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The Natural History of Pliny, Volume 6 (of 6) cover

The Natural History of Pliny, Volume 6 (of 6)

Chapter 155: CHAP. 40.—STATUES OF IRON; CHASED WORKS IN IRON.
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An encyclopedic survey that first catalogs marine animals, algae, and shellfish, describing habitats, curious behaviors, reported antipathies, and numerous folk remedies and practical uses attributed to specific species, organized by ailments and applications. The later portion treats metals and their ores—including gold, silver, mercury, copper, and brass—describing modes of occurrence, extraction, alloying, testing, gilding, and decorative and monetary uses, alongside technical observations and medicinal remedies derived from metallic substances, with systematic lists and practical instructions interwoven throughout.

CHAP. 40.—STATUES OF IRON; CHASED WORKS IN IRON.

Still, however, human industry has not failed to employ iron for perpetuating the honours of more civilized life. The artist Aristonidas, wishing to express the fury of Athamas subsiding into repentance, after he had thrown his son Learchus from the rock,1664 blended copper and iron, in order that the blush of shame might be more exactly expressed, by the rust of the iron making its appearance through the shining substance of the copper; a statue which still exists at Rhodes. There is also, in the same city, a Hercules of iron, executed by Alcon,1665 the endurance displayed in his labours by the god having suggested the idea. We see too, at Rome, cups of iron consecrated in the Temple of Mars the Avenger.1666 Nature, in conformity with her usual benevolence, has limited the power of iron, by inflicting upon it the punishment of rust; and has thus displayed her usual foresight in rendering nothing in existence more perishable, than the substance which brings the greatest dangers upon perishable mortality.