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The Mornin'-Glory Girl

Chapter 10: CHAPTER X.—THE CIRCUS.
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About This Book

A series of episodic, gently comic tales set in a close-knit rural community follows a lively foster child, Betty, her mischievous companion Moses, and the hospitable but plainspoken Wopp household. Everyday events — schooldays, wash-day, dances, church services that erupt into comic mishaps, visits to vaudeville and the circus, and domestic projects like an autograph quilt — provide a parade of small adventures and setbacks. Recurring motifs include neighborly hospitality, rustic customs, animal antics, and childlike imagination, while the tone balances affection and broad humor as characters cope with embarrassments, illness, and social occasions.

CHAPTER VII.—THE LITTLE CHURCH IN THE COULEE.

From the lower slopes of the Cedar Hills issued many wide wooded ravines. Of these none were prettier than Spring Coulee which even in winter retained its attractiveness, having a goodly sprinkling of evergreen trees among the poplars and cottonwoods lining its sides. A grassy level formed the bottom of the coulee. Through the centre of this a little crystal-clear stream, rising in the hills behind and swelled by an occasional spring which gushed from the sides of the ravine, danced over its pebbly bed to join Berry Creek a mile away.

The coulee was a sheltered nook when bitter winds swept the higher grounds above; it was cool when scorching heat yellowed the grasses of the plain.

So a little church had been built there. The four walls of peeled logs carefully chinked with plaster were now grey and weathered. Inside of the building the red-draped altar, pulpit and reading-desk occupied at least one-third of the available space. There were pews to seat a score of people and behind these was a large heater. The uneven walls were whitewashed. In the windows, three on each side, were alternate blue and white panes of glass.

Mr. Wells the clergyman was of English birth, very conservative and inclined to be shy. He was unusually tall with broad shoulders. Mrs. Wopp once said of him, “When Mr. Wells gits his gownd on, he’s the hull lan’scape.” The deeply pious lady seldom criticized things ecclesiastical; but she had “feelin’s that ef Ebenezer Wopp bed of took to larnin’ like his Mar wished, he’d of looked amazin’ well in that pulpit, better nor Mr. Wells.”

One brilliant Sunday Mr. Wells paced up and down in the sunshine before his little church. An ardent lover of nature he was admiring the beautiful shades of the foliage on either hand and the gorgeous masses of golden-rod that lifted feathery heads to the sun. Presently seeing two or three vehicles approaching he retired into the church.

Down the road came a democrat. In the front seat sat Mr. and Mrs. Wopp resplendent in Sunday attire and both wearing bouquets of bright nasturtiums. Behind them sat Moses and Betty also dressed in their best. Moses was cogitating, “Its a blessin’ Betty’s eyebrows hev growed out. She cut an orful figger without them.” Keeping pace with the democrat; but roving here and there in search of gophers ran Jethro enjoying himself mightily.

Not far behind the democrat came a light buggy drawn by a team of greys. Howard Eliot and Nell Gordon sat therein.

Next followed a buckboard gaily painted red. Mrs. Mifsud and her daughter Maria aged fourteen who had taken a “quarter” of music lessons and was now the organist of the church, were occupants. Between them was wedged the pet of the family St. Elmo Mifsud a child of four. St. Elmo wore long chestnut curls and an angelic expression. Clarence Egerton Crump, Mrs. Mifsud’s nephew who was visiting his aunt and cousins, accompanied the family on his wheel.

Behind the Mifsuds followed a few other parishioners.

The service began and was proceeding with its accustomed smoothness and decorum when a most unseemly interruption occurred. Maria Mifsud had long entertained suspicions that all was not well with the interior of the organ. Lately a few of the notes had refused to make a sound, and to-day there seemed to be more of these delinquents than ever. While Mr. Bliggins was collecting the offering Maria began to play a voluntary carefully practised beforehand. She had fairly launched into “One Sweetly Solemn Thought” when suddenly she discerned peering curiously at her through one of the round holes which adorn the front of the instrument the small bright eye of a mouse. The intruder was apparently quite calm and self-possessed. Not so Maria. With a piercing shriek she jumped from the organ stool and rushing to the back of the church leaped wildly to the seat beside her scandalized and uncomprehending mother. Almost at the same moment the offending mouse scampered down the internal anatomy of the organ and gained freedom through an exit beside the pedals. Mr. Wells turned crimson and stood on one foot. Most of the ladies of the congregation drew their feet up on the seat beside them. The mouse ran furiously along the sacred aisles of the church.

In the meantime, affairs outside were in a more lethargic condition. The Wopp’s steady-going brown team Josh and Jake tied to a wheel of the democrat stood enjoying a small pile of hay on the ground before them. Beneath the democrat sat Jethro watching with eager gaze for the reappearance of his friends. Occasionally he administered chastisement to an impertinent fly which after buzzing around in a tantalizing manner ventured to settle on his nose or ear. After an hour of intense boredom he rose, stretched himself, yawned; then began to walk sedately towards the church. He intended to find out what was going on anyway. He had been told to watch the democrat; but there were limits to even canine patience. He reached the church door just in time to see a small, badly-frightened mouse running madly up the aisle. Quick as a flash he gave chase, uttering short, excited yelps as he ran. The mouse redoubled its speed. So did Jethro. Round and round the church they raced. In his excitement and mad haste Jethro, intent only on his immediate task, ran violently against Mr. Bliggins who stood transfixed in the aisle, his work only half completed. Though he managed to retain his balance the collection plate was jolted from his hand and in its clattering descent was accompanied by the tinkling of a small shower of silver coins which rolled here and there over the floor of the church.

“By heck!” ejaculated Mr. Wopp who sat in the front seat beside his wife and Betty. Then he glanced hastily around to see if anyone had noticed his irreverent outburst. But no one had. They were all too intent on other matters.

After several rounds the mouse, at last seeing the open door, darted through it to freedom. Jethro a short distance behind assayed to follow; but taking a short cut under the back seat on which huddled the Mifsud family he unexpectedly encountered his ancient enemy Snappy the Mifsud’s collie. Snappy, who had been roused from his slumbers under the buckboard by the commotion in the church, had crept in unnoticed and had been an interested spectator of the proceedings. Jethro’s always superabundant energies were now turned in a new direction. Snarls and snaps and the fiercest growls testified to the bitterness of the feud.

Moses Wopp, sitting with Clarence Crump on a bench near the door had hitherto been enjoying himself hugely. Now fearing injury to his beloved dog he rushed boldly to the rescue. Clarence followed more slowly. It was but the work of a few moments to separate the combatants and remove them from the church. Jethro borne away to a safe distance in the arms of Moses still uttered occasional rumbling growls, each individual hair on his spine standing erect. Clarence kept a firm hold on Snappy’s collar.

“Jeth could whip your ole mongrel; but I don’t warnt him bit up,” called Moses over his shoulder as he walked away. To this taunt Clarence replied only with a hideous grimace.

Inside the church matters were beginning to resume a normal condition. But Mr. Wells still badly shaken and feeling unable to proceed announced, “My friends we will conclude our service with a hymn. Will some one suggest a suitable one.”

“The strife is o’er, the battle done,” recommended Mrs. Wopp without hesitation. As Maria could not be persuaded to approach the organ the singing was lustily led by Mrs. Wopp and under her able leadership maintained the most vigorous proportions.

CHAPTER VIII.—BETTY VISITS THE CITY OF HER DREAMS.

Zalhambra was a vaudeville artist. His was the star act on each bill. He was undeniably a genius; it needed but a few bars of fortissimo plus crescendo to realize that he was a virtuoso of the first rank. When he played a Rag the audience shouted with delight; but when he sprinkled torrential cadenzas through the dizzying syncopation, like some mighty giant tossing meteors into a handful of fire-crackers, something like an electric shock stirred his hearers.

He sat by the table in his dressing-room with angry storm-swept countenance. He had been capturing loud plaudits with his rag-time, until intoxicated with success, he swept into a tornado of music by Moskowski. The applause died away; two ladies in the front row began chatting. The enraged artist jumped from the piano-stool, and shouting “Pigs!” raced from the platform.

For five hundred dollars a week he had pranced to the admiring vaudeville audience; but once let the artist lay bare his soul in real music and whispering reaches his ear. But there was no use complaining, no one could understand his disgust.

“Ugh! Confound their impudence, I’ll make them listen yet to something else than rag.”

In the midst of these reflections, the trombone player of the orchestra came to him.

“Come home to dinner with me, Mr. Zalhambra, you’ll p’raps find some folks there that will appreciate the dope you hand out.”

The disgusted artist got up and with a huge hand wiped his handkerchief across his perspiring brow. He was short and very thick set, with prominent forehead, bulging black eyes, coarse nose, thick red lips.

“Thank you Mr. Newman, you’re a prince.”

In his overcoat Mr. Zalhambra seemed to fill the doorway as Mrs. Newman greeted him. A moment’s private talk and the hostess understood the situation. From the drawing-room a ripple of childish laughter reached their ears.

“Didn’t know you had a family, Mr. Newman.”

“Oh that is a little girl visiting us. My wife’s cousin is spending a week in Calgary and has brought an animated bunch of Alberta sage-brush with her.”

School having been closed a week for repairs Miss Gordon had brought Betty to the shining city of her childish dreams.

Everything at the dinner table was in keeping to Betty’s eyes, from the translucent china cups to the dainty blown bubbles of confection served with ice-cream; all so fragile that even one of her small brown fingers might crush them. She laughed as she thought of the annihilating effect, should Moses appear. The ices and the angel cake and the concocted kisses of whiteof-egg confirmed in her mind the suspicion that her wonderful holiday was a dream. “So your name is Betty Wopp?”

Betty gazed shyly at her inquisitor. Her brown eyes sparkled with the adventure of meeting a real live piannerist, as she called him. Dinner was over and Mr. Zalhambra stood before the fire in the drawing-room grate. Stooping to warm his large white hands over the flame, his hypnotic eyes reflected strangely the glow of the fire. He watched Nell Gordon as she sat stroking the flowing fair tresses of Betty.

She was dressed in a simple velvet gown the color that the twilight sky takes just before the stars come out, sapphire blue. Her red pouting lips were curved in a caressing smile, and her eyes rimmed with their black curling lashes were full of the joy of life. Betty’s verdict, although punctuated by an interrogation point, had been correct when she first put the question to Moses, “Aint our new teacher lovely with her shinin’ blue eyes?”

Mr. Zalhambra’s gaze fell full on the girl and her color heightened under his ardent look.

“Have you been to the show this week, Miss Gordon?” He turned from the fire and stood with his back to the cheerful blaze.

“Not yet, but they must all go to-night.”

Al Newman arranged all the theatre parties for his wife and guests. He opened up the piano as he spoke and turned to the musician.

“Some of the real stuff,” he requested, “just to make these folks realize they haven’t begun to live yet.”

The pianist sat easily at the piano and began the Moskowski selection that had failed to create the expected furore in the afternoon. A cadenza that shivered down the spine like spray from a glacial torrent wakened the room. Then he plunged into the first theme. His small audience listened spell-bound. Betty’s eyes followed the fingers that leaped over the ivory keys like white flame. A subtle current began to play in the room. Steadily it grew in power. Magnetism to the nth degree was being generated. A tremendous chord brought the music to a close and the pianist to his feet. Something in Nell’s glance inspired him. He whirled about the room whistling and imitating some of the cadenzas and other passages from the selection just played. He gesticulated wildly with his hands, the passion for dramatic music oozing from his pores.

“Ah Miss Gordon, I see you love the music too,” he murmured in her ear.

Al Newman took him by the arm, “We’ll have to leave for the show in eight minutes old boy, just a little funeral of your own now.”

The pianist took a long look at Nell who had been visibly affected by his playing. Misgivings that date back to Eden were leaping into life in his breast. He had been in love more times than he could count, but here was the girl after all. He began a Scherzo of his own composition. Youth gathering flowers at the open mouth of a volcano. The melody was born to live forever. He was a genius. Now Nell knew it and her soul worshipped genius. Howard Eliot was far from her thoughts as she listened to the enchanting chain of melodies that poured forth.

“Sit near the front so you can give me inspiration, Miss Gordon,” the musician said in an undertone as he stood hat in hand ready to hurry off for the first show.

“Mrs. Newman, may I come again,” he turned confidentially to his hostess, “I am head over ears in love with your charming cousin.”

Mrs. Newman smiled knowingly; she was familiar with his type, here to-day and gone to-morrow, with falling in love a convenient habit to give zest to the round of vaudeville performances. Mr. Zalhambra caught her smile of incredulity and murmured, “This time it is really fatal.”

The theatre was entirely darkened long enough to arrange the grand piano. The pianist approached the instrument to the plaudits of the crowded house. The insult to his audience in the afternoon had succeeded in spreading his fame and a packed house greeted his evening performance. He turned and gazed intently toward the audience. He caught Nell’s glance, who sat near the front as he had wished, and he smiled an acknowledgment of her presence.

He outrivalled all his efforts of the week, being recalled again and again. Betty was delighted with the nods and smiles that the great man was directing towards Nell and herself and Mrs. Newman; but from his attitude and the blushes of Nell, more than one in the audience knew who was the fountain of his inspiration. The hopes of one stalwart young man in particular rapidly fell to zero.

The green-eyed monster, always seeking prey, had at last found a victim, and proceeded in true green-eyed fashion to wage ruthless warfare.

CHAPTER IX.—THE VAUDEVILLE SHOW.

So close was the affiliation between Betty and Moses that exactly three-quarters of an hour after her departure with Miss Gordon for Calgary the impetuous youth was at the rancher’s home trying to inveigle him into a conspiracy to follow the holiday-makers to that city of dazzling attractions.

Nothing loth to keep the distance between himself and Nell at a minimum, Howard Eliot entered with zest into the boy’s plans.

“Mar said she’d like to see the sights too onct again,” said Moses, watching with the air of an investigator the wart on his hand grow pale as he punched it with his finger, “It seemed so lonesome-like soon as Betty an’ Miss Gordon left, Mar says, says she, ‘Let’s go plum to Calgary ourselves’.” This diplomatic stroke crowned Moses’ arguments and his case was won.

As Mrs. Wopp adjusted her bonnet before leaving the house, she gave minute instructions to Mr. Wopp.

“You’d think this here day’s trip to Calgary was a journey to Jeroosalem,” he complained, all his slips of paper used up in jottings to remind him of duties imposed.

“Well I only go ’way about onct in a blue moon,” declared Mrs. Wopp, “an’ I feel so unsartin ’bout everything. Here we are a pack of Gadarene swine goin’ orff to a great city to eat husks I s’pose like the prodigal son. Never mind Ebenezer we’ll come back right glad I’ll bet to the fatted calf.” She pinched his ear in an elephantine playfulness as though he might be the fatted calf himself.

Howard Eliot guided his charges through the mazes of the city to a restaurant. Moses with the perennial appetite of fourteen ate silently and steadily, not omitting one item on the menu. He gorged.

Mrs. Wopp’s bonnet with its imitation osprey looked as though adorned with fragments of barbed-wire. Her jet earrings seemed entirely superfluous as the lobes of her generous ears glowed like rubies.

Howard sat back in his chair and thought of the possibilities of seeing Nell. He reflected that they were as good as engaged. Mrs. Wopp had given her diagnosis of the case enigmatically, perhaps, but with a degree of accuracy denoting keen observation on the evening of his last visit at the Wopp household. For fully a fraction of a minute Nell had let him hold her hand, and then her face all dimpling had turned to say good-night. He was rehearsing what he should say next time she dimpled so irresistibly and he breathed anathemas on his asinine conduct in being so shy and tardy. He was brought to the immediate present by Moses who was regarding an ice-cream soda with suspicion.

“This froth looks like soapsuds,” he complained.

“Soapsuds is Moses’ strong weakness,” commented Mrs. Wopp, laughing till her fat shoulders quaked perilously.

To stay the cloud that began to gather over Moses’ brow, Howard suggested going to see a vaudeville show.

“Oh Mar,” asked Moses as they passed a brilliantly colored and illuminated poster, “Is them the actor people?”

“Them’s thum,” was the sophisticated answer.

Fate led the trio to the theatre where Mr. Zalhambra was playing. Howard took his friends to a box and no sooner were they seated than he espied Nell and Betty.

The orchestra were tuning up, that delightful tilting at the notes that precedes the overture. To Moses were revealed such vistaed glimpses of trees and mountains and rivers as his young eyes had never seen. He saw nothing but the gorgeous scenery and the blaze of lights, and heard nothing but the booming of the drum in the overture. Then becoming more used to the glare and clamor, he cocked one eye aloft and saw youths of his own age eating peanuts in the gallery. It made his mouth water. He surveyed the obnoxious offenders however with the nonchalance of one who has already dined sumptuously. Outwardly Moses was an overgrown, freckle-faced, well-fed boy of commonplace propensities; inwardly he was a battery fully charged.

The first act over, a troop of black-faced comedians occupied the stage.

“Jist look at that black man’s chest swellin’ in an’ out like an accorjun,” remarked Mrs. Wopp highly entertained with the sight. Moses leaned over till he was in danger of capsizing. His eager look trailed off into a point of vacuity when the performers left the stage. Bewilderment had left his eyes incapable of properly focussing. Suddenly he caught sight of Betty and he could hardly repress an exclamation of joy as he pointed her out to his mother.

“Don’t Betty look jist too sweet,” she murmured when she had finally located the child, “Her hair looks as ef she had got tangled up in the milky way an’ there was nothin’ on it but star-dust.”

The pianist walked on the stage as the eyes of Mrs. Wopp and Moses rested on Betty. Howard Eliot had not taken his gaze from Nell Gordon expecting momentarily to catch her glance and to be rewarded by a smile. A smile radiated her fair face, but alas! It was not for him.

As the program went on Moses finally caught the eye of his little sister. The joyful news was passed on and Nell looked up, but it was a disconcertingly cold look that returned her inquiring gaze at Howard. So frigid was his expression that she did not attempt to turn her head in that direction again. From time to time Betty turned to wave her hand thereby causing much merriment among those who watched her childish enjoyment.

When the program was over Moses noticed enviously that Betty was so close to the orchestra that her ear was almost in the trombone.

“Wisht I hed a chance to holler into one of them brass dinner-horns, too,” he grumbled.

Mrs. Newman and Nell waited after the show for the unique trio that had occupied the box but they were nowhere to be seen. Howard Eliot had whisked his companions off under a pretext of urgent business.

The next day was spent in sight seeing but visions of neglected poultry and cows haunted the anxious housewife, and notwithstanding the expostulations of Moses they started home that evening.

Mrs. Wopp surmised from the dejected appearance of the young rancher, coupled with the smiles over the footlights which she had observed with rising wrath, that trouble was brewing, and she whispered audibly to herself, “A musician’s orl right on a pianner stool, but when it comes to gittin’ up in the mornin’ an’ choppin’ wood to bile the kettle give me a farmer.” Her cogitations became louder. “I s’pose he thinks cos he has a percession of carpital letters arter his name he can git anyone fer the arskin’. When he smiled so at our Miss Gordon I could of slain him with the jawrbone of an arss.” In her championship of Howard’s interests, Mrs. Wopp became an ardent villifier of the pianist and she administered an oral castigation with feminine vigor.

“That man Zalhambone’s playin’ rasped all up an’ down my spine,” she criticized. Then harking back to thrills she really had felt despite her prejudice, she admitted grudgingly, “My, but his han’s did fly over them keys permiscuous-like.”

“He smiles sich a toothy grin,” commented Moses.

“Put a nose an’ eyes over his own planner an’ you’d think there’s the man hisself,” flung back Mrs. Wopp.

Presently Moses’ thoughts returned to the meals provided by the restaurants of Calgary, and he decided it would be a good pastime for some rainy day to relate it all to Betty especially about the “little minners suffercated in rice an’ tryin’ to climb onto rafts of lemon-slices.”

Howard Eliot having left his charges safely at home went to his lonely ranch haunted by rebellious thoughts which Mrs. Wopp would have translated, “Here endeth my knowledge of the female speeshie.”

CHAPTER X.—THE CIRCUS.

Mrs. Wopp came down the path walking as briskly as her generous avoirdupois would permit. She was followed by Ebenezer Wopp whose coat seemed to cover some abnormal growth as though a watermelon might be lodged there. It was a bundle of socks for his wife to mend during her visit to Mrs. Mifsud’s ranch.

On such visits Mrs. Wopp enjoyed herself hugely. Her volubility was overpowering; as Mrs. Mifsud had been known to remark, “Not even a comma was there to clutch at to make good ones escape.” The faster her needle flew the faster raced her tongue. In view of the impending visit Mrs. Mifsud had surreptitiously stuffed one ear with cotton batting so that in the event of an extremely sanguinary onslaught, so to speak, at least one rampart of defence could be instantaneously thrown up. Ebenezer Wopp unlike his wife was expecting nothing but an afternoon of self-effacement though prepared to secretly admire to the full Mrs. Wopp’s sprightly conversation.

Moses and Betty were left to mind house, the admonishings of Mrs. Wopp being seasoned with picturesque if carelessly applied texts. The envious might hurl hisses, but Moses and Betty were invulnerable to all such assaults upon their anticipations of the day’s freedom with its already planned joys.

“Now Mosey, you be ticket man at the gate an’ I’ll hev the circus all ready,” cried Betty bounding into the house in the shortest possible time after the departure of the elderly merrymakers.

She emerged from the house her hair coiled on the top of her head and decorated with a strip of shining silver from an empty biscuit tin. Thus had she seen a circus lady dressed on one never-to-be-forgotten day. Around her small body was draped a yellow silk shawl of Mrs. Wopps. Her feet were encased in a pair of Ebenezer Wopp’s reddest socks, bound on by bright green ribbon ripped from her winter hat. From her fair hair floated a white aigret made of chicken feathers hastily wired together. Moses needed no aigret as a strand of red hair stood upright from the crown of his head.

“Here Mosey,” said Betty, “is a tin crown. You can fasten it on with this wire. See?”

In a moment the obliging boy’s head was surmounted by an empty tomato can, and under the aegis of “Whacker Brand” he became attendant to the circus manageress. Thus helmeted he stood and gazed at Betty as though the hinges of his jaw were loosening.

“Stir yerself Moses or I’ll hev the zoo ready afore yer tickets are writ.”

Moses began cutting make-believe tickets using the paper and scissors thrust into his hand by the capable manageress of the show.

Presently he raised his head and was confronted by Job the turkey wearing a tiny bright pink hat and a green ribbon round his neck. An antimacassar bearing wide magenta and red crocheted stripes covered his back causing him to strut with peacock pride.

“Don’t Job look jist like Mariar Mifsud goin’ to meetin’,” gurgled Betty.

Next appeared Jethro in a high state of hilarity with a harness made of Moses’ skate-straps and with a tiny doll dressed to represent a monkey bound to his back.

“Jethro barks with his mouth an’ smiles with his tail,” said Betty.

“His tail’s druv in too far fer to waggle much though,” returned Moses eyeing the diminutive stump.

As many of the hens and chickens as could be persuaded were ushered into the yard to add to the numerical strength of the menagerie.

Betty kept her tour de force till the last and astounded Moses by riding into the yard on the back of a large cow. Molly had been padded to represent a camel and Betty rode perched insecurely on the hump of the lordly creature, holding Mrs. Wopp’s treasured red parasol to give the effect of a canopy.

Molly enjoyed the attentions of Betty and contentedly chewed her cud. Whenever Betty leaned forward to caress the camel, Molly rolled out some square inches of tongue and licked the glowing cheek of her little mistress. An altogether adorable if somewhat familiar camel was the old black cow.

“Oh, Betty, you got ole man Noer stuck in the shade. His ark never turned out sich a fine camel as yourn, I bet,” cried Moses gleefully as he proceeded to sell tickets and to admit an astonishingly large number of imaginary people into the circus grounds.

“Now who wants to ride the camel? Who wants to ride the swayin’ tossin’ ship of the desert?” Betty turned to her swarming audience; then to Moses she whispered as though she might be overheard, “You step forward an’ pay me two bits fer a ride.” Moses put a ticket into Betty’s hand and, not to be outdone in bravery, mounted the single-humped camel. Molly forgot her training in the sandy desert and lurched sadly.

“My feet’s purty well jolted up inter my head,” cried the uncomfortable rider. But Betty insisted on his getting full value for his money, and dared him to descend until the round of the arena had been completed.

“Who wants to drive my trained bear an’ monkey? Only a dime stranger, only a dime!”

Moses, hot-headed youth, squandered another coin for the thrilling experience of tearing over the bare earth holding in Jethro by the reins, and using words of sinister meaning to the unwieldy monster. The monkey swayed painfully from the back of the excited Jethro.

By this time Betty was getting hoarse and instructed her perspiring assistant what next to shout and the most fetching modulations of voice to use. The change in program was bellowed in Moses’ raucous voice, “An orstrich here, only fifty cents to see a live trained orstrich!” A huge swallow and he continued, “Brought from Carliforny and trained by the famousest lady Betty Wopp.” After further instructions he went on, “This orstrich is named Job Wopp. He kin lay the largest aig in the world, kin run faster than any horse, could strike you dead with the hoof of his clawr.” Further whispering on the part of Betty and the address concluded, “Yet, ladies and gents, he is as gentle as a spring chicking.”

Everything was going smoothly when suddenly a catastrophe stopped short the circus, and left Moses greatly distressed. He inwardly complained that never yet was he “havin’ a good time but some orful thing happened to put a cloud over the sun.” The hens and chickens that had been pressed into the ranks of the circus performers were crowding round a swill-bucket which Moses had left tilted at a precarious angle on an upturned soap-box. In its zig-zag gyrations round the yard, the ostrich, to avoid the ubiquitous fowl, ran against the bucket and the odoriferous contents were splashed over the yellow-draped circus lady. The contents of the swill-pail trickled down Betty’s finery and dropped sadly from the pink headgear of the ostrich.

The audience made an impetuous dash to the scene of the fatality and as he stooped over the dripping yellow-frocked figure a jolt of even greater proportions upset the bucket entirely; a deluge of the unsavory mixture almost knocked off his knightly helmet and trickled from its rusty edges till he looked like a very rotund and rakish Don Quixote.

Job’s feathers that to Betty’s eyes had taken on the glory of ostrich plumes, drooped disconsolately, while Moses denounced in fluent language the stupidity of the fowl that had caused the unfortunate episode. He declared loudly that he would like to wring the aggressive portions of those feathered culprits. The group stood for a moment, a miniature Vesuvius erupting lava and ashes, while Moses wrung the offending liquid from Betty’s yellow drape and the magenta antimacassar. His sense of the ludicrous however overcame his wrath, “My Eye Betty!” he cried, “I near kerlapse every time I draw up my curtings on Job.”

Enjoying the spectacle, Henry the pet rooster stood on the rail-fence crowing lustily in chanticleer derision.

The resourceful Betty was not to be undone by this embarrassing accident. She used the silk shawl to groom the ostrich and to mop the disfiguring stains from Moses’ face. The helmet was discarded and the aigret of red hair rose instantly undaunted, waving a lively accompaniment to the boy’s continued exertions to follow the pace set by Betty’s imagination.

“Yer a reglar Mis’ Barnum,” he praised. Whereupon the enterprising program-maker began to devise new and more wonderful side-shows for her admirer.

In the matter of the next adventure, Moses’ feet were fast approaching that degree known as freezing point. But spurred on by the resolute will of his sister he rose to the occasion of a chariot race, adapted from “Ben Hur.” They had never forgotten the thrill they had experienced when one day at Mrs. Mifsud’s house the nephew of that good lady, with city-bred art, had recited in melodramatic fashion “Ben Hur’s Chariot Race.”

“You hitch Jethro to yer ole ’xpress waggon, ’n I’ll hitch Job to a prune-box with spool-wheels,” suggested Betty.

Discarded shoe-laces, rope and trunk-straps came hastily into requisition. The vociferations of Moses were so severe on his vocal chords that he found it necessary to visit the pump.

“Gosh! My throat feels like I’d been garglin’ with a bumble bee,” he exclaimed. Greatly refreshed, he did full justice to the difficult roles of combined driver and audience. Jethro, delighted with the new game, tore madly round the yard, barking shrilly and demanding more speed. But Job, running sadly corner-wise, was destined from the start for a losing race.

“Never mind Jobie, we want Jethro to win anyway, don’t we?” said Betty, presenting to the turkey her pocket filled with grain.

“Put a crown of pickled olerves on me,” demanded Moses, “me ’n Jethro beat.” He stood before his sister mopping his face. The express waggon with a wheel off was overturned and a frightened. “Cheep, cheep, cheep” came from beneath it.

“My racer has only one eye anyways,” said Betty defiantly as she twined a piece of nasturtium vine round the noble brow of the victor.

“What’s next?”

Moses was not easily satisfied. His attitude was always that of one who has dined on an undersized shrimp while expecting a ten-course banquet.

“Cleanin’ up’s next, Mose. Take my device an’ shoo away them hens an’ chickings. Mar’ll be home soon.”

“Singe my hair ef I do, let’s hev some more doin’s,” rebelled Moses.

The words were hardly out of his mouth when the sound of an approaching team was heard. Betty eyed ruefully the silk shawl she had flung on the ground.

“She’ll be orful mad,” prophecied Moses.

“You young Hottentots, wot youse been up to?” All too soon Moses’ prophecy proved true.

Mrs. Wopp’s eyes fell on the stained shawl.

“Nothin’.”

At this mendacious statement Mrs. Wopp turned on her offspring a withering glance.

“Jevver see sich a useless boy? Been learnin’ spellin’s orl day, I ’xpect.”

Viewing the upturned swill-pail, she suddenly became cynical.

“It’s my doin’s, Mar,” said Betty, “I made it orl up outer my head.”

“She’s a reglar show-lady,” defended Moses. This was hardly a strategic move from Moses, as he had just asserted they had been doing nothing.

Mrs. Wopp was an incurable optimist, although the citadel of her optimism was being assailed. Turning her wrathful gaze from Moses, her eye lighted on the soiled pink hat and antimacassar still worn by Job. She burst into a hearty laugh and turned to Betty.

“Yer a limb o’ Satan orl right. The shawl was needin’ dyein’ anyway. I’ll jist make it green. Yer Par used to say I looked right harnsome in green, so I’ll s’prise him with a new shawl over my shoulders.” She turned to the dog. The strenuous exertions of the afternoon had noticeably reduced his girth.

“This here dorg is clean tuckered out,” she declared, “ef he swallered a green pea, you’d see it goin’ down orl the way.”

In a few days the sight of his wife wrapped in a shawl the color of an unripe cucumber had a rejuvenating influence upon Ebenezer Wopp. He did not say much, being a man of few words, but his sentiments were inscribed in cramped illegible writing on a slip of paper to be handed down to posterity.

CHAPTER XI.—JONAH AND THE WHALE.

Mrs. Wopp had a request from Mrs. Williams. She, the requestor, was ill with a touch of “pewmonia,” as Mrs. Wopp afterward related, and would Mrs. Wopp the requestee oblige by taking her Sunday-school class for the following Sunday afternoon.

Mrs. Williams was a round-faced dimpled persuasive lady; and Mrs. Wropp, being non-coax-proof and flattered by the request, consented.

That ardent daughter of Jubal sighed, not for the encroachment on her Sunday afternoon leisure hour, but because she had found out the lesson was to be on Jonah and the whale. She had always been partial to the story of the ravens feeding Elijah and to the parable of the Prodigal Son. She felt that her temperament inclined her most to stories where hospitality and mouthwatering descriptions of hunger appeased provided the dramatic interest. Well she knew that the Tishbite and the erring son who returned to the feast of fatted calf would have received full justice at her hands. As for Jonah, and the whale with the inordinate oesophagus, she would do her best.

After the opening exercises of the Sunday-school session, Mrs. Wopp was pained to notice that some of her scholars did not consider attention to the lesson any part of their duty. However, that strict disciplinarian had a vast store of startling reprimands that set all eyes gazing on her sincere countenance.

But minds may stray though eyes seem attentive. Two boys began to indulge surreptitiously in the mild amusement of extracting toothsome kernels from refractory shells. Cracking nuts not being conducive to alertness of mind, Mrs. Wopp promptly confiscated a large bag of filberts which proved to be the joint property of Pat Bliggins and Pete Stolway.

The infant class which was to be under the guidance of Mrs. Wopp for the day, consisted of seven small pupils. They were seated on a low bench in one corner of the church. Green denim curtains were hung in such a way that, after the preliminary devotional exercises, the little class could be screened from the adults and older pupils. A blackboard stood on the floor, and upon a table near by were many colored crayons. The infantile mind required such aids to the imagination.

Mrs. Wopp viewed with misgiving the ornate writing not yet erased from the previous lesson. She feared her own handwriting would suffer by comparison.

“Mith Wopp,” offered Lila Williams with a dignity befitting her eight years and her enviable position as daughter of the regular teacher, “my ma wont let Pete and Pat thit together, they act too thilly.”

Acting on this timely suggestion, Mrs. Wopp deposited the mischievous youths on small chairs, one on each side of her table, directly under her watchful eye. Cracking nuts seemed to have been the special proposed form of amusement for the afternoon. By the end of five minutes the substitute teacher had set several large noisy paper bags on the window ledge.

It took some time to focus her intellect on the proper placing of mirthful youngsters, but at last, after singing “Like a little candle burning in the night,” all were in readiness to imbibe biblical learning.

Mrs. Wopp drew the green curtains together and turned to the smallest girl in the class.

“What’s the Golden Text, Norer?”

Norah Bliggins, whose nose was already moist from the effects of domestic discord, thrust a chubby finger into her mouth and began to pucker up her eyes preparatory to emitting a howl of dismay at being singled out for the first question. Her brother Pat, sensing the situation, put up his hand eagerly and answered for her.

Mrs. Wopp repeated the words, slowly rolling them on her tongue as though to extract every ounce possible of scriptural nutriment, “So they took up Joner and carst him forth inter the sea.”

Choosing a piece of bright yellow chalk she began to inscribe the golden text on the blackboard. She pressed too hard and the chalk cracked and fell to the floor. Pete Stolway vaulted out of his chair to capture the yellow pencil, but he had the misfortune to step on both the pieces of crayon, crushing them to sand, a heap of yellow grit.

“Never min’, Pete, an’ thank you anyways, but sence the lesson’s a hull lot about the sea, I’ll jist write with blue chork.”

The light shone through the colored glass window, casting a bluish tinge over the large earnest countenance of the teacher, and a distinct whisper was heard to the effect that “Mrs. Wopp’s face was blue moulderin’.”

Impressed with the importance of her task of instilling wisdom into the minds of her young listeners, Mrs. Wopp ignored this remark and continued the narrative into which she had already launched.

“Here was Joner scourin’ down to Jopper to take the ship to Tarshidge arter the Lord hed distinctly told him to go to Niniver, an’ fer punishment the Lord hed him swallered by a whale.”

The eloquent teacher looked to see some immediate tangible effect from this bald statement of the result of Jonah’s disobedience, and during her recital gazed sternly on Pat Bliggins and Pete Stohway as objects the most in need of her oratory.

“When Joner got to Jopper, bein’ an honest man, he paid his fare.”

A hand shot up at this point in the lesson and a thin voice piped, “Please, Mis’ Wopp, I was to the Fair last year.”

Not deigning to notice this irrelevant interruption the teacher proceeded.

“But the Lord hed his eye on Joner an’ put an orful wind on the sea.”

Several hands waved wildly and a chorus of voices eagerly broke in; through the childish babel could be heard a lisping narrative.

“Please, Mith Wopp, the latht windthorm upthet our hen-houth.”

Mrs. Wopp lurched heavily in her endeavor to calm the tumult of excited voices. Quiet was at length restored after several pupils had given thrilling accounts of catastrophes caused by windstorms.

“By this time Joner was snorin’ in the bottom of the boat, an’ the man that was bossin’ the ship comes up to Joner an’ woke him an’ arsked him to pray.”

As the story became more intelligible to childish apprehension, several bright pairs of eyes rested on the teacher. “Then,” continued Mrs. Wopp, “the sailors carst lots to see who should be throwed orf the ship, an’ the lot fell on Joner.”

St. Elmo Mifsud, his angelic face framed in silky curls, now became the prey to the machinations of Pete Solway, who had eluded the vigilant eye of Mrs. Wopp during her dramatic recital. A roar of pain escaped the child as a sharp tweak was applied to his curls. Recalled to matters entirely mundane, the teacher administered severe reproof.

“Please did the lot hurt Joner when it fell?” queried a sober-minded seeker of truth.

The perturbed lady wisely let the question pass not being absolutely clear herself as to the operation involved in the casting of lots. She hastened to take up the thread of the story.

“Then they arsked Joner what his job was an’ what he hed did to bring sich trouble on them. So Joner up an’ confessed that he ran away. Orl this time the sea was a-roarin’, the waves was a-dashin’, an’ the winds was a-howlin’, an’ the little vessel rocked in the trough.”

St. Elmo’s face brightened with intelligence. He broke into the story to give a graphic account of how a little yellow chicken of his sister’s had got “dwownded” in the pig-trough.

This interlude gave Mrs. Wopp an opportunity to recover her equilibrium which had been disturbed by her vivid conception and realistic description of the storm, all of which had necessitated startling gestures and a swaying, rocking movement of the body, illustrative of a ship in distress.

“Some o’ the men was sorft-hearted an’ agin Hingin’ Joner overboard, so they rowed reel hard to git to land.”

Pat Bliggin’s mind was undoubtedly wandering, so a drastic question was in order.

“Now, Pat, kin you tell me which was the best men, the ones that rowed reel hard to save Joner, or the ones that leaned back an’ didn’t care a strawr.”

Thus interrogated, the boy who had caught but one fleeting word of the sentence, reddened, and shuffling his feet, said he’d “often rode a wild cayuse.”

“’Pears to me, Pat Bliggins, you haven’t been listenin’ proper to the story. These men rode a ship not a cayuse.”

“Please,” answered the discomfited youth, “I aint never seen a ship of no kind.”

Mrs. Wopp’s face assumed a forgiving air as she accepted this defence. Then began that portion of the story that leads up to the tragic culmination.

“So they took up Joner an’ tossed him inter the sea.”

Mrs. Wopp then proceeded to enlarge on the horrific pilgrimage of Jonah through the vasty interior caverns of the whale.

“For three days an’ three nights there was no sleep fer his eyes nor slumber fer his eyelets.”

A loud whisper from Pete Stolway disturbed the orator.

“Peter Stolway, may I arsk you to tell out loud what you was whisperin’?”

“I just said the whale must have been bustin’?” admitted Pete, reluctantly. Mrs. Wopp could not logically argue the point with the astute Peter, so she went on to depict vividly Jonah’s further vicissitudes.

“The whale went splurgin’ an’ splutterin’ through the waves, mebbe blowin’ up a big waterspout like we see them doin’ in the jography picters. Then Joner prayed like everything an’ wrastled with the Lord, an’ his prayer was heerd, an’ the whale spit him up on the bank.”

Having thus disposed of Jonah to her own evident satisfaction, and having as she considered, given much valuable instruction, Mrs. Wopp proceeded to question the children.

“Peter Stolway, what is a whale?”

“A whale is a fish bigger nor a house,” answered Pete, with ready assurance.

“Mannel Rodd, did you ever ketch a fish?”

“Mannel promptly hung his head and made no reply, being much too shy to attempt an answer in English, whatever his thoughts in Russian might have been.

“Well, time is near up younguns; has any one a question to arsk?”

“Mith Wopp, had Jonah any little girlth or boyth at home?”

This was a poser for Mrs. Wopp, who was obliged to admit that her knowledge of biblical genealogy did not embrace the immediate relatives of Jonah.

“Was it dark for Joner inside the whale?” asked Pete Stolway, who noted his father viewing him through the gaping curtain and wished to appear in earnest conversation with his instructor.

“I reckon Joner hadn’t any too much light,” opined Mrs. Wopp.

At this point Superintendent Stolway rang the bell for general assembly. As she drew the curtains, Mrs. Wopp reflected that she had nobly pumped from the well of truth, crystal waters for the mental refreshment of her scholars.

Vigorously all joined in the closing hymn and Mrs. Wopp’s high soprano could be heard above all the other voices. A sense of duty well performed added even greater power to the vocal billowing.

As Betty Wopp and Maria Mifsud, each holding a hand of St. Elmo, left the church, they were highly entertained by that small boy’s account of a “man named Jonah who had swallowed a dwate big fish called a whale.”

Arrived at home almost bursting with information, the child recounted to his astonished mother a long complicated story of how “theh was a lot of bad men and they weh et by a big fish, the big fish met a man on the woad called Jonah and asked him what he was doing on the woad and Jonah pwayed weel hahd and wode on the fish and a big wind blowed him off, just like Lila William’s hen-house.”

CHAPTER XII.—THE AUTOGRAPH QUILT.

On Moses Wopp devolved the responsibility of driving the ladies of the household over the two miles of prairie lying between the Wopp ranch and that of Mrs. Mifsud. Betty, too, was going. The Ladies’ Aid did not meet every day, nor had it always on hand the alluring business of an autograph quilt, on which flourished in outlined boldness the name of every man, woman and child in the district and many out of it.

“Wartch yer team Moses,” commanded Mrs. Wopp from the back seat of the democrat.

“I am wartchin’, Mar,” replied Moses, “But Josh ’pears to be worryin’ ’bout somethin’. He’s chewin’ his bit an’ breakin’ inter a run-like every minute.”

“An’ well I know who’s makin’ him stew an’ chomp. You needn’t try to deceive yer, Mar,” chided the knowing matron.

The amused laugh of Nell Gordon, who sat beside Mrs. Wopp, floated past the youthful pair in front and perhaps helped to embue Moses with the reckless spirit of Jehu. The boy secretly admired his teacher, though he had an idea he would soundly pummel any boy with sufficient temerity to accuse him of it.

“Whoa, Josh! Whoa, Jake!” he roared, apparently exerting himself to the utmost to hold in the skittish pair, but in reality giving a few practised touches on the reins which defeated his commands.

With a start and plunge the surprised horses, now thoroughly indignant, set off at a gallop.

The trail was for the most part smooth and uneventful, but here and there the wheels of the democrat dipped into a gopher hole, causing anxiety and discomfort, especially to those in the back seat. These ladies were holding on to the side bars with utmost tenacity, yet Mrs. Wopp afterwards asserted, that when a particularly vicious depression was encountered, they were bounced violently at least three feet in the air and were considerably worried lest they should not land on the seat again. However, they displayed great fortitude under these distressing circumstances, and by the time Moses had calmed the horses to a slower pace, they had regained self-possession.

“It’s that Jake. He’s sich an ornery animule,” explained the boy, thus shamelessly vilifying a patient and much enduring character.

The Mifsud ranch-house was situated in a valley close to Ripple Creek. This stream was guarded in its serpentine course by a fringe of trees which extended several rods on each side. Moses drove up to the house door with a flourish and his passengers alighted. His mother paused a moment to urge, “Be sure an’ git yer chores done early, Moses, an’ you an’ Par be here fer supper by six o’clock.”

“Orl right, Mar,” answered Moses, dutifully, his mouth watering in anticipation of the goodies in prospect.

Several ladies of the district were already busy “scttin’ up” the quilt when Mrs. Wopp and her satellites entered the Mifsud parlor.

“Oh, aint it beaut-i-ful?” admired Betty. The creation which she admired so immensely was made of pieces of silk of many colors and was reminiscent of numerous long-defunct waists, ribbons, neckties, hats and, perhaps, even a few wedding gowns which had travelled from several corners of the globe to be welded together in this glorious finale. The pieces, irregular in shape, had been sewn together and the seams beautified by feather-stitching. On the majority of the patches were names worked in red, green or yellow, whichever color contrasted most suitably with the background. Here, for the nominal sum of ten cents, names which might otherwise have fallen into oblivion were destined to live and bloom for incalculable years. The quilt now nearing completion would, when finished by its energetic creators, be sold at auction and it was expected to bring a handsome sum. The money so realized would revive the drooping finances of the Ladies’ Aid.

“Oh, Miss Gordon, here’s my name,” announced Betty, excitedly, pointing to a central part of the quilt. “An’ here’s yours right clost to it.”

“How nice, Betty,” answered Nell, who had threaded her needle and was now prepared to join those already busily stitching away. “You and I will travel down the ages side by side.”

“But s’pose you change yer name, Miss Gordon,” whispered Betty slyly. “Then nobody’d know ’twas you.”

“I must be very careful, then, not to change it,” responded Nell, as she took the seat assigned to her.

The elders, having settled at their task, Maria Mifsud and Betty, who were considered too young and irresponsible to assist with such important work, made their way to the creek, that perennial source of amusement for the youthful. They were accompanied by Maria’s small brother, St. Elmo. Here, during the long summer afternoon they gaily disported themselves, even the rather dignified Maria entering with zest into childish fun.

In the house, meanwhile, affairs were proceeding quite as happily as those out of doors. The hostess fluctuated between the parlor and kitchen. She was preparing a repast not only for the workers present, but also for the men-folk who would presently arrive to take them to their respective homes. Excused from quilting, she nevertheless managed to spend considerable time with her guests. Mrs. Mifsud was a lady who aspired to literary attainments. She had read “Beulah,” “Vashti,” “Lucile,” “St. Elmo” and many other books of like calibre. She felt that her talents were practically wasted, living in what she termed a desert, yet she strove, when occasion offered, by elegance of deportment and conversation to enhance her gifts. She often spoke tenderly of the late Mr. Mifsud who, in spite of the fact that his face had been adorned with bristling side-whiskers of an undeniable red, had shown in other ways some signs of intelligence and feeling. He had been carried off by the shingles. According to Mrs. Mifsud’s account, her deeply-lamented spouse had considered the tall attenuated form of his wife “willowy,” her long thin black hair “a crown of glory,” her worn narrow countenance with its sharp nose and coal-black eyes, “seraphic.”

“I wonder who’ll buy this here quilt,” speculated Mrs. Wopp, as she bent over her task, “there’s shorely a great sight o’ work on it. As fer me, I aint got time to do much fancy work an’ I’d never git round to a job like this fer myself.”

“Not many of us would, Mrs. Wopp,” remarked Mrs. Bliggins, a small fair woman with a round placid countenance. “What with cookin’, an’ washin’, an’ cleanin’, an’ buttermakin’, an’ hundreds of other things, there’s not much time for fancy work.”

“Miss Gordon here, made me a harnsome lace yoke fer an underwaist, an’ give it to me fer my birthday,” volunteered Mrs. Wopp.

Mrs. Mifsud had entered the room in time to hear the last remark. Owing to the paucity of minds as keenly intellectual as her own, Mrs. Mifsud always tried to keep her remarks to a suitable level so that all present might comprehend her language. The heights, alas! must be scaled by her alone. While willing to acknowledge the substantial character of Mrs. Wopp, she considered her sadly deficient in grammar and social graces. She now interposed.

“I am given to understand by the best fashion-plates, Mrs. Wopp, that the garment you term an ‘underwaist’ is now designated a casserole.”

“Well, now, is that so? It sounds to me like a furrin word,” returned Mrs. Wopp, who admired Mrs. Mifsud’s polished utterances, while by no means undervaluing her own rhetorical gifts.

“Doubtless it is incorporated in the language of some foreign people,” conceded Mrs. Mifsud, languidly.

“Who is going to auction the quilt when it is finished?” inquired Nell Gordon, appealing to her hostess as President of the Ladies’ Aid.

“Personally, I should be agreeably disposed to requesting Mr. Wopp to officiate,” answered the lady addressed.

This remark caused Mrs. Wopp to feel considerable uneasiness. She was morally certain that her Ebenezer in his shyness would make a muddle of the sale, so she hastened to offer a suggestion.

“Why not arsk Geordie Hodgekiss. He’s sich a grand feller fer helpin’ at dances, an’ his voice ’ud most wake the dead. I feel shore he’d hev the good o’ the quilt at heart.”

This suggestion called for a general discussion. One or two very conservative ladies were not sure that a young man who so frequently played a prominent part at dances should also figure in church affairs. It might bring a curse on them. However, as there was no immediate need for decision, the subject was abandoned.

“Did you hev a good time in the city larst week, Mis’ Mifsud?” asked Mrs. Wopp, politely.

“Thank you kindly, Mrs. Wopp, I was most enchantingly entertained. My brother and his wife conducted me to numerous functions. I heard a xylophone for the first time.”

Mrs. Wopp was floored. She rapidly reflected that that which Mrs. Mifsud had heard might have been anything from the “buzzin’ of a skeeter to the tootin’ of an autermobyle.”

“An’ where did you hear it, my dear?” she queried, cautiously feeling her way.

“At my brother’s Mrs. Wopp. He had just acquired it, so of course little proficiency was yet attained.”

It occurred to Mrs. Wopp that the object in question might have been a new kind of singing bird, but “least said, soonest mended.” She would ask Moses if Clarence had ever mentioned it, the very first chance she had. None of the other ladies present assayed to join in the conversation, so perhaps most of them also were mystified. Airs. Wopp looked hard at Nell Gordon. Of course she knew what Mrs. Mifsud meant, but she seemed completely absorbed in turning a difficult corner in the quilt. A welcome interruption occurred.

“How is your Ada since she had the jaundice, Mrs. Stolway?” inquired Airs. Bliggins.

“None too strong. But she’s picking up since the doctor gave her a tonic,” was the reply.

“It’s a terrible disease, shorely,” interpolated Mrs. Wopp. “Ebenezer’s sisten-in-law’s cousin hed it, an’ fer a long time she was as yaller as a biled turnip. Her feelin’s was low, too, an’ she thort she was goin’ to die. She made her will, leavin’ her clothes an’ her cat, which was all she hed, to an ole men’s refuge. But lan’ sakes! she’s alive yet an’ peart as a robin. She got a set o’ false teeth an’ a switch jist larst month.”

Mrs. Mifsud who had listened to this recital with polite interest, now excused herself on the plea of urgent duties in the kitchen.

“I see two rigs comin’,” announced Mrs. Wopp, suddenly. From where she sat she could view through the window a considerable portion of the trail. “The men’ll soon orl be here, so s’posin’ we roll up the quilt. Ef everybody’s back’s achin’ like mine they’ll be glad to quit.”

Betty and Maria, whose reviving interest in the quilt had drawn them from their play to the somewhat crowded parlor, now reported several vehicles to be in sight. They hastened with this information to Mrs. Mifsud in the kitchen, that important domain whence a savory odor had been issuing for some time.

“Clarence will tell the men where to instal their teams,” the hostess reflected. The boy, who had fought shy of this mere woman’s party, had spent the afternoon in the barn.

“Maria, where is St. Elmo?” asked Mrs. Mifsud, as with flushed face she basted some fowls in the oven.

“We left him by the creek, Ma, playing in the sand,” was the reply. “When Betty and me tried to make him come in he slapped us.”

“Go and bring him now, so you can renovate his appearance before supper,” directed the mother.

Maria, accompanied by Betty, repaired to the spot where they had left the little boy. He was not there. In vain they shouted and called his name.

“He must have gone to Clarence in the barn,” concluded Maria, setting off at a run.

Clarence, however, when questioned, declared, “I haven’t seen the little shaver since dinner.”

Maria now began to get alarmed, and her anxiety being communicated to Clarence and Betty, the three young people set off in a combined search.

Still no St. Elmo. They proceeded a considerable distance down the creek.

“Look he’s been here,” said Betty, pointing to a small footprint in the moist soil, “An’ he’s headed down the crick.”

“We’ll have to go and tell Ma,” said Maria.

As they neared the house with their disquieting news, Mr. Wopp and Moses were just alighting from the democrat, while Mrs. Mifsud at the open door stood calling out cheery greetings.

“St. Elmo’s lost, Ma,” wailed Maria. “We can’t find him and he’s wandered down the creek.”

Mrs. Mifsud threw up her hands in dismay.

“My poor lamb, my little darling,” she said, speaking with difficulty, “There are so many lynxes in the woods, and he’s so afraid of them. If he meets one he’ll die of fright.”

“Moses, put the hosses in the stable an’ fuller me. We’ll soon find him, Mis’ Mifsud,” said Mr. Wopp, his kindliness asserting itself in this crisis. “Come on, Clarence, an’ Mis’ Mifsud you send the other men along ’s soon ’s they git here. Jist you rest easy, we’ll soon be back with yer boy.”