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The Man with the Black Feather

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About This Book

A timid, fastidious man sets out to improve his mind through visits to historic sites, but his memoirs, delivered in a mysterious sandalwood box, chronicle a sequence of escalating oddities beginning with a black feather. The account traces growing obsession around strange portraits, a wax mask, a peculiar little cat, and an ill-fated procedure presented as psychic surgery, intersecting with baffling incidents on trains and beneath the city in the catacombs. Friends and amateur investigators piece together clues from these episodes, and the tale culminates in an ambiguous, exile-like conclusion.

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Title: The Man with the Black Feather

Author: Gaston Leroux

Illustrator: C. M. Relyea

Translator: Edgar Jepson

Release date: July 20, 2014 [eBook #46343]
Most recently updated: October 24, 2024

Language: English

Credits: Produced by Steven desJardins and the Online Distributed
Proofreading Team at http://www.pgdp.net (This book was
produced from scanned images of public domain material
from the Google Print project.)

*** START OF THE PROJECT GUTENBERG EBOOK THE MAN WITH THE BLACK FEATHER ***

THE MAN WITH THE BLACK
FEATHER

In horror I recognized my own handwriting

See page 21

THE
MAN WITH THE BLACK
FEATHER

BY
GASTON LEROUX

Author of "The Mystery of the Yellow Room,"
"The Phantom of the Opera," etc.

TRANSLATED BY
EDGAR JEPSON

ILLUSTRATED BY
CHARLES M. RELYEA

BOSTON
SMALL, MAYNARD & COMPANY
PUBLISHERS

Copyright, 1912
By Small, Maynard and Company

(INCORPORATED)

Entered at Stationer's Hall

THE UNIVERSITY PRESS, CAMBRIDGE, U.S.A.


HISTORICAL PREFACE

THE SANDALWOOD BOX

One evening last year I perceived in the waiting-room of my newspaper, Le Matin, a man dressed in black, his face heavy with the darkest despair, whose dry, dead eyes seemed to receive the images of things like unmoving mirrors.

He was seated; and there rested on his knees a sandalwood box inlaid with polished steel. An office-boy told me that he had sat there motionless, silent, awaiting my coming, for three mortal hours.

I invited this figure of despair into my office and offered him a chair. He did not take it; he walked straight to my desk, and set down on it the sandalwood box.

Then he said to me in an expressionless, far-away voice: "Monsieur, this box is yours. My friend, M. Theophrastus Longuet, charged me to bring it to you."

He bowed and was going to the door, when I stopped him.

"For goodness sake, don't run away like that!" I said sharply. "I can't receive this box without knowing what it contains."

"I don't know what it contains myself," he said in the same dull, expressionless tone. "This box is locked; the key is lost. You will have to break it open to find out."

"At any rate I should like to know the name of the bearer," I said firmly.

"My friend, M. Theophrastus Longuet, called me 'Adolphe,'" he said in the mournfullest tone.

"If M. Theophrastus Longuet had brought me this box himself, he would certainly have told me what it contains," I said stiffly. "I regret that M. Theophrastus Longuet—"

"So do I," said my visitor. "M. Theophrastus Longuet is dead; and I am his executor."

With that he opened the door, went through it, and shut it behind him. I stared at the sandalwood box; I stared at the door; then I ran after the man. He had vanished.


I had the sandalwood box opened; and in it I found a bundle of manuscripts. In a newspaper office one is used to receiving bundles of manuscripts; and I began to look through them with considerable weariness. Very soon it changed to the liveliest interest. As I went deeper and deeper into these posthumous documents I found the story related in them more and more extraordinary, more and more incredible. For a long while I disbelieved it. However, since the proofs of it exist, I ended, after a searching inquiry into them, by believing it to be true.

M. Theophrastus Longuet's reason for bequeathing this strange legacy to me was itself strange. He did not know me; but he had read articles by me in Le Matin, "his favourite organ"; and among the many contributors to that journal he had chosen me, not for my superior knowledge, an allegation which would have made me blush, but because he had come to the conclusion that I possessed "a more solid intellect" than the others.

Gaston Leroux


CONTENTS

    Page
HISTORICAL PREFACE--THE SANDALWOOD BOX v
Chapter    
I M. Theophrastus Longuet Desires to Improve His Mind and Visits Historical Monuments 1
II The Scrap of Paper 13
III Theophrastus Longuet Bursts into Song 22
IV Adolphe Lecamus is Flabbergasted but Frank 48
V Theophrastus Shows the Black Feather 55
VI The Portrait 67
VII The Young Cartouche 89
VIII The Wax Mask 105
IX Strange Position of a Little Violet Cat 116
X The Explanation of the Strange Attitude of a Little Violet Cat 124
XI Theophrastus Maintains that He Did Not Die on the Place de Grève 135
XII The House of Strange Words 144
XIII The Cure That Missed 155
XIV The Operation Begins 171
XV The Operation Ends 186
XVI The Drawbacks of Psychic Surgery 200
XVII Theophrastus Begins to Take an Interest in Things 206
XVIII The Evening Paper 212
XIX The Story of the Calf 221
XX The Strange Behaviour of an Express Train 234
XXI The Earless Man with His Head Out of the Window 242
XXII In Which the Catastrophe which Appears on the Point of Being Explained, Grows yet More Inexplicable 246
XXIII The Melodious Bricklayer 253
XXIV The Solution in the Catacombs 261
XXV M. Mifroid Takes the Lead 273
XXVI M. Longuet Fishes in the Catacombs 288
XXVII M. Mifroid Parts from Theophrastus 300
XXVIII Theophrastus Goes into Eternal Exile 308

ILLUSTRATIONS

In horror I recognized my own handwriting. (See page 21) Frontispiece
  Page
Theophrastus still gazed in wonder. (See page 157) 100
"Theophrastus Longuet, awake!" 200