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The Mediaeval Mind (Volume 1 of 2) / A History of the Development of Thought and Emotion in the Middle Ages

Chapter 21: CHAPTER XVI
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About This Book

A comprehensive intellectual history tracing Western Europe’s transition from antiquity through the Middle Ages, examining how Latin Christianity and recovered classical learning merged with Celtic, Teutonic, and barbarian influences to shape medieval modes of thought and feeling. It follows the transmission of Greek and patristic ideas, regional developments across Carolingian, Italian, French, German, and English contexts, and the growth of religious emotion in monastic reforms, mysticism, and saintly exemplars. It also treats popular belief, satire, and social institutions — feudalism, knighthood, chivalry, and courtly love — showing how ideals and lived realities interacted.

“Jesu nostra redemptio,
Amor et desiderium.”

of the seventh century is different from the

“Te diligat castus amor,
Te mens adoret sobria”

of Ambrose.[425] And the famous pilgrim chant of the tenth century, “O Roma nobilis, orbis et domina,” has the strength of long-deepening emotion.[426]

These hymns have but dropped the constraint of metre. Religious passion had not yet proved its creative power, and the new verse-forms with their mighty rhyme, fit to voice the accumulated emotions of the Liturgy, were not in existence. The eleventh and twelfth centuries witnessed the strophic evolution of the Latin hymn, in which feeling, joined with art, at last perfected line and stanza and the passionate phrases filling them.[427] Yet nothing could be more orthodox than the Latin hymn throughout its course of development. Its function was liturgical. It was correct in doctrinal expressions, and followed in every way the authoritative teachings of the Church; its symbolism was derived from the works of learned doctors; and its feeling took form from the tenets of Latin Christianity. The Dies Irae and the Stabat Mater yield evidence of this.[428]

From the religious phases of mediaeval emotion, one may pass to modes of feeling which were secular and human. The antecedents were again the racial traits of the peoples who were to become mediaeval; the formative influences still are Christianity and the profane antique culture. The racial traits show clearest in vernacular compositions, some of which may carry fervent feeling, such as enkindles the Crusader’s song of Hartmann von Aue:

“Min froüde wart nie sorgelos
Unz an die tage
Daz ich mir Kristes bluomen kos
Die ich hie trage.
Die kundent eine sumerzìt,
Die alsô gar
In suezer augenweide lit;
Got helfe uns dar.

“Mich hât diu werlt also gewent (gewöhnt),
Daz mir der muot
Sich z’einer mâze nâch ir sent:
Dêst mir nu guot.
Got hat vil wol ze mir getân,
Als ez nu stât,
Daz ich der sorgen bin erlân
Diu manegen hât
Gebunden an den fuoz,
Daz er belîben muoz
Swenn’ ich in Kristes schar
Mit fröuden wünneclichen var.”[429]

The secular emotional development was connected with the religious. It was stimulated by the deepening of emotional capacity caused by Christianity, and was not unrelated to the Christian love of God, the place of which was taken, in secular mediaeval passion, by an idealizing, but carnal, love of woman; and instead of the terror-stricken piety which accompanied the Christian’s love for his Maker and his Judge, the heart was glad and the temper open to every joy, while also subject to the fears and hates which spring up among men of mortal passions.

In the romantic and utter abandonment required of its votaries, this earthly love may well have drawn suggestion from that boundless love of God which had superseded the Greek precept of “nothing in excess,” teaching instead that no limit should be set on what was absolutely good. The principle of love unrestrained was thus inaugurated, and did not always turn to God. Ardent natures who felt love’s power, might hold it as the supreme arbiter and law of life, and the giver of strength and virtue. These thoughts will shape the tale of Lancelot and myriad poems besides. They also may be found incarnate in the living instance: the heart of Heloïse held a passion for her human master which she recognized as her highest law. It was such a passion as she would hardly have conceived but for the existence of like categories of devotion to the Christian God. Not in her nature alone, but through many Christian generations whereof she was the fruit, there had gone on a continual enhancement of capacities of feeling, for which she was a greater woman when she grew to womanhood and felt its passion. Through such heightening of her powers of loving, and through the suggestiveness of the Christian love of God, she could conceive and feel a like absolute devotion to a man.[430]

There were, moreover, partially humanized stages in which the love of God was affiliated with loves of mortal hue. Many a mediaeval woman felt a passionate love for the spiritual Bridegroom. Its expression, its suggestions, its training, might transmit power and passion to the love of very mortal men: while from the worship of the Blessed Virgin expressions of passionate devotion might pass over into poems telling man’s love of woman. And what reaches of passion might not the Song of Songs suggest, although that imagined bridal of the Soul was never deemed a song of human love?[431]

 

 


BOOK III
THE IDEAL AND THE ACTUAL: THE SAINTS

 

CHAPTER XV

THE REFORMS OF MONASTICISM

Mediaeval Extremes; Benedict of Aniane; Cluny; Citeaux’s Charta Charitatis; The Vita Contemplativa accepts the Vita Activa

The present Book and the following will set forth the higher manifestations of the religious energies of the Middle Ages, and then the counter ideals which knights and ladies delighted to contemplate, and sometimes strove to reach. In religious as well as mundane life, ideals admired and striven for constitute human facts, make part of the human story, quite as veritably as the spotted actuality everywhere in evidence. The tale of piety is to be gathered from those efforts of the religious purpose which almost attain their ideal; while as a comment on them, and a foil and contrast, the deflections of human frailty may be observed. Likewise the full reality of chivalry lies in its ideals, supplemented by the illuminating contrast of failure and oppression, making what we may call its actuality. The emotional element, reviewed in the last chapter, will for the time be dominant.


Practice always drops below the ethical standards of a period. The contrast appears in the history of Greece and Rome. Yet in neither Greece nor Rome could there exist the abysms of contradiction which disclose themselves after the conversion of western Europe to the religion of Christ.

And for the following reasons. Greek and Roman standards were finite; they regarded only the mortal happiness of the individual and the terrestrial welfare of the State. To Greek thought the indefinite or limitless was as the monstrous and unformed; and therefore abhorrent to the classic ideals of perfection. Again, Greek and Roman standards demanded only what Greek and Roman humanity could fulfil in the mortal life of earth. But the Christian ideal of conduct assumes the universal imperfection and infinite perfectibility of man. It has constant regard to immortality, and eternity is needed for its fulfilment. Moreover, whether or not Christ’s Gospel set forth any inherent antagonism between the fulness of mortal life and the sure attainment of heaven, its historical interpretations have never effected a complete reconcilement. They have always presented a conflict between the finite and the eternal, unconceived and unsuspected by the pagan ethics of Greece and Rome.

This conflict dawned in the Apostolic age. During the patristic period it worked itself out to a formulated opposition between the world and the City of God. Of this, monasticism was the chief expression. Nevertheless, pagan principle and feeling lived on in the reasonings and characters of the Church Fathers. The Roman qualities in Ambrose, the general survival of antique greatness in Augustine, preserved them from the rhetorical hysteria of Jerome and the exaggeration of phrase which affects the writings of Gregory the Great.[432] With the decadence preceding, and the confusion following, the Carolingian period, antique qualities passed away; and when men began again to think and feel constructively, there remained no antique poise to restrain the strife of those mighty opposites—the joys of life and the terrors of the Judgment Day.

This conflict, inherent in mediaeval Christianity, was in part a struggle between temporal desires which many men approved, and their renunciation for eternal joy. From this point of view it was a conflict of ideals, though, to be sure, life’s common cravings were on one side, and often unideally turned the scale. We are not immediately concerned, however, with this conflict of ideals; but with the contrasts presented between the actual and the ideal, between conduct and the principles which should have controlled it. The opposition between this life and eternity is mentioned in order to make clear the tremendous demands of the Christian ethical ideal, and the unlikelihood of its fulfilment by mediaeval humanity. So one may perceive a reason why the Middle Ages were to show such extremes of contrast between principles and practices. The standards recognized as holiest countered the natural lives of men; and for that reason could be lived up to only under transient spiritual enthusiasm or by exceptional people. Monasticism held the highest ideals of Christian living, and its story illustrates the continual falling away of conduct from the recognized ideal.

Without regard to the contrast between the ideal and the actual, the Middle Ages were a period of extremes—of extreme humility and love as well as cruelty and hate. Such extremes may be traceable to a certain unlimited quality in Christian principles, according to which no man could have too much humility or Christian love, or could too strenuously combat the enemies of Christ. To be sure, an all-proportioning principle of conduct lay in man’s love of God, answering to God’s love which encompassed all His creatures. But such proportionment is difficult for simple minds, and many of the extremes which meet us in the Middle Ages were directly due to the simplicity with which mediaeval men and women carried out such Christian precepts as they were taken with, in disregard of all else that commonly balances and conventionalizes human lives.

For this reason also the Middle Ages are picturesque and poetic. Nothing could be more picturesque and more like a poem than the simple absoluteness with which St. Francis interpreted and lived out his Lord’s principle of love, and made universal application of his Lord’s injunction to the rich young man, to go and sell his goods and give to the poor, and then come follow Him. This particular solution of the problem of God’s service was taken by Francis, and by many another, as of general application, and was literally carried out; just as Francis with exquisite simplicity carried out other precepts of his Lord in a way that would be foolishness were it not so beautiful.

There was no contrast between conduct and principle in the life of Francis; and in other men conduct might agree with such principles as they understood. Many a rustic layman, many a good knight, fulfilled the standards of his calling. Many a parish priest did his whole duty, as he thought it. And many a monk and nun lived up to their monastic regula, if indeed never satisfying the inner yearning of the soul unquenchably striving for perfection. Indeed, for the monk ever to have been satisfied with himself would have meant a fall from humility to vainglory.

The precepts of the Gospel were for every man and woman. Nevertheless, the same rules of living did not apply to all. In this regard, mediaeval society falls into the two general divisions of clergy and laity, meaning by the former all persons making special profession of religion or engaged in the service of the Church.[433] This would include anchorites and monks (also the conversi[434] or lay-brethren) and the secular clergy from the rank of bishop downward. To such (excepting seculars below the grade of sub-deacon) the rule of celibacy applied, as well as other ascetic precepts dependent on the vows they had taken or the regulations under which they lived. Conversely, certain rules like those relating to the conduct of man and wife would touch the laity alone.

A general similarity of principle pervaded the rules of conduct applying to all orders of the clergy, secular and regular.[435] Yet there was a difference in the severity of the rules and the stringency of their application. The mediaeval code of religious ethics applied in its utter strenuousness only to monks and nuns. They alone had seriously undertaken to obey the Gospel precept, esto perfecti; and they alone could be regarded as living the life of complete Christian militancy against the world, the flesh, and the devil. The trials, that is to say the temptations, of this warfare could be fully known only to the monk. “Tentatio,” says Caesar of Heisterbach, “est militia,” i.e. warfare; it is possible only for those who live humanly and rationally, after the spirit, which is to say, as monks; “the seculars (i.e. the clergy who were not monks) and the carnal (i.e. the laity) who walk according to the flesh, are improperly said to be tempted; for as soon as they feel the temptation they consent, or resist lukewarmly, like the horse and the mule who have no understanding.”[436]

We have spoken of the inception of monasticism, and of its early motives,[437] which included the fear of hell, the love of Christ, and the conviction of the antagonism between pleasure and that service which opens heaven’s gates. Such sentiments were likely to develop and expand. The fear of hell might be inflamed and made visible by the same imagination that festered over the carnality of pleasure; the heart could impassion and extend the love of Christ through humanity’s full capacity for loving what was holiest and most lovable; and the mind could attain to an overmastering conviction of the incompatibility of pleasure with absolute devotion. Through the Middle Ages these motives developed and grew together, until they made a mode of life, and fashioned human characters into accord with it. Century after century the lives of thousands fulfilled the monastic spirit, and often so perfectly as to belie humanity’s repute for frailty. Their virtues shunned encomium. Record was made of those whose mind and energy organized and wrought, or whose piety and love of God burned so hotly that others were enkindled. But legion upon legion of tacit lives are registered only in the Book with seven seals.

Monastic abuses have usually spoken more loudly than monastic regularity. In Christian monasticism there is an energy of renovation which constantly cries against corruption. Its invective reaches us from all the mediaeval centuries; while monastic regularity has more commonly been unreported. It is well to bear this in mind when reading of monastic vice. It always existed, and judging from the fiery denunciations which it awakened, it was often widely prevalent. In fact, the monastic life required such love of God or fear of hell, such renunciation of this world, its ambitions, its lusts and its lures, that monks were likely to fall below the prescribed standards, and then quickly into all manner of sin, from lack of the restraints, or outlets, of secular life.

Consequently the most patent history of monasticism is the history of its attempts to reform and renew itself. Its heroes come before us as reformers or refounders, whose endeavour is to reinstitute the perfect way, impassion men anew to follow it, by added precepts discipline them for its long ascents, and so occupy them in the practice of its virtues that all distracting impulses shall perish. Their apparent endeavour (at least until the day of Francis of Assisi) is to renew a life from which their contemporaries have fallen away. And yet through all there was unconscious innovation and progress.

The greater part of the fervent piety of the Middle Ages dwelt in cloisters, when not drawn forth unwillingly to serve the Lord in the world. Mediaeval saints were, or yearned to be, monks or nuns. Consequently monastic reforms, as well as attempts to raise the condition of the secular clergy, emanated from within monasticism. Its own rules of living had been set from within by Benedict of Nursia, and others who were monks. There was much irregularity at first; but the seventh and eighth centuries witnessed the conflict between different types of monastic organization, and then the general victory of the Benedictine regula. This was also a victory for monastic reform; for moral looseness, accompanied by heathenish irregularities, easily penetrated cloisters when not protected by a common and authoritative rule. As it was, the energy of Benedictine uniformity seemed exhausted in the contest.

But a Benedictine refounder arose. This was the high-born Witiza of Aquitaine, the ascetic virtuosity of whose early life had won him repute. Assuming the name of Benedict, he established a monastery on the bank of the little Aniane, in Aquitaine, in the year 779. His foundation flourished in righteousness and increased in numbers, till it drew the attention of Alcuin and Charlemagne to its abbot. Benedict was given the task of reforming the monasteries of Aquitaine. Afterwards Louis the Pious extended his authority; till in 817 a reforming synod, over which he presided, was held at Aix, and the king’s authority was attached to its decrees. All Frankish monasteries were therein commanded to observe the regula of Benedict of Nursia, with many further precepts set by him of Aniane, aggravating the severity of the older rule; for example, by enforcing a more rigid silence among the monks when at labour, and restricting their intercourse with the laity. Great stress was laid upon the labours of the field. There was little novelty in the work of this reorganizer, with his consistent ascetic contempt for profane literature. His labours were typical of those of many a monastic reformer after him, who likewise sought to re-establish the strictness of the old Benedictine rule, and in fact added to its austerities.

The next example of reform is Cluny, founded in the year 910. Its cloister discipline followed the regula of Benedict with the additions decreed by the synod of Aix. Under Odo (d. 942) Majolus (d. 994) and Odilo (d. 1048) it rose to unprecedented power and influence. Mainly because of the winning and commanding qualities of its abbots, it received the support of kings and popes; its authority and privileges were increased, until it became the head of more than three hundred cloisters distributed through France, Italy, Germany, and Spain. In ecclesiastical policy it stood for decency and reform, but without giving extreme support to either emperor or pope. Balance and temperance characterized its career. It was a monastic organization which by precept and example, and by the wide supervising powers it received from the papacy and from temporal authorities, promoted regularity and propriety of life among monks, and also among the secular clergy. The “reforms of Cluny” do not represent any specific intensifying of monastic principles, but rather the general endeavour of the better elements in Burgundian and French monasticism to overcome the crass secularization of the Church, within and without the cloister. Cluny’s influence told generally against monastic degradation, rather than in favour of any special ascetic or ecclesiastic policy. The prevailing simony, the clerical concubinage, the rough and warlike ways of bishops and abbots were all corruptions standing in the way of any monastic or ecclesiastical improvement; and Cluny opposed them, in moderation however, and with considerable acquiescence in the apparently necessary conditions of the time.[438]

After the comparative strictness of its first abbots, Cluny’s discipline moderated almost to laxity; and the interests of the rich and magnificent monastery became elegant and somewhat secular. It still maintained monastic decencies while not going beyond their demands. Its face was no longer set against comfortable living, nor against art and letters. And the time came when fervent spirits demanded a more uncompromising attack upon the world and the flesh.

Such came from Citeaux (near Dijon), where a few monks founded a struggling monastery in 1098. Its fortunes were small and feeble until the time of its third abbot, the Englishman, Stephen Harding (1109-1134), whose genius set the lines of Citeaux’s larger destinies. Her great period began when, shortly after Harding’s entrance on his abbacy, there arrived a band of well-born youths, led by one Bernard. Then of a truth the cloister burned with ardour. Its numbers grew, and Bernard was sent with a Cistercian band to found a daughter monastery at Clairvaux (1115).

Like Stephen Harding, Bernard was an ascetic, and the Cistercian Order represents a stern tightening of the reins which Cluny left lying somewhat slackly upon the backs of her stall-fed monks.[439] Controversies arose between the Cluniac Benedictines and the Cistercian Benedictines insisting on a stricter rule. Bernard himself entered into heated controversy with that great temperate personality of the twelfth century, Peter the Venerable, Cluny’s revered lord.

The original regula of Benedict provided an admirable constitution for the single monastery, but no plan for the supervision of one monastery by another. The mediaeval advance in monastic organization consisted in the authoritative supervision of subordinate or “daughter” foundations by the superior or primal monastery of the Order. The Abbot of Cluny exercised such authority over Cluniac foundations, as well as over monasteries which, at the instance of the secular lord of the land, had been reorganized by Cluny.

The Cistercian Order represents a less monarchical, or more decentralized subordination, on a plan similar to the feudal principle of sub-infeudation, whereby the holder of the fief owed his duties to his immediate lord, who in turn owed duties to his own lord, still above him. Thus in the Cistercian Order the visitatorial authority over each foundation was vested in the immediate mother abbey, rather than in the primal abbey of Citeaux, from which the intervening mother abbey had gone forth.

This plan was formulated by Stephen Harding’s Charta Charitatis,[440] the charter of the Cistercian Order and a monument of constructive genius. Apparently mindful of the various privileges recognized by the feudal system, it begins by renouncing on the part of the superior monastery all claim to temporal emolument from the daughter foundations: “Nullam terrenae commoditatis seu rerum temporalium exactionem imponimus.” “But for love’s sake (gratia-charitatis) we desire to retain the care of their souls; so that should they swerve from the holy way and the observance of the Holy Rule, they may through our solicitude return to rectitude of life.”

Then follows the command that all Cistercian foundations obey implicitly the regula of Benedict, as understood and practised at Citeaux, and that all follow the customs of Citeaux, and the same forms of chant and prayer and service (for we receive their monks in our cloister, and they ours), “so that without discordant actions we may live by one love, one rule, and like practices (una charitate, una regula, similibusque vivamus moribus).” A short sentence follows, forbidding all monasteries and individual monks to accept from any source any privilege inconsistent with the customs of the Order.

So the Charta enjoined a uniformity of discipline. Wise and temperate provision was made for the enforcement of the same when necessary by the immediate parent monastery of the delinquent foundation. “Whenever the Abbot of Citeaux comes to a monastery to visit it, its abbot shall make way for him, and he shall there hold the office of abbot. Yet let him not presume to order or conduct affairs against the wishes of its abbot and the brethren. But if he sees that the precepts of the Regula or of our Order are transgressed, let him seek to correct the brethren with the advice and in the presence of the abbot. If the abbot be absent, he may still proceed.” Once a year the Abbot of Citeaux, in person or through one of his co-abbots, must visit all the monasteries (coenobia) which he has founded, and if more often, the brethren should the more rejoice. Likewise must the four primary abbots of La Ferté, Pontigny, Clairvaux, and Morimond, together visit Citeaux once a year, at such time as they may choose, except that set for the annual meeting of the general Chapter. At Citeaux also, let any visiting abbot be treated as if he were abbot there.

“Whenever any of our churches (monasteries) by God’s grace so increases that it is able to found another brotherhood, let the same relationship (definitio) obtain between them which obtains between us and our cofratres, except that they may not hold an annual Chapter; but rather let all abbots come without fail every year to the annual Chapter at Citeaux.

“At which Chapter let them take measures for the safety of their souls; if in the observance of the holy Regula or the Order, anything should be amended or supplemented, let them ordain it; let them re-establish the bond of peace and love among themselves.”

The annual Chapter is also given authority to correct any abbot and settle controversies between abbots; but when an abbot appears unworthy of his charge, and the Chapter has not acted, it is the duty of the abbot of his mother church to admonish him, and, upon his obduracy, summon other abbots and move for his deposition. Thus the Charta Charitatis apportioned authority among the abbots of the Order, providing, as it were, a mutual power of enforcement in which every abbot had part. One notices also that the Charta is neither monarchical nor democratic, but aristocratic; for the abbots (not the Abbot of Citeaux alone) manage and control the Order, and without any representation of the monks at the annual Chapter.[441] The Charta Charitatis seems a spiritual mirror of the feudal system.

Mediaeval monasticism, whether cloistered or sent forth into the world, was predominantly coenobitic or communal. Yet through the Middle Ages the anchorite or hermit way of life was not unrepresented. Both monk and hermit existed from the beginning of Christian monasticism; they recognized the same purpose, but employed different means to achieve it. For their common aim was to merit the kingdom of heaven through the suppression of sense-desires and devotion to spiritual righteousness. But the communal system recognized the social nature of man, his essential weakness in isolation, and his inability to satisfy his bodily wants by himself. Thus admitting the human need of fellowship and correction, it deemed that man’s spiritual progress could be best advanced in a way of life which took account of these facts. On the other hand, anchoritism looked rather to man’s self-sufficiency alone with God—and the devil. It held that man could best conquer his carnal nature in solitude, and in solitude best meditate upon his soul and God. The society of one’s fellows, even though they be likeminded, is a distraction and a hindrance. Obviously, the devoted temper has its variants; and some souls will draw from solitude that strength which others gain from support and sympathy.

Both the coenobitic and the hermit life were, from the time of their inception, phases of the vita contemplativa. Yet more active duties had constantly been recognized, until at last monasticism, in an ardour of love for fellow-men, broke from the cloister and went abroad in the steps of Francis and Dominic. Even this active and uncloistered monasticism drew its strength from its hidden meditation, and, strengthened from within itself, entered upon the vita activa, and practised among men the virtues which it had acquired through contemplation and the quiet discipline of the cloister. So if we people of the world would have understanding of the matter, we must never forget that at its source and in its essence the monastic life is a vita contemplativa, whether the monastic man, as a member of a fervent community, be sustained through the support of his brethren and the counsel or command of his superior, or whether, as an anchorite, he seclude himself in solitude. And the essence of this vita contemplativa is not to do or act, but to contemplate, meditate upon God and the human soul. By one line of ancestry it is a descendant of Aristotle’s βίος θεωρητικός. But its mightier parent was the Saviour’s manifestation of God’s love of man and man’s love of God. From this source came the emotional elements (and they were the predominant and overwhelming) of the Christian vita contemplativa, its terror and despair, its tears and hope, and its yearning love. Through these any Hellenic calm was transformed to storm-tossed Christian ecstasy.

Monastic quietism might at any time be drafted into Christian militancy. In the crises of the Church, or when there was call to go forth and convert the heathen or the carnal, both monk and hermit became zealots in the world. Yet important and frequent as these active functions were, they were not commanded by the Benedictine regula, either in its original form or in its many modifications, Cluniac, Cistercian, or Carthusian; hence they were not treated as part of the monastic life. There was to come a change. The vita contemplativa was to take to itself the vita activa as a regular and not an occasional function of perfect Christian piety. An evangelization of monasticism, according to the more active spirit of the Gospel, was at hand. The monastic ideal was to become humane and actively loving. In principle and theory, as well as practice, Christian piety was no longer to find its entire end and aim in contemplation, in asceticism, in purity: it was regularly henceforth to occupy itself with a loving beneficence among men.

Some of the ardent beginnings of this movement did not receive the sanction of the Church. The Poor of Lyons, the Humbled Folk (Humiliati) of Lombardy, the Beghards of Liége, were pronounced to be heretics. Predominantly lay and ecclesiastically somewhat bizarre, they were scarcely monks. Yet these irregular evangelists of the latter part of the twelfth century were forerunners of that chief evangelizer of Monasticism, Francis of Assisi.[442]

The life of Francis, as all men know, fulfilled the current demands of monasticism. He lived and taught obedience, chastity, humility, and a more absolute poverty than had been before conceived. With respect to the first three virtues, it was only through his loving way of living them that Francis set anything new before his brethren. As for the last, it may be said that monks had always been forbidden to own property; only the monastery or the Order might. Francis’s absolute acceptance of poverty comes to us as inspired by the command of Christ to the rich young man: Go and sell all, and give to the poor, and then come follow me. But had no Christian soul read this before and accepted it absolutely? The Athanasian Life of St. Anthony, at the very beginning of Christian monasticism, has the same account; he too gave up all he had on reading this passage. But then he fled to the desert, while Francis, when he had given up all, opened his arms to mankind. In accordance with his brotherly and social evangelization of monasticism, Francis modified certain of its practices. He removed restrictions upon intercourse among the brethren, and took away the barriers, save those of holiness, between the brethren and the world. Then he lifted the veil of silence from the brethren’s lips. They should thenceforth speak freely, in love of God and man. So monasticism stepped forth, at last uncloistered, upon its course of love and teaching in the world.

In spite of the temperamental differences between Francis and Dominic, and in spite of the different tasks which they set before their Orders, the analogy between Franciscans and Dominicans was fundamental; for the latter, as well as the former, regularly undertook to evoke the vita activa from the vita contemplativa. The Dominicans were to preach and teach true Christian doctrine, and as veritable Domini canes destroy the wolves of heresy menacing the Christian fold.

Dominic received from Pope Honorius III., in 1217, the confirmation of his Order, as an Order of Canons according to the Regula supposed to have been taught by Augustine. The Preaching Friars were never cloistered by their regula, any more than were the Minorites. Two or three years later, Dominic added, or emphasized anew, the principle of voluntary poverty, not only in the individuals but in the Order as a corporate whole. Whencesoever he derived this idea—whether from the Franciscans, or because it was rife among men—at all events it was not his originally; for Dominic had accepted at an earlier period the one-sixth of the revenues of the Bishop of Toulouse. This he now renounced, and instead accepted voluntary poverty.

It was not given to Dominic to love as Francis loved. Nor was he an incarnate poem. But it was in the spirit of Christian devotion that he undertook and laid upon his Order the performance of active duties in the world, especially of preaching true doctrines for the salvation of souls. Dominic took no personal part in the Albigensian blood-shedding; and he was not the founder of the Inquisition, although his Order was so soon to be identified with it. He was a theologian, a teacher, and an ardent preacher; a devoted man, given to tears. Almost the only words we have from him are those of his Testament: “Caritatem habete, humilitatem servate, paupertatem voluntariam possedete.”[443]

 

 


CHAPTER XVI

THE HERMIT TEMPER

Peter Damiani; Romuald; Dominicus Loricatus; Bruno and Guigo, Carthusians

To contemplate goodness in God, and strain toward it in yearning love, is the method of the Christian vita contemplativa. In this way the recluse cultivates humility, patience, purity, and love, and perfects his soul for heaven. And herein, in that it is more undistracted and more undisturbed, lies the superiority of the solitary life over the coenobitic.

Yet this conceived superiority is but the reason and the conscious motive for the solitary life. The call to it is felt as well as intellectually accepted. It is temperament that makes the recluse; his reasons are but his justification. In solitude he lives the reaches of his life; from solitude he draws his utmost bliss. To leave it involves the torture of separation, and then all the petty pains of unhappy labour and distasteful intercourse with men. “Whoever would reach the summit of perfection should keep within the cloister of his seclusion, cherish spiritual leisure, and shudder at traversing the world, as if he were about to plunge into a sea of blood. For the world is so filthy with vices, that any holy mind is befouled even by thinking about it.”[444]

Here speaks the hermit temper, by the mouth of a supreme exponent. If Hildebrand, who compelled all men to his purposes, kept Peter Damiani in the world, that ascetic soul did not cease to yearn for the hermit life. His skilful pen served it untiringly. Its temper, its merits, and its grounds, appear with unique clarity in the writings of him who, sore against his will, was the Cardinal-Bishop of Ostia.[445]

“The solitary life is the school of celestial doctrine and the divine arts (artes divinae),” says Damiani, meaning every word. “For there God is the whole that is learned. He is also the way by which one advances, through which one attains knowledge of the sum of truth.”[446] To obtain its benefits, it must be led assiduously and without break or wandering abroad among men: “Habit makes his cell sweet to the monk, but roving makes it seem horrible.... The unbroken hermit life is a cooling refreshment (refrigerium); but, if interrupted, it seems a torment. Through continued seclusion the soul is illuminated, vices are uncovered, and whatever of himself had been hidden from the man, is disclosed.”[447]

Peter argues that the hermit life is free from temptations (!) and offers every aid to victory.

“The wise man, bent on safeguarding his salvation, watches always to destroy his vices; he girds his loins—and his belly—with the girdle of perfect mortification. Truly that takes place when the itching palate is suppressed, when the pert tongue is held in silence, the ear is shut off from distractions and the eye from unpermitted sights; when the hand is held from cruel striking, and the foot from vainly roving; when the heart is withstood, that it may not envy another’s felicity, nor through avarice covet what is not its own, nor through anger sever itself from fraternal love, nor vaunt itself arrogantly above its fellows, nor yield to the ticklings of lust, nor immoderately sink itself in grief or abandon itself wantonly to joy. Since, then, the human mind has not the power to remain entirely empty, and unoccupied with the love of something, it is girt around with a wall of the virtues.

“In this way, then, our mind begins to be at rest in its Author and to taste the sweetness of that intimacy. At once it rejects whatever it deems contrary to the divine law, shrinks from what does not agree with the rule of supernal righteousness. Hence true mortification is born; hence it comes that man kissing the Cross of his Redeemer seems dead to the world. No longer he delights in silly fables, nor is content to waste his time with idle talk. But he is free for psalms and hymns and spiritual songs; he seeks seclusion, he longs for a hiding-place; he avoids the monastery’s conversation-rooms and rejoices in nooks and corners; and that he may the more freely attend to the contemplation of his Creator, so far as he may he declines colloquy with men.”[448]

“In fine,” says Damiani, in another treatise, “our entire conversion, and renunciation of the world, aims at nothing else than rest. This rest is won through the man’s prior discipline in the toils of strife, in order that when the tumult of disturbance ceases, his mind, through the grace of contemplation, may be translated to gaze upon the face of truth. But since one attains to this rest only through labour and conflict, how can one reach it who has not gone down into the strife? By what right can one enter the halls of the King who has not traversed the arena before the doors?”[449]

“It further behoves each brother who with his whole heart has abandoned the world, to unlearn and forget forever whatever is injurious. He should not be disputatious as to cookery, nor clever in the petty matters of the town; nor an adept in rhetoric’s jinglings, or in jokes or wordplay. He should love fasts and cherish penury; he should flee the sight of man, restrain himself under the censorship of silence, withdraw from affairs, keep his mouth from idle talk, and seek the hiding-place of his soul, and in such hiding be on fire to see the face of his Creator. Let him pant for tears, and implore God for them by daily prayer.”

With this last sentence Damiani makes his transition to the emotional side of the Christian vita contemplativa. He will now pour himself out in a rhapsody of praise of tears, which purify and refresh the soul, and open it to the love of God.

“From the fire of divine love rises the grace of contrition (gratia compunctionis), and again from the contrition of tears (ex compunctione lacrymarum) the ardour of celestial yearning is increased. The one hangs from the other, and each promotes the other; while the contrition of tears flows from the love of God, through tears again our soul burns more fervidly toward the love of God. In this reciprocal and alternating action, the soul is purged of the filth of its offence.”[450]

Elsewhere Damiani suggests how the hermit may acquire the “grace of tears”:

“Seclude thyself from the turmoil of secular affairs and often even from talk with thy brethren. Cut off the cares and anxieties of mundane action; clear them away as a heap of rubbish which stops the fountain’s flow. As water in a cavern of the earth wells up from the abyss, so sadness (tristitia) wells in a human heart from contemplation of the profundity of God’s Judgment, and yet will not flow forth in tears if checked by the clods of earthly hindrance. Sadness is the material of tears. But in order that the veins of this fount may flow more abundantly, do thou clear away all obstacles of secular business—and other matters also, as I know from experience. Even spiritual zeal in the punishment of delinquents, and the labour of preaching, and like matters, holy as they are and commanded by divine authority, nevertheless are certainly obstacles to tears.

“So if you would attain the grace of tears, you must even curb the exercise of spiritual duties, eliminate malice, anger, and hatred, and the other pests from your heart. And do not let your own accusing conscience dry up the dew of tears with the aridity of fear. Indeed the confidence of holiness (sanctitatis fiducia) and a conscience bearing witness to its own innocence, waters the pure soul with the celestial rivulets of grace, softens the hardness of the impure heart, and opens the floodgates of weeping.”[451]

“Many are the ways,” says Damiani in words sounding like a final reflection upon the solitary life—“many are the ways by which one comes to God; diverse are the orders in the society of the faithful; but among them all there is no way so straight, so sure, so unimpeded, so free from obstacles which trip one’s feet, as this holy life. It eliminates occasions for sin; it cultivates the greatest number of virtues by which God may be pleased; and thus, as it removes the opportunities of delinquency, it lays upon good conduct the added strength of necessity’s insistence.”[452]

Peter Damiani, exiled from solitude, found no task more grateful than that of writing the Life of his older contemporary, St. Romualdus, the founder of Camaldoli and other hermit communities in Italy. That man had completely lived the life from which the Church’s exigencies dragged his biographer. Peter put himself, as well as his best literary powers, into this Vita Romualdi, and made it one of the most vivid of mediaeval Vitae sanctorum. If Romuald was a hermit in the flesh, Damiani had the imagination to make the hermit spirit speak.[453]