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The Mentor: The Wife in Art, Vol. 1, Num. 28, Serial No. 28 cover

The Mentor: The Wife in Art, Vol. 1, Num. 28, Serial No. 28

Chapter 13: THE WIFE IN ART Peter Paul Rubens and Helena Fourment
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About This Book

An essay profiles several wives and muses of notable European painters, arguing that their beauty, temperament, and devotion shaped the artists' lives and work. It recounts episodes such as a celebrated friar-artist's romance with a convent novice and traces how marriage and partnership influenced subject choice, portraiture, and stylistic shifts. The author pairs biographical anecdotes with art-historical observations, describing paintings and altarpieces where these women's features reappear, and considers the complex interplay of domestic life, patronage, and creative inspiration in shaping artistic careers.

THE WIFE IN ART
Peter Paul Rubens and Helena Fourment

THREE

The extraordinary beauty of Helena Fourment won for her the love of a world famous painter when she was only sixteen years old. Peter Paul Rubens married this girl, and immortalized her charms on many a precious canvas. It was a most fortunate match. Helena was not only beautiful; she had also every attraction of nature and education, and belonged to a wealthy family. Rubens was a widower, and one of the most celebrated painters in Europe. More than that, he was a distinguished and successful statesman.

Fortunate throughout his life, brilliant, handsome, and of good family, Rubens was never in doubt of his future. His talent for painting showed itself in boyhood. At the age of twenty-three he went to Italy, where he soon attracted the notice of the Duke of Mantua. Partly as art expert, partly as diplomat, he went in the Duke’s service to all the important cities of Italy. He spent eight years in that country, sometimes painting for his patron, but more often travelling on political missions.

Recalled to Antwerp by the serious illness of his mother in 1608, Rubens arrived too late to see her again alive, and, no doubt feeling the strength of home ties, resigned from the service of the Duke immediately. High positions and great honors awaited him in his native city. His fame grew year by year.

Isabella Brandt became his wife in 1608. She is described as a rather heavy Flemish woman, and her face and figure appear frequently in Rubens’ work of that period. After her death and before his second marriage he was called upon to arrange terms of peace between England and Spain. It was the most important event of his life. In Spain he met Velasquez and earned the friendship of King Philip. He was honored in England by Charles I, who presented him with a string of valuable diamonds in appreciation of his services. The painter also strengthened a friendship already established with the Duke of Buckingham.

After the successes abroad Rubens retired to a home in the country, devoting himself more than ever to the work of painting. An alchemist went to him one day, claiming to have discovered the philosopher’s stone, which turned everything it touched into gold.

“But,” objected Rubens, “I have discovered it myself.”

“The philosopher’s stone?” exclaimed his visitor.

“Yes, and you shall see it,” answered the painter.

Leading the astonished guest into his studio, Rubens showed his palette.

Helena Fourment was still young when Rubens died. She did not remain long in widowhood; but married the Count of Bergeyck, with whom, so far as is known, she lived in peace and happiness.

PREPARED BY THE EDITORIAL STAFF OF THE MENTOR ASSOCIATION
ILLUSTRATION FOR THE MENTOR, VOL. 1, NO. 28, SERIAL NO. 28


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