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The Natural History of Pliny, Volume 6 (of 6) cover

The Natural History of Pliny, Volume 6 (of 6)

Chapter 173: CHAP. 1. (1.)—THE HONOUR ATTACHED TO PAINTING.
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About This Book

An encyclopedic survey that first catalogs marine animals, algae, and shellfish, describing habitats, curious behaviors, reported antipathies, and numerous folk remedies and practical uses attributed to specific species, organized by ailments and applications. The later portion treats metals and their ores—including gold, silver, mercury, copper, and brass—describing modes of occurrence, extraction, alloying, testing, gilding, and decorative and monetary uses, alongside technical observations and medicinal remedies derived from metallic substances, with systematic lists and practical instructions interwoven throughout.

BOOK XXXV.

AN ACCOUNT OF PAINTINGS AND COLOURS.

CHAP. 1. (1.)—THE HONOUR ATTACHED TO PAINTING.

I have now given at considerable length an account of the nature of metals, which constitute our wealth, and of the substances that are derived from them; so connecting my various subjects, as, at the same time, to describe an immense number of medicinal compositions which they furnish, the mysteries1787 thrown upon them by the druggists, and the tedious minutiæ of the arts of chasing,1788 and statuary,1789 and of dyeing.1790 It remains for me to describe the various kinds of earths and stones; a still more extensive series of subjects, each of which has been treated of, by the Greeks more particularly, in a great number of volumes. For my own part, I propose to employ a due degree of brevity, at the same time omitting nothing that is necessary or that is a product of Nature.

I shall begin then with what still remains to be said with reference to painting, an art which was formerly illustrious, when it was held in esteem both by kings and peoples, and ennobling those whom it deigned to transmit to posterity. But at the present day, it is completely banished in favour of marble, and even gold. For not only are whole walls now covered with marble, but the marble itself is carved out or else marqueted so as to represent objects and animals of various kinds. No longer now are we satisfied with formal compartitions of marble, or with slabs extended like so many mountains in our chambers, but we must begin to paint the very stone itself! This art was invented in the reign of Claudius, but it was in the time of Nero that we discovered the method of inserting in marble spots that do not belong to it, and so varying its uniformity; and this, for the purpose of representing the marble of Numidia1791 variegated with ovals, and that of Synnada1792 veined with purple; just, in fact, as luxury might have willed that Nature should produce them. Such are our resources when the quarries fail us, and luxury ceases not to busy itself, in order that as much as possible may be lost whenever a conflagration happens.