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The Mentor: Russian Music, Vol. 4, Num. 18, Serial No. 118, November 1, 1916 cover

The Mentor: Russian Music, Vol. 4, Num. 18, Serial No. 118, November 1, 1916

Chapter 2: Several Natural Questions
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A concise guide to Russian musical life and personalities, beginning with a brief Q&A on Russia and the relatively recent rise of a national school drawn from popular songs and legends and marked by Glinka’s 1836 opera. It then presents illustrated biographical sketches of major figures, outlining Glinka’s upbringing, education, operatic successes and later travels and death, followed by Rubinstein’s early training, tours, teaching connections, and professional appointments. The pieces trace the emergence of national style, institutional development, and the personal struggles and achievements that shaped nineteenth-century Russian music.

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Title: The Mentor: Russian Music, Vol. 4, Num. 18, Serial No. 118, November 1, 1916

Author: Henry T. Finck

Release date: May 3, 2016 [eBook #51993]
Most recently updated: October 23, 2024

Language: English

Credits: Produced by Juliet Sutherland and the Online Distributed
Proofreading Team at http://www.pgdp.net

*** START OF THE PROJECT GUTENBERG EBOOK THE MENTOR: RUSSIAN MUSIC, VOL. 4, NUM. 18, SERIAL NO. 118, NOVEMBER 1, 1916 ***

THE MENTOR 1916.11.01, No. 118,
Russian Music

LEARN ONE THING
EVERY DAY

NOVEMBER 1 1916

SERIAL NO. 118

THE
MENTOR


RUSSIAN MUSIC

By HENRY T. FINCK
Author and Music Critic

DEPARTMENT OF
FINE ARTS

VOLUME 4
NUMBER 18

FIFTEEN CENTS A COPY


Several Natural Questions

Q.—How big is Russia, and what is its population?

A.—The area of Russia exceeds 8,660,000 square miles, or one-sixth of the whole land surface of the earth. Its population is over 150,000,000—or at least it was so before the war.

Q.—How many famous Russian composers are there?

A.—Less than a dozen.

Q.—How old is Russian music?

A.—Less than 150 years. Catherine the Great (1761-1796) was one of the first to encourage national music in Russia. Before her time the music performed in Russia was imported, and was largely Italian. Catherine caused productions of music by Russian composers. She supplied the libretto for one opera.

Q.—What is the origin of Russian music?

A.—Both the music and literature of Russia had a common origin—popular inspiration. The form and spirit of the music and literature were drawn from the legends and primitive songs of the people.

Q.—When did music in Russia become, in a real sense, national?

A.—Not until the first part of the nineteenth century. Composers had been trying for fifty years to establish a national movement in music, but it was not until the advent of Glinka and his opera, “A Life for the Czar,” in 1836, that the Russian school of music can be said to have been inaugurated.

Q.—Why were music and literature so late in coming to this great nation?

A.—On account of physical and human conditions. Russia is and has been a vast and absolute monarchy, consisting of millions of people held in subjection and ignorance, and with only a few great centers of civilization. Petrograd has been for years a city of brilliant cultivation, but in contrast to that there are countless towns, villages, and farms in which dwell millions of poor and ignorant people. It is only within the last century that Russia has wakened to a national consciousness and begun to shake off the grim, feudal conditions of the Middle Ages. In this new era the voice of music is first heard as a national expression.


MICHAL IVANOVICH GLINKA