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The Old Inns of Old England, Volume 1 (of 2) / A Picturesque Account of the Ancient and Storied Hostelries of Our Own Country cover

The Old Inns of Old England, Volume 1 (of 2) / A Picturesque Account of the Ancient and Storied Hostelries of Our Own Country

Chapter 10: CHAPTER IX
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About This Book

This work surveys the history, architecture, and social life of England’s old inns, combining antiquarian research, regional tours, and firsthand travel sketches. It outlines their origins and development, treats pilgrims’ and monastic hostels, coaching inns and eighteenth-century coaching life, and profiles notable hostelries linked with romance, Dickens, Pickwick, and highwaymen. Descriptive chapters record signage, interiors, kitchens, customs, and local anecdotes, and the narrative is illustrated with prints, drawings, and photographs. Organized as themed chapters and itineraries, it aims to evoke the atmosphere of inns strung along historic roads while documenting their changing roles in travel and community life.

Young Godolphin bled to death on a stone seat of what is now, as Charles Kingsley wrote, “a beautiful old mullioned and gabled Perpendicular inn.”

What was once the “great hall” of the old mansion is now a schoolroom. Both face the church, on the other side of the narrow street, as an old manor-house should do, and in summer time the gossipers lounge and talk, and interpolate their gossiping with loud horse-laughs, far into the night, greatly to the annoyance of visitors. Have I not heard, with these ears, the raising of a sash at some incredible hour, and the voice of some native of Bawston or N’York, exclaiming indignantly, “See yur, you darned skunks, clear out of it!” whereupon, with cat-calls and insults in the patois of Devonshire, fortunately not with ease to be understood by strangers from the U.S., that village convention has dispersed.

Many historic memories linger around that ancient and beautiful house, the “Saracen’s Head” at Southwell, in the Sherwood Forest district of Nottinghamshire. Southwell, whose hoary Minster has in modern times become a cathedral, has fallen into a dreamless slumber since the last of the coaches left the road, and as the traveller comes into its quiet streets, in whose midst the great Norman church stands solemnly, like some grey architectural ghost, he feels that he has come into a place whose last days of activity ended considerably over half a century ago.

The “Saracen’s Head” was built in that interesting, but vague, period of “ever so long ago”; the nearest attempt at determining its age to which most chroniclers dare commit themselves. Whether the existing house is the same building as that of this name conveyed by the Archbishop of York in 1396 to John Fysher and his wife Margaret, does not appear, but there seems very little reason to doubt that, although greatly altered and added to from time to time, the present “Saracen’s Head” is, essentially, in its ancient timbering, the identical structure.

The frontage of the inn, now as ever the chief inn of Southwell, little indicates its great age, for it is covered with a coat of grey plaster, and, were it not for the enormously substantial oaken doors of the coach-entrance, and the peep through the archway of the old courtyard, the casual wayfarer might pass the historic house by.

 

YARD OF THE “SARACEN’S HEAD,” SOUTHWELL.

 

For it is historic, in an intimate and a melancholy way. Dismissing in a word the remote visits paid by Edward the First and Edward the Third to Southwell, when they are stated to have lodged at the “Saracen’s Head,” we come to the harassed wanderings of Charles the First over the distracted England of his time. That unhappy King well knew Southwell and the “Saracen’s Head.” They were associated with the opening and the closing scenes of his fight with Parliament and people, for he rested at the inn on August 17th, 1642, on the way to raise the Royal Standard at Nottingham on the 22nd; and at last, on May 5th, 1646, he abandoned the nearly four years’ struggle against fate, surrendering himself here to the Scottish Commissioners. Between those two fateful days he was certainly once at Southwell, and possibly more often.

The story of his last visit has a pathos of its own that we need not be Royalist to perceive. In March, 1646, the King at length saw his hopes to be desperately failing everywhere, even in the loyal West; garrisons of towns, castles, and fortified houses had been compelled to yield, and himself reduced to fleeting, the embarrassed head of an impossible cause, from place to place; bringing upon places and persons devoted to him a common ruin. Friends began to despair of his shifty and untrustworthy policy towards themselves and in negotiations with the enemy, and although their loyalty was hardly ever in doubt, for they were fighting, after all, not merely for the King personally, but for an order of things in which their interests were involved, they had by this time exhausted energies and wealth in a vain effort, and perhaps thought peace at almost any price to be by this time preferable to the uncertainties of civil war, in which the only certainty seemed to be that, whoever eventually won, they must needs in the meanwhile be continually making further sacrifices.

The King was at Oxford when he at length came to a decision by some means to end the struggle; by flight over sea, or by surrendering himself to the enemy: in the hope, in that alternative, that the sanctity of Kingship would enable him by some means to snatch an advantage out of the very jaws of defeat and ruin. The first thought was to take flight from the country, by the port of King’s Lynn, but that was at length abandoned for the idea—a fatal tertium quid, as it proved—of surrendering, not to the English army and the Parliament, but to the Scots, who, he thought, were likely to make better terms for him. The Scottish army was at that time engaged upon the siege of the Royalist castle of Newark, near Southwell; and to Southwell the King, therefore, went from Oxford, in disguise. He left Oxford on April 26th, and, to the last incapable of being straightforward, even toward his own, gave out to his council that he was going to London, to treat with Parliament. On May 3rd he was at Stamford, and came to the “Saracen’s Head” at Southwell at seven o’clock in the morning of May 5th, accompanied by Ashburnham and his chaplain, Dr. Hudson, but travelling with them as Ashburnham’s servant. At the inn he was received by Montreuil, the French Ambassador to Scotland, who had been advised of his coming. The King, believing himself in every sense free, invited the Scottish Commissioners over to dinner at the inn, from the Bishop’s Palace, where they had their quarters; and in what is now the Coffee Room, the negotiations took place that ended in the King’s yielding to the Scots. It would, in any case, have so ended, for the Commissioners came by invitation, as guests to dinner, but were so astonished at finding the King so tamely coming within their grasp that they had not the remotest idea of letting him go again, and would, if needs were, have forcibly detained him. He was removed the same day to the neighbouring Kelham Hall, where he formed the richest prize and the bitterest source of contention between the English and the Scots, and all but caused a further warfare. Eventually, the Scottish Commissioners, true to the national love of money, sold their principles and their prisoner for £400,000 and withdrew themselves and their forces across the border. The story ends tragically, in Westminster, with the execution of the King on January 30th, 1649.

The Coffee Room of the “Saracen’s Head” is a beautiful apartment, formed out of two rooms, and rich in panelling and deeply recessed windows. The bedroom upstairs, where the King is said to have slept, is, in the same manner, formed by abolishing the partition that once made two rooms of it; and there they still show the pilgrims after things of sentimental and historic interest the ancient four-poster bed on which the King slept.

This history seems to have greatly upset Dr. Selwyn, Bishop of New Zealand and afterwards of Lichfield, who stayed at the “Saracen’s Head” in 1858, and slept—or rather, failed to sleep—in this historic bed. For my part, although a pilgrim—and a sentimental one at that—I found the four-poster, despite its associations, as inviting to slumber as any other; but then, I had cycled eighty-one miles that day, and—not being a bishop—had nothing on my conscience.

 

KING CHARLES’ BEDROOM, “SARACEN’S HEAD,” SOUTHWELL.

 

Dr. Selwyn was so obsessed with the memories of that room and the house that he arose in the middle of the night, and lighted his bedroom candle and wrote a long set of couplets, sentimental, pietistic, and very jingly and inferior. I have a mental picture of him sitting up in bed, or perhaps at the dressing-table in his night-shirt, gruesomely cold on that March night, running his fingers through his hair and gazing at the ceiling for the inspiration which does not seem to have come; for a more uninspired set of verses it would be difficult to find. But you shall judge:

I cannot rest—for on the spot where I have made my bed,
O’erwearied with the strife of State, a King hath laid his head.

Thy sacred head, ill-fated Charles, hath lain where now I lie;
And thou hast passed, in Southwell Inn, as sleepless night as I.

I cannot rest—for o’er my mind come thronging full and fast,
The stories of the olden time, the visions of the past.

’Twas here he rested ere he raised his standard for the fight;
Here called on Heaven to help his cause, My God, defend the right!

Here gather’d round him all the flow’r of England’s chivalry;
And here the vanquished Monarch closed his days of liberty.

I cannot rest—for Cromwell’s horse are neighing in mine ear;
E’en in the Holy House of God their ringing hoofs I hear.

Lord! wilt Thou once again endure it stable vile to be?
The proud usurper’s charger rein’d fast by Thy sanctuary.

I cannot rest—for Wolsey’s pride, and Wolsey’s deep disgrace—
The pomp, the littleness of man—speak from this ancient place.

Here gloriously his summer days he spent in kingly state;
Here his last summer sadly pined, bow’d by the stroke of Fate.

How mighty was he when he rul’d from Tweed to Humber’s flood!
How lowly when he came to die, forsaken by his God!

I cannot rest—for holier thoughts the lingering night beguile,
Of the glad days when gospel light went forth o’er Britain’s Isle.

’Twas here the Bishop of the North, Paulinus, pitch’d his tent,
Here preached the living Word of God, baptizing in the Trent.

Hence have the preachers’ feet gone forth thro’ all the country wide;
And daughter-churches have sprung up, nursed at their mother’s side.

Here have the clerks of Nottingham, and yeomen bold and true,
Held yearly feasts at Whitsuntide, and paid their homage due.

Here many a mitred head of York, and priests and men of peace,
Have lived in penitence and prayer, and welcomed their release.

And hence the daily choral song, the gospel’s hopes and fears,
Have sounded forth to Christian hearts, beyond a thousand years.

’Tis thus, o’er England’s hill and dale, have passed by Heaven’s decree,
A changing light, a chequer’d shade, a mingled company.

The good, the bad, have had their day, the Lord hath worked His will;
And England keeps her ancient faith, purer and brighter still.

Where are they now, the famous men who lived in olden time?
They never see the noonday sun, nor hear the midnight chime.

They sleep within their narrow cell, waiting the trumpet’s voice;
Lord! grant that I may rest in peace, and when I wake—rejoice.

Saracen’s Head, Southwell, 5th March, 1858.

Byron had stayed often at the inn, many years before, and in 1807 wrote an impromptu on the death of a local carrier, John Adams, who travelled to and from the house, and lived drunk and died drunk:

John Adams lies here, of the parish of Southwell,
A Carrier who carried his can to his mouth well;
He carried so much and he carried so fast,
He could carry no more—so was carried at last:
For the liquor he drank, being too much for one,
He could not carry off—so is now carri-on.

It will already have been noticed that the Stuarts and their troubles contributed most of the historic associations belonging to our old hostelries; and we have not yet quite done with them. The incidents of Charles the Second’s flight in 1651, after the battle of Worcester, include a halt of one night at the “Sun,” Cirencester, the well-known escape from the “Queen’s Arms,” an inn—that is an inn no longer—at Charmouth, and visits to the “George” at Bridport, and a house of the same name at Broadwindsor. The “King’s Arms” at Salisbury is associated with meetings and conferences of the King’s supporters, who, while he lay in hiding at Heale House, considered there the best way of conducting him to the coast and safety. The route chosen lay through Mere, where, at the “George” inn (rebuilt in the eighteenth century) Colonel Phelips and Charles, travelling as his servant, Will Jackson, called. The Colonel, an acquaintance of the landlord, descended into the cellar of the inn, to sample the liquors of the house, while “Will Jackson” stood respectfully aside. Mine host, however, was an hospitable man, and, turning to the servant, with jug and glass, said, “Thou lookest an honest fellow—here’s a health to the King!” The “honest fellow,” whether taken aback by the suddenness of it, or acting an unwilling part, made some difficulty in replying; whereupon the landlord mildly took the Colonel to task for the kind of man he had brought.

 

THE “COCK AND PYMAT.”

 

From another “George”—the “George” at Brighthelmstone, in after years styled the “King’s Head”—the King escaped to France.

Nor even yet have we quite done with the hapless Stuarts, of whom undoubtedly Charles the Second was the most fortunate.

One of the most historic of inns was the famous “Cock and Pymat” at Whittington, near Chesterfield. It is now only to be spoken of in the past tense because, although there is still an inn of that name at Whittington, it is not the famous “Revolution House” itself, but only a modern building to which the old sign of the “Cock and Magpie”—for that is the plain English of “Pymat”—has been transferred.

Whittington in these times is a very grim and unlovely village, in the dismal colliery district of Chesterfield, whose wicked-looking crooked spire gives an air of diablerie to its immediate surroundings; but two centuries and a quarter ago, when James the Second was on the throne, and busily engaged in undermining the religious and Parliamentary liberties of the realm, it was a tiny collection of houses on a lonely moor, and an ideal place for meetings of conspirators. There and then those very mild and constitutional plotters who, despite their mildness, did actually succeed in overturning that already insecure monarch, met and formulated their demands.

The house in which they gathered was then an inn so noted for its fine home-brewed ale that packmen and others made it a regular place of call, and often, we are told, went considerable distances out of their way, rather than miss a draught of the genuine Whittington nut-brown.

The bold men who met in the room still known as the “Plotting Parlour” had nothing in common with such plotters as Guy Fawkes. Their methods were rather those of debating societies than of misguided persons with dark lanthorns and slow matches; but those were times when even the mildest debater who ever rose to a point of order would have been in danger of his life; and so undoubtedly the little gathering that met here in 1688—William, fourth Earl of Devonshire, Sir Thomas Osborne, Earl of Danby, afterwards Duke of Leeds, and John D’Arcy—were bold men and brave.

They drew up a complaint, moderately worded, and appended to it a sturdy resolution. They declared that “invasions had been made of late Years on our Religion and Laws, without the consent of Parliament, freely and duly chosen,” and begged King James to grant again the constitutional right, hardly won by our forefathers, of a free Parliament. “But,” they added, “if, to the great Misfortune and Ruin of these Kingdoms it prove otherwise, we further declare that we will to our utmost defend the Protestant religion, the Laws of the Kingdom, and the Rights and Liberties of the People.”

The Stuarts, although a romantic, were a wrong-headed and a stiff-necked race. They must needs for ever be trying conclusions with their stubborn heads against every brick wall within reach, and would never bow before the storms of their own raising. James, true to his blood, would no more yield than would any other of his house; and in that same year came the Prince of Orange and brushed him lightly aside.

The chair in which the Earl (afterwards Duke) of Devonshire presided at the “Cock and Pymat” was long since transferred to Hardwick Hall, and in the course of years the greater part of the old inn was demolished, the remaining portion being now a private house.

 

PORCH OF THE “RED LION,” HIGH WYCOMBE.

 

The porch of that chief hotel of High Wycombe, the “Red Lion,” has become in these last generations historic; but while we may find, throughout the country, inns associated with the entirely fictitious incidents of novels displaying notices of their fame, there is not yet even the most modest of tablets affixed to the front of the “Red Lion,” to inform the present generation that from the roof of the projecting portico Benjamin Disraeli, afterwards Prime Minister of England, made his first political speech. Thrice, and every time unsuccessfully—twice in 1832, and in 1834—he sought to enter Parliament as Member for this town. He made a public entry on June 3rd, 1832, and spoke from beside the lion that, still very red and fierce, stands to this day on the roof of the portico. He appeared there in the dandified costume of his youth—tightly strapped trousers, frock-coat very tight in the waist and very full and spreading in the skirts—and made a picturesque figure as, in the excitement of his harangue to the free and independent electors, he from time to time flung back the long black curls of his luxuriant hair. Mr. D’Israeli—as he then spelled his name—appeared as an independent candidate, and was proposed by a Tory and seconded by a Radical. He polled little more than half the number of votes cast for his opponent, and how small was the electorate in those days of a restricted franchise we may see from this election return:

Grey   23
D’Israeli   12
Majority   11

Among inns of highly dubious historic associations may be mentioned the “White Hart” at Somerton, Somerset: that gaunt and cold-looking town built of the local grey-blue limestone that so utterly destroys the summery implication of the place-name.

 

THE “WHITE HART,” SOMERTON.

 

The inn claims to have been partly built of the stones of Somerton Castle, and a tiny opening, about the size of a pocket-handkerchief, in the gable of the small and not otherwise particularly interesting house, is pointed out as the window of “King John’s Prison.” The “King John” in question was not our own shabby and lying Lackland, but an infinitely finer fellow—if one may so greatly dare as to name a king a “fellow”—King John of France, taken prisoner at the battle of Poictiers and held to ransom in England. But there appears to be a considerable deal of confusion in the statement that the French King was ever in custody in Somersetshire, for it was from the Castle of Hertford to Somerton Castle in Lincolnshire that he was removed, for greater security, in 1359. But those grave authorities, the county histories of Somerset and Lincolnshire, alike claim to have had the custody of that illustrious prisoner, in the 33rd year of Edward the Third, at their respective Somertons, and the antiquaries of either narrate how one Sir Saier de Rochford was granted two shillings a day for the keeping of him.

Apart from this unfounded claim, the “White Hart” is pictorially remarkable for its White Hart effigy, of an enormous size in proportion to that of the house.

 

 


CHAPTER IX

INNS OF OLD ROMANCE

Romance, as we have already seen, was enacted in many ways in the inns of long ago. Love and hatred, comedy and tragedy, and all the varied moods by which human beings are swayed, have had their part beneath the roofs of the older hostelries; as how could they fail to do in those times when the inn was so essential and intimate a part of the national life? The romantic incidents in which old inns have their part are in two great divisions: that of old folklore, and the other of real life. To the realm of folk-tales belongs the story told of an ancient hostelry that stood on the site of the “Ostrich,” Colnbrook.

The decayed coaching town of Colnbrook, in Middlesex, seventeen miles from Hyde Park Corner, on the great road to Bath, is little changed from the time when the coaches ceased running through it, seventy years ago. Still do the old red-brick houses on either side of the narrow, causeway-like street wear their seventeenth, their eighteenth, or their early nineteenth-century look unchanged, and the solid, stolid red-faced “George” inn yet seems to be awaiting the arrival of the mail, or of some smart post-chaise nearing London or setting out on the second stage of the 105¾ miles to Bath.

Colnbrook is perhaps the best illustration of a coaching town ruined by railways that it is possible to discover, and certainly the nearest to London. How great its fall since those prosperous days of 1549, when it was incorporated as a market-town! Its charter was renewed in 1632, and, judging from the many houses in its narrow street built about 1700-1750, the prosperity of the place survived unimpaired for certainly considerably over another century. It is now merely a village, but, as a result of its former highway importance, still a place of inns. There are at least ten even now surviving; and it is quite safe to assume that any important-looking old house, now in private occupation, facing the long thoroughfare, was once a hostelry.

The “George,” already mentioned, although re-fronted at some period of the eighteenth century, is older within, and an old gable overlooking the stable yard even has a sixteenth-century barge-board surviving. Of rather more human interest is the decorative and spiky iron-work fixed on the ground-floor window-sills of the frontage, which clearly shows that the architect of the building, when he drew out his design, had forgotten the loungers of Colnbrook, and, in placing his sills at the height above the ground of the average chair, had unwittingly provided the lazy with seats in the most advantageous position. Hence the afterthought of the decorative but penetrative ironwork.

But the oldest and most interesting building in Colnbrook is the “Ostrich” inn, whose long, gabled timber-and-plaster front, now partly divided up into shops and tenements, is clearly of Elizabethan date. It is picturesque, rambling, shabby outside, and shabby and darkling within, and the most satisfactory part of it is without doubt the little courtyard through the archway, where, turning round on the cobble-stones, you get a picturesque and a sunny view of steep roofs, dormer windows, dove-cot, and white-washed walls covered with grape-vines.

The present “Ostrich” is the successor of a much more ancient inn. There have been, in fact, several inns on this site. The first appears to have been a guest-house, or hospice—“quoddam hospitium in viâ Londoniæ apud Colebroc”—founded by one Milo Crispin, and given, in 1106, in trust to the Abbey of Abingdon, for the good of travellers in this world and the salvation of his soul in the next.

It would seem to be from this circumstance that the inn obtained its name, for it was early known as the “Ospridge,” a kind of orthographic half-way house between the former “hospice” and the present “Ostrich.”

If we may believe the old chroniclers’ statements—and there is no reason why we should not—the house became in after years a place of resort for guests going to and from Windsor Castle; and here the ambassadors robed themselves before being conducted the last few miles, and so into the Royal presence. Froissart chronicles four ambassadors to Edward the Third dining with the King: “So they dyned in the Kynge’s chamber, and after they departed, lay the same night at Colbrook.”

 

THE “OSTRICH,” COLNBROOK.

 

How it happened that the inn kept its customers after the dreadful murders traditionally said to have been committed here by wholesale in the reign of Henry the First, certainly not fifty years after the hospice was given to Abingdon Abbey, there is no explaining. The ancient pamphlets that narrate the Sweeny Todd-like particulars do not enlighten us on that head.

The undiluted horror of the whole thing is exceedingly revolting, and one would rather not give a further lease of life to it, but that in an account of Old Inns their unpleasing story must needs be set forth, in company with their lighter legends. Moreover, the late sixteenth-century romance of Thomas of Reading, in which the story occurs, is by way of being a classic. It was written, probably in 1598, by one Thomas Delaney, and is a lengthy narrative of a wealthy clothier of that name, otherwise Thomas Cole. Characterised variously as “a fabulous and childish history,” and as “a mixture of historical fact and fictitious narrative,” it was, at any rate, a highly successful publication, for by 1632 it had reached its sixth edition, and eventually was circulated, broadcast, as a penny chap-book.

According to this “pleasant and famous historie,” there was once upon a time, in the days of Henry the First, one Thomas Cole, a wealthy clothier of Reading, who was used frequently to travel on his business between that town and London. Commonly he journeyed in company with two intimate clothier friends, Gray of Gloucester and William of Worcester. He himself was a worshipful man, of honesty and great wealth, and was usually known as Thomas of Reading. The three would usually dine at the “Ostrich” on the way to London, and on the return sleep there. We are asked to believe that this business man, Thomas Cole, on such occasions gave the money he carried into the care of the landlady overnight, and that by this misplaced confidence he was marked down for destruction.

Jarman, the innkeeper, and his wife had long been engaged in what is rather delicately styled the “systematic removal” of wealthy guests, and had devised an ingenious murder-trap in the principal bedroom, by which the bed, firmly secured to a trap-door, was in the dead of night, when the house resounded to the intended victim’s snoring, plunged suddenly into a huge copper filled with boiling water, placed in the room below. He was then “polished off,” as Sweeny Todd himself would say, and should it happen that other guests of the night before asked after the missing one, they would be told that he had taken horse early and gone away.

The victim’s horse would be taken to a distance and disguised, his clothes destroyed, his body thrown into the Colne, or into the Thames at Wraysbury, and his money added to the fortune mine host and his wife were thus rapidly acquiring.

As Thomas Cole had business in London more frequently than his friends, it naturally followed that he sometimes went alone. On the first such occasion he was, according to the author of this “pleasant historie,” “appointed to be the fat pig that should be killed: For it is to be understood that when they plotted the murder of any man, this was alwaies their terme, the man to his wife, and the woman to her husband: ‘Wife, there is now a fat pig to be had if you want one.’ Whereupon she would answer thus: ‘I pray you put him in the hogstie till to-morrow.’”

He was accordingly given the room—the condemned cell, so to speak—above the copper, and by next morning would doubtless have been floating inanimate down the Thames, had not his friend Gray unexpectedly joined him in the evening. On another occasion his hour was nearly come, when Colnbrook was aroused at night by people riding post-haste from London with news that all Chepe was ablaze; and he must needs be up and away without sleeping, for he had interests there.

The innkeeper was wrathy at these mischances; “but,” said he, in a phrase even yet heard, “the third time will pay for all.”

Yet again the threatened clothier came riding alone, but in the night he was roused by the innkeeper himself to help quiet a riotous dispute that had arisen in the house over dice.

On another occasion he fell ill while staying at the “Ostrich,” or the “Crane,” as some accounts name the house, and had to be nursed; but the fifth time was fatal. Omens pursued him on that occasion, and many another would have turned back. His horse stumbled and broke a leg, and he had to find another, and when he had done so and had resumed his journey, he was so sleepy he could scarce sit in the saddle. Then, as he drew near Colnbrook, his nose began to bleed.

The happenings of the day depressed him when at last he had come to the inn. He could take nothing, and the innkeeper and his wife remarked upon it.

“Jesu, Master Cole,” quoth they, “what ails ye to-night? Never before did we see you thus sad. Will it please you to have a quart of burnt sack?”

“Willingly,” he rejoined; but presently lapsed into his former mood.

“I have but one child in the world,” said he, “and that is my daughter, and half that I have is hers and the other half my wife’s. But shall I be good to nobody but them? In conscience, my wealth is too much for a couple to possess, and what is our religion without charity? And to whom is charity more to be shown than to decayed householders? Tom Dove, through his love of jollity and good-fellowship, hath lost his all. Good my Oast, lend me a pen and inke, for straightway I will write a letter vnto the poore man, and something I will give him. God knows how long I shall live.”

“Why, Master Cole,” said the innkeeper, when shown what the clothier had written, “’tis no letter, but a will you have written.”

“’Tis true,” said Cole, “and I have but written that which God put into my mind.” Then, folding and sealing it, he desired his host to despatch it, and was not satisfied until he himself had hired the carrier. Then he fell a-weeping, and so went to bed, to the accompaniment of many other dolorous signs and portents. “The scritch-owle cried piteously, and anon after the night-rauen sate croaking hard by the window. ‘Jesu have mercy vpon me,’ quoth hee, ‘what an ill-favoured cry doe yonder carrion birds make;’ and thereupon he laid him down in his bed, from whence he neuer rose againe.”

The innkeeper also was shaken by these ominous things, and would have spared his guest; but his wife was of other mettle.

“What,” said she, “faint you now?”—and showed him the gold that had been given into her care.

In the end they served the unfortunate Cole as they had many another, and threw his body into the little river that runs near by: hence, according to the old accounts, the name of the place, originally Cole-in-brook!

This last ridiculous, infantile touch is sufficient to discredit the whole story, and when we learn that, according to one account thirteen, and by the testimony of another no fewer than sixty, travellers had been, in like manner, “removed,” we are inclined to believe the whole thing the invention of some anonymous, bloody-minded pamphleteer, and care little whether the innkeeper and his wife were hanged (as we are told) or retired with a fortune and founded a family.

At any rate, one cannot understand the persistent attempt to connect the so-called “Blue Room” of the present house with the fatal bedroom. If there is any truth at all in the story of Master Cole, his tragical ending was accomplished in a house demolished eight hundred years ago; for we have it, in the words of the writer of Thomas of Reading, that “the King (Henry the First) commanded the house should be quite consumed with fire and that no man should ever build vpon that cursed ground.”

In the same manner, the recent attempts to connect Turpin with the “Ostrich” will not bear the least investigation.

 

YARD OF THE “OSTRICH,” COLNBROOK.

 

This ghastly story claimed, with such extraordinary zeal, by the “Ostrich” is by no means the only one of its kind, for many an old tale of horror has for its central feature the wicked innkeeper who robbed and murdered his guests. The most famous, and most revolting, legend is that included in the career of St. Nicholas of Myra, which serves to show that this licensed-victualling depravity was international. The true story of St. Nicholas is not miraculous, and is simply earnest of his good and pitiful nature. He entreated, and secured from Eustathius, governor of Myra, the pardon of three men imprisoned in a tower and condemned to die, and is often represented with a tower at the side of him and three mannikins rising out of it. In the course of time the tower became a tub, and the little men were changed into children, and those changes in their turn gave rise to a wholly fictitious story that fairly outranges all the other incredible marvels of the dark ages. According to this tale, an innkeeper, running short of bacon, seized three little boys, cut them up, and pickled them in a salting-tub. St. Nicholas, hearing that they had gone to the inn and had disappeared there, had his saintly suspicions aroused. He asked for the pickle-tub, addressed it in some form of words that unfortunately have not been preserved to us, and straightway the fragments sorted themselves out, and pieced themselves together, and the children went off to play.

A curious feature of the old frontage of the “Ostrich” was the doorway made in coaching times in the upper storey for the convenience of passengers, who were in this manner enabled to step directly into the house from the roofs of the coaches. There are those still living who remember this contrivance; but the space has long been filled in, and the sole vestige of it is an unobtrusive wooden sill resting on the timbering beneath the swinging sign.

Romance, very dark and gory, clothes the memory of the “Blue Boar” at Leicester, a house unfortunately pulled down in the ’30’s of the nineteenth century. According to tradition, Richard the Third, coming to Leicester and finding the castle already dilapidated, stayed at the inn before the battle of Bosworth, and slept in the huge oaken four-poster bed which remained in the house until the date of its demolition. It was not only a bed, but also a treasure-chest, for in the time of one Clark, who kept the house in the later years of Queen Elizabeth and the earlier part of the reign of James the First, a great store of gold coin was discovered in the framework of it. Mrs. Clark, making up the bed hastily, shook it with more than usual vigour, when, to her surprise, a gold coin dropped out. Examination led to the discovery that the bedstead had a false bottom and that the space between was one vast cash-box. Clark did not at the time disclose the find, and so became “mysteriously” rich. In the course of a few years he was gathered to his fathers, and his widow kept on the house, but was murdered in 1613 for the sake of her gold by a maidservant, who, together with no fewer than seven men accomplices, was duly hanged for the crime.

 

“PIFF’S ELM.”

 

The difficulty of resolving tradition into fact, of putting a date to legends and tracing them to their origin, is generally insurmountable. Let us take, for example, the “Old White Swan,” at “Piff’s Elm.” Casting a roving eye upon the map of Gloucestershire, I see by chance, between Tewkesbury and Gloucester, a place so named. It tells me vaguely of romance, and I resolve, at all hazards, to go to that spot and sketch, if sketchable, the inn I suspect to be there, and note the story that belongs, or should belong, to it. In due course I come to that lonely place, and there, to be sure, is an inn—once a considerable house on the old coaching and posting route between Cheltenham and Tewkesbury—and not only an inn, but a picturesque one, fronted with the giant stump of an elm—whether Piff’s or another’s, who shall say?

And Piff himself? Whether he was a highwayman or was murdered by a highwayman; or if he were a suicide who hanged himself from the elm associated with him, or a criminal gibbeted there, I cannot tell you, nor can any one else. Some stories say one thing, some another, and others still put quite different complexions upon it. In that choice of legends lurks romance itself, perhaps reduced from the highest realms of tragedy by the unfortunately farcical name of the mysterious Piff.

Equally romantic, and irreducible to cold-drawn fact, is the legend of King James and the Tinker, associated with the “King and Tinker” inn at White Webbs Lane, in what was once Enfield Chase. According to the tale, King James the First, hunting in the woodlands that surrounded his palace of Theobalds, lost himself, and, drawing rein at the inn—whatever then was the sign of it—encountered a tinker drinking a modest stoup of ale in the porch.

“What news, good fellow?” asked the horseman.

“No news that I wot of,” replied the tinker, “save that they say the King’s out a-hunting in the Chase to-day. I should like to see the King, although I suppose he’s very much like other folk.”

“So you’d like to see the King?” queried his Majesty.

“Ay, just for the sake of saying so,” replied the tinker.

“Mount behind me, then,” said the King, “and I will show you him.”

“But how shall I know him when I see him?”

“Easily enough. You will know him by his remaining covered.”

Soon the King came upon his retinue, all of whom promptly bared their heads. “Now, my friend, where is the King?” asked his Majesty, turning, with a smile, in his saddle.

“There’s only we two covered, and since I know I’m no king, I—O! pardon, your Majesty!” replied the now trembling tinker.

The King laughed. “Now,” said he, “since you have seen how a King looks, you shall also see how he acts,” and then, drawing his sword, he knighted the tinker on the spot; or, in the words of the brave old ballad:

“Come, tell me thy name.” “I am John of the Dale,
A mender of kettles, and fond of good ale.”—
“Then rise up, Sir John, for I’ll honour thee here,—
I make thee a Knight of five hundred a year!”

Well may the mark of exclamation stand there, not only at the general improbability of such a thing, but at the preposterous idea of the niggard James the First being guilty of an act of unreasonable generosity. But one must not question the legend at the “King and Tinker,” where it is devoutly cherished. I have before me a four-page pamphlet, issued at the inn, wherein the ancient ballad is printed at length and surmounted, not very convincingly, by a woodblock in the Bewick manner, showing a number of sportsmen in the costume of George the Third’s time, about, in a most unsportsmanlike way, to ride over the hounds. In the distance is Windsor Castle. It will be conceded that, as an illustration of the King James and the Tinker legend, this is lacking in some of those intimate touches that would make the incident live again.

But the legend and the ballad are much older than the days of James the First. They are, in fact, to be found, on substantially the same lines, in most centuries and many countries, Haroun-al-Raschid is found, in the Arabian Nights, in circumstances not dissimilar: while the story of Henry the Second—or, as some versions have it, Henry the Eighth—and the Miller of Mansfield is another familiar parallel. There again we find the King riding away in the forest from his courtiers, only in that instance it is the Forest of Sherwood. He is given shelter by the miller, and shares a bed with the miller’s son, Dick. Next morning the agitated courtiers discover the King, who knights his host, “Sir John Cockle,” and eventually names him ranger of Sherwood, with a salary of £300.

From romance of this almost fairy-tale kind let us turn to the equally astonishing, but better established, story associated with the once-famed “Pelican” at Speenhamland, on the outskirts of Newbury. The Peerage, which has long appeared to exist almost exclusively for the purpose of scandalising staid folk by the amazing marriages of its members, included in 1744 a Duke of Chandos; Henry Brydges, the second Duke, at that time a widower. He and a friend, dining at the “Pelican” on their way from Bath to London in that year, were interrupted by an unwonted excitement that appeared to be agitating the establishment. Inquiring the cause, they were told that a man was about to sell his wife in the inn yard. “Let us go and see,” quoth the Duke; and they accordingly went forth into the courtyard and saw a handsome, modest-looking young woman enter, in the approved manner, with a halter round her neck, and led by her husband, who is described as a “brutal ostler.”

It was a remarkable instance of love at first sight. The name of this fortunate young woman was Ann Wells. The Duke bought her (the price is not stated) and married her on Christmas Day. She died in 1757, at Keynsham, near Bristol, leaving an only daughter, Lady Augusta, who married a Mr. Kearney.

There remained until recent times a funeral hatchment in Keynsham Church on which the arms of this greatly daring Duke were impaled with those found by the Herald’s College for his plebeian wife: “three fountains (for ‘Wells’) on a field azure.”

 

 


CHAPTER X

PICKWICKIAN INNS

What visions of Early Victorian good-fellowship and conviviality, of the roast-beef and rum-punch kind, are called up by the title! The Pickwickian Inn was, in the ’30’s of the nineteenth century, the last word in hospitable comfort, and its kitchen achieved the topmost pinnacle of culinary refinement demanded by an age that was robust rather than refined, whose appetites were gross rather than discriminating, and whose requirements seem to ourselves, of a more sybarite and exacting generation, few and modest. The Pickwickian age was an age of prodigious performances in eating and drinking, and our ancestors of that time, so only they had great joints, heaped-up dishes, and many bottles and decanters set before them, cared comparatively little about delicate flavours. The chief aim was to get enough, and the “enough” of our great-grandfathers would nowadays be a surfeit to ourselves. If it were not then quite the essential mark of a jolly good fellow to be carried up to bed at the end of an evening with the punch and the old port, a man who shirked his drink was looked upon with astonishment, almost suspicion, and the only use in those deep-drinking days and nights for table-waters was to help a man along the road to recovery, after “a night of it.”

Then to be otherwise than of a Pickwickian rotundity was to be not merely a poor creature, but generally connoted some mental crook or eccentricity; while fatness and hearty good-nature were thought of almost as interchangeable terms.

’Twas ever thus. Even Shakespeare loved the well-larded, and makes Julius Cæsar, who himself was sufficiently lean, say: