WeRead Powered by ReaderPub
The Myths of Mexico & Peru cover

The Myths of Mexico & Peru

Chapter 183: Methods of Study
Open in WeRead

About This Book

An illustrated survey of pre-Columbian civilizations and their myth systems, beginning with Mexican society and its pantheon and presenting major myths, rituals, cosmologies, and legends—including Aztec and Maya traditions and representative figures such as the feathered‑serpent and night and rain deities. It examines Maya origins, narrative cycles, and ritual practice, then turns to the civilizations of the Andean world and their mythic motifs, and offers comparative interpretation alongside archaeological observations, bibliographic references, a glossary, and numerous illustrations that connect mythic narratives to surviving monuments and artifacts.

Methods of Study

The method employed by those engaged in the elucidation of these hieroglyphs is typical of modern science. The various signs and symbols are literally “worn out” by a process of indefatigable examination. For hours the student sits staring at a symbol, drinking in every detail, however infinitesimal, until the drawing and all its parts are wholly and separately photographed upon the tablets of his memory. He then compares the several portions of the symbol with similar portions in other signs the value of which is known. From these he may obtain a clue to the meaning of the whole. Thus proceeding from the known to the unknown, he advances logically toward a complete elucidation of all the hieroglyphs depicted in the various manuscripts and inscriptions.

The method by which Dr. Seler discovered the hieroglyphs or symbols relating to the various gods of the Maya was both simple and ingenious. He says: “The way in which this was accomplished is strikingly simple. It amounts essentially to that which in ordinary life we call ‘memory of persons,’ and follows almost naturally from a careful study of the manuscripts. For, by frequently looking tentatively at the representations, one learns by degrees to recognise promptly similar and familiar figures of gods by the characteristic impression they make as a whole or by certain details, and the same is true of the accompanying hieroglyphs.”