The Marriage of William Ashe

STORM

"Myself, arch-traitor to myself;
My hollowest friend, my deadliest foe,
My clog whatever road I go."

"'Among the numerous daubs with which Tintoret, to his everlasting shame, has covered this church—'"

"Good Heavens!—what does the man mean?—or is he talking of another church?" said Ashe, raising his head and looking in bewilderment, first at the magnificent Tintoret in front of him, and then at the lines he had just been reading.

"William!" cried Kitty, "do put that fool down and come here; one sees it splendidly!"

She was standing in one of the choir-stalls of San Giorgio Maggiore, somewhat raised above the point where Ashe had been studying his German hand-book.

"My dear, if this man doesn't know, who does!" cried Ashe, flourishing his volume in front of him as he obeyed her.

"'Dans le royaume des aveugles,'" said Kitty, contemptuously. "As if any German could even begin to understand Tintoret! But—don't talk!"

And clasping both hands round Ashe's arm, she stood leaning heavily upon him, her whole soul gazing from the eyes she turned upon the picture, her lips quivering, as though, from some physical weakness, she could only just hold back the tears with which, indeed, the face was charged.

She and Ashe were looking at that "Last Supper" of Tintoret's which hangs in the choir of San Giorgio Maggiore at Venice.

It is a picture dear to all lovers of Tintoret, breathing in every line and group the passionate and mystical fancy of the master.

The scene passes, it will be remembered, in what seems to be the spacious guest-chamber of an inn. The Lord and His disciples are gathered round the last sacred meal of the Old Covenant, the first of the New. On the left, a long table stretches from the spectator into the depths of the picture; the disciples are ranged along one side of it; and on the other sits Judas, solitary and accursed. The young Christ has risen; He holds the bread in His lifted hands and is about to give it to the beloved disciple, while Peter beyond, rising from his seat in his eagerness, presses forward to claim his own part in the Lord's body.

The action of the Christ has in it a very ecstasy of giving; the bending form, indeed, is love itself, yearning and triumphant. This is further expressed in the light which streams from the head of the Lord, playing upon the long line of faces, illuminating the vehement gesture of Peter, the adoring and radiant silence of St. John—and striking even to the farthest corners of the room, upon a woman, a child, a playing dog. Meanwhile, from the hanging lamps above the supper-party there glows another and more earthly light, mingled with fumes of smoke which darken the upper air. But such is the power of the divine figure that from this very darkness breaks adoration. The smoke-wreaths change under the gazer's eye into hovering angels, who float round the head of the Saviour, and look down with awe upon the first Eucharist; while the lamp-light, interpenetrated by the glory which issues from the Lord, searches every face and fold and surface, displays the figures of the serving men and women in the background, shines on the household stuff, the vases and plates, the black and white of the marble floor, the beams of the old Venetian ceiling. Everywhere the double ray, the two-fold magic! Steeped in these "majesties of light," the immortal scene lives upon the quiet wall. Year after year the slender, thought-worn Christ raises His hands of blessing; the disciples strain towards Him; the angels issue from the darkness; the friendly domestic life, happy, natural, unconscious, frames the divine mystery. And among those who come to look there are, from time to time, men and women who draw from it that restlessness of vague emotion which Kitty felt as she hung now, gazing, on Ashe's arm.

For there is in it an appeal which torments them—like the winding of a mystic horn, on purple heights, by some approaching and unseen messenger. Ineffable beauty, offering itself—and in the human soul, the eternal human discord: what else makes the poignancy of art—the passion of poetry?

"That's enough!" said Kitty, at last, turning abruptly away.

"You like it?" said Ashe, softly, detaining her, while he pressed the little hand upon his arm. His heart was filled with a great pity for his wife in these days.

"Oh, I don't know!" was Kitty's impatient reply.

"It haunts me. There's still another to see—in a chapel. The sacristan's making signs to us."

"Is there?" Ashe stifled a yawn. He asked Margaret French, who had come up with them, whether Kitty had not had quite enough sight-seeing. He himself must go to the Piazza, and get the news before dinner. As an English cabinet minister, he had been admitted to the best club of the Venice residents. Telegrams were to be seen there; and there was anxious news from the Balkans.

Kitty merely insisted that she could not and would not go without her remaining Tintoret, and the others yielded to her at once, with that indulgent tenderness one shows to the wilfulness of a sick child. She and Margaret followed the sacristan. Ashe lingered behind in a passage of the church, surreptitiously reading an Italian newspaper. He had the ordinary cultivated pleasure in pictures; but this ardor which Kitty was throwing into her pursuit of Tintoret—the Wagner of painting—left him cold. He did not attempt to keep up with her.

Two ladies were already in the cloister chapel, with a gentleman. As Kitty and her friend entered, these persons had just finished their inspection of the damaged but most beautiful "Pietà" which hangs over the altar, and their faces were towards the entrance.

"Maman!" cried Kitty, in amazement.

The lady addressed started, put up a gold-rimmed eye-glass, exclaimed, and hurried forward.

Kitty and she embraced, amid a torrent of laughter and interjections from the elder lady, and then Kitty, whose pale cheeks had put on scarlet, turned to Margaret French.

"Margaret!—my mother, Madame d'Estrées."

Miss French, who found herself greeted with effusion by the strange lady, saw before her a woman of fifty, marvellously preserved. Madame d'Estrées had grown stout; so much time had claimed; but the elegant gray dress with its floating chiffon and lace skilfully concealed the fact; and for the rest, complexion, eyes, lips were still defiant of the years. If it were art that had achieved it, nature still took the credit; it was so finely done, the spectator could only lend himself and admire. Under the pretty hat of gray tulle, whereof the strings were tied bonnet-fashion under the plump chin, there looked out, indeed, a face gay, happy, unconcerned, proof one might have thought of an innocent past and a good conscience.

Kitty, who had drawn back a little, eyed her mother oddly.

"I thought you were in Paris. Your letter said you wouldn't be able to move for weeks—"

"Ma chère!—un miracle!" cried Madame d'Estrées, blushing, however, under her thin white veil. "When I wrote to you, I was at death's door—wasn't I?" She appealed to her companion, without waiting for an answer. "Then some one told me of a new doctor, and in ten days, me voici! They insisted on my going away—this dear woman—Donna Laura Vercelli—my daughter, Lady Kitty Ashe!—knew of an apartment here belonging to some relations of hers. And here we are—charmingly installées!—and really nothing to pay!"—Madame d'Estrées whispered, smiling, in Kitty's ear—"nothing, compared to the hotels. I'm economizing splendidly. Laura looks after every sou. Ah! my dear William!"

For Ashe, puzzled by the voices within, had entered the chapel, and stood in his turn, open-mouthed.

"Why, we thought you were an invalid."

For, some three weeks before, a letter had reached him at Haggart, so full of melancholy details as to Madame d'Estrées' health and circumstances that even Kitty had been moved. Money had been sent; inquiries had been made by telegraph; and but for a hasty message of a more cheerful character, received just before they started, the Ashes, instead of journeying by Brussels and Cologne, would have gone by Paris that Kitty might see her mother. They had intended to stop there on their way back. Ashe was not minded that Kitty should see more of Madame d'Estrées than necessity demanded; but on this occasion he would have felt it positively brutal to make difficulties.

And now here was this moribund lady, this forsaken of gods and men, disporting herself at Venice, evidently in the pink of health and attired in the freshest of Paris toilettes! As he coldly shook hands, Ashe registered an inner vow that Madame d'Estrées' letters henceforward should receive the attention they deserved.

And beside her was her somewhat mysterious friend of London days, the Colonel Warington who had been so familiar a figure in the gatherings of St. James's Place—grown much older, almost white-haired, and as gentlemanly as ever. Who was the lady? Ashe was introduced, was aware of a somewhat dark and Jewish cast of face, noticed some fine jewels, and could only suppose that his mother-in-law had picked up some one to finance her, and provide her with creature comforts in return for the social talents that Madame d'Estrées still possessed in some abundance. He had more than once noticed her skill in similar devices; but, indeed, they were indispensable, for while he allowed Madame d'Estrées one thousand a year, she was, it seemed, firmly determined to spend a minimum of three.

He and Warington looked at each other with curiosity. The bronzed face and honest eyes of the soldier betrayed nothing. "Are you going to marry her at last?" thought Ashe. "Poor devil!"

Meanwhile Madame d'Estrées chattered away as though nothing could be more natural than their meeting, or more perfect than the relations between herself and her daughter and son-in-law.

As they all strolled down the church she looked keenly at Kitty.

"My dear child, how ill you look!—and your mourning! Ah, yes, of course!"—she bit her lip—"I remember—the poor, poor boy—"

"Thank you!" said Kitty, hastily. "I got your letter—thank you very much. Where are you staying? We've got rooms on the Grand Canal."

"Oh, but, Kitty!" cried Madame d'Estrées—"I was so sorry for you!"

"Were you?" said Kitty, under her breath. "Then, please, never speak of him to me again!"

Startled and offended, Madame d'Estrées looked at her daughter. But what she saw disarmed her. For once even she felt something like the pang of a mother. "You're dreadfully thin, Kitty!"

Kitty frowned with annoyance.

"It's not my fault," she said, pettishly. "I live on cream, and it's no good. Of course, I know I'm an object and a scarecrow; but I'd rather people didn't tell me."

"What nonsense, chére enfant! You're much prettier than you ever were."

A wild and fugitive radiance swept across the face beside her.

"Am I?" said Kitty, smiling. "That's all right! If I had died it wouldn't matter, of course. But—"

"Died! What do you mean, Kitty?" said Madame d'Estrées, in bewilderment. "When William wrote to me I thought he meant you had overtired yourself."

"Oh, well, the doctors said it was touch and go," said Kitty, indifferently. "But, of course, it wasn't. I'm much too tough. And then they fussed about one's heart. And that's all nonsense, too. I couldn't die if I tried."

But Madame d'Estrées pondered—the bright, intermittent color, the emaciation, the hollowness of the eyes. The effect, so far, was to add to Kitty's natural distinction, to give, rather, a touch of pathos to a face which even in its wildest mirth had in it something alien and remote. But she, too, reflected that a little more, a very little more, and—in a night—the face would have dropped its beauty, as a rose its petals.

The group stood talking awhile on the steps outside the church. Kitty and her mother exchanged addresses, Donna Laura opened her mouth once or twice, and produced a few contorted smiles for Kitty's benefit, while Colonel Warington tipped the sacristan, found the gondolier, and studied the guide-book.

As Madame d'Estrées stepped into her gondola, assisted by him, she tapped him on the arm.

"Are you coming, Markham?"

The low voice was pitched in a very intimate note. Kitty turned with a start.

"A casa!" said Madame d'Estrées, and she and her friend made for one of the canals that pierce the Zattere, while Colonel Warington went off for a walk along the Giudecca.

Kitty and Ashe bade their gondoliers take them to the Piazzetta, and presently they were gliding across waters of flame and silver, where the white front and red campanile of San Giorgio—now blazing under the sunset—mirrored themselves in the lagoon. The autumn evening was fresh and gay. A light breeze was on the water; lights that only Venice knows shone on the tawny sails of fishing-boats making for the Lido, on the white sides of an English yacht, on the burnished prows of the gondolas, on the warm reddish-white of the Ducal Palace. The air blowing from the Adriatic breathed into their faces the strength of the sea; and in the far distance, above that line of buildings where lies the heart of Venice, the high ghosts of the Friulian Alps glimmered amid the sweeping regiments and purple shadows of the land-hurrying clouds.

"This does you good, darling!" said Ashe, stooping down to look into his wife's face, as she nestled beside him on the soft cushions of the gondola.

Kitty gave him a slight smile, then said, with a furrowed brow:

"Who could ever have thought we should find maman here!"

"Don't have her on your mind!" said Ashe, with some sharpness. "I can't have anything worrying you."

She slipped her hand into his.

"Is that man going to marry her—at last? She called him 'Markham.' That's new."

"Looks rather like it," said Ashe. "Then he'll have to look after the debts!"

They began to piece together what they knew of Colonel Warington and his relation to Madame d'Estrées. It was not much. But Ashe believed that originally Warington had not been in love with her at all. There had been a love-affair between her and Warington's younger brother, a smart artillery officer, when she was the widowed Lady Blackwater. She had behaved with more heart and scruple than she had generally been known to do in these matters, and the young officer adored her—hoped, indeed, to marry her. But he was called on—in Paris—to fight a duel on her account, and was killed. Before fighting, he had commended Lady Blackwater to the care of his much older brother, also a soldier, between whom and himself there existed a rare and passionate devotion; and ever since the poor lad's death, Markham Warington had been the friend and quasi-guardian of the lady—through her second marriage, through the checkered years of her existence in London, and now through the later years of her residence on the Continent, a residence forced upon her by her agreement with the Tranmores. Again and again he had saved her from bankruptcy, or from some worse scandal which would have wrecked the last remnants of her fame.

But, all the time, he was himself bound by strong ties of gratitude and affection to an elder sister who had brought him up, with whom he lived in Scotland during half the year. And this stout Puritan lady detested the very name of Madame d'Estrées.

"But she's dead," said Ashe. "I remember noticing her death in the Times some three months ago. That, of course, explains it. Now he's free to marry."

"And so maman will settle down, and be happy ever afterwards!" said Kitty, with a sarcastic lifting of the brow. "Why should anybody be good?"

The bitterness of her look struck Ashe disagreeably. That any child should speak so of a mother was a tragic and sinister thing. But he was well aware of the causes.

"Were you very unhappy when you were a child, Kitty?" He pressed the hand he held.

"No," said Kitty, shortly. "I'm too like maman. I suppose, really, at bottom, I liked all the debts, and the excitement, and the shady people!"

"That wasn't the impression you gave me, in the first days of our acquaintance!" said Ashe, laughing.

"Oh, then I was grown up—and there were drawbacks. But I'm made of the same stuff as maman," she said, obstinately—"except that I can't tell so many fibs. That's really why we didn't get on."

Her brown eyes held him with that strange, unspoken defiance it seemed so often beyond her power to hide. It was like the fluttering of some caged thing hungering for it knows not what. Then, as they scanned the patient good-temper of his face, they melted; and her little fingers squeezed his; while Margaret French kept her eyes fixed on the two columns of the Piazzetta.

"How strange to find her here!" said Kitty, under her breath. "Now, if it had been Alice—my sister Alice!"

William nodded. It had been known to them for some time that Lady Alice Wensleydale, to whom Italy had become a second country, had settled in a villa near Treviso, where she occupied herself with a lace school for women and girls.

The mention of her sister threw Kitty into what seemed to be a disagreeable reverie. The flush brought by the sea-wind faded. Ashe looked at her with anxiety.

"You have done too much, Kitty—as usual!"

His voice was almost angry.

She shrugged her shoulders.

"What does it matter? You know very well it would be much better for you if—"

"If what?"

"If I followed Harry." The words were just breathed, and her eyes shrank from meeting his. Ashe, on the other hand, turned and looked at her steadily.

"Are you quite determined I sha'n't get any joy out of my holiday?"

She shook her head uncertainly. Then, almost immediately, she began to chatter to Margaret French about the sights of the lagoon, with her natural trenchancy and fun. But her hand, hidden under the folds of her black cloak, still clung to William's.

"It is her illness," he said to himself, "and the loss of the child."

And at the remembrance of his little son, a wave of sore yearning filled his own heart. Deep under the occupations and interests of the mind lay this passionate regret, and at any moment of pause or silence its "buried life" arose and seized him. But he was a busy politician, absorbed even in these days of holiday by the questions and problems of the hour. And Kitty was a delicate woman—with no defence against the torture of grief.

He thought of those first days after the child's death, when in spite of the urgency of the doctors it had been impossible to keep the news from Kitty; of the ghastly effect of it upon nerves and brain already imperilled by causes only half intelligible; of those sudden flights from her nurses, when the days of convalescence began, to the child's room, and, later, to his grave. There was stinging pain in these recollections. Nor was he, in truth, much reassured by his wife's more recent state. It was impossible, indeed, that he should give it the same constant thought as a woman might—or a man of another and more emotional type. At this moment, perhaps, he had literally no time for the subtleties of introspective feeling, even had his temperament inclined him to them, which was, in truth, not the case. He knew that Kitty had suddenly and resolutely ceased to talk about the boy, had thrown herself with the old energy into new pursuits, and, since she came to Venice in particular, had shown a feverish desire to fill every hour with movement and sight-seeing.

But was she, in truth, much better—in body or soul?—poor child! The doctors had explained her illness as nervous collapse, pointing back to a long preceding period of overstrain and excitement. There had been suspicions of tubercular mischief, but no precise test was then at command; and as Kitty had improved with rest and feeding the idea had been abandoned. But Ashe was still haunted by it, though quite ready—being a natural optimist—to escape from it, and all other incurable anxieties, as soon as Kitty herself should give the signal.

As to the moral difficulties and worries of those months at Haggart, Ashe remembered them as little as might be. Kitty's illness, indeed, had shown itself in more directions than one, as an amending and appeasing fact. Even Lord Parham had been moved to compassion and kindness by the immediate results of that horrible scene on the terrace. His leave-taking from Ashe on the morning afterwards had been almost cordial—almost intimate. And as to Lady Tranmore, whenever she had been able to leave her paralyzed husband she had been with Kitty, nursing her with affectionate wisdom night and day. While on the other members of the Haggart party the sheer pity of Kitty's condition had worked with surprising force. Lord Grosville had actually made his wife offer Grosville Park for Kitty's convalescence—Kitty got her first laugh out of the proposal. The Dean had journeyed several times from his distant cathedral town, to see and sit with Kitty; Eddie Helston's flowers had been almost a nuisance; Mrs. Alcot had shown herself quite soft and human.

The effect, indeed, of this general sympathy on Lord Parham's relations to the chief member of his cabinet had been but small and passing. Ashe disliked and distrusted him more than ever; and whatever might have happened to the Premier's resentment of a particular offence, there could be no doubt that a visit from which Ashe had hoped much had ended in complete failure, that Parham was disposed to cross his powerful henchman where he could, and that intrigue was busy in the cabinet itself against the reforming party of which Ashe was the head Ashe, indeed, felt his own official position, outwardly so strong, by no means secure. But the game of politics was none the less exhilarating for that.

As to Kitty's relation to himself—and life's most intimate and tender things—in these days, did he probe his own consciousness much concerning them? Probably not. Was he aware that, when all was said and done, in spite of her misdoings, in spite of his passion of anxiety during her illness, in spite of the pity and affection of his daily attitude, Kitty occupied, in truth, much less of his mind than she had ever yet occupied?—that a certain magic—primal, incommunicable—had ceased to clothe her image in his thoughts?

Again—probably not. For these slow changes in a man's inmost personality are like the ebb and flow of summer tides over estuary sands. Silent, the main creeps in, or out; and while we dream, the great basin fills, and the fishing-boats come in—or the gentle, pitiless waters draw back into the bosom of ocean, and the sea-birds run over the wide, untenanted flats.

They landed at the Piazzetta as the lamps were being lit. The soft October darkness was falling fast, and on the ledges of St. Mark's and the Ducal Palace the pigeons had begun to roost. An animated crowd was walking up and down in the Piazza where a band was playing; and on the golden horses of St. Mark's there shone a pale and mystical light, the last reflection from the western sky. Under the colonnades the jewellers and glass-shops blazed and sparkled, and the warm sea-wind fluttered the Italian flags on the great flag-staffs that but so recently had borne the Austrian eagle.

Ashe walked with his head thrown back, thinking absently, in this centre of Venice, of English politics, and of a phrase of Metternich's he had come across in a volume of memoirs he had been lately reading on the journey:

"Le jour qui court n'a aucune valeur pour moi, excepté comme la veille du lendemain. C'est toujours avec le lendemain que mon esprit lutte."

The phrase pleased him particularly.

He, too, was wrestling with the morrow, though in another sense than Metternich's. His mind was alive with projects; an exultant consciousness both of capacity and opportunity possessed him.

"Why, you've passed the club, William!" said Kitty.

Ashe awoke with a start, smiled at her, and with a wave of the hand disappeared in a stairway to the right.

Margaret French lingered in a bead-shop to make some purchases. Kitty walked home alone, and Margaret, whose watchful affection never failed, knew that she preferred it, and let her go her way.

The Ashes had rooms on the first bend of the Grand Canal looking south. To reach them by land from the Piazza, Kitty had to pass through a series of narrow streets, or calles, broken by campos, or small squares, in which stood churches. As she passed one of these churches she was attracted by the sound of gay music and by the crowd about the entrance. Pushing aside the leathern curtain over the door, she found herself in a great rococo nave, which blazed with lights and decorations. Lines of huge wax candles were fixed in temporary holders along the floor. The pillars were swathed in rose-colored damask, and the choir was ablaze with flowers, and even more brilliantly lit, if possible, than the rest of the church.

Kitty's Catholic training told her that an exposition of the Blessed Sacrament was going on. Mechanically she dipped her fingers into the holy water, she made her genuflection to the altar, and knelt down in one of the back rows.

How rich and sparkling it was—the lights, the bright colors, the dancing music! "Dolce Sacramento! Santo Sacramento!" these words of an Italian hymn or litany recurred again and again, with endless iteration. Kitty's sensuous, excitable nature was stirred with delight. Then, suddenly, she remembered her child, and the little face she had seen for the last time in the coffin. She began to cry softly, hiding her face in her black veil. An unbearable longing possessed her. "I shall never have another child," she thought. "That's all over."

Then her thoughts wandered back to the party at Haggart, to the scene on the terrace, and to that rush of excitement which had mastered her, she scarcely knew how or why. She could still hear the Dean's voice—see the lamp wavering above her head. "What possessed me! I didn't care a straw whether the lamp set me on fire—whether I lived or died. I wanted to die."

Was it because of that short conversation with William in the afternoon?—because of the calmness with which he had taken that word "separation," which she had thrown at him merely as a child boasts and threatens, never expecting for one moment to be taken at its word? She had proposed it to him before, after the night at Hamel Weir; she had been serious then, it had been an impulse of remorse, and he had laughed at her. But at Haggart it had been an impulse of temper, and he had taken it seriously. How the wound had rankled, all the afternoon, while she was chattering to the Royalties! And as she jumped on the pedestal, and saw his face of horror, there was the typical womanish triumph that she had made him feel—would make him feel yet more.

How good, how tender he had been to her in her illness! And yet—yet?

"He cares for politics, for his plans—not for me. He will never trust me again—as he did once. He'll never ask me to help him—he'll find ways not to—though he'll be very sweet to me all the time."

And the thought of her nullity with him in the future, her insignificance in his life, tortured her.

Why had she treated Lord Parham so? "I can be a lady when I choose," she said, mockingly, to herself. "I wasn't even a lady."

Then suddenly there flashed on her memory a little picture of Lord Parham, standing spectacled and bewildered, peering into her slip of paper. She bent her head on her hands and laughed, a stifled, hysterical laugh, which scandalized the woman kneeling beside her.

But the laugh was soon quenched again in restless pain. William's affection had been her only refuge in those weeks of moral and physical misery she had just passed through.

"But it's only because he's so terribly sorry for me. It's all quite different. And I can't ever make him love me again in the old way.... It wasn't my fault. It's something born in me—that catches me by the throat."

And she had the actual physical sense of some one strangled by a possessing force.

"Dolce Sacramento! Santo Sacramento!"... The music swayed and echoed through the church. Kitty uncovered her eyes and felt a sudden exhilaration in the blaze of light. It reminded her of the bending Christ in the picture of San Giorgio. Awe and beauty flowed in upon her, in spite of the poor music and the tawdry church. What if she tried religion?—recalled what she had been taught in the convent?—gave herself up to a director?

She shivered and recoiled. How would she ever maintain her faith against William—William, who knew so much more than she?

Then, into the emptiness of her heart there stole the inevitable temptations of memory. Where was Geoffrey? She knew well that he was a violent and selfish man; but he understood much in her that William would never understand. With a morbid eagerness she recalled the play of feeling between them, before that mad evening at Hamel Weir. What perpetual excitement—no time to think—or regret!

During her weeks of illness she had lost all count of his movements. Had he been still writing during the summer for the newspaper which had sent him out? Had there not been rumors of his being wounded—or attacked by fever? Her memory, still vague and weak, struggled painfully with memories it could not recapture.

The Italian paper of that morning—she had spelled it out for herself at breakfast—had spoken of a defeat of the insurrectionary forces, and of their withdrawal into the highlands of Bosnia. There would be a lull in the fighting. Would he come home? And all this time had he been the mere spectator and reporter, or fighting, himself? Her pulses leaped as she thought of him leading down-trodden peasants against the Turk.

But she knew nothing. Surely during the last few months he had purposely made a mystery of his doings and his whereabouts. The only sign of him which seemed to have reached England had been that volume of poems—with those hateful lines! Her lip quivered. She was like a weak child—unable to bear the thought of anything hostile and unkind.

If he had already turned homeward? Perhaps he would come through Venice! Anyway, he was not far off. The day before she and Margaret had made their first visit to the Lido. And as Kitty stood fronting the Adriatic waves, she had dreamed that somewhere, beyond the farther coast, were those Bosnian mountains in which Geoffrey had passed the winter.

Then she started at her own thoughts, rose—loathing herself—drew down her veil, and moved towards the door.

As she reached the leathern curtain which hung over the doorway, a lady in front who was passing through held the curtain aside that Kitty might follow. Kitty stepped into the street and looked up to say a mechanical "Thank you."

But the word died on her lips. She gave a stifled cry, which was echoed by the woman before her.

Both stood motionless, staring at each other.

Kitty recovered herself first.

"It's not my fault that we've met," she said, panting a little. "Don't look at me so—so unkindly. I know you don't want to see me. Why—why should we speak at all? I'm going away." And she turned with a gesture of farewell.

Alice Wensleydale laid a detaining hand on Kitty's arm.

"No! stay a moment. You are in black. You look ill."

Kitty turned towards her. They had moved on instinctively into the shelter of one of the narrow streets.

"My boy died—two months ago," she said, holding herself proudly aloof.

Lady Alice started.

"I hadn't heard. I'm very sorry for you. How old was he?"

"Three years old."

"Poor baby!" The words were very low and soft. "My boy—was fourteen. But you have other children?"

"No—and I don't want them. They might die, too."

Lady Alice paused. She still held her half-sister by the arm, towering above her. She was quite as thin as Kitty, but much taller and more largely built; and, beside the elaborate elegance of Kitty's mourning, Alice's black veil and dress had a severe, conventual air. They were almost the dress of a religious.

"How are you?" she said, gently. "I often think of you. Are you happy in your marriage?"

Kitty laughed.

"We're such a happy lot, aren't we? We understand it so well. Oh, don't trouble about me. You know you said you couldn't have anything to do with me. Are you staying in Venice?"

"I came in from Treviso for a day or two, to see a friend—"

"You had better not stay," said Kitty, hastily. "Maman is here. At least, if you don't want to run across her."

Lady Alice let go her hold.

"I shall go home to-morrow morning."

They moved on a few steps in silence, then Alice paused. Kitty's delicate face and cloud of hair made a pale, luminous spot in the darkness of the calle. Alice looked at her with emotion.

"I want to say something to you."

"Yes?"

"If you are ever in trouble—if you ever want me, send for me. Address Treviso, and it will always find me."

Kitty made no reply. They had reached a bridge over a side canal, and she stopped, leaning on the parapet.

"Did you hear what I said?" asked her companion.

"Yes. I'll remember. I suppose you think it your duty. What do you do with yourself?"

"I have two orphan children I bring up. And there is my lace-school. It doesn't get on much; but it occupies me."

"Are you a Catholic?"

"Yes."

"Wish I was!" said Kitty. She hung over the marble balustrade in silence, looking at the crescent moon that was just peering over the eastern palaces of the canal. "My husband is in politics, you know. He's Home Secretary."

"Yes, I heard. Do you help him?"

"No—just the other thing."

Kitty lifted up a pebble and let it drop into the water.

"I don't know what you mean by that," said Alice Wensleydale, coldly. "If you don't help him you'll be sorry—when it's too late to be sorry."

"Oh, I know!" said Kitty. Then she moved restlessly. "I must go in. Good-night." She held out her hand.

Lady Alice took it.

"Good-night. And remember!"

"I sha'n't want anybody," said Kitty. "Addio!" She waved her hand, and Alice Wensleydale, whose way lay towards the Piazza, saw her disappear, a small tripping shadow, between the high, close-piled houses.

Kitty was in so much excitement after this conversation that when she reached the Campo San Maurizio, where she should have turned abruptly to the left, she wandered awhile up and down the campo, looking at the gondolas on the Traghetto between it and the Accademia, at the Church of San Maurizio, at the rising moon, and the bright lights in some of the shop windows of the small streets to the north. The sea-wind was still warm and gusty, and the waves in the Grand Canal beat against the marble feet of its palaces.

At last she found her way through narrow passages, past hidden and historic buildings, to the back of the palace on the Grand Canal in which their rooms were. A door in a small court opened to her ring. She found herself in a dark ground-floor—empty except for the felze or black top of a gondola—of which the farther doors opened on the canal. A cheerful Italian servant brought lights, and on the marble stairs was her maid waiting for her. In a few minutes she was on her sofa by a bright wood fire, while Blanche hovered round her with many small attentions.

"Have you seen your letters, my lady?" and Blanche handed her a pile. Upon a parcel lying uppermost Kitty pounced at once with avidity. She tore it open—pausing once, with scarlet cheeks, to look round her at the door, as though she were afraid of being seen.

A book—fresh and new—emerged. Politics and the Country Houses; so ran the title on the back. Kitty looked at it frowning. "He might have found a better name!" Then she opened it—looked at a page here and a page there—laughed, shivered—and at last bethought her to read the note from the publisher which accompanied it.

"'Much pleasure—the first printed copy—three more to follow—sure to make a sensation'—hateful wretch!—'if your ladyship will let us know how many presentation copies—' Goodness!—not one! Oh—well!—Madeleine, perhaps—and, of course, Mr. Darrell."

She opened a little despatch-box in which she kept her letters, and slipped the book in.

"I won't show it to William to-night—not—not till next week." The book was to be out on the 20th, a week ahead—three months from the day when she had given the MS. into Darrell's hands. She had been spared all the trouble of correcting proofs, which had been done for her by the publisher's reader, on the plea of her illness. She had received and destroyed various letters from him—almost without reading them—during a short absence of William's in the north.

Suddenly a start of terror ran through her. "No, no!" she said, wrestling with herself—"he'll scold me, perhaps—at first; of course I know he'll do that. And then, I'll make him laugh! He can't—he can't help laughing. I know it'll amuse him. He'll see how I meant it, too. And nobody need ever find out."

She heard his step outside, hastily locked her despatch-box, threw a shawl over it, and lay back languidly on her pillows, awaiting him.

The following morning, early, a note was brought to Kitty from Madame d'Estrées:

Kitty tossed the note over to Ashe. "Aren't you dining out somewhere to-night?"

Her voice was listless. And as Ashe lifted his head from the cabinet papers which had just reached him by special messenger, his attention was disagreeably recalled from high matters of state to the very evident delicacy of his wife. He replied that he had promised to dine with Prince S—— at Danieli's, in order to talk Italian politics. "But I can throw it over in a moment, if you want me. I came to Venice for you, darling," he said, as he rose and joined her on the balcony which commanded a fine stretch of the canal.

"No, no! Go and dine with your prince. I'll go with maman—Margaret and I. At least, Margaret must, of course, please herself!"

She shrugged her shoulders, and then added, "Maman's probably in the pink of society here. Venice doesn't take its cue from people like Aunt Lina!"

Ashe smiled uncomfortably. He was in truth by this time infinitely better acquainted with the incidents of Madame d'Estrées's past career than Kitty was. He had no mind whatever that Kitty should become less ignorant, but his knowledge sometimes made conversation difficult.

Kitty was perfectly aware of his embarrassment.

"You never tell me—" she said, abruptly. "Did she really do such dreadful things?"

"My dear Kitty!—why talk about it?"

Kitty flushed, then threw a flower into the water below with a defiant gesture.

"What does it matter? It's all so long ago. I have nothing to do with what I did ten years ago—nothing!"

"A convenient doctrine!" laughed Ashe. "But it cuts both ways. You get neither the good of your good nor the bad of your bad."

"I have no good," said Kitty, bitterly.

"What's the matter with you, miladi?" said Ashe, half scolding, half tender. "You growl over my remarks as though you were your own small dog with a bone. Come here and let me tell you the news."

And drawing the sofa up to the open window which commanded the marvellous waterway outside, with its rows of palaces on either hand, he made her lie down while he read her extracts from his letters.

Margaret French, who was writing at the farther side of the room, glanced at them furtively from time to time. She saw that Ashe was trying to charm away the languor of his companion by that talk of his, shrewd, humorous, vehement, well informed, which made him so welcome to the men of his own class and mode of life. And when he talked to a woman as he was accustomed to talk to men, that woman felt it a compliment. Under the stimulus of it, Kitty woke up, laughed, argued, teased, with something of her natural animation.

Presently, indeed, the voices had sunk so much and the heads had drawn so close together that Margaret French slipped away, under the impression that they were discussing matters to which she was not meant to listen.

She had hardly closed the door when Kitty drew herself away from Ashe, and holding his arm with both hands looked strangely into his eyes.

"You're awfully good to me, William. But, you know—you don't tell me secrets!"

"What do you mean, darling?"

"You don't tell me the real secrets—what Lord Palmerston used to tell to Lady Palmerston!"

"How do you know what he used to tell her?" said Ashe, with a laugh. But his forehead had reddened.

"One hears—and one guesses—from the letters that have been published. Oh, I understand quite well! You can't trust me!"

Ashe turned aside and began to gather up his papers.

"Of course," said Kitty, a little hoarsely, "I know it's my own fault, because you used to tell me much more. I suppose it was the way I behaved to Lord Parham?"

She looked at him rather tremulously. It was the first time since her illness began that she had referred to the incidents at Haggart.

"Look here!" said Ashe, in a tone of decision; "I shall really give up talking politics to you if it only reminds you of disagreeable things."

She took no notice.

"Is Lord Parham behaving well to you—now—William?"

Ashe colored hotly. As a matter of fact, in his own opinion, Lord Parham was behaving vilely. A measure of first-rate importance for which he was responsible was already in danger of being practically shelved, simply, as it seemed to him, from a lack of elementary trustworthiness in Lord Parham. But as to this he had naturally kept his own counsel with Kitty.

"He is not the most agreeable of customers," he said, gayly. "But I shall get through. Pegging away does it."

"And then to see how our papers flatter him!" cried Kitty. "How little people know, who think they know! It would be amusing to show the world the real Lord Parham."

She looked at her husband with an expression that struck him disagreeably. He threw away his cigarette, and his face changed.

"What we have to do, my dear Kitty, is simply to hold our tongues."

Kitty sat up in some excitement.

"That man never hears the truth!"

Ashe shrugged his shoulders. It seemed to him incredible that she should pursue this particular topic, after the incidents at Haggart.

"That's not the purpose for which Prime Ministers exist. Anyway, we can't tell it him."

Undaunted, however, by his tone, and with what seemed to him extraordinary excitability of manner, Kitty reminded him of an incident in the life of a bygone administration, when the near relative of an English statesman, staying at the time in the statesman's house, had sent a communication to one of the quarterlies attacking his policy and belittling his character, by means of information obtained in the intimacy of a country-house party.

"One of the most treacherous things ever done!" said Ashe, indignantly. "Fair fight, if you like! But if that kind of thing were to spread, I for one should throw up politics to-morrow."

"Every one said it did a vast deal of good," persisted Kitty.

"A precious sort of good! Yes—I believe Parham in particular profited by it—more shame to him! If anybody ever tried to help me in that sort of way—anybody, that is, for whom I felt the smallest responsibility—I know what I should do."

"What?" Kitty fell back on her cushions, but her eye still held him.

"Send in my resignation by the next post—and damn the fellow that did it! Look here, Kitty!" He came to stand over her—a fine formidable figure, his hands in his pockets. "Don't you ever try that kind of thing—there's a darling."

"Would you damn me?"

She smiled at him—with a tremor of the lip.

He caught up her hand and kissed it. "Blow out my own brains, more like," he said, laughing. Then he turned away. "What on earth have we got into this beastly conversation for? Let's get out of it. The Parhams are there—male and female—aren't they?—and we've got to put up with them. Well, I'm going to the Piazza. Any commissions? Oh, by-the-way"—he looked back at a letter in his hands—"mother says Polly Lyster will probably be here before we go—she seems to be touring around with her father."

"Charming prospect!" said Kitty. "Does mother expect me to chaperon her?"

Ashe laughed and went. As soon as he was gone, Kitty sprang from the sofa, and walked up and down the room in a passionate preoccupation. A tremor of great fear was invading her; an agony of unavailing regret.

"What can I do?" she said to herself, as her upper lip twisted and tortured the lower one.

Presently she caught up her purse, went to her room, where she put on her walking things without summoning Blanche, and stealing down the stairs, so as to be unheard by Margaret, she made her way to the back gate of the Palazzo, and so to the streets leading to the Piazza. William had taken the gondola to the Piazzetta, so she felt herself safe.

She entered the telegraphic office at the western end of the Piazza, and sent a telegram to England that nearly emptied her purse of francs. When she came out she was as pale as she had been flushed before—a little, terror-stricken figure, passing in a miserable abstraction through the intricate backways which took her home.

"It won't be published for ten days. There's time. It's only a question of money," she said to herself, feverishly—"only a question of money!"

All the rest of the day, Kitty was at once so restless and so languid that to amuse her was difficult. Ashe was quite grateful to his amazing mother-in-law for the plan of the evening.

As night fell, Kitty started at every sound in the old Palazzo. Once or twice she went half-way to the door—eagerly—with hand out-stretched—as though she expected a letter.

"No other English post to-night, Kitty!" said Ashe, at last, raising his head from the finely printed Poetæ Minores he had just purchased at Ongania's. "You don't mean to say you're not thankful!"

The evening arrived—clear and mild, but moonless. Ashe went off to dine with his prince, in the ordinary gondola of commerce, hired at the Traghetto; while Margaret and Kitty followed a little later in one which had already drawn the attention of Venice, owing to the two handsome gondoliers, habited in black from head to foot, who were attached to it. They turned towards the Piazzetta, where they were to meet with Madame d'Estrées' party.

Kitty, in her deep mourning, sank listlessly into the black cushions of the gondola. Yet almost as they started, as the first strokes carried them past the famous palace which is now the Prefecture, the spell of Venice began to work.

City of rest!—as it seems to our modern senses—how is it possible that so busy, so pitiless, and covetous a life as history shows us should have gone to the making and the fashioning of Venice! The easy passage of the gondola through the soft, imprisoned wave; the silence of wheel and hoof, of all that hurries and clatters; the tide that comes and goes, noiseless, indispensable, bringing in the freshness of the sea, carrying away the defilements of the land; the narrow winding ways, now firm earth, now shifting sea, that bind the city into one social whole, where the industrial and the noble alike are housed in palaces, equal often in beauty as in decay; the marvellous quiet of the nights, save when the northeast wind, Hadria's stormy leader, drives the furious waves against the palace fronts in the darkness, with the clamor of an attacking host; the languor of the hot afternoons, when life is a dream of light and green water, when the play of mirage drowns the foundations of the lidi in the lagoon, so that trees and buildings rise out of the sea as though some strong Amphion-music were but that moment calling them from the deep; and when day departs, that magic of the swiftly falling dusk, and that white foam and flower of St. Mark's upon the purple intensity of the sky!—through each phase of the hours and the seasons, rest is still the message of Venice, rest enriched with endless images, impressions, sensations, that cost no trouble and breed no pain.

It was this spell of rest that descended for a while on Kitty as they glided downward to the Piazzetta. The terror of the day relaxed. Her telegram would be in time; or, if not, she would throw herself into William's arms, and he must forgive her!—because she was so foolish and weak, so tired and sad. She slipped her hand into Margaret's; they talked in low voices of the child, and Kitty was all appealing melancholy and charm.

At the Piazzetta there was already a crowd of gondolas, and at their head the barca, which carried the musicians.

"You are late, Kitty!" cried Madame d'Estrées, waving to them. "Shall we draw out and come to you?—or will you just join on where you are?"

For the Vercelli gondola was already wedged into a serried line of boats in the wake of the barca.

"Never mind us," said Kitty. "We'll tack on somehow."

And inwardly she was delighted to be thus separated from her mother and the chattering crowd by which Madame d'Estrées seemed to be surrounded. Kitty and Margaret bade their men fall in, and they presently found themselves on the Salute side of the floating audience, their prow pointing to the canal.

The barca began to move, and the mass of gondolas followed. Round them, and behind them, other boats were passing and repassing, each with its slim black body, its swanlike motion, its poised oarsman, and its twinkling light. The lagoon towards the Guidecca was alive with these lights; and a magnificent white steamer adorned with flags and lanterns—the yacht, indeed, of a German prince—shone in the mid-channel.

On they floated. Here were the hotels, with other illuminated boats in front of their steps, whence spoiled voices shouted, "Santa Lucia," till even Venice and the Grand Canal became a vulgarity and a weariness. These were the "serenate publiche," common and commercial affairs, which the private serenata left behind in contempt, steering past their flaring lights for the dark waters of romance which lay beyond.

Suddenly Kitty's sadness gave way; her starved senses clamored; she woke to poetry and pleasure. All round her, stretching almost across the canal, the noiseless flock of gondolas—dark, leaning figures impelling them from behind, and in front the high prows and glow-worm lights; in the boats, a multitude of dim, shrouded figures, with not a face visible; and in their midst the barca, temple of light and music, built up of flowers, and fluttering scarves, and many-colored lanterns, a sparkling fantasy of color, rose and gold and green, shining on the bosom of the night. To either side, the long, dark lines of thrice-historic palaces; scarcely a poor light here and there at their water-gates; and now and then the lamps of the Traghetti.... Otherwise, darkness, soundless motion, and, overhead, dim stars.

"Margaret! Look!"

Kitty caught her companion's arm in a mad delight.

Some one for the amusement of the guests of Venice was experimenting on the top of the campanile of St. Mark's with those electric lights which were then the toys of science, and are now the eyes and tools of war. A search-light was playing on the basin of St. Mark's and on the mouth of the canal. Suddenly it caught the Church of the Salute—and the whole vast building, from the Queen of Heaven on its topmost dome down to the water's brim, the figures of saints and prophets and apostles which crowd its steps and ledges, the white whorls, like huge sea-shells, that make its buttresses, the curves and volutes of its cornices and doorways, rushed upon the eye in a white and blinding splendor, making the very darkness out of which the vision sprang alive and rich. Not a Christian church, surely, but a palace of Poseidon! The bewildered gazer saw naiads and bearded sea-gods in place of angels and saints, and must needs imagine the champing of Poseidon's horses at the marble steps, straining towards the sea.

The vision wavered, faded, reappeared, and finally died upon the night. Then the wild beams began to play on the canal, following the serenata, lighting up now the palaces on either hand, now some single gondola, revealing every figure and gesture of the laughing English or Americans who filled it, in a hard white flash.

"Oh! listen, Kitty!" said Margaret. "Some one is going to sing 'Ché faro.'"

Miss French was very musical, and she turned in a trance of pleasure towards the barca whence came the first bars of the accompaniment.

She did not see meanwhile that Kitty had made a hurried movement, and was now leaning over the side of the gondola, peering with arrested breath into the scattered group of boats on their left hand. The search-light flashed here and there among them. A gondola at the very edge of the serenata contained one figure beside the gondolier, a man in a large cloak and slouch hat, sitting very still with folded arms. As Kitty looked, hearing the beating of her heart, their own boat was suddenly lit up. The light passed in a second, and while it lasted those in the flash could see nothing outside it. When it withdrew all was in darkness. The black mass of boats floated on, soundless again, save for an occasional plash of water or the hoarse cry of a gondolier—and in the distance the wail for Eurydice.

Kitty fell back in her seat. An excitement, from which she shrank in a kind of terror, possessed her. Her thoughts were wholly absorbed by the gondola and the figure she could no longer distinguish—for which, whenever a group of lamps threw their reflections on the water, she searched the canal in vain. If what she madly dreamed were true, had she herself been seen—and recognized?

The serenata in honor of Italy's beautiful princess duly made its way to the Grand Canal. The princess came to her balcony, while the "Jewel Song" in "Faust" was being sung below, and there was a demonstration which echoed from palace to palace and died away under the arch of the Rialto. Then the gondolas dispersed. That of Lady Kitty Ashe had some difficulty in making its way home against a force of wind and tide coming from the lagoon.

Kitty was apparently asleep when Ashe returned. He had sat late with his hosts—men prominent in the Risorgimento and in the politics of the new kingdom—discussing the latest intricacies of the Roman situation and the prospects of Italian finance. His mind was all alert and vigorous, ranging over great questions and delighting in its own strength. To come in contact with these able foreigners, not as the mere traveller but as an important member of an English government, beginning to be spoken of by the world as one of the two or three men of the future—this was a new experience and a most agreeable one. Doors hitherto closed had opened before him; information no casual Englishman could have commanded had been freely poured out for him; last, but not least, he had at length made himself talk French with some fluency, and he looked back on his performance of the evening with a boy's complacency.

For the rest, Venice was a mere trial of his patience! As his gondola brought him home, struggling with wind and wave, Ashe had no eye whatever for the beauty of this Venice in storm. His mind was in England, in London, wrestling with a hundred difficulties and possibilities. The old literary and speculative habit was fast disappearing in the stress of action and success. His well-worn Plato or Horace still lay beside his bedside; but when he woke early, and lit a candle carefully shaded from Kitty, it was not to the poets and philosophers that he turned; it was to a heap of official documents and reports, to the letters of political friends, or an unfinished letter of his own, the phrases of which had perhaps been running through his dreams. The measures for which he was wrestling against the intrigues of Lord Parham and Lord Parham's clique filled all his mind with a lively ardor of battle. They were the children—the darlings—of his thoughts.

Nevertheless, as he entered his wife's dim-lit room the eager arguments and considerations that were running through his head died away. He stood beside her, overwhelmed by a rush of feeling, alive through all his being to the appeal of her frail sweetness, the helplessness of her sleep, the dumb significance of the thin, blue-veined hand—eloquent at once of character and of physical weakness—which lay beside her. Her face was hidden, but the beautiful hair with its childish curls and ripples drew him to her—touched all the springs of tenderness.

It was a loveliness so full, it seemed, of meaning and of promise. Hand, brow, mouth—they were the signs of no mere empty and insipid beauty. There was not a movement, not a feature, that did not speak of intelligence and mind.

And yet, were he to wake her now and talk to her of the experience of his evening, how little joy would either get out of it.

Was it because she had no intellectual disinterestedness? Well, what woman had! But other women, even if they saw everything in terms of personality, had the power of pursuing an aim, steadily, persistently, for the sake of a person. He thought of Lady Palmerston—of Princess Lieven fighting Guizot's battles—and sighed.

By Jove! the women could do most things, if they chose. He recalled Kitty's triumph in the great party gathered to welcome Lord Parham, contrasting it with her wilful and absurd behavior to the man himself. There was something bewildering in such power—combined with such folly. In a sense, it was perfectly true that she had insulted her husband's chief, and jeopardized her husband's policy, because she could not put up with Lord Parham's white eyelashes.

Well, let him make his account with it! How to love her, tend her, make her happy—and yet carry on himself the life of high office—there was the problem! Meanwhile he recognized, fully and humorously, that she had married a political sceptic—and that it was hard for her to know what to do with the enthusiast who had taken his place.

Poor, pretty, incalculable darling! He would coax her to stay abroad part of the Parliamentary season—and then, perhaps, lure her into the country, with the rebuilding and refurnishing of Haggart. She must be managed and kept from harm—and afterwards indulged and spoiled and fêted to her heart's content.

If only the fates would give them another child!—a child brilliant and lovely like herself, then surely this melancholy which overshadowed her would disperse. That look—that tragic look—she had given him on the day of the fête, when she spoke of "separation"! The wild adventure with the lamp had been her revenge—her despair. He shuddered as he thought of it.

He fell asleep, still pondering restlessly over her future and his own. Amid all his anxieties he never stooped to recollect the man who had endangered her name and peace. His optimism, his pride, the sanguine perfunctoriness of much of his character were all shown in the omission.

Kitty, however, was not asleep while Ashe was beside her. And she slept but little through the hours that followed. Between three and four she was finally roused by the sounds of storm in the canal. It was as though a fleet of gigantic steamers—in days when Venice knew but the gondola—were passing outside, sending a mountainous "wash" against the walls of the old palace in which they lodged. In this languid autumnal Venice the sudden noise and crash were startling. Kitty sprang softly out of bed, flung on a dressing-gown and fur cloak, and slipped through the open window to the balcony.

A strange sight! Beneath, livid waves, lashing the marble walls; above, a pale moonlight, obscured by scudding clouds. Not a sign of life on the water or in the dark palaces opposite. Venice looked precisely as she might have looked on some wild sixteenth-century night in the years of her glorious decay, when her palaces were still building and her state tottering. Opposite, at the Traghetto of the Accademia, there were lamps, and a few lights in the gondolas; and through the storm-noises one could hear the tossed boats grinding on their posts.

The riot of the air was not cold; there was still a recollection of summer in the gusts that beat on Kitty's fair hair and wrestled with her cloak. As she clung to the balcony she pictured to herself the tumbling waves on the Lido; the piled storm-clouds parting like a curtain above a dead Venice; and behind, the gleaming eternal Alps, sending their challenge to the sea—the forces that make the land, to the forces that engulf it.

Her wild fancy went out to meet the tumult of blast and wave. She felt herself, as it were, anchored a moment at sea, in the midst of a war of elements, physical and moral.

Yes, yes!—it was Geoffrey. Once, under the skipping light, she had seen the face distinctly. Paler than of old—gaunt, unhappy, absent. It was the face of one who had suffered—in body and mind. But—she trembled through all her slight frame!—the old harsh power was there unchanged.

Had he seen and recognized her—slipping away afterwards into the mouth of a side canal, or dropping behind in the darkness? Was he ashamed to face her—or angered by the reminder of her existence? No doubt it seemed to him now a monstrous absurdity that he should ever have said he loved her! He despised her—thought her a base and coward soul. Very likely he would make it up with Mary Lyster now, accept her nursing and her money.

Her lip curled in scorn. No, that she didn't believe! Well, then, what would be his future? His name had been but little in the newspapers during the preceding year; the big public seemed to have forgotten him. A cloud had hung for months over the struggle of races and of faiths now passing in the Balkans. Obscure fighting in obscure mountains; massacre here, revolt there; and for some months now hardly an accredited voice from Turk or Christian to tell the world what was going on.

But Geoffrey had now emerged—and at a moment when Europe was beginning perforce to take notice of what she had so far wilfully ignored. À lui la parole! No doubt he was preparing it, the bloody, exciting story which would bring him before the foot-lights again, and make him once more the lion of a day. More social flatteries, more doubtful love-affairs! Fools like herself would feel his spell, would cherish and caress him, only to be stung and scathed as she had been. The bitter lines of his "portrait" rung in her ears—blackening and discrowning her in her own eyes.

She abhorred him!—but the thought that he was in Venice burned deep into senses and imagination. Should she tell William she had seen him? No, no! She would stand by herself, protect herself!