone prairee? Leave our fence alone."

"Your fence? It's our fence. Don't I know all about it? It was a damn shame, Curly."

"What business is it of yours?" says I to him.

"Well, I hate to see the family I work for make such fools of theirselfs." He was setting up close to the wall now, looking through. He went on talking: "If I put the bricks in again on my side, and you on yours, who'll know the hole's there?"

"We've got ivy on our side," says I. "It's green and 'most to the top of the wall. But I don't know now why you broke that hole through."

"Curly," says he, "I want to let Peanut through, so's he can have a good friendly fight with my dog once in a while. Sometimes I'll pull some of the bricks out. I reckon Peanut'll do the rest."

"Peanut'll not do no more visiting," says I; "and I've got orders not to have any sort of truck with anyone on your side of the fence."

He set quite a while quiet, and then says he:

"Is that so, Curly?" says he.

"It certainly is," I answered him. "When a thing starts, till it's settled you can't stop Old Man Wright. Sometimes he pays funeral expenses," says I, "but when anybody gets on the prod with him I never saw him show no sign of beginning to quit. He can't," says I; "none of them Wrights can."

"Do you mean they're all that way, Curly?"

"The whole kit of 'em, me included," says I, "and the servants within our gate, and our ox, and our hired girl, and all our hired men."

"Even the maidservant within your gates?" ast he of me.

"Shore!" says I. "Her especial and worst of any."

"But you don't take no hand in this war?" says he.

"That's just what I do," says I to him. "That's what a foreman's for. You'd better plug up that hole and stay on your own side of the fence."

He set quiet for a time and then he says:

"I'm darned if I do!"

"Good-by, Jimmie," says I.

"Oh, shucks!" says he. "I'll see you from time to time."

I didn't make no answer but to put the bricks back in the hole on our side.

Now for reasons of my own, not wanting to rile Old Man Wright, I didn't say nothing to him about this hole in the fence. Neither did I say anything to Bonnie Bell about the hired man having came back; because she was doing right well the last day or so, brighter and more cheerful than she had been. That, of course, was because of what Katherine'd told her about her brother Tom. Any girl likes to hear about a young man coming around, of course. Far as any of us could tell, Tom Kimberly might be all right.

Bonnie Bell now, all at once, she taken to wanting to go on the lake with her boat, and she insists our chauffore and her and me must go down and fix up the boat. We didn't none of us like it especial, but she said she hadn't been on the lake for so long she wanted to go once more before it got too cold.

I didn't know nothing about boats, but sometimes I'd go down to the boathouse and watch Bonnie Bell while she was tinkering with the engine or something. One day I went down to the boathouse about the middle of the afternoon, expecting to meet her out on the dock. All at once I hear voices out there, one of them hers. I stopped then, wondering who could of got on our dock.

There wasn't no way from the Wisners' yard to get on our dock now, because the door into their boathouse had been nailed up. The wall run clear down to their garridge, and their garridge faced onto the boathouse, which was lower down. The only way anybody could get on our dock from their place was to get in a boat and come round from the lake. Then it would of been easy.

I said I heard Bonnie Bell's voice. She was talking; who she was talking to, I didn't know.

"It's all wrong!" says she. "You are presuming too much. Of course I pulled you out of the lake—I would anybody; but your employers are not friends of ours. Even if they were you've no right in the world to speak to me."

Then I heard another voice. I knew it was Jimmie, their hired man. He spoke out and I heard him plain.

"I know I haven't," says he, "none in the world; but I've got to."

"You must not!" says she. "Go away!"

"I'll not," says he. "I can't help it! I tell you I can't help it."

Me being foreman, I reached around now to get hold of a brick or something. I couldn't help hearing what they said.

He'd been ordered off; yet here he was talking to Bonnie!

I stood close up to the boathouse door and was going to step out, but what the hired man was saying to Bonnie Bell was so nervy I had to stop. Besides, I wanted to hear what she'd say to show him his place.

"From the first minute I saw you," says he, "I couldn't help it. I swore then I'd meet you some day, and sometime——"

"Is this the way?" I heard her say, low.

"It's the only way I have," says he. "If there was a better, don't you think I'd take it? But what chance did I have? I had to make some way; I wouldn't of been any sort of man if I hadn't."

She must just of stood looking at him. I couldn't see.

"I had to find some way to tell you," says he. "What part have I had in this foolish squabble? Was that my fault? I'm only a servant now; but give me a chance to break out of that. Why, when I was out West——"

"Were you out West?" says she, sudden.

"Yes; in the Yellow Bull Valley, among the cowmen—among the real people. You came from that valley yourself."

"Yes, we did," says she; "and we'd far better of stayed there."

"You couldn't of stayed there," says he. "And besides, if you'd stayed there I'd never of met you, or you me."

"Indeed! Was that all my fortune—to meet the servant of my father's enemy?"

"It's all of mine! I'm not your enemy. But suppose now I went to your father and told him—what would he do?"

"He'd maybe kill you," says Bonnie Bell simply; "or else Curly would."

"I wouldn't blame either of them," says he. "I don't want to sneak around. I'm going away again——"

"What made you come back?" she says.

"Because I was sick in my heart. Because I thought I could look over once in a while and see you. But when I came back, here was this cursed fence and I couldn't see you any more. I thought I'd go mad. Maybe I have; I don't know."

"With or without the fence," says Bonnie Bell, "how could our circles cross, yours and mine?"

"Circles!" says he. "Circles! What are circles? I've heard this talk of circles all my life," says he. "I've seen it going on all around me. It's rot—rot! It's my misfortune to find one so far above me."

"My money?" says she, scornful. "I've a lot of it."

He didn't say a word to that for a long time.

"Did you really think that of me for a minute?" says he at last.

"You take it for granted that I've thought of you at all?" says she.

"I wouldn't of dared," says he—and it sounded like the truth, through the door. "Don't class me that way!"

"How can a girl tell?" says she. "Men talk like this to girls——"

"Have they talked to you? Who was it?"

"My social opportunities," says she slow and bitter-like, "seem to be confined to our neighbors' gardener."

"Don't!" says he. "Oh, don't! I don't want to see you hurt, even by your own tongue."

I never'd heard any man hand out any talk of this sort to any girl before. It was right interesting and I was glad I listened.

"How can a girl tell?" says she, like she was talking to herself.

"Shorely she can't tell all at once," he answers. "I'd never ask you to do more than wait. I'd want to go away and stay away till I could come in at your front door and be welcome," says he. "I wouldn't ask you to decide one thing now. But, as for me, I decided everything long ago."

She didn't say nothing.

"As to your money," says he after a while, "listen to me. Look at me—look close. Look into my eyes. Am I not honest? Tell me—if truth like mine can be mistaken for deceit, then what chance has any man on earth?"

She didn't answer, and he goes on like he had stepped up closer—I don't know but what he did.

"Look into my eyes," says he. "Look at me close. Maybe that'll help me some, for shorely you can see how much I——"

"Don't!" says she. "Don't!"

I don't believe she looked into his eyes at all.

"I wouldn't touch you," says he. "I wouldn't touch your hand—I wouldn't touch the hem of your garment. It wouldn't be right. It maybe ain't right for me to think of meeting you again; but it's right this once."

She didn't answer at all. He come to what seemed to trouble him.

"Is it the money?" he says again. "What's money if you've got nothing else?"

"Not much," says she; "not very much."

"I've not coveted it," says he. "It's another commandment I've broke. I've coveted that which was my neighbor's. I've coveted you—no more, so much! If you and I had a shack on the Yellow Bull out there, and forty acres to start with," says he, "out where the sun shines all the time, and the wind is sweet, and the mountains rise up around you——"

"Don't!" says she again. "Don't! Please go away—I can't stand that."

I couldn't stand it neither; so I opened the door.

They jumped apart—or farther apart—when I walked out. They wasn't holding hands, but she must of been looking at him and him at her.

"Miss Wright," says I, quiet—the first time I ever called her Miss Wright in all my life—"Miss Wright," says I, "come up to the house."

"Curly," says she, "oh, don't—don't!"

But she seen I didn't have no gun.

"Get across there quick!" says I to him.

"You overheard!" says he. "You overheard what I've been saying?"

"All of it," says I. "It was my business to. Of all the low-down things any man ever done in all his life, that's what you done now. I heard it all."

"Stop!" says he. "I won't stand that for a minute."

"You'll stand it for a lot longer than that," says I. "If you show this side the fence again I'll kill you!"

"Curly!" says he. "Why, Curly!"—like he was surprised. "Is it like that?"

"That's what it's like," says I. "Don't never doubt we can take care of our womenfolks. It's my own fault this has happened. I ought to of watched her closter. I ought never to of allowed you on our dock, let alone mixing with you. I thought you was more of a man than this," says I.

When I said that Bonnie Bell jumped and throwed her arms around my neck, and held on with both hands.

"Curly," says she, "stop! I'll not have this. Stop, I say!"

"You'll have this, and a lot more," says I to her, "till this thing is settled. Let me alone with him. Haven't your pa and me give up our lives for you? It's a fine trade you're trying to make; to trade us for a low-down coward like this. They built that fence, not us. Hell could freeze before your pa or me would ever cross it; but here you're talking the way you done with their hired man—that has sneaked around here to meet you."

He didn't give back none, though he couldn't talk at once.

"Go slow!" says he. "Curly, be careful! I didn't have any other chance."

"Any other chance?" says I. "For what? To make love to a girl that ain't had much experience—to make love to her because she's got a load of money? I've seen some sort of dirt done in my life," says I, "but this is the lowest down I ever seen," says I.

"And Bonnie Bell," says I—she still had me around the neck, holding my arms down, and I didn't want to hurt her—"how'll I tell the old man? You know I've got to come through with him. You, the girl we loved so much, Bonnie Bell," says I, "we never thought you'd class yourself below your own level."

"She hasn't!" says he, right sudden then. "It wasn't her fault. She hasn't promised a thing to me, and you know that. She's not to blame for a thing, and you know that too. She hasn't said a word she couldn't say before all the world. What more do you want? She's too good a girl to get the worst of it. Her father's too good a man to get the worst of it too. She'd never let him."

"She won't have to do that," says I. "I'll take care of that. That's my business."

"Curly," says she, "what are you going to do? Don't you love my father at all—or me? You're like another father to me. And I've loved you; and I always will, whatever you do to me."

I couldn't put her arms down—I wasn't very strong, because I was thinking.

"If you tell my father," says she, "you'd break his heart. Cover it up for me, Curly—I've not promised anything. But, oh, Curly, I didn't mean harm to anyone; and I'll never be happy any more."

"You see what you've done!" says I to him after a while.

He got white now, instead of red.

"How can I make it up? I can't stand to hear her talk that way," he says.

"Whose business is it how she talks?" says I to him. "Damn you! What right have you to come here and make her unhappy for a minute? Didn't you know how we loved her?"

"Everyone does," says he. "Till I die I'll do that. How can I help it any more than you can? And if I've hurt her now," says he, "God do so to me and more also. But I've declared myself—I'll not take back a word. I didn't lie then and I won't now."

He seemed game. Still, so long as it's just talking, you can't always tell how much of a bluff a man is throwing.

"If it'll make her happy for me to go away and never come back," says he, "I'll do that. I don't want to play any game except on the square. Don't start anything that can't be ever mended," says he.

"It's started now," says I. "Maybe you can talk a girl down, but you can't us."

"What're you going to do, Bonnie Bell?" says I to her, and I taken her hands now in mine. "You've heard me and you've heard him. Which do you want, him or us—us that's loved you and give you everything we had, or him, this here coward, that come in the back way—our worst enemy's hired man? You got to choose."

I felt her slip loose from my neck then. She'd kept tight hold of me all the time, so I couldn't do anything. I looked down at her, and she was all loose and white. I reckon she fainted, though I never seen anyone do that before.

I laid her down on the boards, and I was so cold mad clean through now I couldn't of said a word. I've felt that way before. There ain't no law then. But he was white as she was.

"Curly," says he, "what have we done to the poor child?"

"She ain't your pore child," says I; and, with her in my arms and me helpless, I felt hot in my eyes. "She's our pore child. Shut up and go home!"

He didn't go home, but went and got some water in his hat.

"It's cruel, cruel—it's all been cruel for her, who deserves the best that life could give. Can't you believe me, man?" says he.

She couldn't hear us now, and even the water I poured on her face didn't wake her up. I wouldn't let him touch her.

"Lord help us all!" says I. "For now it's a hard thing to say what's best. Tell me," says I, "was there anything I didn't hear? Did she make any sort of promise to you?"

"Not a word," says he—"not a word."

"That's lucky," says I. "The Circle Arrow never went back on its word. I'm glad she didn't promise you nothing," says I.

"There's nothing matters now," he says.

He set back on his heels, looking at me in a way I couldn't stand—with us both bending over her, trying to bring her to.

"I'm better than you think," says he, after a little while. "All this happened because things got criss-crossed."

"You queered the game the way you played it," says I to him. "The Circle Arrow plays wide open, with all the cards on the table. It beats hell how the luck runs in a square game sometimes! The front door is the place for a man that talks to a girl—like Katherine Kimberly comes in, or her brother, Tom."

"Does she know him?" says he, sudden.

"That's our business," says I. I still was pouring water on Bonnie Bell.

"Yes," says he, "that's true. He's not your enemy's servant."

About then Bonnie Bell begun to move her hands and I raised her up against my knees. She set there looking him in the face.

"Kid," says I, "you needn't rub your eyes and ast, 'Where am I?' I'll tell you. You're right in the middle of one hell of a muss!"

I sent the kid up stairs to her room to think things over. Then I set down in our ranch room to think things over myself, because I didn't hardly know what to do.

While I was setting there in come Old Man Wright hisself from down town, and he was so happy I was shore he'd thought out some new devilment for his neighbor Wisner.

"Well, Curly," says he, "what do you know?"

"I don't know nothing that's pleasant," says I.

"Huh!" says he. "Don't you like the grub here no more, or what is it?"

"I don't like nothing about the place no more," says I. "I wish you'd foreclose on the Circle Arrow right away and us all go back there," says I. "Of course you wouldn't, but that's where you overlook a big bet, Colonel."

He looks at me serious.

"Is it as bad as that, Curly?" says he. "Sometimes I feel thataway myself, although along of me being so busy I can stand it better'n you maybe. But what kick have you got? You ain't got nothing to do—take it all around, I never seen a foreman that had less," says he.

"Huh!" says I. "That's all you know."

"Don't I know all there is to know?" he ast me.

"No, you don't," says I. "Don't I have to ride that line fence of ours and ain't it the worst one I ever traveled in all my life?"

"Don't let that bother you, son," says he. "I'll do the worrying about that."

Now when he said this I begun to think of all he'd done for me all my life; of how he'd paid all the bills, and taken the responsibility, and give me my wages. I didn't want to rake him up the shoulder now by telling him what I was just about going to tell him. I knowed if I told him that his girl had anyways gone against his will it'd nigh kill him—and as for this! But I argued I had to tell him. Then I thought that what a cowpuncher concludes deliberate is mighty apt to be the wrong thing. So where does that leave me? For the first time in my life I didn't know whether to back or copper my own bet.

The old man staved it off a little while, anyway. He goes over to the table and begins to fill his pipe.

"Well, Curly," says he, "I couldn't foreclose on the Circle Arrow if I wanted to now—they paid their deferred payment for this year. Old Wisner, he got backing from three banks and he come through. That leaves only one payment more. Somebody's going to be out in the cold before long; but it won't be us."

"No," says I; "it'll be them grangers."

"It ain't them that's going to get the worst of it—it's Old Man Wisner," says he. "As for us, we can't go back there no more—we're city folks now. I've got to stay here to watch Old Man Wisner a while and you've got to ride that fence.

"Where's Bonnie Bell?" says he then.

"Huh!" says I. "Where is she? That's what I'd like to know too."

"Come to that, after all," says he, smoking and looking into the fireplace, "the girl's got me guessing lately. She don't look well. Now she's up and now she's down—her actions don't track none. If I didn't know better I'd say she was in love. That couldn't be, for there ain't been no chance."

"Well," says I, "there's other kinds of deferred payments, ain't there, Colonel?"

"Maybe so," says he, sort of sighing. "We'll let it run as it lays; we can't help it much. Mostly a handsome girl finds somebody somewhere or somehow; or sometime——"

"Ain't that the God's truth, Colonel!" says I.

I was just on the point of telling him all I knew.

"If only she was safe from the sharks!" says he. "If I found any young man that I thought was after her money, not after her—why, I don't know what I'd do to him!"

"I know what you'd do, Colonel," says I; and I was glad I hadn't told him.

"Well, maybe. The trouble is to find any young man that's halfway as good as her, with some sort of folks back of him and some sort of way of making a living. You see, Curly, you can't tell much about things ten or twenty years ahead. A pore man may get money or a rich man may lose money. Now her ma married me when I didn't have no chance on earth ever to be anybody or to have any money; but we got on and was right happy—anyways I was—and I wasn't rich then.

"I'm awful rich now, Curly," says he, "though I don't know as I'm any happier. It bores me. For instance, I was looking around today for a chance to invest a little more money; not much, only about half of this here last deferred payment that come in—all Old Man Wisner's money—and I seen in the papers that we haven't got no potash works in America to amount to much, and that potash is shore worth plenty of money—whatever potash is. So I went out to look over things and I concluded to invest a few hundred thousand dollars in making potash. I've got a good man, with specs, that knows how to make it out of seaweed, or something that grows raw and is plenty, I reckon. I suppose pretty soon we'll be making forty to fifty per cent; maybe more. That's what bothers me—I can't find no hard game to play. I can't hardly take no interest in life.

"I was looking around some more and I seen where this country ain't got no dye works—the kind of dyes they make outen coal tar, which is made outen coal. Yet we've got plenty of coal and I own several coal mines out in Wyoming. I got another man, with specs, and I shouldn't wonder if we'd be making plenty of dyes before long, same as they used to import.

"Well," says he, filling up his pipe again, "I'd be happy enough fooling around this way, pushing in a few white checks once in a while—a few hundred thousand dollars. Anyways, I'd like it if I could lose once in a while—but then there's the kid."

"It comes around to her after all, Colonel, don't it?" says I.

"That's right," he says. "I play the game; she uses the winnings. She's going to be one of the richest girls in this whole town."

Seems like I couldn't get to tell him what I ought to. Every time he came around to the same place, talking about the kid. He didn't know as much as I did. I knew what'd make Old Man Wisner the happiest man alive—he'd feel that way if he knowed his hired man had got thick with our girl! He'd of encouraged that any way he could if he'd knowed anything about it. That would of pleased him. I had in my mind, too, how Bonnie Bell had looked at that hired man. So I set there, not having said a word yet and not daring to. It just seemed like I couldn't tell the old man.

It was getting towards night now before long and I hadn't made no break at all. I set and set, and didn't have no nerve. By and by it was too late to say anything that night.

We heard Bonnie Bell coming down the staircase, and we went to the door to meet her, like we did usual, because we liked to do that; she was so pretty when she was ready for dinner. The servants didn't look up to her pa and me very much, but they'd jump through hoops all the time for her.

She was dressed all up now in a pale blue dress, some sort of soft silk, and she had on all her diamonds, for she was shining all over. Her hair was high up and it had a little band on it, and a little pile of it stuck up behind on her head. Her neck was cut low, like they wore 'em at the hotel where we lived once, and her dress didn't have no sleeves in it. She had rings on her fingers, though not no bells on her toes—only little blue slippers; and her socks was pale blue, like we could see when she come down the stairs.

I don't expect there was any handsomer woman in the world than she was then—they don't make 'em any handsomer. We stood looking at her, us two cowmen, both in clothes that was always getting mussed up, and with tobacco in the pockets. We couldn't say a word. We got scared of her, I said; you would, often, when you looked at Bonnie Bell, she was so pretty. Yet she didn't know she had such looks.

"Daughter," says Old Man Wright, and he went up to her slow, like he was afraid of her, "you're very beautiful tonight," says he. "What makes you pale? You're a mighty fine girl. Dast you kiss your old pa before he goes in and gets into togs fit to eat with you?"

She looks at me and then at him, and she knows I haven't said nothing about that talk with the hired man. She was pale and didn't smile. She went up to her pa like she was tired—she didn't have much color that night in her face—and she just puts up her arms around her pa's neck and laid her head down on his shoulder, and didn't say a word. She didn't cry; she just let her head lay there.

I seen his arm go around on her bare shoulders easylike—he didn't hardly touch her for fear she'd break; and he didn't say a word. He was that sort of man that almost any sort of woman would like to put her arms around his neck and lay her head on him if she was in trouble.

"What is it, Honey?" says he at last.

"Why, nothing, dad," says she. "I love you—that's all. You believe it, don't you?"

"Will you always, sis?" says he, sort of funny.

"Always," says she, quiet. "Now," says she, "run off and get dressed up. Have you forgotten that the Kimberlys are coming for dinner tonight with us? Curly, you must go get on some dark clothes, you know."

You see, I was one of the family. I maybe gave them plenty of trouble, but they never'd let me eat anywheres but with them all the time. By this time I'd learned quite a few things from Bonnie Bell—about how not to put a napkin up too high, or to break my bread up into little pieces and pile them up, or to pour out my coffee, or to use the same spoon for coffee and other vittles, or to sidle up my plate for the last drop of soup there was in it—oh, several tricks like that; though I knew the game was a heap complicated and I hadn't learned it all yet.

She looks at me when I went out the door and I shook my head to show I hadn't said nothing. She set down, all in her silk and her shining rings and things, right on our old hide lounge; and she was looking at our painting of the Yellow Bull Valley and the old ranch house. I left her there, all in her diamonds, her hair tied up high—about the richest girl in Chicago and, like enough, the miserablest right then. But she didn't have nothing on me at that.

When we come back, all fixed up the best we could, she was still setting there. She was pretty—Lord, how pretty!—but sad.

She gets up now and begins to laugh and talk right fast to the old man, and by and by, before anything broke, Old Man Kimberly and Old Lady Kimberly drifted in.

"The young folks'll be over before long," says he; "we didn't wait for 'em, because I just wanted a taste of the old bourbon that I find here and can't find anywheres else. Where did you get it, Colonel?" says he.

Most everybody called him Colonel now, from me doing it first, and then Katherine.

"We had a few barrels out on the old ranch," says the boss. "A little of it escaped in the massacree. I'm glad you like it."

It come now about time for dinner, which was always pulled off on the tick of the clock. On the ranch in camp the cook always calls "Grub pile!" for the hands. In the home ranch he's more particular, and he says, "Come and git it!" when dinner's ready. But here, in our new house, our butler, William, always'd gumshoe in and say it so low you couldn't hardly hear him: "Dinner is served, Miss Wright." But, as them kids was a little late in coming, Old Man Kimberly finds time to take another nip.

"Why, Wilfred!" says his wife to him, "I'm surprised!"

"It's funny how you're surprised," says he, chuckling in his shirt front; "but I'm glad to have you keep up my reputation by saying you're surprised."

Somehow it was with them like it is with plenty of folks in the States—the women always seem finer, more delercate than the men; yet they seem to like men that ain't fussy. Old Man Kimberly was a good sort; but to look at her you'd wonder why she married him. She always set up straight, away from a chair or a sofa back, and she had a face that was clean-cut, like one of them cameo faces on cuff buttons. Katherine was some like her pa, and a good sort too.

"How sweet you look tonight!" says Old Lady Kimberly to Bonnie Bell after a time.

She always seemed to want to reach out and touch Bonnie Bell, or kiss her once in a while—they natural liked each other—Bonnie Bell especial, from never having no ma of her own, very much.

But after a time our William come to the door and stood there like he was a pointer dog and had found some birds; and says he, with a stop between, like he always did:

"Miss Kimberly—ahum! Mr. Thomas Kimberly—ahum!"

I reckon if Katherine's brother, Tom Kimberly, had of knowed how much we was waiting for a look at him he might of been some fussed up about it; but when our William brought him and Katherine in he didn't seem rattled.

He was a right tallish young fellow, maybe twenty-four years or thereabouts, slim, and with a wide mouth. He had a good deal of brown hair, which he combed back from his forehead, without no part in it. He was dressed up like city folks do for dinner, and his necktie wasn't tied careless, but right careful. He looked a good deal like a picture in a tailor shop. His hands didn't even seem to bother him like mine do me sometimes—I often wisht a man could have forty pockets to put all his hands into.

When he seen Bonnie Bell he lit up. Katherine hurried him over and put her hand on Bonnie Bell's arm.

"Honey," says she to Bonnie Bell, "I've brought over my brother Tom; and I want you to like him and I want him to like you."

"That's going to be the easiest thing you know," says he smiling.

He had right good teeth. Bonnie Bell she give him her hand, her arm straight out in front of her, and I didn't think she shook hands very hard; but he did. He kept on looking at her like he was fascernated. It was plain to see that the kid had him on the ropes in the first round.

We went on to the big dining-room right soon. This was the first time the Kimberlys had ever et at our house, except cookies and tea and things in the parlor or in the ranch room. When Mrs. Kimberly come into our big dining-room she taken one look up and down. Maybe she'd been thinking it was like the ranch room all the way through. That showed how little she knew about Bonnie Bell.

They was arranged in pairs as long as the women lasted—this Tom and Bonnie Bell, of course, together; and Mrs. Kimberly and Old Man Wright; and then Katherine and me and Old Man Kimberly. William helped Old Lady Kimberly and Bonnie Bell set down, like they had rheumatism, and I done what I could for Katherine, her and me being pretty good pals. Old Man Kimberly found his cocktail without no help. Right soon he set down to have a pleasant time, him.

We had a good dining-room—large, with white trimmings—and some carpets that cost as much as two thousand dollars each, and chairs that matched the table, and plenty of pictures.

I been around now a lot among our best people and I notice that unless you've got some pictures of sheep in your house you're no good. Any artist just natural has to paint sheep; yet that's the meanest anermal there is, and I don't see why a cowman especial should have sheep in his house. But we done so because it was correct—though I've never et sheep meat. Also, a couple of gondolas, by some Italian, near the sheep.

Besides them, if you've got a good house you've got to have one picture about twilight on a lake, with a broken tree on it and some weeds, and a crane standing there like it didn't have no friends. We had one of them crane pictures too.

When Old Lady Kimberly seen we had sheep and gondolas and weeds and cranes in our house, same as anybody else, she seemed to feel more comfortable. I told Katherine some of those things I'd found out about art and she come near choking in her soup, and said I was awful funny, though I was serious.

"Everything you've got," says she, "is perfectly lovely."

"She done it," says I, which was true. The old man and me, if we was left alone, would never of had even a picture of sheep in the whole house.

Like enough you've been at dinners in cities where they don't have everything on the table in big dishes, like at a ranch, but a little at a time; so you've got to guess frequent whether you're going to get enough to eat out of things that's coming on later. We was pretty well trained, Old Man Wright and me, since we come to our new house, for Bonnie Bell and William and all the rest run a regular city system on us.

Bonnie Bell was easy as Mrs. Kimberly would of been at her house. She didn't have to say a word to William; he shore was some butler—I reckon he buttled as good as anyone in the Row. I reckon he was born a orphan, he looked so sad.

We had some soup made out of turtle, which is better'n you'd think, to look at a turtle. Afterward was fish I couldn't name. Then there was ducks and potatoes, cooked together so you couldn't tell 'em apart, and considerable other birds with things put on; and alfalfa, with kerosene on it, maybe. After a while comes soft cheese, with strawberries, and yet softer cheese, with little onions cut in it, if you liked that better—I can't remember all them things now or how they come, but we was a couple of hours there and got considerable to eat before we quit. Also, Old Man Kimberly got plenty to drink. He says to the boss:

"You'll excuse me, Colonel," says he, "but I can't help saying a word in favor of your choice in wines."

And then—"Wilfred!" says his wife, as though it wasn't polite to say you liked things.

Since Katherine was talking to me all the time, and since Tom couldn't see nothing but Bonnie Bell, I reckon the whole party was pretty well suited.

After dinner, while we was setting in the ranch room—which they all liked so well—and could have sherry or coffee, or both, or maybe Scotch, Mrs. Kimberly kept on saying to the old man:

"Wilfred, I'm surprised!"

"So'm I, my dear," says he—"surprised that we've never been here all the time before. You may mark us down as steadies now," says he.

We had in the middle of the house, offen the ranch room, a long room, with a piano in it, and a smooth floor, and rugs that could be easy pushed away. Nothing'd do for them folks but they must go to dancing now. Sometimes Katherine played the piano and sometimes Bonnie Bell; she shore could slug a piano plenty when she wanted. She didn't get to play much, because Tom he wanted to dance with her all the time—turkeys' trots, I think they called it, or fox hops, or something of the kind.

Seems like she could do that, too, for she had lessons downtown. When Katherine got Old Man Wright to dance with her there wasn't no one left to play; so we set a music box going, and Katherine made me play on a Jew's-harp too.

Tom Kimberly certainly was up in all the late steps of dancing; that was one thing he could do. While him and Bonnie Bell was dancing I could see all the old folks looking at them quietlike. It was plain that he was mighty hard hit with Bonnie Bell. Old Man Wright he'd look at him once in a while—right close too. As for Bonnie Bell, she was pleasant, like she always was; but it didn't seem to me she laughed as much as usual. We was all of us showing off our goods.

When they come to go away, Katherine she hugged Bonnie Bell tighter than ever, and Old Man Kimberly held her hand for quite a while.

"You'll take pity on a old man, won't you," says he, "and come to see us often? You really must."

"Yes, my dear," says Mrs. Kimberly; "come and liven us up sometimes. It's been very delightful to see you young people enjoy yourselves so much—and you old people too," says she, and laughed at her husband, who maybe was some illuminated.

It was plain enough to me when they went away that our place had turned out better'n they thought it would. Bonnie Bell, too, if she'd been on inspection for them, same as Tom Kimberly was with us, certainly'd more than made good. Likewise, I suppose our sheep and gondola pictures must of made good too. We couldn't exactly of been classed as heathen—not unless me and Old Man Wright was.

We didn't say nothing to Bonnie Bell about these things, and pretty soon she kissed her pa good night and went upstairs to her room. The old man and me set for a while thinking things over.

"What do you think of him, Curly?" says he to me after a while.

"Well," says I, "it ain't just as though the cat had brought him in. He's good-looking," says I, "and he can dance; and he's a pleasant fellow enough. I only sort of got it in for people that drink cocktails instead of straight liquor and push their hair back thataway."

"Well now," he went on, "you've got to allow for differences in different places. Riding and roping ain't so important in Chicago as dining and dancing—not among our best people," says he. "You've got to take account of that. A girl might do a lot worse."

"There ain't nobody good enough for Bonnie Bell," says I, "when it comes to that; but I was just sort of thinking I like a man to know something about riding and shooting, and that sort of thing, as well as dancing."

"Curly," says he, "you said your pa was a hard-shell?"

"Yes," says I.

"A hard-shell Presbyterian?" says he. "Anyhow, your folks must of been right exacting. Now don't be too hard on young folks."

"Listen to me, Colonel," says I. "Suppose you had two of 'em right here—one that didn't have no family nor no money, but took to ranch work sort of natural; and one that could dance and dine like you say. One of these men parts his hair on one side and one combs it back, without no part. Which one of 'em would you like most?"

"I'd have to see both men and size 'em up," says he. "But what makes you ask? The other kind of young man you're talking about ain't showed up yet. Besides, one thing that favors Tom is he don't have to marry for money. Bless you; he ain't thinking of her money—not one dollar; just thinking of her, right the way she is. He's gone—that's what he is."

"That's so," says I; "that's certainly so. But how about her?"

"They all take their chances," says Old Man Wright, solemn, after a while. "Anyway you can fix it a woman takes a chance. She's in a gamble all her whole born life. She's a gamble herself and she has to play in a gamble from the time she begins to toddle till the time they fold her hands. She can't tell if her husband's going to stick; she can't tell if her husband's going to make good; she can't tell how her kids is going to turn out—that's all a gamble too.

"Do your best, Curly, and try your damnedest, there ain't no way you can protect no woman against them gambles. If I wait for exactly the right man to come along, that don't comb his hair back, how do I know he'll ever come? If he does come maybe he'll have a eye on her bank roll, or maybe he'll measure forty inches around his pants. Either one—ary one—it's all a gamble for a girl.

"No," he went on; "about the only thing she can do, after all, is to use her own head and her own heart. It ain't in the nature of things that you can look ahead and see how the game's coming out for any girl—she has to take her chances. We've got to stand by and see her do it. I wisht it wasn't so. I loved her ma so much, and she looks so much like her ma—why, I wisht—why, I wisht—— Damn it, don't I wisht it wasn't such a dash-blamed, all-fired, hell-for-certain gamble for the kid!"

It wasn't no time for me to say anything about any hired man now! By and by the old man quit looking into the fire and got up and went off to bed.

It was a right fine place for me—probably not. Here I was, foreman under full pay, and bound to play on the level with the boss, to say nothing of the long time I'd worked for him. Of course I ought to tell him all about that Wisners' hired man; but how could I?

It come to a question whether I liked the boss best or Bonnie Bell, which is no fair place to put a man. Any man is apt to want to favor the woman in a case like that. Come to get down to cases, I found I liked Bonnie Bell a lot more than I ever'd realized I did. I was part her dad, you know, and I couldn't stand to see her unhappy.

The trouble with a cowpuncher, like I said, is that he hasn't got no real brains. I never used to notice that before, because it don't need no brains to be a puncher, as long as you stick to the ranch. But here I needed 'em right keen now.

Every day I walked the line fence; but there wasn't no work about that, for the bricks was mostly stuck back in the hole, and the hired man that had made all the trouble he kept on his own side—I didn't never see him no more at all.

Bonnie Bell didn't say a word to me, nor me to her. I thought she ought to come to me and talk things over; but she didn't. I knowed she hadn't said a word to her pa, and I knowed I hadn't neither.

Tom he called three times the first week. I didn't care much for him someways, though I knowed I ought. Bonnie Bell knowed she ought too. Her pa knowed he ought too. If ever a fellow played in a game like that, with all the ways greased for him, Tom was him.

Old Man Wright he turns to me one evening when we was setting by the fire in our room, and he says to me:

"Well, Curly, how are you enjoying yourself now in this hard and downtrod position that life has gave to you?"

"I don't like it none, Colonel," says I; "not none at all, nohow."

"Why don't you join a cowpunchers' union, then?" he ast. "Pshaw! This is a good town and I rather like it. The game here is easy to beat—easier than it was in Wyoming. For instance, just the other day I bought a bunch of timber land out in Arizony—a place where I've never been nor want to go, because they've got the tick fever down there scandalous, and irrigation, which is a crime. Well, I only bought in on this timber because a friend of mine wanted me to come in with him; and, figuring I didn't know nothing about it, I allowed I certainly would lose for once—I couldn't tell a pine tree from a spruce to save my life."

"Huh!" says I. "I suppose then somebody comes along and offers you twice your money for it, maybe?"

"No; they didn't," says he. "I was hoping they would; but they didn't. No, it was old Uncle Sam come along through that part of the state, and he sees where we've got about all the best timber left on top of a range of mountains in there, and he allows he ought to keep that timber from ever being cut; so he buys it off us for four times what we give for it—not twice. Uncle Sam pays in real money."

"Huh!" says I. "I never did have no trouble like you have, Colonel, to find a game where I could lose money. I suppose maybe you made seegar money out of that too?"

"A little, maybe. I only put in a little in the first place—two, three hundred thousand dollars; not much. I was so in hopes I could lose some money so as to sort of encourage me like, you know. But it's no use, Curly!" And he sighs right heavy.

"You have my symperthy, Colonel," says I. "If ever you want any help, so as to make the game more interesting, just let me set in and take your hand for you—I'll guarantee on my record that I'll open your eyes in ways how to lose money."

"All right, Curly," says he. "I'll ast you sometime and maybe copper your bets. I always do that when my lawyer or my stockbroker gives me any tips. It's the surest way in the world to make a killing in this here, now, stock market.

"For instance, just the other day they told me down there to be shore and buy a lot of Blue Mountain Steel, which certainly was backed by the J. P. Morgan interests and was going to get a lot of war orders. So I didn't—I bought Steel Boat Electric Common instead of that. I didn't know anything about it, but somebody must of give them some war orders, submarines of something. I notice our stock has rose around two hundred per cent the last few weeks. I don't know why it is that things of been going on this way," says he. "It bothers me a lot, Curly. Yet I only put a few hundred thousand in that too.

"I'm setting aside two-thirds of all I make in this here city in the kid's name, Curly," says he. "It's a five per cent trust for keeps. It's getting to be something awful how much that fund of hers is! And, the best I can do, I can't help its increasing right along. There don't seem to be no way in which we can get broke and go back to honest work again, such as raising cows—though making four calves grow where there wasn't none in the sage brush before, that's really being useful in the world, war or no war."

He set there for some time looking in the fire, serious, and he come around again to the same old place.

"Curly," says he, "if there is any created critter on this human footstool that I hate and despise, and that every he-man in the world hates and despises, it's the man that'll marry a girl for her money. Look at them dukes and things that come over here and marry our American girls. I never shot a duke, but I will if one of 'em blows in here and starts anything like that with our girl."

"Maybe he won't come," says I. "You never can tell."

"Curly," says he, "you can always tell! Listen to me. There's just one thing certain in the whole world—or two. If a girl's handsome men'll come around. If she's rich men'll come around. They fall out of the sky. They come up out of the ground. They break in through the fence——"

"What's that?" says I. "Colonel, what do you mean about fences?"

"I mean to say that there ain't no fence on earth you could build that'd keep out young men from a handsome girl that's got money."

"Ain't that the God's truth, Colonel!" says I. "How come you to figure that out?"

"How? How come me to break through the fence that was built around Bonnie Bell's ma, back in Maryland, and carry her away from there? But when I think that, like enough, some low-down cuss like me'll come around and break through my fence and carry off my girl, to take such chances as her ma done—I tell you it makes the sweat come right out on me."

"Well, Colonel," says I, "I reckon if any young man comes along here, no matter if he gets in at the front door or crawls in under the fence, he's got to show some revenue as well as be all right other ways?"

He set some time thinking before he answered.

"That's a right hard question, Curly," says he. "I wouldn't bar a poor man if I was shore he was on the square. It wouldn't be so hard to decide if she didn't have any money; but she has, and it can't be concealed much longer."

He gets up and walks up and down a while talking.

"I declare, if I was a young man I'd never ast no rich young woman to marry me at all. I'd be afraid to ast her, for fear she'd spot me or accuse me, whichever way it was. I can't agree to no pore young man for her, for I couldn't trust him. And I can't agree to no rich young man for her, because none of 'em ain't worth a damm, as far as I've seen."

"It looks like a awful thing, Colonel, to have a cheeild that's rich and lovely."

"Yes," says he; "and it ain't no joke neither."

"Well now, Colonel," says I, "take the houses in this Row where we live. How many young men is there that we can tally out?"

He shook his head.

"There ain't none at all worth mentioning—believe me!" says he.

I did believe him. That left just Tom for the entry in the Bonnie Bell Stakes. Looked like he couldn't lose.