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The Myths of Mexico & Peru

Chapter 207: Definiteness of Design
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About This Book

An illustrated survey of pre-Columbian civilizations and their myth systems, beginning with Mexican society and its pantheon and presenting major myths, rituals, cosmologies, and legends—including Aztec and Maya traditions and representative figures such as the feathered‑serpent and night and rain deities. It examines Maya origins, narrative cycles, and ritual practice, then turns to the civilizations of the Andean world and their mythic motifs, and offers comparative interpretation alongside archaeological observations, bibliographic references, a glossary, and numerous illustrations that connect mythic narratives to surviving monuments and artifacts.

Definiteness of Design

He would be a merely superficial observer who would form the conclusion that these specimens of an architecture spontaneously evolved were put together without survey, design, or previous calculation. That as much thought entered into their construction as is lavished upon his work by a modern architect is proved by the manner in which the carved stones fit into one another. It would be absurd to suppose that these tremendous façades bristling with scores of intricate designs could have been first placed in position and subsequently laden with the bas-reliefs they exhibit. It is plain that they were previously worked apart and separately from one entire design. Thus we see that the highest capabilities of the architect were essential in a measure to the erection of these imposing structures.