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The Myths of Mexico & Peru

Chapter 19: Legends of Toltec Artistry
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About This Book

An illustrated survey of pre-Columbian civilizations and their myth systems, beginning with Mexican society and its pantheon and presenting major myths, rituals, cosmologies, and legends—including Aztec and Maya traditions and representative figures such as the feathered‑serpent and night and rain deities. It examines Maya origins, narrative cycles, and ritual practice, then turns to the civilizations of the Andean world and their mythic motifs, and offers comparative interpretation alongside archaeological observations, bibliographic references, a glossary, and numerous illustrations that connect mythic narratives to surviving monuments and artifacts.

Legends of Toltec Artistry

Happily settled in their new country, and ruled over by a king whom they could regard with reverence, the Toltecs made rapid progress in the various arts, and their city began to be celebrated far and wide for the excellence of its craftsmen and the beauty of its architecture and pottery. The name of “Toltec,” in fact, came to be regarded by the surrounding peoples as synonymous with “artist,” and as a kind of hall-mark which guaranteed the superiority of any article of Toltec workmanship. Everything in and about the city was eloquent of the taste and artistry of its founders. The very walls were encrusted with rare stones, and their masonry was so beautifully chiselled and laid as to resemble the choicest mosaic. One of the edifices of which the inhabitants of Tollan were most justly proud was the temple wherein their high-priest officiated. This building was a very gem of architectural art and mural decoration. It contained four apartments. The walls of the first were inlaid with gold, the second with precious stones of every description, the third with beautiful sea-shells of all conceivable hues and of the most brilliant and tender shades encrusted in bricks of silver, which sparkled in the sun in such a manner as to dazzle the eyes of beholders. The fourth apartment was formed of a brilliant red stone, ornamented with shells.