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The Medieval Latin Hymn

Chapter 69: Articles
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This study traces the development and use of Latin hymnody across the medieval period, surveying early Christian hymns, the consolidation of hymnals, the ninth-century revival and creation of sequences, later medieval hymns and processional practice, and the hymns' influence and survival. It emphasizes the functional role of hymns in liturgy, examines cultural and institutional forces — including liturgical reform, monastic and courtly scholarship, and regional traditions — that shaped composition and transmission, and provides illustrative texts, notes, and bibliography for further study. The account is written for general readers interested in liturgical history and medieval devotional poetry.

Hughes, H. V., Dom Anselm, Latin Hymnody. London, 1922.

Julian, J., Dictionary of hymnology. London, 1925.

Kayser, J., Beiträge zur Geschichte und Erklärung der ältesten Kirchenhymnen, 2 vols. Paderborn, 1881, 1886.

Koebner, R., Venantius Fortunatus. Leipzig, 1915.

Kroll, J., Die christliche Hymnodik bis zu Klemens von Alexandreia. Königsburg: Prog. d. Ak. von Braunsberg, 1921-2. s. 47-98.

——, “Die Hymnendichtung des frühen Christentums”, Die Antike, 2 (1926) 258-281.

Kuhnmuench, O., S. J., Early Christian Latin poets from the 4th-6th century. Chicago, 1929.

Lynch, C. H., St. Braulio, Bishop of Saragossa. Washington, D. C., 1938.

Mac Gilton, A. K., Study of Latin hymns. Boston, 1918.

Manitius, M., Geschichte der christlich-lateinischen Poesie bis zur Mitte des 8. Jahrhunderts. Stuttgart, 1891.

——, Geschichte der lateinischen Literatur des Mittelalters, 3 vols. München, 1911-1931.

Maryosip, M., The oldest Christian hymn-book. Temple, Texas, 1948.

Meyer, W., Der Gelegenheitsdichter Venantius Fortunatus. Berlin, 1901.

Misset, E. et Aubry, P., Les Proses d’Adam de Saint-Victor, texte et musique. Paris, 1900.

Myers, W. N., The hymns of Saint Hilary of Poitiers in the codex Aretinus. Phila., 1928.

Peebles, B. M., “Fortunatus, poet of the Holy Cross”, Amer. Church Monthly, 38 (1935) 152-166.

——, The Poet Prudentius. Boston College Candlemas Lectures on Christian Literature: no. 2. New York, 1951.

Phillips, C. S., Hymnody past and present. London, 1937.

Rand, E. K., Founders of the Middle Ages. Cambridge, 1928.

Sage, C. M., Paul Albar of Cordova: Studies on his life and writings. Washington, D. C., 1943.

Tardi, D., Fortunat. Étude sur un dernier représentant de la poésie latine le Gaule merovingienne. Paris, 1927.

Trench, R. C., Sacred Latin poetry. London, 1874.

Weyman, C., Beiträge zur Geschichte der christlich-lateinischen Poesie. München, 1926.

Wilmart, A. Dom, Auteurs spirituels et textes dévots du moyen âge Latin. Études d’histoire litteraire. Paris, 1932.

——, “Le Psautier de la reine, N. XI, sa provenance et sa date”, Revue Bénédictine, July-Oct. 1911, 341 ff.

Wrangham, D. S., Liturgical poetry of Adam of St. Victor. London, 1881.

IV. Hymns and Liturgy

Antiphonarium Hartkeri, saec. XI, St. Gall MS, 390-391, p. 15-16. Paléographie Musicale, Deuxième Série, Tome 1.

Antiphonary of Bangor, An early Irish manuscript in the Ambrosian Library at Milan, edited by F. E. Warren. Henry Bradshaw Society Pub. vols. 4, 10. London, 1893, 1895.

Batiffol, P., Études de liturgie et d’archéologie chrétienne, Ch. VI, La Chandeleur, 193-215. Paris, 1919.

——, History of the Roman Breviary. Translated from the 3rd French edition by A. M. Baylay. London, 1912.

Bishop, E., Liturgica historica, Oxford, 1918.

——, “Spanish Symptoms”, Theological Studies, 8 (1907) 278-294.

——, The Mozarabic and Ambrosian Rites. London, 1924.

Blume, C., Der cursus S. Benedicti Nursini und die liturgischen Hymnen des 6.-9. Jahrhunderts. Leipzig, 1908.

——, Unsere liturgischen Lieder. Regensburg, 1932.

Bohatta, H., Bibliographie des livres d’heures etc. Wien, 1924, 2nd ed.

Breviarium Gothicum, edited by A. Lorenzana. Madrid, 1775. See Migne, P. L., 86.

Britt, M., Hymns of the Breviary and Missal. New York, 1922, 1948.

Buchanan, E. S., An early Latin song-book. New York, 1930. 13th C. Ms.

Burgess, H., Select metrical hymns and homilies of Ephrem Syrus. London, 1855.

Chambers, J. D., Divine worship in England in the 13th and 14th, contrasted with and adapted to that in the 19th C. London, 1877.

Chatfield, A. W., Songs and hymns of the earliest Greek Christian poets. London, 1876.

Dowden, J., Church year and kalendar. Cambridge, 1910.

Duchesne, L., Origines du culte chrétien. Translation Christian worship: origin and evolution from the 3rd French edition by M. L. McClure. London, 1904.

Durandus, Gulielmus, Rationale divinorum officiorum (1286). Lugduni, 1612.

Fisher, A. H., Cathedral church of Hereford. London, 1898.

Fortescue, A., Concerning Hymns. See Introduction to A. G. McDougall, Pange lingua, above.

——, The Mass: a study of the Roman liturgy. London, 1914.

Gautier, L., Histoire de la Poésie liturgique au Moyen Age. Les Tropes. Paris, 1886.

Hereford Breviary, edited by W. H. Frere and L. E. G. Brown. Henry Bradshaw Society Pub. vols. 26, 40. London, 1904, 1911.

Horae Beatae Mariae Virginis or Sarum and York Primers, edited by E. Hoskins. London, 1901.

Horae Eboracenses, Prymer or Hours of the B. V. M., edited by C. Wordsworth. Surtees Society Pub. vol. 132. London, 1919.

Hymnale secundum usum ... ecclesiae Sarisburiensis, edited by A. C. Wilson and Dr. Stubbs. Littlemore, 1850.

Hymnarium Sarisburiense. London, 1851. Incomplete.

The Hymner, Translations of the hymns from the Sarum Breviary together with sundry sequences and processions. London, 1905.

Hymns, Ancient and Modern, historical edition. London, 1909. Introduction by W. H. Frere on history of hymns, treats Latin hymns from liturgical point of view.

Irish Liber Hymnorum, edited by J. H. Bernard and R. Atkinson. Henry Bradshaw Society Pub. vols. 13, 14. London, 1897, 1898.

Jahrbuch für Liturgiewissenschaft, edited by O. Casel, O. S. B. Münster i. W., 1921-1934. Vol. xiv (1934) was published in 1938. Invaluable bibliography for every field of medieval hymnology. Many reviews of articles otherwise unobtainable.

Jones, W. H., Diocesan histories: Salisbury. London, 1880.

Latin hymns of the Anglo-Saxon church, edited by J. Stevenson. Surtees Society Pub. vol. 23. Durham, 1851.

McClure, M. L. and Feltoe, E. L., The Pilgrimage of Etheria. Translations of Christian literature, Series III, Liturgical texts. London, 1919.

Manuale et processionale ad usum insignis ecclesiae Eboracensis, edited by W. G. Henderson. Surtees Society Pub. vol. 63. Durham, 1875.

Maskell, W., Ancient liturgy of the church of England. Oxford, 1882. 3rd edition.

——, Monumenta ritualia ecclesiae Anglicanae, 3 vols. Oxford, 1882. 2nd edition.

Mearns, J., Early Latin hymnaries, an index of hymns in hymnaries before 1100, with an appendix from later sources. Cambridge, 1913.

Missale ad usum insignis ecclesiae Eboracensis, edited by W. G. Henderson. Surtees Society Pub. vols. 59, 60. Durham, 1874.

Missale ad usum percelebris ecclesiae Herfordensis, edited by W. G. Henderson. Leeds, 1874.

Missale mixtum, edited by A. Lesley, S. J. Rome, 1755. See Migne, P. L. 86.

Mozarabic Psalter, edited by J. P. Gilson. Henry Bradshaw Society Pub. vol. 30. London, 1905.

Neale, J. M. and Forbes, G. H., The ancient liturgies of the Gallican church. Burntisland, 1855.

Ordinale and customary of the Benedictine nuns of Barking abbey, edited by J. B. L. Tolhurst. Henry Bradshaw Society Pub. 2 vols. London, 1927, 1928.

Ornsby, G., York: diocesan histories. London, no date.

Phillott, H. W., Hereford: diocesan histories. London, no date.

Processional of the nuns of Chester, edited by J. W. Legg. Henry Bradshaw Society Pub. vol. 18. London, 1899.

Processionale ad usum ... Sarum, edited by W. G. Henderson. Leeds, 1882.

Prymer, edited by H. Littlehales. Early English Text Society, original series 105, 109. London, 1895, 1897.

Rock, D., Church of our fathers as seen in St. Osmund’s rite for the cathedral of Salisbury, 4 vols. Edited by G. W. Hart and W. H. Frere. London, 1903-1904.

Sarum Missal, edited by J. W. Legg. Oxford, 1916.

Sarum missal, done into English by A. H. Pearson. London, 1884. 2nd edition.

Sarum missal, translated by F. E. Warren. London, 1911. (Library of liturgiology and ecclesiology for English readers, vols. 8 and 9.)

S. Silviae, quae fertur, Peregrinatio ad loca sancta, CSEL 39. 35-101. Vindobonae, 1898.

Stroppel, R., Liturgie und geistliche Dichtung 1050-1300. Frankfurt am Main, 1927.

Swete, H. B., Church services and service books before the Reformation. London, 1896.

Thalhofer, V. and Eisenhofer, L., Handbuch der katholischen Liturgik, 2 vols. Freiburg im Breisgau, 1912.

Tropary of Ethelred, published in Missale ... Eboracensis, above.

Winchester troper, edited by W. H. Frere. Henry Bradshaw Society Pub. London, 1894.

Wordsworth, C., Ceremonies and processions of the cathedral church of Salisbury. Cambridge, 1901.

——, Notes on mediaeval services in England. London, 1898.

——, and H. Littlehales, The old service books of the English church. London, 1904.

York breviary, edited by J. H. Srawley. Surtees Society Pub. vols. 71, 75. Durham, 1880, 1883.

V. Hymns and Medieval Culture, especially Art, Drama, Literature and Music

Acta Sanctorum quotquot orbe coluntur ... collegit Joannes Bollandus etc., 1643 et seq.

Addison, J. T., Medieval Missionary. A study of the conversion of northern Europe A. D. 500-1300. New York, 1936. This book supersedes earlier works.

Allen, P. S., Romanesque lyric. Chapel Hill, 1928.

Altamira, R., History of Spanish Civilization, translated by P. Volkov. London, 1930.

Ante-Nicene fathers, vol. VIII. American Reprint. Buffalo, 1886. For Apocryphal books of the N. T.

Antiphonale monasticum pro diurnis horis ordinis Sancti Benedicti a solesmensibus monachis restitutum. Parisiis, Tornaci, Romae. 1935. For Gregorian music.

Apocryphal New Testament, edited by M. R. James. Oxford, 1924.

Blume, C., “Hymnologie und Kulturgeschichte des Mittelalters”, in Festschrift f. Georg von Hertling. Kempten, 1913. Pp. 117-130.

Brehier, L., L’art chrétien. Paris, 1928. 2nd edition.

Brown, C., English lyrics of the 13th century. London, 1932.

——, Religious lyrics of the 14th century. Oxford, 1924.

——, Religious lyrics of the 15th century. Oxford, 1939.

——, Register of Middle English religious and didactic verse, Pt. II. Oxford, 1920.

Burdach, K., Vorspiel, Bd. I. Über den Ursprung des mittelalterlichen Minnesangs, Liebesromans und Frauendienstes. Halle S., 1925.

Chambers, E. K., Mediaeval Stage, 2 vols. Oxford, 1903.

Clark, J. M., The abbey of St. Gall as a center of literature and art. Cambridge, 1926.

Cohen, G., Histoire de la mise en scène dans le théatre religieux français du moyen âge. Paris, 1926. Fine bibliography.

Creizenach, W., Geschichte des neueren Dramas, vol. I. Halle, 1911.

Cutts, E. L., Parish priests and their people in the Middle Ages. London, 1914.

Delehaye, H., Les legendes hagiographiques. Bruxelles, 1905.

Diehl, C., Manuel d’art Byzantin. Paris, 1910.

Dill, S., Roman Society in Gaul in the merovingian age. London, 1926.

Douglas, W. C., Church music in history and practice. New York, 1937.

Drake, M. and W., Saints and their emblems. London, 1916.

Duchartre, P. L., Mittelalterliche Plastik in Frankreich. München, 1925.

Evans, J., Monastic life at Cluny, 910-1157. London, 1931.

Farmer, H. G., Historical facts for the Arabian musical influence. London, 1930.

——, History of Arabian music to the XIIIth C. London, 1929.

Fellerer, K. G., Beiträge zur Musikgeschichte Freisings etc. Freising, 1926.

Gams, Dom P. B., Die Kirchengeschichte von Spanien, 5 vols. Regensburg, 1862-1879.

Garcia Villada, Historia eclesiástica de España, 3 vols. in 5. Madrid, 1929-1936.

Gasquet, F. A., Parish life in mediaeval England. London, 1907.

Gautier, L., La poésie religieuse dans les cloîtres des IXe-XIe siècles. Paris, 1887.

Gougaud, L., Les chrétientés Celtiques. Paris, 1911.

Gourmont, R. de, Le Latin mystique; les poetes de l’antiphonaire et la symbolique au moyen âge. Paris, 1913.

Hauttmann, M., Die Kunst des frühen Mittelalters. Berlin, 1929.

Higginson, J. V., Revival of Gregorian chant. Papers of the Hymn Society of America, XV. New York, 1949.

Jacopo de Voragine, Golden legend. Lives of the saints as Englished by William Caxton, 7 vols. Temple Classics, edited by F. S. Ellis. London, 1900.

Jeanroy, A., Le théatre religieux en France du XIe au XIIIe siècles. Paris, 1924.

——, Les origines de la poésie lyrique en France au moyen âge. Paris, 1925.

Kretzman, P. E., The liturgical element in the earliest forms of the medieval drama. Un. of Minnesota Studies in Language and Literature, no. 4, 1916.

Künstle, K., Ikonographie der Heiligen. Freiburg im Breisgau, 1926.

Lang, P. H., Music in western civilization. New York, 1941.

Lévi-Provençal, E., La civilization arabe en Espagne, vue general. Le Caire, 1938.

Luchaire, A. (D.J.A.) Social France at the time of Philip Augustus, translated from the 2nd French edition by E. B. Krehbiel. New York, 1912.

Mâle, E., L’art religieux du XIIe siècle en France. Paris, 1922.

——, L’art religieux du XIIIe siècle en France. Paris, 1923.

——, L’art religieux de la fin du moyen âge en France. Paris, 1922.

——, L’art allemand et l’art français du moyen âge. Paris, 1922.

Meyer, K., Selections from ancient Irish poetry. London, 1911.

Meyer, W., Gesammelte Abhandlungen zur mittellateinischen Rythmik, 2 vols. in 1. Berlin, 1905.

Müller, H. F., “Pre-history of the mediaeval drama”, Zeitschrift für romanische Philologie, Bd. 44 (1924) 544-575.

Nelson, P., Ancient stained glass in England. London, 1913.

Owst, G. R., Preaching in medieval England. Cambridge, 1926.

Prior, E. A. and Gardner, A., An account of medieval figure-sculpture in England. Cambridge, 1912.

Pokorny, J., Die älteste Lyrik der grünen Insel. Halle S., 1923.

Quasten, J., Musik und Gesang in den Kulten der heidnischen Antike und christlichen Frühzeit. Münster im W., 1930.

Raby, F. J. E., A history of secular Latin poetry in the M. A., 2 vols. Oxford, 1934.

Riaño, J. F., Critical and bibliographical notes on early Spanish music. London, 1887.

Schroeder, Sister M. J., Mary-Verse in Meistergesang. Washington, D. C., 1942.

Sedgwick, W. B., “Origin of rhyme”, Revue Bénédictine, 36 (1924) 330-346.

Singer, S., Die Dichterschule von St. Gallen. Leipzig, 1922.

Spanke, H., Deutsche und französische Dichtung des Mittelalters. Stuttgart, 1943.

——, “Zur Geschichte der spanischen Musik des Mittelalters”, Hist. Vierteljahrschrift, 28 (1934), 737-66.

Steinen, W. von den, Notker der Dichter und seine geistliche Welt, 2 vols., Bern, 1948. Reviews and supersedes earlier literature on Notker. Vol. II contains complete works of Notker.

Strzygowski, J., Origin of Christian church art, translated by Dalton and Braunholtz. Oxford, 1923.

Taylor, H. O., The medieval mind, 2 vols. New York, 1914.

Trend, J. B., The music of Spanish history to 1600. London, 1926.

Turner, W., “Irish teachers in the Carolingian revival of learning”, Cath. Un. Bulletin, XIII, Washington, D. C., 1907, pp. 382, 562.

Van Doren, Dom R., Étude sur l’influence musicale de l’abbaye de Saint-Gall. Louvain, 1925.

Wagner, P., Einführung in die Gregorianischen Melodien, London, 1907.

——, “Morgen- und Abendland in der Musikgeschichte”, Stimmen der Zeit, Bd. 114 (1927) 131-145.

——, “Der mozarabische Kirchengesang und seiner Überlieferung”, in Finke, H., Gesammelte Aufsätze zur Kulturgeschichte Spaniens, Reihe I, Bd. I, p. 102-141. Münster, 1928.

Ward, J. B., Gregorian Chant II. Belgium, 1949.

Wehrle, W. O., The macaronic hymn tradition in medieval English literature. Washington, D. C., 1933.

Wells, J. E., Manual of the writings in middle English 1050-1400. New Haven, 1916.

Von Winterfeld, P., “Die Dichterschule St. Gallens und der Reichenau unter der Karolingern und Ottonen”, “Stilfragen der lateinischen Dichtung des Mittelalters”, Deutsche Dichter, p. 402-422, 423-444. München, 1922.

Woerdeman, Dom J., “The source of the Easter play”, Orate Fratres, 20 (1946), Apr. 25, p. 262-272.

Young, K., The drama of the medieval church, 2 vols. Oxford, 1933.

Ruth Ellis Messenger
Publications

Ethical Teachings in the Latin Hymns of Medieval England, Columbia Un. Studies in History, Economics and Public Law (New York, 1930) 210 p.

Articles

Papers of the Hymn Society of America, Editor, Carl F. Price, New York.
No. III, “The Praise of the Virgin in Early Latin Hymns,” 1932, reprinted 1944, 10 p.
No. IX, “Christian Hymns of the First Three Centuries,” 1942, reprinted 1949, 25 p.
No. XIV, “Latin Hymns of the Middle Ages,” 1948, 14 p.
Transactions and Proceedings of the American Philological Association
“Hymns and Sequences of the Sarum Use,” vol. 59 (1928) 99-129.
Abstract: “Origin of the Sequence,” vol. 64 (1933) lxv-lxvi.
“The Descent Theme in Medieval Latin Hymns,” vol. 67 (1936) 126-57.
“Whence the Ninth Century Hymnal?,” vol. 69 (1938) 446-64.
“Recent Studies in Medieval Latin Hymns,” vol. 71 (1940) 248-261.
“The Mozarabic Hymnal,” vol. 75 (1944) 103-126.
“Salve Festa Dies,” vol. 78 (1947) 208-222.
“Medieval Processional Hymns before 1100,” vol. 80 (1949) 375-392.
“Processional Hymns of the Later Middle Ages,” vol. 81 (1950) 185-199.
Miscellaneous articles
Catholic Choirmaster
“Notker Balbulus,” Sept. 1946, 101-5, 139.
“Sancta Maria quid est?,” June, 1950, 59-61, 81.
“Rabanus Maurus,” Summer, 1951, 55-57.
Classical Outlook
“Medieval Easter Hymns,” April, 1944, 65-6.
“Adam of St. Victor,” Feb., 1947, 49-51.
“Greek Hymns of the Nativity,” Dec., 1948, 25-6.
“The Eighth Day,” May, 1950, 88-9.
Classical Weekly
“The Legend of St. Agnes in Early Latin Hymns,” Nov. 29, 1943, 75.
“The Legend of St. Eulalia in Mozarabic Hymns,” Oct. 9, 1944, 12-3.
“Hymns in the Horae Eboracenses,” Jan. 15, 1945, 90-5.
Folia
“Sources of the Sequence Scalam ad Caelos,” May, 1947, 55-63.
“Classical Influence in the Hymns of St. Ambrose,” vol. 4, nos. 1-3 (1949) 1-5.
“Aurelius Prudentius Clemens,” vol. 6, no. 2 (1952) 78-99.
The Hymn
“John Mason Neale, Translator,” Oct., 1951, 5-10.
Speculum
“Hymnista,” Jan., 1947, 83-4.
Traditio
“Mozarabic Hymns in Relation to Contemporary Culture in Spain,” vol. 4 (1946) 149-77.

Index

Index of Latin Hymns

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

A
Ad cenam agni providi, 17, 34
Ad honorem regis summi, 56
Ad perennis vitae fontem, 49, 103
Adae carnis gloriosae, 1, 6
Adeste fideles, 80
Aeterna caeli gloria, 34
Aeterna Christi munera, 8, 17, 34, 86
Aeternae lucis conditor, 17
Aeterne rerum conditor, 3, 17, 33
Ales diei nuntius, 34
Alleluia piis edite laudibus, 14, 88
Alma redemptoris mater, 79
Altus prosator, 14
Angelus ad virginem, 79
Annua, sancte Dei, celebramus festa diei, 67
Ante saecula qui manens, 1
Apostolorum passio, 61
Audi, iudex mortuorum, 66
Aurora iam spargit polum, 34
Aurora lucis rutilat, 17, 34
Ave maris stella, 16, 91
Ave vivens hostia, 50
C
Caeli Deus sanctissime, 33
Cantemus cuncti melodum nunc Alleluia, 45, 98
Certum tenentes ordinem, 17
Chorus novae Ierusalem, 49
Christe caeli Domine, 17
Christe precamur adnue, 17
Christe qui lux es et dies, 17, 34
Christo nato, rege magno, 67
Claro paschali gaudio, 16
Conditor alme siderum, 16
Congregavit nos in unum Christi amor, 69
Consors paterni luminis, 33
Corde natus ex parentis, 4
Crux benedicta nitet, 5, 65
D
Dei fide qua vivimus, 17
Deus aeterni luminis, 17
Deus creator omnium, 3, 17, 33
Deus immensa trinitas, 31, 94
Deus qui caeli lumen es, 17
Deus qui certis legibus, 17
Deus qui claro lumine, 17
Dicamus laudes Domino, 17
Diei luce reddita, 17
Dies irae, 50, 60
F
Fefellit saevam verbum factum te, caro, 1
Fulgentis auctor aetheris, 17
G
Gloria, laus et honor, 29, 65
H
Heri mundus exultavit, 47, 101
Hic est dies verus Dei, 17
Hymnum dicat turba fratrum, 2, 14, 76
I
Iam lucis orto sidere, 33
Iam sexta sensim volvitur, 17
Iam surgit hora tertia, 3, 17
Illuminans altissimus, 17
Immense caeli conditor, 33
Imperator magne, vivas, 69
Intende qui regis, 17
J
Jesu corona virginum, 34
Jesu dulcis memoria, 49
L
Laetetur omne saeculum, 72
Lauda Sion Salvatorem, 50, 60, 105
Laudes omnipotens, ferimus tibi dona colentes, 68
Lucis creator optime, 16, 33
Lux ecce surgit aurea, 34
M
Magna et mirabilia, 17
Magnae Deus potentiae, 33
Magnum salutis gaudium, 65
Martyr Dei qui unicum, 34
Mediae noctis tempus est, 14, 17
Meridie orandum est, 17
Morte Christi celebrata, 52
N
Nocte surgentes vigilemus omnes, 12, 87
Nox atra rerum contegit, 33
Nox et tenebrae et nubila, 34
Nunc sancte nobis spiritus, 33
O
O lux beata trinitas, 33
O quanta qualia, 49
O Roma nobilis, 76
O sola magnarum urbium, 4
P
Pange lingua, gloriosi corporis mysterium, 50, 71
Pange lingua, gloriosi proelium certaminis, 5, 50, 64, 65
Perfectum trinum numerum, 17
Plasmator hominis Deus, 33
Postmatutinis laudibus, 17
Primo dierum omnium, 33
Q
Quem terra pontus aethera, 16
R
Recordare sanctae crucis, 50
Rector potens verax Deus, 33
Rerum creator optime, 33
Rerum Deus tenax vigor, 33
Rex aeterne Domine, 17
Rex gloriose martyrum, 34
S
Salve festa dies.... Qua deus infernum vicit, 73, 110
Sacrata libri dogmata, 68
Salve festa dies.... Qua Christi mater visitat, 71
Salve festa dies.... Qua fuit assumpta Maria, 72
Salve, lacteolo decoratum sanguine festum, 67
Salve redemptoris mater, 47
Sancta Maria, quid est?, 69
Sancti spiritus assit nobis gratia, 42, 95
Sancti venite Christi corpus sumite, 14, 15, 89
Sanctorum meritis inclita gaudia, 34
Sator princepsque temporum, 17
Sic ter quaternis trahitur, 17
Solus ad victimam procedis, Domine, 49
Somno refectis artubus, 33
Splendor paternae gloriae, 3, 7, 17, 33, 84
Stabat mater dolorosa, 51, 53, 60, 108
Suffragare trinitatis unitas, 14
Summae Deus clementiae, 33
Summe confessor sacer, 34
Summus et omnipotens genitor, 68
Surrexit quia Christus a sepulchro, 67
T
Te lucis ante terminum, 34
Telluris ingens conditor, 33
Tempora florigero rutilant, 5, 6, 65
Tempus noctis surgentibus, 17
Ter hora trina volvitur, 17
Tu trinitatis unitas, 33
U
Urbs beata Jerusalem, 16
Urbs Sion aurea, 49
Ut queant laxis resonare fibris, 26, 92
V
Veni, creator spiritus, 29, 93
Veni redemptor gentium, 3
Veni sancte spiritus, 48, 60
Verbum supernum prodiens, 16
Versus ad descensum fontis, 68
Vexilla regis prodeunt, 5, 50, 64, 85
Victimae paschali laudes, 47, 75
Virginis proles opifexque, 34