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The old English dramatists

Chapter 10: Transcriber’s Notes
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About This Book

A series of lectures surveys prominent Elizabethan and early Stuart playwrights, offering readable criticism and selected readings to illustrate stylistic traits, dramatic methods, and historical contexts. Beginning with a reflection on the stage's origins and the role of interludes, the speaker analyzes individual dramatists—including Marlowe, Webster, Chapman, Beaumont and Fletcher, Massinger, and Ford—attending to poetic power, moral ambiguity, plot construction, and performance needs. The essays balance appreciative close readings with biographical and theatrical commentary, emphasizing distinctive voices and the transition from medieval forms to the more literary, city-grown drama of the Renaissance.

Transcriber’s Notes

Punctuation, hyphenation, and spelling were made consistent when a predominant preference was found in the original book; otherwise they were not changed.

Simple typographical errors were corrected; unbalanced quotation marks were remedied when the change was obvious, and otherwise left unbalanced.

Contractions using ’t, such as “’t is” were printed with a space separating the “’t” from the preceding or following word. Today, we omit the space (“’tis”), but since all of them were printed with the space in the original book, the space has been retained here.