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The Old and the New Magic

Chapter 65: III.
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About This Book

The author surveys the evolution of magical practice from ancient priestcraft to modern stage prestidigitation, combining historical overview with portraits of celebrated figures and charlatans. Essays examine mechanical marvels such as automata and lantern illusions, techniques for producing ghostly phenomena and alleged second-sight, and the transition from occult claims to theatrical demonstration. Interspersed are personal recollections, practical confessions of an amateur conjurer, and reflections on how scientific and cultural changes reshaped performance magic.

III.

Alexander Herrmann was born in Paris, February 11, 1844. Information concerning his family is somewhat meagre. His father, Samuel Herrmann, was a German Jew, a physician, who had come to France to reside, and there married a Breton lady. Sixteen children were born of this union, of whom Carl was the oldest of the eight boys and Alexander the youngest. Samuel Herrmann was an accomplished conjurer, but rarely performed in public. He gave private séances before Napoleon I, who presented him with a superb watch. This timepiece descended to Alexander, and is in possession of his widow. {222}

Carl Herrmann was born in Hanover, Germany, January 23, 1816. Despite parental opposition he became a sleight-of-hand artist, and was known as the “First Professor of Magic in the World.” In 1848 he made his first bow to the English people, at the Adelphi Theatre, London, where he produced the second-sight trick, which he copied from Houdin in France. Early in the sixties he made a tour of America, with great success. At his farewell performance in New York City, he introduced his brother Alexander as his legitimate successor. Carl then retired with a fortune to Vienna, where he spent the remainder of his days in collecting rare antiquities. His death occurred at Carlsbad, June, 1887, at the age of seventy-two. He was a great favorite with Czar Nicholas and the Sultan of Turkey and frequently performed at their palaces.

Here is one of Carl Herrmann’s German programmes: