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The Natural History of Pliny, Volume 6 (of 6) cover

The Natural History of Pliny, Volume 6 (of 6)

Chapter 177: CHAP. 5.—THE COMMENCEMENT OF THE ART OF PAINTING. MONOCHROME PAINTINGS. THE EARLIEST PAINTERS.
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An encyclopedic survey that first catalogs marine animals, algae, and shellfish, describing habitats, curious behaviors, reported antipathies, and numerous folk remedies and practical uses attributed to specific species, organized by ailments and applications. The later portion treats metals and their ores—including gold, silver, mercury, copper, and brass—describing modes of occurrence, extraction, alloying, testing, gilding, and decorative and monetary uses, alongside technical observations and medicinal remedies derived from metallic substances, with systematic lists and practical instructions interwoven throughout.

CHAP. 5.—THE COMMENCEMENT OF THE ART OF PAINTING. MONOCHROME PAINTINGS. THE EARLIEST PAINTERS.

We have no certain knowledge as to the commencement of the art of painting, nor does this enquiry fall under our consideration. The Egyptians assert that it was invented among themselves, six thousand years before it passed into Greece; a vain boast, it is very evident.1819 As to the Greeks, some say that it was invented at Sicyon, others at Corinth; but they all agree that it originated in tracing lines round the human shadow.1820 The first stage of the art, they say, was this, the second stage being the employment of single colours; a process known as “monochromaton,”1821 after it had become more complicated, and which is still in use at the present day. The invention of line-drawing has been assigned to Philocles, the Egyptian, or to Cleanthes1822 of Corinth. The first who practised this line-drawing were Aridices, the Corinthian, and Telephanes, the Sicyonian, artists who, without making use of any colours, shaded the interior of the outline by drawing lines;1823 hence, it was the custom with them to add to the picture the name of the person represented. Ecphantus, the Corinthian, was the first to employ colours upon these pictures, made, it is said, of broken earthenware, reduced to powder. We shall show on a future1824 occasion, that it was a different artist of the same name, who, according to Cornelius Nepos, came to Italy with Demaratus, the father of the Roman king, Tarquinius Priscus, on his flight from Corinth to escape the violence of the tyrant Cypselus.