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The Mentor: The National Gallery—London, Vol. 4, Num. 4, Serial No. 104, April 1, 1916 / Great Galleries of the World cover

The Mentor: The National Gallery—London, Vol. 4, Num. 4, Serial No. 104, April 1, 1916 / Great Galleries of the World

Chapter 2: Why Knowledge?
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The issue opens with an essay arguing that knowledge of art heightens perception and enriches everyday experience, then presents concise monographs on two major Venetian painters. One piece reviews an elder artist’s family background, training, duties as conservator, and a masterful portrait of a Venetian ruler while noting his influence on successors. The other outlines a later artist’s rise to prominence, key collaborations and patrons, and a celebrated portrait of the poet Ariosto, surveying stylistic development and reputation. Together the essays blend biography, critical description, and gallery highlights to introduce readers to important works in the National Gallery’s collection.

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Title: The Mentor: The National Gallery—London, Vol. 4, Num. 4, Serial No. 104, April 1, 1916

Author: John C. Van Dyke

Release date: April 6, 2016 [eBook #51677]
Most recently updated: October 23, 2024

Language: English

Credits: Produced by Juliet Sutherland and the Online Distributed
Proofreading Team at http://www.pgdp.net

*** START OF THE PROJECT GUTENBERG EBOOK THE MENTOR: THE NATIONAL GALLERY—LONDON, VOL. 4, NUM. 4, SERIAL NO. 104, APRIL 1, 1916 ***

THE MENTOR 1916.04.01, No. 104,
The National Gallery

LEARN ONE THING
EVERY DAY

APRIL 1 1916

SERIAL No. 104

THE
MENTOR

GREAT GALLERIES
OF THE WORLD

THE NATIONAL
GALLERY


LONDON

By Professor
JOHN C. VAN DYKE

DEPARTMENT OF
FINE ARTS

VOLUME 4
NUMBER 4

FIFTEEN CENTS A COPY


Why Knowledge?

“Knowledge gives power,” says the philosopher. “Knowledge enriches,” says the scholar. But the practical individual exclaims: “Special expert knowledge is a personal asset, but how does general knowledge enrich?”

“Knowledge makes life fuller and more interesting.” And what does that mean? It means that life, through knowledge, may be made a joy and a blessing in spite of what the cynics say. It means that through knowledge we learn to appraise things at their true value. Our eyes are opened to see other colors than purple and gold, our ears to hear understandingly other sounds than the roar of traffic, the shriek of an automobile horn, or syncopated music. Knowledge reveals to us the nicer shades of color that give us quiet satisfaction—the finer and gentler tones of Nature and of human life that afford us a lasting enjoyment. It teaches us that there are things more “worth while” than ourselves.

Why do some of us ignore fine art, dismiss good books with indifference, yawn at good music, speed through a ravishing landscape at sixty miles an hour, and neglect a friendship that would bring us self-improvement? The sky and mountains have a thousand messages for us, if we pause to listen to them. The sea is an oracle if we study it. A good book is a mine of information if we search it. A fine painting is an inspiration if we cherish it. Good music is a constant joy if we give attention to it. And the voices of our fellow creatures are filled with precious confidences if we give our ears and hearts to them.

Let us then seek knowledge with the eager mind of a child; for indeed, as Robert Louis Stevenson sang:

The world is so full of a number of things,
I’m sure we should all be as happy as kings.

National Gallery, London

THE DOGE LOREDANO. By Giovanni Bellini