The New Forest: Its History and Its Scenery

THE END.

London: Printed by Smith, Elder & Co., Little Green Arbour Court, Old Bailey, E.C.

By the same Author.

Crown 8vo. with Illustrations by W. J. Linton, printed on tinted paper,
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SHAKSPERE:
His Birthplace and its Neighbourhood.

Selection from Notices by the Press.

(The Westminster Review.)

‘A most elegant volume. Artist, printer, and author have vied with each other in its production. All the well-known spots are taken from their most favourable points of view, and engraved with a skill for which Mr. Linton’s name is a sufficient guarantee. Mr. Wise is peculiarly fitted for his task. He revels in painting the beauties of his native county with an enthusiastic admiration, in which he makes Shakspere share, by the readiness with which he localises descriptions in the poet’s works that would have no such home-like effect on an ordinary reader. He does this, too, without any arbitrary forcing, and gives a new grace to the character of the universally beloved poet by connecting him by hitherto unobserved ties with the home of his youth.’

(The Spectator.)

‘A critical biography of the one supreme poet of humanity; written with skill, discrimination, and taste.... Mr. Wise notices in a reverent spirit, and in soberly elegant language, the intellectual talents, the imperial diction and gorgeous colouring, the knowledge, the wisdom, imagination, and many-sidedness of this wonderful artist; but he lays even more stress on Shakspere’s moral characteristics, and on the effectual qualities of his nature, than on these more brilliant and obvious endowments; on his genial humour, his universal sympathy and tolerance, his serene hilarity, his robust simple-hearted patriotism, and his love of freedom—freedom of speculation, freedom of discussion. The essential goodness of our great poet is the main argument of Mr. Wise’s discourse.’

(The Daily News.)

‘We find the book as good as it is pretty, and therefore twice worthy commendation. We have to thank Mr. Wise for a glossary which not only explains the provincialisms of Shakspere, but, è converso, gives a Shaksperian colour to phrases in use among the Warwickshire peasantry to this day. So delightfully readable a glossary as this we have seldom encountered.’

(The Morning Herald.)

‘Mr. Wise has treated an old and well-worn subject with singular good sense and taste.... The chapter on Shakspere himself is a sound and masterly examination of the nature and spirit of his genius, as revealed in his works. Mr. Wise has a voice of his own in the matter, and it is well worth listening to.’

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MR. RUSKIN’S WORKS.

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Complete in Five Volumes, imperial 8vo. With Eighty-seven Engravings on Steel, and Two Hundred and Sixteen on Wood, chiefly from Drawings by the Author. With Index to the whole Work. £8 6s. 6d.

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Vol. I. Of General Principles and of Truth. Sixth Edition. 18s.

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THE STONES OF VENICE.

Complete in Three Volumes, imperial 8vo. With Fifty-three Plates and numerous Woodcuts, drawn by the Author. £5 15s. 6d.

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THE ELEMENTS OF DRAWING,

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PRE-RAPHAELITISM.

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SESAME AND LILIES:

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THE KING OF THE GOLDEN RIVER;
OR, THE BLACK BROTHERS:

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SELECTIONS FROM THE WRITINGS OF
JOHN RUSKIN, M.A.

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THE LAKE COUNTRY.
By E. LYNN LINTON.
ILLUSTRATED BY W. J. LINTON.

Selection from Notices by the Press.

(The Times.)

‘The Lake Country, by Mrs. Linton, is the best description of that part of England ever published.’

(The Illustrated London News.)

‘Its exterior is noble, and its interior, studded with many a glorious illustration, corresponds with the outer splendour.’

(The Saturday Review.)

‘A highly attractive and thoroughly enjoyable work.’

(The Athenæum.)

‘No one can leave Mrs. Linton’s book without being informed of much that is curious as well as valuable concerning times past. To the Tourist, who knows the Lakes, this book will be welcome, not only for its text, but on account of the charming drawings with which Mr. Linton has done his best—a very happy best—to recall many lovely and famous scenes.’

(The Examiner.)

‘The Book of The Lake Country is, in every picture, visibly the work of an artist who, whether in large plates or in small sketches, endeavours to represent the soul and life of English scenery, under some of its most picturesque and attractive aspects. Mrs. Linton’s book, were it not illustrated as it is, or printed luxuriously, would indeed win attention and credit, as a careful and interesting monograph of one of the most interesting districts in the kingdom.’

(The London Review.)

‘Mrs. Linton’s literary sketches are full of true feeling for the country they portray, and in imparting the writer’s own animation to the reader, bring before his mental vision the glory and the gloom, the majesty and the beauty, the pathos and the power, the loveliness and the desolation, of the mountains, lakes, and moors of Cumberland and Westmoreland. Of Mr. Linton’s designs we cannot speak too highly. They are drawn and engraved with the hand of a master, and bring before our vision, with exquisite truth and feeling, all the rugged beauty of the land they commemorate.’

London: SMITH, ELDER, & CO., 65 Cornhill.

Transcriber’s Notes

• Incorporated the errata below (from page ix in the original) into footnotes (and, if possible, changed in situ).
• Copyright notice provided as in the original—this e-text is public domain in the country of publication.
• Silently corrected palpable typos; left non-standard spellings and dialect unchanged.
• Corrected page numbers in the index for “Barton Cliffs, geology of”