WeRead Powered by ReaderPub
The nature of a crime cover

The nature of a crime

Chapter 7: III
Open in WeRead

About This Book

A collaborative short work frames an analytical confession that probes guilt, responsibility, and the ethics of storytelling. Through fragmentary narrative and prefatory reflections, the narrators debate authorship, memory, and the limits of joint composition while recounting a central transgression whose motives and consequences are examined with irony and psychological scrutiny. The text shifts between conversational reminiscence about the writing process and compressed scenes that show how individuals are discarded, prompting readers to consider how narrative form and creative intention shape moral judgment.

III

I wrote last night that you have something in your power. If you wished it you could make me live on. I am confident that you will not wish it: for you will understand that capriciously or intolerably I am tired of living this life. I desire you so terribly that now, even the excitement of fooling Burden no longer hypnotizes me into an acceptance of life without you. Frankly, I am tired out. If I had to go on living any longer I should have to ask you to be mine in one form or other. With that and with my ability—for of course I have great ability—I could go on fooling Burden for ever. I could restore: I could make sounder than ever it was that preposterous “going concern” the Burden Estate. Unless I like to let them, I think that the wife’s solicitors will not discover what I have done. For, frankly, I have put myself out in this matter in order to be amusing to myself and ingenious. I have forged whole builder’s estimates for repairs that were never executed: I have invented whole hosts of defaulting tenants. It has not been latterly for money that I have done this: it has been simply for the sheer amusement of looking at Edward Burden and saying to myself:

“Ah: you trust me, my sleek friend. Well....”

But indeed I fancy that I am rich enough to be able to restore to them all that I have taken. And, looking at Edward Burden’s little fiancée, I was almost tempted to set upon that weary course of juggling. But I am at the end of my tether. I cannot live without you longer. And I do not wish to ask you. Later I will tell you. Or No—I will tell you now.

You see, my dear thing, it is a question of going one better. It would be easy enough to deceive your husband: it would be easier still to go away together. I think that neither you nor I have ever had any conscientious scruples. But, analysing the matter down to its very depths, I think we arrive at this, that without the motives for self-restraint that other people have we are anxious to show more self-restraint than they. We are doing certain work not for payment but for sheer love of work. Do I make myself clear? For myself I have a great pride in your image. I can say to myself: “Here is a woman, my complement. She has no respect for the law. She does not value what a respect for the law would bring her. Yet she remains purer than the purest of the makers of law.” And I think it is the converse of that feeling that you have for me.

If you desire me to live on, I will live on: I am so swayed by you that if you desire me to break away from this ideal of you, the breath of a command will send me round to your side.

I am ready to give my life for this Ideal: nay more, I am ready to sacrifice you to it, since I know that life for you will remain a very bitter thing. I know, a little, what renunciation means.

And I am asking you to bear it—for the sake of my ideal of you. For, assuredly, unless I can have you I must die—and I know that you will not ask me to have you. And I love you: and bless you for it.