The Mirror of Taste, and Dramatic Censor, Vol. I, No. 2, February 1810
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About This Book
An historical survey traces theatrical practice from ritual entertainments in the East and religious festivals in ancient Greece through their transformation into structured tragedy and comedy. It describes how choral songs, rites such as a goat-feast, and priestly performances merged with civic contests to yield Thespis’s recitative innovations and later dramatists like Aeschylus, while also noting mystery plays, clerical involvement, and national variations across Rome, Spain, Portugal, France, and England, concluding with the gradual regulation and formalization of dramatic genres.
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