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The meaning of pictures

Chapter 3: LIST OF ILLUSTRATIONS
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About This Book

A series of illustrated lectures guides readers in how to look at and judge pictures, balancing realism, individuality, and imaginative invention. It distinguishes kinds of truth in painting, contrasts mechanical reproduction with the artist’s perceptual eye, and explains how convention, composition, and intention create meaning. The text surveys technical qualities and pictorial poetry, offers examples to clarify critical points, and urges tolerant, flexible standards that recognize varied aims and expressive methods in visual art.

LIST OF ILLUSTRATIONS

Palma Vecchio, St. Barbara (Detail). Frontispiece
    PAGE
I. Holbein, Portrait of a Man, 8
 
II. Benozzo Gozzoli, Adoration of Kings (Detail), 12
 
III. Van Dyck, Cornelius van der Geest, 16
 
IV. Millet, the Gleaners, 20
 
V. Paolo Veronese, Marriage in Cana, 24
 
VI. Carpaccio, St. Ursula and Prince of England (Detail), 28
 
VII. Bellini, Madonna and Saints, 36
 
VIII. Correggio, Mystic Marriage of St. Catherine, 40
 
IX. Corot, Landscape, 48
 
X. Dürer, Christ on the Cross, 56
 
XI. Turner, the Fighting Téméraire, 64
 
XII. Antonello da Messina, Portrait of a Man, 70
 
XIII. Velasquez, Innocent X., 74
 
XIV. Paolo Veronese, Venice Enthroned, 80
 
XV. Tintoretto, Miracle of the Slave, 84
 
XVI. Daubigny, Spring, 88
 
XVII. Benozzo Gozzoli, Adoration of Kings (Detail), 92
 
XVIII. Van Dyck, Jean Grusset Richardot, 96
 
XIX. Gainsborough, Mrs. Siddons, 100
 
XX. Gérôme, Napoleon before the Sphinx, 104
 
XXI. Michael Angelo, Delphic Sibyl, 108
 
XXII. Hals, The Jolly Man, 116
 
XXIII. Bonifazio Veronese, Moses Saved from the Nile, 120
 
XXIV. Giorgione, Madonna and Saints, 128
 
XXV. Reynolds, Lady Cockburn and Family, 132
 
XXVI. Claude Lorraine, Flight into Egypt, 136
 
XXVII. Tintoretto, Marriage in Cana, 140
 
XXVIII. Raphael, Sistine Madonna, 148
 
XXIX. Botticelli, Allegory of Spring, 152
 
XXX. Poussin, Shepherds in Arcadia, 156

THE MEANING OF PICTURES

THE MEANING OF PICTURES