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The Paris Sketch Book of Mr. M. A. Titmarsh

Chapter 21: LE ROI D’YVETOT.
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About This Book

A series of witty, observational sketches set in Paris that blend travel anecdote, social satire, and art criticism. The narrator records street scenes, public festivals, gallery visits, theatre and caricature, courtroom and salon gossip, and compact fictional tales, alternating anecdote with reflective pieces on painting, politics, and manners. Tone shifts from playful to mournful or ironic as vignettes explore gamblers, artists, theatrical life, and provincial visitors, while occasional meditations broaden to include palace interiors and cultural contrasts, producing a varied portrait of urban life and artistic society.

LE ROI D’YVETOT.

Il était un roi d’Yvetot,
    Peu connu dans l’histoire;
Se levant tard, se couchant tôt,
    Dormant fort bien sans gloire,
Et couronné par Jeanneton
D’un simple bonnet de coton,
     Dit-on.
        Oh! oh! oh! oh! ah! ah! ah! ah!
        Quel bon petit roi c’était là!
            La, la.

Il fesait ses quatre repas
    Dans son palais de chaume,
Et sur un âne, pas à pas,
    Parcourait son royaume.
Joyeux, simple et croyant le bien,
Pour toute garde il n’avait rien
     Qu’un chien.
        Oh! oh! oh! oh! ah! ah! ah! ah! &c.
            La, la.

Il n’avait de goût onéreux
    Qu’une soif un peu vive;
Mais, en rendant son peuple heureux,
    Il faux bien qu’un roi vive.
Lui-même à table, et sans suppôt,
Sur chaque muid levait un pot
     D’impôt.
        Oh! oh! oh! oh! ah! ah! ah! ah! &c.
            La, la.

Aux filles de bonnes maisons
    Comme il avait su plaire,
Ses sujets avaient cent raisons
    De le nommer leur père:
D’ailleurs il ne levait de ban
Que pour tirer quatre fois l’an
     Au blanc.
        Oh! oh! oh! oh! ah! ah! ah! ah! &c.
            La, la.

Il n’agrandit point ses états,
    Fut un voisin commode,
Et, modèle des potentats,
    Prit le plaisir pour code.
Ce n’est que lorsqu’il expira,
Que le peuple qui l’enterra
     Pleura.
        Oh! oh! oh! oh! ah! ah! ah! ah! &c.
            La, la.

On conserve encor le portrait
    De ce digne et bon prince;
C’est l’enseigne d’un cabaret
    Fameux dans la province.
Les jours de fête, bien souvent,
La foule s’écrie en buvant
     Devant:
        Oh! oh! oh! oh! ah! ah! ah! ah!
        Quel bon petit roi c’était là!
            La, la.

THE KING OF YVETOT.

There was a king of Yvetot,
    Of whom renown hath little said,
Who let all thoughts of glory go,
    And dawdled half his days a-bed;
And every night, as night came round,
By Jenny, with a nightcap crowned,
        Slept very sound:
    Sing ho, ho, ho! and he, he, he!
    That’s the kind of king for me.

And every day it came to pass,
    That four lusty meals made he;
And, step by step, upon an ass,
    Rode abroad, his realms to see;
And wherever he did stir,
What think you was his escort, sir?
        Why, an old cur.
    Sing ho, ho, ho! &c.

If e’er he went into excess,
    ’Twas from a somewhat lively thirst;
But he who would his subjects bless,
    Odd’s fish!—must wet his whistle first;
And so from every cask they got,
Our king did to himself allot,
        At least a pot.
    Sing ho, ho! &c.

To all the ladies of the land,
    A courteous king, and kind, was he;
The reason why you’ll understand,
    They named him Pater Patriae.
Each year he called his fighting men,
And marched a league from home, and then
        Marched back again.
    Sing ho, ho! &c.

Neither by force nor false pretence,
    He sought to make his kingdom great,
And made (O princes, learn from hence),—
    “Live and let live,” his rule of state.
’Twas only when he came to die,
That his people who stood by,
        Were known to cry.
    Sing ho, ho! &c.

The portrait of this best of kings
    Is extant still, upon a sign
That on a village tavern swings,
    Famed in the country for good wine.
The people in their Sunday trim,
Filling their glasses to the brim,
        Look up to him,
    Singing ha, ha, ha! and he, he, he!
    That’s the sort of king for me.