The Mentor: The Ring of the Nibelung, Vol. 3, Num. 24, Serial No. 100, February 1, 1916
About This Book
The essay traces a composer’s break with conventional opera and development of music drama, arguing that music should be the drama’s expressive medium rather than mere accompaniment, and that the art form reunites poetry, painting, sculpture, and music into a single work. Illustrations include the opening Rhine music as river rendered in sound and analyses of earlier operas that foreshadowed the method. It also recounts the long effort to build a festival theater in a small Bavarian town with royal patronage, financial struggle, and eventual staging of his monumental cycle, describing the theater’s practical, audience-focused design and its periodic festival performances.
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