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The Old and the New Magic

Chapter 39: SOME OLD-TIME CONJURERS.
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About This Book

The author surveys the evolution of magical practice from ancient priestcraft to modern stage prestidigitation, combining historical overview with portraits of celebrated figures and charlatans. Essays examine mechanical marvels such as automata and lantern illusions, techniques for producing ghostly phenomena and alleged second-sight, and the transition from occult claims to theatrical demonstration. Interspersed are personal recollections, practical confessions of an amateur conjurer, and reflections on how scientific and cultural changes reshaped performance magic.

SOME OLD-TIME CONJURERS.

As in Agrippa’s magic glass,
The loved and lost arose to view.”—WHITTIER: The Mermaid.

I love to read about the old-time conjurers, the contemporaries of Robert-Houdin, or his immediate successors. Literature on the subject is very sparse indeed. In his memoirs, Houdin gives us a few thumbnail sketches of his rivals in the mystic art, and then dismisses them with a kindly, Vale. He has something to say about Bosco’s personal appearance and performances, but makes no mention of the romantic incidents in the great magician’s career. I shall try, in this chapter, to sketch the lives of some of these men, basing my information on rare brochures contained in the Ellison Library, and from information picked up by Mr. Harry Houdini in Europe. The great encyclopedic dictionary of Larousse—a monument of French erudition—contains something about Phillippe, Robin and Comte. Mr. Ellis Stanyon, a conjurer of London, and author of several valuable little treatises on magic, has kindly furnished me with interesting data; the files of old newspapers in the British Museum, and the Library of Congress have also been drawn upon, also the fine collection of old programmes of Mr. Arthur Margery, the English magician. Let us begin with