I was immediately announced, and I had not long to wait. I entered the room, and his excellency, seated at a table, examined me from head to foot for one minute without speaking to me; he then rang the bell, and ordered his servant to introduce the two ladies who were waiting in the next room. I guessed at once what was the matter, and felt no surprise when I saw the woman Marchetti and her daughter. His excellency asked me if I knew them.
"I must know them, monsignor, as one of them will become my wife when she has convinced me by her good conduct that she is worthy of that honour."
"Her conduct is good, she lives with her mother at Lusia; you have deceived her. Why do you postpone your marriage with her? Why do you not visit her? You never answer her letters, and you let her be in want."
"I cannot marry her, your excellency, before I have enough to support her. That will come in three or four years, thanks to a situation which M. de Bragadin, my only protector, promises to obtain for me. Until then she must live honestly, and support herself by working. I will only marry her when I am convinced of her honesty, and particularly when I am certain that she has given up all intercourse with the abbe, her cousin in the fourth degree. I do not visit her because my confessor and my conscience forbid me to go to her house."
"She wishes you to give her a legal promise of marriage, and sustentation."
"Monsignor, I am under no obligation to give her a promise of marriage, and having no means whatever I cannot support her. She must earn her own living with her mother."
"When she lived with her cousin," said her mother, "she never wanted anything, and she shall go back to him."
"If she returns to his house I shall not take the trouble of taking her out of his hands a second time, and your excellency will then see that I was right to defer my marriage with her until I was convinced of her honesty."
The judge told me that my presence, was no longer necessary. It was the end of the affair, and I never heard any more about it. The recital of the dialogue greatly amused my friends.
At the beginning of the Carnival of 1750 I won a prize of three thousand ducats at the lottery. Fortune made me that present when I did not require it, for I had held the bank during the autumn, and had won. It was at a casino where no nobleman dared to present himself, because one of the partners was an officer in the service of the Duke de Montalegre, the Spanish Ambassador. The citizens of Venice felt ill at ease with the patricians, and that is always the case under an aristocratic government, because equality exists in reality only between the members of such a government.
As I intended to take a trip to Paris, I placed one thousand sequins in M. de Bragadin's hands, and with that project in view I had the courage to pass the carnival without risking my money at the faro-table. I had taken a share of one-fourth in the bank of an honest patrician, and early in Lent he handed me a large sum.
Towards mid-Lent my friend Baletti returned from Mantua to Venice. He was engaged at the St. Moses Theatre as ballet-master during the Fair of the Assumption. He was with Marina, but they did not live together. She made the conquest of an English Jew, called Mendez, who spent a great deal of money for her. That Jew gave me good news of Therese, whom he had known in Naples, and in whose hands he had left some of his spoils. The information pleased me, and I was very glad to have been prevented by Henriette from joining Therese in Naples, as I had intended, for I should certainly have fallen in love with her again, and God knows what the consequences might have been.
It was at that time that Bavois was appointed captain in the service of the Republic; he rose rapidly in his profession, as I shall mention hereafter.
De la Haye undertook the education of a young nobleman called Felix Calvi, and a short time afterwards he accompanied him to Poland. I met him again in Vienna three years later.
I was making my preparations to go to the Fair of Reggio, then to Turin, where the whole of Italy was congregating for the marriage of the Duke of Savoy with a princess of Spain, daughter of Philip V., and lastly to Paris, where, Madame la Dauphine being pregnant, magnificent preparations were made in the expectation of the birth of a prince. Baletti was likewise on the point of undertaking the same journey. He was recalled by his parents, who were dramatic artists: his mother was the celebrated Silvia.
Baletti was engaged at the Italian Theatre in Paris as dancer and first gentleman. I could not choose a companion more to my taste, more agreeable, or in a better position to procure me numerous advantageous acquaintances in Paris.
I bade farewell to my three excellent friends, promising to return within two years.
I left my brother Francois in the studio of Simonetti, the painter of battle pieces, known as the Parmesan. I gave him a promise to think of him in Paris, where, at that time particularly, great talent was always certain of a high fortune. My readers will see how I kept my word.
I likewise left in Venice my brother Jean, who had returned to that city after having travelled through Italy with Guarienti. He was on the point of going to Rome, where he remained fourteen years in the studio of Raphael Mengs. He left Rome for Dresden in 1764, where he died in the year 1795.
Baletti started before me, and I left Venice, to meet him in Reggio, on the 1st of June, 1750. I was well fitted out, well supplied with money, and sure not to want for any, if I led a proper life. We shall soon see, dear reader, what judgment you will pass on my conduct, or rather I shall not see it, for I know that when you are able to judge, I shall no longer care for your sentence.
CHAPTER V
I Stop at Ferrara, Where I Have a Comic Adventure—My Arrival in Paris
Precisely at twelve o'clock the peotta landed me at Ponte di Lago Oscuro, and I immediately took a post-chaise to reach Ferrara in time for dinner. I put up at St. Mark's Hotel. I was following the waiter up the stairs, when a joyful uproar, which suddenly burst from a room the door of which was open, made me curious to ascertain the cause of so much mirth. I peeped into the room, and saw some twelve persons, men and women, seated round a well-supplied table. It was a very natural thing, and I was moving on, when I was stopped by the exclamation, "Ah, here he is!" uttered by the pretty voice of a woman, and at the same moment, the speaker, leaving the table, came to me with open arms and embraced me, saying,
"Quick, quick, a seat for him near me; take his luggage to his room."
A young man came up, and she said to him, "Well, I told you he would arrive to-day?"
She made me sit near her at the table, after I had been saluted by all the guests who had risen to do me honour.
"My dear cousin," she said, addressing me, "you must be hungry;" and as she spoke she squeezed my foot under the table. "Here is my intended husband whom I beg to introduce to you, as well as my father and mother-in-law. The other guests round the table are friends of the family. But, my dear cousin, tell me why my mother has not come with you?"
At last I had to open my lips!
"Your mother, my dear cousin, will be here in three or four days, at the latest."
I thought that my newly-found cousin was unknown to me, but when I looked at her with more attention, I fancied I recollected her features. She was the Catinella, a dancer of reputation, but I had never spoken to her before. I easily guessed that she was giving me an impromptu part in a play of her own composition, and I was to be a 'deux ex machina'. Whatever is singular and unexpected has always attracted me, and as my cousin was pretty, I lent myself most willingly to the joke, entertaining no doubt that she would reward me in an agreeable manner. All I had to do was to play my part well, but without implicating myself. Therefore, pretending to be very hungry, I gave her the opportunity of speaking and of informing me by hints of what I had to know, in order not to make blunders. Understanding the reason of my reserve, she afforded me the proof of her quick intelligence by saying sometimes to one person, sometimes to the other, everything it was necessary for me to know. Thus I learnt that the wedding could not take place until the arrival of her mother, who was to bring the wardrobe and the diamonds of my cousin. I was the precentor going to Turin to compose the music of the opera which was to be represented at the marriage of the Duke of Savoy. This last discovery pleased me greatly, because I saw that I should have no difficulty in taking my departure the next morning, and I began to enjoy the part I had to play. Yet, if I had not reckoned upon the reward, I might very well have informed the honourable company that my false cousin was mad, but, although Catinella was very near thirty, she was very pretty and celebrated for her intrigues; that was enough, and she could turn me round her little finger.
The future mother-in-law was seated opposite, and to do me honour she filled a glass and offered it to me. Already identified with my part in the comedy, I put forth my hand to take the glass, but seeing that my hand was somewhat bent, she said to me,
"What is the matter with your hand, sir?"
"Nothing serious, madam; only a slight sprain which a little rest will soon cure."
At these words, Catinella, laughing heartily, said that she regretted the accident because it would deprive her friends of the pleasure they would have enjoyed in hearing me play the harpsichord.
"I am glad to find it a laughing matter, cousin."
"I laugh, because it reminds me of a sprained ankle which I once feigned to have in order not to dance."
After coffee, the mother-in-law, who evidently understood what was proper, said that most likely my cousin wanted to talk with me on family matters, and that we ought to be left alone.
Every one of the guests left the room.
As soon as I was alone with her in my room, which was next to her own she threw herself on a sofa, and gave way to a most immoderate fit of laughter.
"Although I only know you by name," she said to me, "I have entire confidence in you, but you will do well to go away to-morrow. I have been here for two months without any money. I have nothing but a few dresses and some linen, which I should have been compelled to sell to defray my expenses if I had not been lucky enough to inspire the son of the landlord with the deepest love. I have flattered his passion by promising to become his wife, and to bring him as a marriage portion twenty thousand crowns' worth of diamonds which I am supposed to have in Venice, and which my mother is expected to bring with her. But my mother has nothing and knows nothing of the affair, therefore she is not likely to leave Venice."
"But, tell me, lovely madcap, what will be the end of this extravaganza?
I am afraid it will take a tragic turn at the last."
"You are mistaken; it will remain a comedy, and a very amusing one, too. I am expecting every hour the arrival of Count Holstein, brother of the Elector of Mainz. He has written to me from Frankfort; he has left that city, and must by this time have reached Venice. He will take me to the Fair of Reggio, and if my intended takes it into his head to be angry, the count will thrash him and pay my bill, but I am determined that he shall be neither thrashed nor paid. As I go away, I have only to whisper in his ear that I will certainly return, and it will be all right. I know my promise to become his wife as soon as I come back will make him happy."
"That's all very well! You are as witty as a cousin of Satan, but I shall not wait your return to marry you; our wedding must take place at once."
"What folly! Well, wait until this evening."
"Not a bit of it, for I can almost fancy I hear the count's carriage. If he should not arrive, we can continue the sport during the night."
"Do you love me?"
"To distraction! but what does it matter? However, your excellent comedy renders you worthy of adoration. Now, suppose we do not waste our time."
"You are right: it is an episode, and all the more agreeable for being impromptu."
I can well recollect that I found it a delightful episode. Towards evening all the family joined us again, a walk was proposed, and we were on the point of going out, when a carriage drawn by six post-horses noisily entered the yard. Catinella looked through the window, and desired to be left alone, saying that it was a prince who had come to see her. Everybody went away, she pushed me into my room and locked me in. I went to the window, and saw a nobleman four times as big as myself getting out of the carriage. He came upstairs, entered the room of the intended bride, and all that was left to me was the consolation of having seized fortune by the forelock, the pleasure of hearing their conversation, and a convenient view, through a crevice in the partition, of what Catinella contrived to do with that heavy lump of flesh. But at last the stupid amusement wearied me, for it lasted five hours, which were employed in amorous caresses, in packing Catinella's rags, in loading them on the carriage, in taking supper, and in drinking numerous bumpers of Rhenish wine. At midnight the count left the hotel, carrying away with him the beloved mistress of the landlord's son.
No one during those long hours had come to my room, and I had not called. I was afraid of being discovered, and I did not know how far the German prince would have been pleased if he had found out that he had an indiscreet witness of the heavy and powerless demonstrations of his tenderness, which were a credit to neither of the actors, and which supplied me with ample food for thoughts upon the miseries of mankind.
After the departure of the heroine, catching through the crevice a glimpse of the abandoned lover, I called out to him to unlock my door. The poor silly fellow told me piteously that, Catinella having taken the key with her, it would be necessary to break the door open. I begged him to have it done at once, because I was hungry. As soon as I was out of my prison I had my supper, and the unfortunate lover kept me company. He told me that Catinella had found a moment to promise him that she would return within six weeks, that she was shedding tears in giving him that assurance, and that she had kissed him with great tenderness.
"Has the prince paid her expenses?"
"Not at all. We would not have allowed him to do it, even if he had offered. My future wife would have felt offended, for you can have no idea of the delicacy of her feelings."
"What does your father say of her departure?"
"My father always sees the worst side of everything; he says that she will never come back, and my mother shares his opinion rather than mine. But you, signor maestro, what do you think?"
"That if she has promised to return, she will be sure to keep her word."
"Of course; for if she did not mean to come back, she would not have given me her promise."
"Precisely; I call that a good argument."
I had for my supper what was left of the meal prepared by the count's cook, and I drank a bottle of excellent Rhenish wine which Catinella had juggled away to treat her intended husband, and which the worthy fellow thought could not have a better destination than to treat his future cousin. After supper I took post-horses and continued my journey, assuring the unhappy, forlorn lover that I would do all I could to persuade my cousin to come back very soon. I wanted to pay my bill, but he refused to receive any money. I reached Bologna a few minutes after Catinella, and put up at the same hotel, where I found an opportunity of telling her all her lover had said. I arrived in Reggio before her, but I could not speak to her in that city, for she was always in the company of her potent and impotent lord. After the fair, during which nothing of importance occurred to me, I left Reggio with my friend Baletti and we proceeded to Turin, which I wanted to see, for the first time I had gone to that city with Henriette I had stopped only long enough to change horses.
I found everything beautiful in Turin, the city, the court, the theatre, and the women, including the Duchess of Savoy, but I could not help laughing when I was told that the police of the city was very efficient, for the streets were full of beggars. That police, however, was the special care of the king, who was very intelligent; if we are to believe history, but I confess that I laughed when I saw the ridiculous face of that sovereign.
I had never seen a king before in my life, and a foolish idea made me suppose that a king must be preeminent—a very rare being—by his beauty and the majesty of his appearance, and in everything superior to the rest of men. For a young Republican endowed with reason, my idea was not, after all, so very foolish, but I very soon got rid of it when I saw that King of Sardinia, ugly, hump-backed, morose and vulgar even in his manners. I then realized that it was possible to be a king without being entirely a man.
I saw L'Astrua and Gafarello, those two magnificent singers on the stage, and I admired the dancing of La Geofroi, who married at that time a worthy dancer named Bodin.
During my stay in Turin, no amorous fancy disturbed the peace of my soul, except an accident which happened to me with the daughter of my washerwoman, and which increased my knowledge in physics in a singular manner. That girl was very pretty, and, without being what might be called in love with her, I wished to obtain her favours. Piqued at my not being able to obtain an appointment from her, I contrived one day to catch her at the bottom of a back staircase by which she used to come to my room, and, I must confess, with the intention of using a little violence, if necessary.
Having concealed myself for that purpose at the time I expected her, I got hold of her by surprise, and, half by persuasion, half by the rapidity of my attack, she was brought to a right position, and I lost no time in engaging in action. But at the first movement of the connection a loud explosion somewhat cooled my ardour, the more so that the young girl covered her face with her hands as if she wished to hide her shame. However, encouraging her with a loving kiss, I began again. But, a report, louder even than the first, strikes at the same moment my ear and my nose. I continue; a third, a fourth report, and, to make a long matter short, each movement gives an explosion with as much regularity as a conductor making the time for a piece of music!
This extraordinary phenomenon, the confusion of the poor girl, our position—everything, in fact, struck me as so comical, that I burst into the most immoderate laughter, which compelled me to give up the undertaking. Ashamed and confused, the young girl ran away, and I did nothing to hinder her. After that she never had the courage to present herself before me. I remained seated on the stairs for a quarter of an hour after she had left me, amused at the funny character of a scene which even now excites my mirth. I suppose that the young girl was indebted for her virtue to that singular disease, and most likely, if it were common to all the fair sex, there would be fewer gallant women, unless we had different organs; for to pay for one moment of enjoyment at the expense both of the hearing and of the smell is to give too high a price.
Baletti, being in a hurry to reach Paris, where great preparations were being made for the birth of a Duke of Burgundy—for the duchess was near the time of her delivery—easily persuaded me to shorten my stay in Turin. We therefore left that city, and in five days we arrived at Lyons, where I stayed about a week.
Lyons is a very fine city in which at that time there were scarcely three or four noble houses opened to strangers; but, in compensation, there were more than a hundred hospitable ones belonging to merchants, manufacturers, and commission agents, amongst whom was to be found an excellent society remarkable for easy manners, politeness, frankness, and good style, without the absurd pride to be met with amongst the nobility in the provinces, with very few honourable exceptions. It is true that the standard of good manners is below that of Paris, but one soon gets accustomed to it. The wealth of Lyons arises from good taste and low prices, and Fashion is the goddess to whom that city owes its prosperity. Fashion alters every year, and the stuff, to which the fashion of the day gives a value equal, say to thirty, is the next year reduced to fifteen or twenty, and then it is sent to foreign countries where it is bought up as a novelty.
The manufacturers of Lyons give high salaries to designers of talent; in that lies the secret of their success. Low prices come from Competition—a fruitful source of wealth, and a daughter of Liberty. Therefore, a government wishing to establish on a firm basis the prosperity of trade must give commerce full liberty; only being careful to prevent the frauds which private interests, often wrongly understood, might invent at the expense of public and general interests. In fact, the government must hold the scales, and allow the citizens to load them as they please.
In Lyons I met the most famous courtezan of Venice. It was generally admitted that her equal had never been seen. Her name was Ancilla. Every man who saw her coveted her, and she was so kindly disposed that she could not refuse her favours to anyone; for if all men loved her one after the other, she returned the compliment by loving them all at once, and with her pecuniary advantages were only a very secondary consideration.
Venice has always been blessed with courtezans more celebrated by their beauty than their wit. Those who were most famous in my younger days were Ancilla and another called Spina, both the daughters of gondoliers, and both killed very young by the excesses of a profession which, in their eyes, was a noble one. At the age of twenty-two, Ancilla turned a dancer and Spina became a singer. Campioni, a celebrated Venetian dancer, imparted to the lovely Ancilla all the graces and the talents of which her physical perfections were susceptible, and married her. Spina had for her master a castrato who succeeded in making of her only a very ordinary singer, and in the absence of talent she was compelled, in order to get a living, to make the most of the beauty she had received from nature.
I shall have occasion to speak again of Ancilla before her death. She was then in Lyons with her husband; they had just returned from England, where they had been greatly applauded at the Haymarket Theatre. She had stopped in Lyons only for her pleasure, and, the moment she shewed herself, she had at her feet the most brilliant young men of the town, who were the slaves of her slightest caprice. Every day parties of pleasure, every evening magnificent suppers, and every night a great faro bank. The banker at the gaming table was a certain Don Joseph Marratti, the same man whom I had known in the Spanish army under the name of Don Pepe il Cadetto, and a few years afterwards assumed the name of Afflisio, and came to such a bad end. That faro bank won in a few days three hundred thousand francs. In a capital that would not have been considered a large sum, but in a commercial and industrial city like Lyons it raised the alarm amongst the merchants, and the Ultramontanes thought of taking their leave.
It was in Lyons that a respectable individual, whose acquaintance I made at the house of M. de Rochebaron, obtained for me the favour of being initiated in the sublime trifles of Freemasonry. I arrived in Paris a simple apprentice; a few months after my arrival I became companion and master; the last is certainly the highest degree in Freemasonry, for all the other degrees which I took afterwards are only pleasing inventions, which, although symbolical, add nothing to the dignity of master.
No one in this world can obtain a knowledge of everything, but every man who feels himself endowed with faculties, and can realize the extent of his moral strength, should endeavour to obtain the greatest possible amount of knowledge. A well-born young man who wishes to travel and know not only the world, but also what is called good society, who does not want to find himself, under certain circumstances, inferior to his equals, and excluded from participating in all their pleasures, must get himself initiated in what is called Freemasonry, even if it is only to know superficially what Freemasonry is. It is a charitable institution, which, at certain times and in certain places, may have been a pretext for criminal underplots got up for the overthrow of public order, but is there anything under heaven that has not been abused? Have we not seen the Jesuits, under the cloak of our holy religion, thrust into the parricidal hand of blind enthusiasts the dagger with which kings were to be assassinated! All men of importance, I mean those whose social existence is marked by intelligence and merit, by learning or by wealth, can be (and many of them are) Freemasons: is it possible to suppose that such meetings, in which the initiated, making it a law never to speak, 'intra muros', either of politics, or of religions, or of governments, converse only concerning emblems which are either moral or trifling; is it possible to suppose, I repeat, that those meetings, in which the governments may have their own creatures, can offer dangers sufficiently serious to warrant the proscriptions of kings or the excommunications of Popes?
In reality such proceedings miss the end for which they are undertaken, and the Pope, in spite of his infallibility, will not prevent his persecutions from giving Freemasonry an importance which it would perhaps have never obtained if it had been left alone. Mystery is the essence of man's nature, and whatever presents itself to mankind under a mysterious appearance will always excite curiosity and be sought, even when men are satisfied that the veil covers nothing but a cypher.
Upon the whole, I would advise all well-born young men, who intend to travel, to become Freemasons; but I would likewise advise them to be careful in selecting a lodge, because, although bad company cannot have any influence while inside of the lodge, the candidate must guard against bad acquaintances.
Those who become Freemasons only for the sake of finding out the secret of the order, run a very great risk of growing old under the trowel without ever realizing their purpose. Yet there is a secret, but it is so inviolable that it has never been confided or whispered to anyone. Those who stop at the outward crust of things imagine that the secret consists in words, in signs, or that the main point of it is to be found only in reaching the highest degree. This is a mistaken view: the man who guesses the secret of Freemasonry, and to know it you must guess it, reaches that point only through long attendance in the lodges, through deep thinking, comparison, and deduction. He would not trust that secret to his best friend in Freemasonry, because he is aware that if his friend has not found it out, he could not make any use of it after it had been whispered in his ear. No, he keeps his peace, and the secret remains a secret.
Everything done in a lodge must be secret; but those who have unscrupulously revealed what is done in the lodge, have been unable to reveal that which is essential; they had no knowledge of it, and had they known it, they certainly would not have unveiled the mystery of the ceremonies.
The impression felt in our days by the non-initiated is of the same nature as that felt in former times by those who were not initiated in the mysteries enacted at Eleusis in honour of Ceres. But the mysteries of Eleusis interested the whole of Greece, and whoever had attained some eminence in the society of those days had an ardent wish to take a part in those mysterious ceremonies, while Freemasonry, in the midst of many men of the highest merit, reckons a crowd of scoundrels whom no society ought to acknowledge, because they are the refuse of mankind as far as morality is concerned.
In the mysteries of Ceres, an inscrutable silence was long kept, owing to the veneration in which they were held. Besides, what was there in them that could be revealed? The three words which the hierophant said to the initiated? But what would that revelation have come to? Only to dishonour the indiscreet initiate, for they were barbarous words unknown to the vulgar. I have read somewhere that the three sacred words of the mysteries of Eleusis meant: Watch, and do no evil. The sacred words and the secrets of the various masonic degrees are about as criminal.
The initiation in the mysteries of Eleusis lasted nine days. The ceremonies were very imposing, and the company of the highest. Plutarch informs us that Alcibiades was sentenced to death and his property confiscated, because he had dared to turn the mysteries into ridicule in his house. He was even sentenced to be cursed by the priests and priestesses, but the curse was not pronounced because one of the priestesses opposed it, saying:
"I am a priestess to bless and not to curse!"
Sublime words! Lessons of wisdom and of morality which the Pope despises, but which the Gospel teaches and which the Saviour prescribes.
In our days nothing is important, and nothing is sacred, for our cosmopolitan philosophers.
Botarelli publishes in a pamphlet all the ceremonies of the Freemasons, and the only sentence passed on him is:
"He is a scoundrel. We knew that before!"
A prince in Naples, and M. Hamilton in his own house, perform the miracle of St. Januarius; they are, most likely, very merry over their performance, and many more with them. Yet the king wears on his royal breast a star with the following device around the image of St. Januarius: 'In sanguine foedus'. In our days everything is inconsistent, and nothing has any meaning. Yet it is right to go ahead, for to stop on the road would be to go from bad to worse.
We left Lyons in the public diligence, and were five days on our road to Paris. Baletti had given notice of his departure to his family; they therefore knew when to expect him. We were eight in the coach and our seats were very uncomfortable, for it was a large oval in shape, so that no one had a corner. If that vehicle had been built in a country where equality was a principle hallowed by the laws, it would not have been a bad illustration. I thought it was absurd, but I was in a foreign country, and I said nothing. Besides, being an Italian, would it have been right for me not to admire everything which was French, and particularly in France?—Example, an oval diligence: I respected the fashion, but I found it detestable, and the singular motion of that vehicle had the same effect upon me as the rolling of a ship in a heavy sea. Yet it was well hung, but the worst jolting would have disturbed me less.
As the diligence undulates in the rapidity of its pace, it has been called a gondola, but I was a judge of gondolas, and I thought that there was no family likeness between the coach and the Venetian boats which, with two hearty rowers, glide along so swiftly and smoothly. The effect of the movement was that I had to throw up whatever was on my stomach. My travelling companions thought me bad company, but they did not say so. I was in France and among Frenchmen, who know what politeness is. They only remarked that very likely I had eaten too much at my supper, and a Parisian abbe, in order to excuse me, observed that my stomach was weak. A discussion arose.
"Gentlemen," I said, in my vexation, and rather angrily, "you are all wrong, for my stomach is excellent, and I have not had any supper."
Thereupon an elderly man told me, with a voice full of sweetness, that I ought not to say that the gentlemen were wrong, though I might say that they were not right, thus imitating Cicero, who, instead of declaring to the Romans that Catilina and the other conspirators were dead, only said that they had lived.
"Is it not the same thing?"
"I beg your pardon, sir, one way of speaking is polite, the other is not." And after treating me to a long dissection on politeness, he concluded by saying, with a smile, "I suppose you are an Italian?"
"Yes, I am, but would you oblige me by telling me how you have found it out?"
"Oh! I guessed it from the attention with which you have listened to my long prattle."
Everybody laughed, and, I, much pleased with his eccentricity, began to coax him. He was the tutor of a young boy of twelve or thirteen years who was seated near him. I made him give me during the journey lessons in French politeness, and when we parted he took me apart in a friendly manner, saying that he wished to make me a small present.
"What is it?"
"You must abandon, and, if I may say so, forget, the particle 'non', which you use frequently at random. 'Non' is not a French word; instead of that unpleasant monosyllable, say, 'Pardon'. 'Non' is equal to giving the lie: never say it, or prepare yourself to give and to receive sword-stabs every moment."
"I thank you, monsieur, your present is very precious, and I promise you never to say non again."
During the first fortnight of my stay in Paris, it seemed to me that I had become the most faulty man alive, for I never ceased begging pardon. I even thought, one evening at the theatre, that I should have a quarrel for having begged somebody's pardon in the wrong place. A young fop, coming to the pit, trod on my foot, and I hastened to say,
"Your pardon, sir."
"Sir, pardon me yourself."
"No, yourself."
"Yourself!"
"Well, sir, let us pardon and embrace one another!" The embrace put a stop to the discussion.
One day during the journey, having fallen asleep from fatigue in the inconvenient gondola, someone pushed my arm.
"Ah, sir! look at that mansion!"
"I see it; what of it?"
"Ah! I pray you, do you not find it…."
"I find nothing particular; and you?"
"Nothing wonderful, if it were not situated at a distance of forty leagues from Paris. But here! Ah! would my 'badauds' of Parisians believe that such a beautiful mansion can be found forty leagues distant from the metropolis? How ignorant a man is when he has never travelled!"
"You are quite right."
That man was a Parisian and a 'badaud' to the backbone, like a Gaul in the days of Caesar.
But if the Parisians are lounging about from morning till night, enjoying everything around them, a foreigner like myself ought to have been a greater 'badaud' than they! The difference between us was that, being accustomed to see things such as they are, I was astonished at seeing them often covered with a mask which changed their nature, while their surprise often arose from their suspecting what the mask concealed.
What delighted me, on my arrival in Paris, was the magnificent road made by Louis XV., the cleanliness of the hotels, the excellent fare they give, the quickness of the service, the excellent beds, the modest appearance of the attendant, who generally is the most accomplished girl of the house, and whose decency, modest manners, and neatness, inspire the most shameless libertine with respect. Where is the Italian who is pleased with the effrontery and the insolence of the hotel-waiters in Italy? In my days, people did not know in France what it was to overcharge; it was truly the home of foreigners. True, they had the unpleasantness of often witnessing acts of odious despotism, 'lettres de cachet', etc.; it was the despotism of a king. Since that time the French have the despotism of the people. Is it less obnoxious?
We dined at Fontainebleau, a name derived from Fontaine-belle-eau; and when we were only two leagues from Paris we saw a berlin advancing towards us. As it came near the diligence, my friend Baletti called out to the postillions to stop. In the berlin was his mother, who offered me the welcome given to an expected friend. His mother was the celebrated actress Silvia, and when I had been introduced to her she said to me;
"I hope, sir, that my son's friend will accept a share of our family supper this evening."
I accepted gratefully, sat down again in the gondola, Baletti got into the berlin with his mother, and we continued our journey.
On reaching Paris, I found a servant of Silvia's waiting for me with a coach; he accompanied me to my lodging to leave my luggage, and we repaired to Baletti's house, which was only fifty yards distant from my dwelling.
Baletti presented me to his father, who was known under the name of Mario. Silvia and Mario were the stage names assumed by M. and Madame Baletti, and at that time it was the custom in France to call the Italian actors by the names they had on the stage. 'Bon jour', Monsieur Arlequin; 'bon jour', Monsieur Pantalon: such was the manner in which the French used to address the actors who personified those characters on the stage.
CHAPTER VI
My Apprenticeship in Paris—Portraits—Oddities—All Sorts of Things
To celebrate the arrival of her son, Silvia gave a splendid supper to which she had invited all her relatives, and it was a good opportunity for me to make their acquaintance. Baletti's father, who had just recovered from a long illness, was not with us, but we had his father's sister, who was older than Mario. She was known, under her theatrical name of Flaminia, in the literary world by several translations, but I had a great wish to make her acquaintance less on that account than in consequence of the story, known throughout Italy, of the stay that three literary men of great fame had made in Paris. Those three literati were the Marquis Maffei, the Abbe Conti, and Pierre Jacques Martelli, who became enemies, according to public rumour, owing to the belief entertained by each of them that he possessed the favours of the actress, and, being men of learning, they fought with the pen. Martelli composed a satire against Maffei, in which he designated him by the anagram of Femia.
I had been announced to Flaminia as a candidate for literary fame, and she thought she honoured me by addressing me at all, but she was wrong, for she displeased me greatly by her face, her manners, her style, even by the sound of her voice. Without saying it positively, she made me understand that, being herself an illustrious member of the republic of letters, she was well aware that she was speaking to an insect. She seemed as if she wanted to dictate to everybody around her, and she very likely thought that she had the right to do so at the age of sixty, particularly towards a young novice only twenty-five years old, who had not yet contributed anything to the literary treasury. In order to please her, I spoke to her of the Abbe Conti, and I had occasion to quote two lines of that profound writer. Madam corrected me with a patronizing air for my pronunciation of the word 'scevra', which means divided, saying that it ought to be pronounced 'sceura', and she added that I ought to be very glad to have learned so much on the first day of my arrival in Paris, telling me that it would be an important day in my life.
"Madam, I came here to learn and not to unlearn. You will kindly allow me to tell you that the pronunciation of that word 'scevra' with a v, and not 'sceura' with a u, because it is a contraction of 'sceverra'."
"It remains to be seen which of us is wrong."
"You, madam, according to Ariosto, who makes 'scevra' rhyme with 'persevra', and the rhyme would be false with 'sceura', which is not an Italian word."
She would have kept up the discussion, but her husband, a man eighty years of age, told her that she was wrong. She held her tongue, but from that time she told everybody that I was an impostor.
Her husband, Louis Riccoboni, better known as Lelio, was the same who had brought the Italian company to Paris in 1716, and placed it at the service of the regent: he was a man of great merit. He had been very handsome, and justly enjoyed the esteem of the public, in consequence not only of his talent but also of the purity of his life.
During supper my principal occupation was to study Silvia, who then enjoyed the greatest reputation, and I judged her to be even above it. She was then about fifty years old, her figure was elegant, her air noble, her manners graceful and easy; she was affable, witty, kind to everybody, simple and unpretending. Her face was an enigma, for it inspired everyone with the warmest sympathy, and yet if you examined it attentively there was not one beautiful feature; she could not be called handsome, but no one could have thought her ugly. Yet she was not one of those women who are neither handsome nor ugly, for she possessed a certain something which struck one at first sight and captivated the interest. Then what was she?
Beautiful, certainly, but owing to charms unknown to all those who, not being attracted towards her by an irresistible feeling which compelled them to love her, had not the courage to study her, or the constancy to obtain a thorough knowledge of her.
Silvia was the adoration of France, and her talent was the real support of all the comedies which the greatest authors wrote for her, especially of, the plays of Marivaux, for without her his comedies would never have gone to posterity. Never was an actress found who could replace her, and to find one it would be necessary that she should unite in herself all the perfections which Silvia possessed for the difficult profession of the stage: action, voice, intelligence, wit, countenance, manners, and a deep knowledge of the human heart. In Silvia every quality was from nature, and the art which gave the last touch of perfection to her qualities was never seen.
To the qualities which I have just mentioned, Silvia added another which surrounded her with a brilliant halo, and the absence of which would not have prevented her from being the shining star of the stage: she led a virtuous life. She had been anxious to have friends, but she had dismissed all lovers, refusing to avail herself of a privilege which she could easily have enjoyed, but which would have rendered her contemptible in her own estimation. The irreproachable conduct obtained for her a reputation of respectability which, at her age, would have been held as ridiculous and even insulting by any other woman belonging to the same profession, and many ladies of the highest rank honoured her with her friendship more even than with their patronage. Never did the capricious audience of a Parisian pit dare to hiss Silvia, not even in her performance of characters which the public disliked, and it was the general opinion that she was in every way above her profession.
Silvia did not think that her good conduct was a merit, for she knew that she was virtuous only because her self-love compelled her to be so, and she never exhibited any pride or assumed any superiority towards her theatrical sisters, although, satisfied to shine by their talent or their beauty, they cared little about rendering themselves conspicuous by their virtue. Silvia loved them all, and they all loved her; she always was the first to praise, openly and with good faith, the talent of her rivals; but she lost nothing by it, because, being their superior in talent and enjoying a spotless reputation, her rivals could not rise above her.
Nature deprived that charming woman of ten year of life; she became consumptive at the age of sixty, ten years after I had made her acquaintance. The climate of Paris often proves fatal to our Italian actresses. Two years before her death I saw her perform the character of Marianne in the comedy of Marivaux, and in spite of her age and declining health the illusion was complete. She died in my presence, holding her daughter in her arms, and she was giving her the advice of a tender mother five minutes before she breathed her last. She was honourably buried in the church of St. Sauveur, without the slightest opposition from the venerable priest, who, far from sharing the anti-christain intolerancy of the clergy in general, said that her profession as an actress had not hindered her from being a good Christian, and that the earth was the common mother of all human beings, as Jesus Christ had been the Saviour of all mankind.
You will forgive me, dear reader, if I have made you attend the funeral of Silvia ten years before her death; believe me I have no intention of performing a miracle; you may console yourself with the idea that I shall spare you that unpleasant task when poor Silvia dies.
Her only daughter, the object of her adoration, was seated next to her at the supper-table. She was then only nine years old, and being entirely taken up by her mother I paid no attention to her; my interest in her was to come.
After the supper, which was protracted to a late hour, I repaired to the house of Madame Quinson, my landlady, where I found myself very comfortable. When I woke in the morning, the said Madame Quinson came to my room to tell me that a servant was outside and wished to offer me his services. I asked her to send him in, and I saw a man of very small stature; that did not please me, and I told him so.
"My small stature, your honour, will be a guarantee that I shall never borrow your clothes to go to some amorous rendezvous."
"Your name?"
"Any name you please."
"What do you mean? I want the name by which you are known."
"I have none. Every master I serve calls me according to his fancy, and I have served more than fifty in my life. You may call me what you like."
"But you must have a family name."
"I never had any family. I had a name, I believe, in my young days, but I have forgotten it since I have been in service. My name has changed with every new master."
"Well! I shall call you Esprit."
"You do me a great honour."
"Here, go and get me change for a Louis."
"I have it, sir."
"I see you are rich."
"At your service, sir."
"Where can I enquire about you?"
"At the agency for servants. Madame Quinson, besides, can answer your enquiries. Everybody in Paris knows me."
"That is enough. I shall give you thirty sous a day; you must find your own clothes: you will sleep where you like, and you must be here at seven o'clock every morning."
Baletti called on me and entreated me to take my meals every day at his house. After his visit I told Esprit to take me to the Palais-Royal, and I left him at the gates. I felt the greatest curiosity about that renowned garden, and at first I examined everything. I see a rather fine garden, walks lined with big trees, fountains, high houses all round the garden, a great many men and women walking about, benches here and there forming shops for the sale of newspapers, perfumes, tooth-picks, and other trifles. I see a quantity of chairs for hire at the rate of one sou, men reading the newspaper under the shade of the trees, girls and men breakfasting either alone or in company, waiters who were rapidly going up and down a narrow staircase hidden under the foliage.
I sit down at a small table: a waiter comes immediately to enquire my wishes. I ask for some chocolate made with water; he brings me some, but very bad, although served in a splendid silver-gilt cup. I tell him to give me some coffee, if it is good.
"Excellent, I made it myself yesterday."
"Yesterday! I do not want it."
"The milk is very good."
"Milk! I never drink any. Make me a cup of fresh coffee without milk."
"Without milk! Well, sir, we never make coffee but in the afternoon.
Would you like a good bavaroise, or a decanter of orgeat?"
"Yes, give me the orgeat."
I find that beverage delicious, and make up my mind to have it daily for my breakfast. I enquire from the waiter whether there is any news; he answers that the dauphine has been delivered of a prince. An abbe, seated at a table close by, says to him,—
"You are mad, she has given birth to a princess."
A third man comes forward and exclaims,—
"I have just returned from Versailles, and the dauphine has not been delivered either of a prince or of a princess."
Then, turning towards me, he says that I look like a foreigner, and when I say that I am an Italian he begins to speak to me of the court, of the city, of the theatres, and at last he offers to accompany me everywhere. I thank him and take my leave. The abbe rises at the same time, walks with me, and tells me the names of all the women we meet in the garden.
A young man comes up to him, they embrace one another, and the abbe presents him to me as a learned Italian scholar. I address him in Italian, and he answers very wittily, but his way of speaking makes me smile, and I tell him why. He expressed himself exactly in the style of Boccacio. My remark pleases him, but I soon prove to him that it is not the right way to speak, however perfect may have been the language of that ancient writer. In less than a quarter of an hour we are excellent friends, for we find that our tastes are the same.
My new friend was a poet as I was; he was an admirer of Italian literature, while I admired the French.
We exchanged addresses, and promise to see one another very often.
I see a crowd in one corner of the garden, everybody standing still and looking up. I enquire from my friend whether there is anything wonderful going on.
"These persons are watching the meridian; everyone holds his watch in his hand in order to regulate it exactly at noon."
"Is there not a meridian everywhere?"
"Yes, but the meridian of the Palais-Royal is the most exact."
I laugh heartily.
"Why do you laugh?"
"Because it is impossible for all meridians not to be the same. That is true 'badauderie'."
My friend looks at me for a moment, then he laughs likewise, and supplies me with ample food to ridicule the worthy Parisians. We leave the Palais-Royal through the main gate, and I observe another crowd of people before a shop, on the sign-board of which I read "At the Sign of the Civet Cat."
"What is the matter here?"
"Now, indeed, you are going to laugh. All these honest persons are waiting their turn to get their snuff-boxes filled."
"Is there no other dealer in snuff?"
"It is sold everywhere, but for the last three weeks nobody will use any snuff but that sold at the 'Civet Cat.'"
"Is it better than anywhere else?"
"Perhaps it is not as good, but since it has been brought into fashion by the Duchesse de Chartres, nobody will have any other."
"But how did she manage to render it so fashionable?"
"Simply by stopping her carriage two or three times before the shop to have her snuff-box filled, and by saying aloud to the young girl who handed back the box that her snuff was the very best in Paris. The 'badauds', who never fail to congregate near the carriage of princes, no matter if they have seen them a hundred times, or if they know them to be as ugly as monkeys, repeated the words of the duchess everywhere, and that was enough to send here all the snuff-takers of the capital in a hurry. This woman will make a fortune, for she sells at least one hundred crowns' worth of snuff every day."
"Very likely the duchess has no idea of the good she has done."
"Quite the reverse, for it was a cunning artifice on her part. The duchess, feeling interested in the newly-married young woman, and wishing to serve her in a delicate manner, thought of that expedient which has met with complete success. You cannot imagine how kind Parisians are. You are now in the only country in the world where wit can make a fortune by selling either a genuine or a false article: in the first case, it receives the welcome of intelligent and talented people, and in the second, fools are always ready to reward it, for silliness is truly a characteristic of the people here, and, however wonderful it may appear, silliness is the daughter of wit. Therefore it is not a paradox to say that the French would be wiser if they were less witty.
"The gods worshipped here although no altars are raised for them—are Novelty and Fashion. Let a man run, and everybody will run after him. The crowd will not stop, unless the man is proved to be mad; but to prove it is indeed a difficult task, because we have a crowd of men who, mad from their birth, are still considered wise.
"The snuff of the 'Civet Cat' is but one example of the facility with which the crowd can be attracted to one particular spot. The king was one day hunting, and found himself at the Neuilly Bridge; being thirsty, he wanted a glass of ratafia. He stopped at the door of a drinking-booth, and by the most lucky chance the poor keeper of the place happened to have a bottle of that liquor. The king, after he had drunk a small glass, fancied a second one, and said that he had never tasted such delicious ratafia in his life. That was enough to give the ratafia of the good man of Neuilly the reputation of being the best in Europe: the king had said so. The consequence was that the most brilliant society frequented the tavern of the delighted publican, who is now a very wealthy man, and has built on the very spot a splendid house on which can be read the following rather comic motto: 'Ex liquidis solidum,' which certainly came out of the head of one of the forty immortals. Which gods must the worthy tavern-keeper worship? Silliness, frivolity, and mirth."
"It seems to me," I replied, "that such approval, such ratification of the opinion expressed by the king, the princes of the blood, etc., is rather a proof of the affection felt for them by the nation, for the French carry that affection to such an extent that they believe them infallible."
"It is certain that everything here causes foreigners to believe that the French people adore the king, but all thinking men here know well enough that there is more show than reality in that adoration, and the court has no confidence in it. When the king comes to Paris, everybody calls out, 'Vive le Roi!' because some idle fellow begins, or because some policeman has given the signal from the midst of the crowd, but it is really a cry which has no importance, a cry given out of cheerfulness, sometimes out of fear, and which the king himself does not accept as gospel. He does not feel comfortable in Paris, and he prefers being in Versailles, surrounded by twenty-five thousand men who protect him against the fury of that same people of Paris, who, if ever they became wiser, might very well one day call out, 'Death to the King!' instead of, 'Long life to the King!' Louis XIV. was well aware of it, and several councillors of the upper chamber lost their lives for having advised the assembling of the states-general in order to find some remedy for the misfortunes of the country. France never had any love for any kings, with the exception of St. Louis, of Louis XII, and of the great and good Henry IV.; and even in the last case the love of the nation was not sufficient to defend the king against the dagger of the Jesuits, an accursed race, the enemy of nations as well as of kings. The present king, who is weak and entirely led by his ministers, said candidly at the time he was just recovering from illness, 'I am surprised at the rejoicings of the people in consequence of my health being restored, for I cannot imagine why they should love me so dearly.' Many kings might repeat the same words, at least if love is to be measured according to the amount of good actually done. That candid remark of Louis XV. has been highly praised, but some philosopher of the court ought to have informed him that he was so much loved because he had been surnamed 'le bien aime'."
"Surname or nickname; but are there any philosophers at the court of
France?"
"No, for philosophers and courtiers are as widely different as light and darkness; but there are some men of intelligence who champ the bit from motives of ambition and interest."
As we were thus conversing, M. Patu (such was the name of my new acquaintance) escorted me as far as the door of Silvia's house; he congratulated me upon being one of her friends, and we parted company.
I found the amiable actress in good company. She introduced me to all her guests, and gave me some particulars respecting every one of them. The name of Crebillon struck my ear.
"What, sir!" I said to him, "am I fortunate enough to see you? For eight years you have charmed me, for eight years I have longed to know you. Listen, I beg 'of you."
I then recited the finest passage of his 'Zenobie et Rhadamiste', which I had translated into blank verse. Silvia was delighted to see the pleasure enjoyed by Crebillon in hearing, at the age of eighty, his own lines in a language which he knew thoroughly and loved as much as his own. He himself recited the same passage in French, and politely pointed out the parts in which he thought that I had improved on the original. I thanked him, but I was not deceived by his compliment.
We sat down to supper, and, being asked what I had already seen in Paris, I related everything I had done, omitting only my conversation with Patu. After I had spoken for a long time, Crebillon, who had evidently observed better than anyone else the road I had chosen in order to learn the good as well as the bad qualities by his countrymen, said to me,
"For the first day, sir, I think that what you have done gives great hopes of you, and without any doubt you will make rapid progress. You tell your story well, and you speak French in such a way as to be perfectly understood; yet all you say is only Italian dressed in French. That is a novelty which causes you to be listened to with interest, and which captivates the attention of your audience; I must even add that your Franco-Italian language is just the thing to enlist in your favour the sympathy of those who listen to you, because it is singular, new, and because you are in a country where everybody worships those two divinities—novelty and singularity. Nevertheless, you must begin to-morrow and apply yourself in good earnest, in order to acquire a thorough knowledge of our language, for the same persons who warmly applaud you now, will, in two or three months, laugh at you."
"I believe it, sir, and that is what I fear; therefore the principal object of my visit here is to devote myself entirely to the study of the French language. But, sir, how shall I find a teacher? I am a very unpleasant pupil, always asking questions, curious, troublesome, insatiable, and even supposing that I could meet with the teacher I require, I am afraid I am not rich enough to pay him."
"For fifty years, sir, I have been looking out for a pupil such as you have just described yourself, and I would willingly pay you myself if you would come to my house and receive my lessons. I reside in the Marais, Rue de Douze Portes. I have the best Italian poets. I will make you translate them into French, and you need not be afraid of my finding you insatiable."
I accepted with joy. I did not know how to express my gratitude, but both his offer and the few words of my answer bore the stamp of truth and frankness.
Crebillon was a giant; he was six feet high, and three inches taller than I. He had a good appetite, could tell a good story without laughing, was celebrated for his witty repartees and his sociable manners, but he spent his life at home, seldom going out, and seeing hardly anyone because he always had a pipe in his mouth and was surrounded by at least twenty cats, with which he would amuse himself all day. He had an old housekeeper, a cook, and a man-servant. His housekeeper had the management of everything; she never allowed him to be in need of anything, and she gave no account of his money, which she kept altogether, because he never asked her to render any accounts. The expression of Crebillon's face was that of the lion's or of the cat's, which is the same thing. He was one of the royal censors, and he told me that it was an amusement for him. His housekeeper was in the habit of reading him the works brought for his examination, and she would stop reading when she came to a passage which, in her opinion, deserved his censure, but sometimes they were of a different opinion, and then their discussions were truly amusing. I once heard the housekeeper send away an author with these words:
"Come again next week; we have had no time to examine your manuscript."
During a whole year I paid M. Crebillon three visits every week, and from him I learned all I know of the French language, but I found it impossible to get rid of my Italian idioms. I remark that turn easily enough when I meet with it in other people, but it flows naturally from my pen without my being aware of it. I am satisfied that, whatever I may do, I shall never be able to recognize it any more than I can find out in what consists the bad Latin style so constantly alleged against Livy.
I composed a stanza of eight verses on some subject which I do not recollect, and I gave it to Crebillon, asking him to correct it. He read it attentively, and said to me,
"These eight verses are good and regular, the thought is fine and truly poetical, the style is perfect, and yet the stanza is bad."
"How so?"
"I do not know. I cannot tell you what is wanting. Imagine that you see a man handsome, well made, amiable, witty-in fact, perfect, according to your most severe judgment. A woman comes in, sees him, looks at him, and goes away telling you that the man does not please her. 'But what fault do you find in him, madam?' 'None, only he does not please me.' You look again at the man, you examine him a second time, and you find that, in order to give him a heavenly voice, he has been deprived of that which constitutes a man, and you are compelled to acknowledge that a spontaneous feeling has stood the woman in good stead."
It was by that comparison that Crebillon explained to me a thing almost inexplicable, for taste and feeling alone can account for a thing which is subject to no rule whatever.
We spoke a great deal of Louis XIV., whom Crebillon had known well for fifteen years, and he related several very curious anecdotes which were generally unknown. Amongst other things he assured me that the Siamese ambassadors were cheats paid by Madame de Maintenon. He told us likewise that he had never finished his tragedy of Cromwell, because the king had told him one day not to wear out his pen on a scoundrel.
Crebillon mentioned likewise his tragedy of Catilina, and he told me that, in his opinion, it was the most deficient of his works, but that he never would have consented, even to make a good tragedy, to represent Caesar as a young man, because he would in that case have made the public laugh, as they would do if Madea were to appear previous to her acquaintances with Jason.
He praised the talent of Voltaire very highly, but he accused him of having stolen from him, Crebillon, the scene of the senate. He, however, rendered him full justice, saying that he was a true historian, and able to write history as well as tragedies, but that he unfortunately adulterated history by mixing with it such a number of light anecdotes and tales for the sake of rendering it more attractive. According to Crebillon, the Man with the Iron Mask was nothing but an idle tale, and he had been assured of it by Louis XIV. himself.
On the day of my first meeting with Crebillon at Silvia's, 'Cenie', a play by Madame de Graffigny, was performed at the Italian Theatre, and I went away early in order to get a good seat in the pit.
The ladies all covered with diamonds, who were taking possession of the private boxes, engrossed all my interest and all my attention. I wore a very fine suit, but my open ruffles and the buttons all along my coat shewed at once that I was a foreigner, for the fashion was not the same in Paris. I was gaping in the air and listlessly looking round, when a gentleman, splendidly dressed, and three times stouter than I, came up and enquired whether I was a foreigner. I answered affirmatively, and he politely asked me how I liked Paris. I praised Paris very warmly. But at that moment a very stout lady, brilliant with diamonds, entered the box near us. Her enormous size astonished me, and, like a fool, I said to the gentleman:
"Who is that fat sow?"
"She is the wife of this fat pig."
"Ah! I beg your pardon a thousand times!"
But my stout gentleman cared nothing for my apologies, and very far from being angry he almost choked with laughter. This was the happy result of the practical and natural philosophy which Frenchmen cultivate so well, and which insures the happiness of their existence under an appearance of frivolity!
I was confused, I was in despair, but the stout gentleman continued to laugh heartily. At last he left the pit, and a minute afterwards I saw him enter the box and speak to his wife. I was keeping an eye on them without daring to look at them openly, and suddenly the lady, following the example of her husband, burst into a loud laugh. Their mirth making me more uncomfortable, I was leaving the pit, when the husband called out to me, "Sir! Sir!"
"I could not go away without being guilty of impoliteness, and I went up to their box. Then, with a serious countenance and with great affability, he begged my pardon for having laughed so much, and very graciously invited me to come to his house and sup with them that same evening. I thanked him politely, saying that I had a previous engagement. But he renewed his entreaties, and his wife pressing me in the most engaging manner I told them, in order to prove that I was not trying to elude their invitation, that I was expected to sup at Silvia's house.
"In that case I am certain," said the gentleman, "of obtaining your release if you do not object. Allow me to go myself to Silvia."
It would have been uncourteous on my part to resist any longer. He left the box and returned almost immediately with my friend Baletti, who told me that his mother was delighted to see me making such excellent acquaintances, and that she would expect to see me at dinner the next day. He whispered to me that my new acquaintance was M. de Beauchamp, Receiver-General of Taxes.
As soon as the performance was over, I offered my hand to madame, and we drove to their mansion in a magnificent carriage. There I found the abundance or rather the profusion which in Paris is exhibited by the men of finance; numerous society, high play, good cheer, and open cheerfulness. The supper was not over till one o'clock in the morning. Madame's private carriage drove me to my lodgings. That house offered me a kind welcome during the whole of my stay in Paris, and I must add that my new friends proved very useful to me. Some persons assert that foreigners find the first fortnight in Paris very dull, because a little time is necessary to get introduced, but I was fortunate enough to find myself established on as good a footing as I could desire within twenty-four hours, and the consequence was that I felt delighted with Paris, and certain that my stay would prove an agreeable one.
The next morning Patu called and made me a present of his prose panegyric on the Marechal de Saxe. We went out together and took a walk in the Tuileries, where he introduced me to Madame du Boccage, who made a good jest in speaking of the Marechal de Saxe.
"It is singular," she said, "that we cannot have a 'De profundis' for a man who makes us sing the 'Te Deum' so often."
As we left the Tuileries, Patu took me to the house of a celebrated actress of the opera, Mademoiselle Le Fel, the favourite of all Paris, and member of the Royal Academy of Music. She had three very young and charming children, who were fluttering around her like butterflies.
"I adore them," she said to me.
"They deserve adoration for their beauty," I answered, "although they have all a different cast of countenance."
"No wonder! The eldest is the son of the Duke d'Anneci, the second of Count d'Egmont, and the youngest is the offspring of Maison-Rouge, who has just married the Romainville."
"Ah! pray excuse me, I thought you were the mother of the three."
"You were not mistaken, I am their mother."
As she said these words she looked at Patu, and both burst into hearty laughter which did not make me blush, but which shewed me my blunder.