'... and as to what may be in this book, do not feel timid nor hesitate to enter. There are more mountains than mole-hills ...'

HILAIRE BELLOC

The Path to Rome

'. .. AMORE ANTIQUI RITUS, ALTO SUB NUMINE ROMAE'

PRAISE OF THIS BOOK

To every honest reader that may purchase, hire, or receive this book, and to the reviewers also (to whom it is of triple profit), greeting--and whatever else can be had for nothing.

If you should ask how this book came to be written, it was in this way. One day as I was wandering over the world I came upon the valley where I was born, and stopping there a moment to speak with them all--when I had argued politics with the grocer, and played the great lord with the notary-public, and had all but made the carpenter a Christian by force of rhetoric--what should I note (after so many years) but the old tumble-down and gaping church, that I love more than mother-church herself, all scraped, white, rebuilt, noble, and new, as though it had been finished yesterday. Knowing very well that such a change had not come from the skinflint populace, but was the work of some just artist who knew how grand an ornament was this shrine (built there before our people stormed Jerusalem), I entered, and there saw that all within was as new, accurate, and excellent as the outer part; and this pleased me as much as though a fortune had been left to us all; for one's native place is the shell of one's soul, and one's church is the kernel of that nut.

Moreover, saying my prayers there, I noticed behind the high altar a statue of Our Lady, so extraordinary and so different from all I had ever seen before, so much the spirit of my valley, that I was quite taken out of myself and vowed a vow there to go to Rome on Pilgrimage and see all Europe which the Christian Faith has saved; and I said, 'I will start from the place where I served in arms for my sins; I will walk all the way and take advantage of no wheeled thing; I will sleep rough and cover thirty miles a day, and I will hear Mass every morning; and I will be present at high Mass in St Peter's on the Feast of St Peter and St Paul.'

Then I went out of the church still having that Statue in my mind, and I walked again farther into the world, away from my native valley, and so ended some months after in a place whence I could fulfil my vow; and I started as you shall hear. All my other vows I broke one by one. For a faggot

PRAISE OF THIS BOOK

must be broken every stick singly. But the strict vow I kept, for I entered Rome on foot that year in time, and I heard high Mass on the Feast of the Apostles, as many can testify--to wit: Monsignor this, and Chamberlain the other, and the Bishop of so-and-so--o--polis in partibus infidelium; for we were all there together.

And why (you will say) is all this put by itself in what Anglo-Saxons call a Foreword, but gentlemen a Preface? Why, it is because I have noticed that no book can appear without some such thing tied on before it; and as it is folly to neglect the fashion, be certain that I read some eight or nine thousand of them to be sure of how they were written and to be safe from generalizing on too frail a basis.

And having read them and discovered first, that it was the custom of my contemporaries to belaud themselves in this prolegomenaical ritual (some saying in a few words that they supplied a want, others boasting in a hundred that they were too grand to do any such thing, but most of them baritoning their apologies and chanting their excuses till one knew that their pride was toppling over)--since, I say, it seemed a necessity to extol one's work, I wrote simply on the lintel of my diary, Praise of this Book, so as to end the matter at a blow. But whether there will be praise or blame I really cannot tell, for I am riding my pen on the snaffle, and it has a mouth of iron.

Now there is another thing book writers do in their Prefaces, which is to introduce a mass of nincompoops of whom no one ever heard, and to say 'my thanks are due to such and such' all in a litany, as though any one cared a farthing for the rats! If I omit this believe me it is but on account of the multitude and splendour of those who have attended at the production of this volume. For the stories in it are copied straight from the best authors of the Renaissance, the music was written by the masters of the eighteenth century, the Latin is Erasmus' own; indeed, there is scarcely a word that is mine. I must also mention the Nine Muses, the Three Graces; Bacchus, the Maenads, the Panthers, the Fauns; and I owe very hearty thanks to Apollo.

Yet again, I see that writers are for ever anxious of their style, thinking (not saying) -

'True, I used "and which" on page 47, but Martha Brown the stylist gave me leave;' or:

'What if I do end a sentence with a preposition? I always follow the rules of Mr Twist in his "'Tis Thus 'Twas Spoke", Odd's Body an' I do not!'

Now this is a pusillanimity of theirs (the book writers) that they think style power, and yet never say as much in their Prefaces. Come, let me do so ... Where are you? Let me marshal you, my regiments of words!

8

PRAISE OF THIS BOOK

Rabelais! Master of all happy men! Are you sleeping there pressed into desecrated earth under the doss-house of the Rue St Paul, or do you not rather drink cool wine in some elysian Chinon looking on the Vienne where it rises in Paradise? Are you sleeping or drinking that you will not lend us the staff of Friar John wherewith he slaughtered and bashed the invaders of the vineyards, who are but a parable for the mincing pedants and bloodless thin-faced rogues of the world?

Write as the wind blows and command all words like an army! See them how they stand in rank ready for assault, the jolly, swaggering fellows!

First come the Neologisms, that are afraid of no man; fresh, young, hearty, and for the most part very long-limbed, though some few short and strong. There also are the Misprints to confuse the enemy at his onrush. Then see upon the flank a company of picked Ambiguities covering what shall be a feint by the squadron of Anachronisms led by old Anachronos himself; a terrible chap with nigglers and a great murderer of fools.

But here see more deeply massed the ten thousand Egotisms shining in their armour and roaring for battle. They care for no one. They stormed Convention yesterday and looted the cellar of Good-Manners, who died of fear without a wound; so they drank his wine and are to-day as strong as lions and as careless (saving only their Captain, Monologue, who is lantern-jawed).

Here are the Aposiopaesian Auxiliaries, and Dithyramb that killed Punctuation in open fight; Parenthesis the giant and champion of the host, and Anacoluthon that never learned to read or write but is very handy with his sword; and Metathesis and Hendiadys, two Greeks. And last come the noble Gallicisms prancing about on their light horses: cavalry so sudden that the enemy sicken at the mere sight of them and are overcome without a blow. Come then my hearties, my lads, my indefatigable repetitions, seize you each his own trumpet that hangs at his side and blow the charge; we shall soon drive them all before us headlong, howling down together to the Picrocholian Sea.

So! That was an interlude. Forget the clamour.

But there is another matter; written as yet in no other Preface: peculiar to this book. For without rhyme or reason, pictures of an uncertain kind stand in the pages of the chronicle. Why?

Because it has become so cheap to photograph on zinc.

In old time a man that drew ill drew not at all. He did well. Then either

PRAISE OF THIS BOOK

there were no pictures in his book, or (if there were any) they were done by some other man that loved him not a groat and would not have walked half a mile to see him hanged. But now it is so easy for a man to scratch down what he sees and put it in his book that any fool may do it and be none the worse--many others shall follow. This is the first.

Before you blame too much, consider the alternative. Shall a man march through Europe dragging an artist on a cord? God forbid!

Shall an artist write a book? Why no, the remedy is worse than the disease.

Let us agree then, that, if he will, any pilgrim may for the future draw (if he likes) that most difficult subject, snow hills beyond a grove of trees; that he may draw whatever he comes across in order to enliven his mind (for who saw it if not he? And was it not his loneliness that enabled him to see it?), and that he may draw what he never saw, with as much freedom as you readers so very continually see what you never draw. He may draw the morning mist on the Grimsel, six months afterwards; when he has forgotten what it was like: and he may frame it for a masterpiece to make the good draughtsman rage.

The world has grown a boy again this long time past, and they are building hotels (I hear) in the place where Acedes discovered the Water of Youth in a hollow of the hill Epistemonoscoptes.

Then let us love one another and laugh. Time passes, and we shall soon laugh no longer--and meanwhile common living is a burden, and earnest men are at siege upon us all around. Let us suffer absurdities, for that is only to suffer one another.

10

PRAISE OF THIS BOOK

Nor let us be too hard upon the just but anxious fellow that sat down dutifully to paint the soul of Switzerland upon a fan.

The Path to Rome

When that first Proverb-Maker who has imposed upon all peoples by his epigrams and his fallacious half-truths, his empiricism and his wanton appeals to popular ignorance, I say when this man (for I take it he was a man, and a wicked one) was passing through France he launched among the French one of his pestiferous phrases, 'Ce n'est que le premier pas qui coûté" \ and this in a rolling-in-the-mouth self-satisfied kind of a manner has been repeated since his day at least seventeen million three hundred and sixty-two thousand five hundred and four times by a great mass of Ushers, Parents, Company Officers, Elder Brothers, Parish Priests, and authorities in general whose office it may be and whose pleasure it certainly is to jog up and disturb that native slumber and inertia of the mind which is the true breeding soil of Revelation.

For when boys or soldiers or poets, or any other blossoms and prides of nature, are for lying steady in the shade and letting the Mind commune with its Immortal Comrades, up comes Authority busking about and eager as though it were a duty to force the said Mind to burrow and sweat in the matter of this very perishable world, its temporary habitation.

'Up,' says Authority, 'and let me see that Mind of yours doing something practical. Let me see Him mixing painfully with circumstance, and botching up some Imperfection or other that shall at least be a Reality and not a silly Fantasy.'

Then the poor Mind comes back to Prison again, and the boy takes his horrible Homer in the real Greek (not Church's book, alas!); the Poet his rough hairy paper, his headache, and his cross-nibbed pen; the Soldier abandons his inner picture of swaggering about in ordinary clothes, and sees the dusty road and feels the hard places in his boot, and shakes down again to the steady pressure of his pack; and Authority is satisfied, knowing that he will get a smattering from the Boy, a rubbishy verse from the Poet, and from the Soldier a long and thirsty march. And Authority, when it does this commonly sets to work by one of these formulae: as, in England north of Trent, by the manifestly false and boastful phrase, 'A thing begun is half ended', and in the south by 'The Beginning is half the Battle'; but in France by the words I have attributed to the Proverb-Maker, 'Ce n'est que le premier pas qui coûte'.

By this you may perceive that the Proverb-Maker, like every other Dema-

CHARACTER OF PROVERB-MAKER

gogue, Energumen, and Disturber, dealt largely in metaphor--but this I need hardly insist upon, for in his vast collection of published and unpublished works it is amply evident that he took the silly pride of the half-educated in a constant abuse of metaphor. There was a sturdy boy at my school who, when the master had carefully explained to us the nature of metaphor, said that so far as he could see a metaphor was nothing but a long Greek word for a lie. And certainly men who know that the mere truth would be distasteful or tedious commonly have recourse to metaphor, and so do those false men who desire to acquire a subtle and unjust influence over their fellows, and chief among them, the Proverb-Maker. For though his name is lost in the great space of time that has passed since he flourished, yet his character can be very clearly deduced from the many literary fragments he has left, and that is found to be the character of a pusillanimous and ill-bred usurer, wholly lacking in foresight, in generous enterprise, and chivalrous enthusiasm--in matters of the Faith a prig or a doubter, in matters of adventure a poltroon, in matters of Science an ignorant Parrot, and in Letters a wretchedly bad rhymester, with a vice for alliteration; a wilful liar (as, for instance, 'The longest way round is the shortest way home'), a startling miser (as, 'A penny saved is a penny earned'), one ignorant of largesse and human charity (as, 'Waste not, want not'), and a shocking boor in the point of honour (as, 'Hard words break no bones'--he never fought, I see, but with a cudgel).

But he had just that touch of slinking humour which the peasants have, and there is in all he said that exasperating quality for which we have no name, which certainly is not accuracy, and which is quite the opposite of judgement, yet which catches the mind as brambles do our clothes, causing us continually to pause and swear. For he mixes up unanswerable things with false conclusions, he is perpetually letting the cat out of the bag and exposing our tricks, putting a colour to our actions, disturbing us with our own memory, indecently revealing corners of the soul. He is like those men who say one unpleasant and rude thing about a friend, and then take refuge from their disloyal and false action by pleading that this single accusation is true; and it is perhaps for this abominable logicality of his and for his malicious cunning that I chiefly hate him: and since he himself evidently hated the human race, he must not complain if he is hated in return.

Take, for instance, this phrase that set me writing, 'Ce nest que le premier pas qui coûte'. It is false. Much after a beginning is difficult, as everybody knows who has crossed the sea, and as for the first step a man never so much as remembers it; if there is difficulty it is in the whole launching of a thing, in the first ten pages of a book, or the first half-hour of listening to a sermon, or the

THE GRAND CLIMACTERIC

first mile of a walk. The first step is undertaken lightly, pleasantly, and with your soul in the sky; it is the five-hundredth that counts. But I know, and you know, and he knew (worse luck) that he was saying a thorny and catching thing when he made up that phrase. It worries one of set purpose. It is as though one had a voice inside one saying:

'I know you, you will never begin anything. Look at what you might have done! Here you are, already twenty-one, and you have not yet written a dictionary. What will you do for fame? Eh? Nothing: you are intolerably lazy--and what is worse, it is your fate. Beginnings are insuperable barriers to you. What about that great work on The National Debt? What about that little lyric on Winchelsea that you thought of writing six years ago? Why are the few lines still in your head and not on paper? Because you can't begin. However, never mind, you can't help it, it's your one great flaw, and it's fatal. Look at Jones! Younger than you by half a year, and already on the Evening Yankee taking bribes from Company Promoters! And where are you?' &c., &c.--and so forth.

So this threat about the heavy task of Beginning breeds discouragement, anger, vexation, irritability, bad style, pomposity and infinitives split from helm to saddle, and metaphors as mixed as the Carlton. But it is just true enough to remain fast in the mind, caught, as it were, by one finger. For all things (you will notice) are very difficult in their origin, and why, no one can understand. Omne Trinum: they are difficult also in the shock of maturity and in their ending. Take, for instance, the Life of Man, which is the Difficulty of Birth, the Difficulty of Death, and the Difficulty of the Grand Climacteric.

LECTOR. What is the Grand Climacteric?

AUCTOR. I have no time to tell you, for it would lead us into a discussion on Astrology, and then perhaps to a question of physical science, and then you would find I was not orthodox, and perhaps denounce me to the authorities.

I will tell you this much; it is the moment (not the year or the month, mind you, nor even the hour, but the very second) when a man is grown up, when he sees things as they are (that is, backwards), and feels solidly himself. Do I make myself clear? No matter, it is the Shock of Maturity, and that must suffice for you.

But perhaps you have been reading little brown books on Evolution, and you don't believe in Catastrophes, or Climaxes, or Definitions? Eh? Tell me, do you believe in the peak of the Matterhorn, and have you doubts on the points of needles? Can the sun be said truly to rise or set, and is there any exact meaning in the phrase, 'Done to a turn' as applied to omelettes? You know there is; and so also you must believe in Categories, and you must admit differences of kind as well as of degree, and you must accept exact definition

DIFFICULTY OF ENDING A BOOK

and believe in all that your fathers did, that were wiser men than you, as is easily proved if you will but imagine yourself for but one moment introduced into the presence of your ancestors, and ask yourself which would look the fool. Especially must you believe in moments and their importance, and avoid with the utmost care the Comparative Method and the argument of the Slowly Accumulating Heap. I hear that some scientists are already beginning to admit the reality of Birth and Death--let but some brave few make an act of Faith in the Grand Climacteric and all shall yet be well.

Well, as I was saying, this Difficulty of Beginning is but one of three, and is Inexplicable, and is in the Nature of Things, and it is very especially noticeable in the Art of Letters. There is in every book the Difficulty of Beginning, the Difficulty of the Turning-Point (which is the Grand Climacteric of a Book)--

LECTOR. What is that in a Book?

AUCTOR. Why, it is the point where the reader has caught on, enters into the Book and desires to continue reading it.

LECTOR. It comes earlier in some books than in others.

AUCTOR. As you say ... And finally there is the Difficulty of Ending.

LECTOR. I do not see how there can be any difficulty in ending a book.

AUCTOR. That shows very clearly that you have never written one, for there is nothing so hard in the writing of a book--no, not even the choice of the Dedication--as is the ending of it. On this account only the great Poets, who are above custom and can snap their divine fingers at forms, are not at the pains of devising careful endings. Thus, Homer ends with lines that might as well be in the middle of a passage; Hesiod, I know not how; and Mr Bailey, the New Voice from Eurasia, does not end at all, but is still going on.

Panurge told me that his great work on Conchology would never have been finished had it not been for the Bookseller that threatened law; and as it is, the last sentence has no verb in it. There is always something more to be said, and it is always so difficult to turn up the splice neatly at the edges. On this account there are regular models for ending a book or a Poem, as there are for beginning one; but, for my part, I think the best way of ending a book is to rummage about among one's manuscripts till one has found a bit of Fine Writing (no matter upon what subject), to lead up the last paragraphs by no matter what violent shocks to the thing it deals with, to introduce a row of asterisks, and then to paste on to the paper below these the piece of Fine Writing one has found.

I knew a man once who always wrote the end of a book first, when his mind was fresh, and so worked gradually back to the introductory chapter, which (he said) was ever a kind of summary, and could not be properly dealt with till a man knew all about his subject. He said this was a sovran way to write History.

16

THE VALLEY OF THE MOSELLE

But it seems to me that this is pure extravagance, for it would lead one at last to beginning at the bottom of the last page, like the Hebrew Bible, and (if it were fully carried out) to writing one's sentences backwards till one had a style like the London School of Poets: a very horrible conclusion.

However, I am not concerned here with the ending of a book, but with its beginning; and I say that the beginning of any literary thing is hard, and that this hardness is difficult to explain. And I say more than this--I say that an interminable discussion of the difficulty of beginning a book is the worst omen for going on with it, and a trashy subterfuge at the best. In the name of all decent, common, and homely things, why not begin and have done with it?

It was in the very beginning of June, at evening, but not yet sunset, that I set out from Toul by the Nancy gate; but instead of going straight on past the parade-ground, I turned to the right immediately along the ditch and rampart, and did not leave the fortifications till I came to the road that goes up alongside the Moselle. For it was by the valley of this river that I was to begin my pilgrimage, since, by a happy accident, the valley of the Upper Moselle runs straight towards Rome, though it takes you but a short part of the way. What a good opening it makes for a direct pilgrimage can be seen from this little map,

THE FIRST GARRISON

where the dotted line points exactly to Rome. There are two bends which take one a little out of one's way, and these bends I attempted to avoid, but in general, the valley, about a hundred miles from Toul to the source, is an evident gate for any one walking from this part of Lorraine into Italy. And this map is also useful to show what route I followed for my first three days past Epinal and Remiremont up to the source of the river, and up over the great hill, the Ballon d'Alsace. I show the river valley like a trench, and the hills above it shaded, till the mountainous upper part, the Vosges, is put in black. I chose the decline of the day for setting out, because of the great heat a little before noon and four hours after it. Remembering this, I planned to walk at night and in the mornings and evenings, but how this design turned out you shall hear in a moment.

I had not gone far, not a quarter of a mile, along my road leaving the town, when I thought I would stop and rest a little and make sure that I had started propitiously and that I was really on my way to Rome; so I halted by a wall and looked back at the city and the forts, and drew what I saw in my book. It was a sight that had taken a firm hold of my mind in boyhood, and that will remain in it as long as it can make pictures for itself out of the past. I think this must be true of all conscripts with regard to the garrison in which they have served, for the mind is so fresh at twenty-one and the life so new to every recruit as he joins it, he is so cut off from books and all the worries of life, that the surroundings of the place bite into him and take root, as one's school does or one's first home. And I had been especially fortunate since I had been with the gunners (notoriously the best kind of men) and not in a big place but in a little town, very old and silent, with more soldiers in its surrounding circle than there were men, women, and children within its useless ramparts. It is known to be very beautiful, and though I had not heard of this reputation, I saw it to be so at once when I was first marched in, on a November dawn, up to the height of the artillery barracks. I remembered seeing then the great hills surrounding it on every side, hiding their menace and protection of guns, and in the south and east the silent valley where the high forests dominate the Moselle, and the town below the road standing in an island or ring of tall trees. All this, I say, I had permanently remembered, and I had determined, whenever I could go on pilgrimage to Rome, to make this place my starting-point, and as I stopped here and looked back, a little way outside the gates, I took in again the scene that recalled so much laughter and heavy work and servitude and pride of arms.

I was looking straight at the great fort of St Michel, which is the strongest thing on the frontier, and which is the key to the circle of forts that make up

18

ON JUSTICE IN ARMIES

this entrenched camp. One could see little or nothing of its batteries, only its hundreds of feet of steep brushwood above the vineyards, and at the summit a stunted wood purposely planted. Next to it on the left, of equal height, was the hog back of the Cote Barine, hiding a battery. Between the Cote Barine and my road and wall, I saw the rising ground and the familiar Barracks that are called (I know not why) the Barracks of Justice, but ought more properly to be called the Barracks of petty tyrannies and good fellowship, in order to show the philosophers that these two things are the life of armies; for of all the virtues practised in that old compulsory home of mine Justice came second at least if not third, while Discipline and Comradeship went first; and the more I think

of it the more I am convinced that of all the suffering youth that was being there annealed and forged into soldiery none can have suffered like the lawyers. On the right the high trees that stand outside the ramparts of the town went dwindling in perspective like a palisade, and above them, here and there, was a roof showing the top of the towers of the Cathedral or of St Gengoult. All this I saw looking backwards, and, when I had noticed it and drawn it, I turned round again and took the road.

I had, in a small bag or pocket slung over my shoulder, a large piece of bread, half a pound of smoked ham, a sketch-book, two Nationalist papers, and a quart of the wine of Brule--which is the most famous wine in the neighbourhood of the garrison, yet very cheap. And Brule is a very good omen for men that are battered about and given to despairing, since it is only called Brule on account of its having been burnt so often by Romans, Frenchmen, Burgundians,

CHARMING VILLAGE OF BRULE

Germans, Flemings, Huns perhaps, and generally all those who in the last few thousand years have taken a short cut at their enemies over the neck of the Cote Barine. So you would imagine it to be a tumble-down, weak, wretched, and disappearing place; but, so far from this, it is a rich and proud village, growing, as I have said, better wine than any in the garrison. Though Toul stands in a great cup or ring of hills, very high and with steep slopes, and guns on all of them, and all these hills grow wine, none is so good as Brule wine. And this reminds me of a thing that happened in the Manoeuvres of 1891, quorum pars magna; for there were two divisions employed in that glorious and fatiguing great game, and more than a gross of guns--to be accurate, a hundred and fifty-six--and of these one (the sixth piece of the tenth battery of the eighth--I wonder where you all are now? I suppose I shall not see you again; but you were the best companions in the world, my friends) was driven by three drivers, of whom I was the middle one, and the worst, having on my Livret the note 'conducteur mediocre'. But that is neither here nor there; the story is as follows, and the moral is that the commercial mind is illogical.

When we had gone some way, clattering through the dust, and were well on on the Commercy road, there was a short halt, and during this halt there passed us the largest Tun or Barrel that ever went on wheels. You talk of the Great Tun of Heidelburg, or of those monstrous Vats that stand in cool sheds in the Napa Valley, or of the vast barrels in the Catacombs of Rheims; but all these are built in situ and meant to remain steady, and there is no limit to the size of a Barrel that has not to travel. The point about this enormous Receptacle of Bacchus and cavernous huge Prison of Laughter, was that it could move, though cumbrously, and it was drawn very slowly by stupid, patient oxen, who would not be hurried. On the top of it sat a strong peasant, with a face of determination, as though he were at war with his kind, and he kept on calling to his oxen, 'Han', and 'Hu', in the tones of a sullen challenge, as he went creaking past. Then the soldiers began calling out to him singly, 'Where are you off to, Father, with that battery?' and 'Why carry cold water to Commercy? They have only too much as it is;' and 'What have you got in the little barrelkin, the barrellet, the cantiniere's brandy-flask, the gourd, the firkin?' He stopped his oxen fiercely and turned round to us and said: 'I will tell you what I have here. I have so many hectolitres of Brule wine which I made myself, and which I know to be the best wine there is, and I am taking it about to see if I cannot tame and break these proud fellows who are for ever beating down prices and mocking me. It is worth eight 'scutcheons the hectolitre, that is, eight sols the litre; what do I say? it is worth a Louis a cup: but I will sell it at the price I name, and not a penny less. But whenever I come

20

STORY OF THE GREAT BARREL

to a village the innkeeper begins bargaining and chaffering and offering six sols and seven sols, and I answer, "Eight sols, take it or leave it", and when he seems for haggling again I get up and drive away. I know the worth of my wine, and I will not be beaten down though I have to go out of Lorraine into the Barrois to sell it.'

So when we caught him up again, as we did shortly after on the road, a sergeant cried as we passed, 'I will give you seven, seven and a quarter, seven and a half', and we went on laughing and forgot all about him.

For many days we marched from this place to that place, and fired and played a confused game in the hot sun till the train of sick horses was a mile long, and till the recruits were all as deaf as so many posts; and at last, one evening, we came to a place called Heiltz le Maurupt, which was like heaven after the hot plain and the dust, and whose inhabitants are as good and hospitable as Angels; it is just where the Champagne begins. When we had groomed and watered our horses, and the stable guard had been set, and we had all an hour or so's leisure to stroll about in the cool darkness before sleeping in the barns, we had a sudden lesson in the smallness of the world, for what should come up the village street but that monstrous Barrel, and we could see by its movements that it was still quite full.

We gathered round the peasant, and told him how grieved we were at his ill fortune, and agreed with him that all the people of the Barrois were thieves or madmen not to buy such wine for such a song. He took his oxen and his barrel to a very high shed that stood by, and there he told us all his pilgrimage and the many assaults his firmness suffered, and how he had resisted them all. There was much more anger than sorrow in his accent, and I could see that he was of the wood from which tyrants and martyrs are carved. Then suddenly he changed and became eloquent:

'Oh, the good wine! If only it were known and tasted! ... Here, give me a cup, and I will ask some of you to taste it, then at least I shall have it praised as it deserves. And this is the wine I have carried more than a hundred miles, and everywhere it has been refused!'

There was one guttering candle on a little stool. The roof of the shed was lost up in the great height of darkness; behind, in the darkness, the oxen champed away steadily in the manger. The light from the candle flame lit his face strongly from beneath and marked it with dark shadows. It flickered on the circle of our faces as we pressed round, and it came slantwise and waned and disappeared in the immense length of the Barrel. He stood near the tap with his brows knit as upon some very important task, and all we, gunners and drivers of the battery, began unhooking our mugs and passing them to him.

THE LAKE OF THE MOSELLE

There were nearly a hundred, and he filled them all; not in jollity, but like a man offering up a solemn sacrifice. We also, entering into his mood, passed our mugs continually, thanking him in a low tone and keeping in the main silent. A few linesmen lounged at the door; he asked for their cups and filled them. He bade them fetch as many of their comrades as cared to come; and very soon there was a circulating crowd of men all getting wine of Brule and murmuring their congratulations, and he was willing enough to go on giving, but we stopped when we saw fit and the scene ended. I cannot tell what prodigious measure of wine he gave away to us all that night, but when he struck the roof of the cask it already sounded hollow. And when we had made a collection which he had refused, he went to sleep by his oxen, and we to our straw in other barns. Next day we started before dawn, and I never saw him again.

This is the story of the wine of Brule, and it shows that what men love is never money itself but their own way, and that human beings love sympathy and pageant above all things. It also teaches us not to be hard on the rich.

I walked along the valley of the Moselle, and as I walked the long evening of summer began to fall. The sky was empty and its deeps infinite; the clearness of the air set me dreaming. I passed the turn where we used to halt when we were learning how to ride in front of the guns, past the little house where, on rare holidays, the boys could eat a matelote, which is fish boiled in wine, and so on to the place where the river is held by a weir and opens out into a kind of lake.

Here I waited for a moment by the wooden railing, and looked up into the hills. So far I had been at home, and I was now poring upon the last familiar thing before I ventured into the high woods and began my experience. I therefore took a leisurely farewell, and pondered instead of walking farther. Everything about me conduced to reminiscence and to ease. A flock of sheep passed me with their shepherd, who gave me a good-night. I found myself entering that pleasant mood in which all books are conceived (but none written); I was 'smoking the enchanted cigarettes' of Balzac, and if this kind of reverie is fatal to action, yet it is so much a factor of happiness that I wasted in the contemplation of that lovely and silent hollow many miles of marching. I suppose if a man were altogether his own master and controlled by no necessity, not even the necessity of expression, all his life would pass away in these sublime imaginings.

This was a place I remembered very well. The rising river of Lorraine is

THE COMING OF EVENING

caught and barred, and it spreads in a great sheet of water that must be very shallow, but that in its reflections and serenity resembles rather a profound and silent mere. The steeps surrounding it are nearly mountainous, and are crowned with deep forests in which the province reposes, and upon which it depends for its local genius. A little village, which we used to call 'St Peter of the Quarries', lies up on the right between the steep and the water, and just where the hills end a flat that was once marshy and is now half fields, half ponds, but broken with luxuriant trees, marks the great age of its civilization. Along this flat runs, bordered with rare poplars, the road which one can follow on and on into the heart of the Vosges. I took from this silence and this vast plain of still water the repose that introduces night. It was all consonant with what the peasants were about: the return from labour, the bleating folds, and the lighting of lamps under the eaves. In such a spirit I passed along the upper valley to the spring of the hills.

In St Pierre it was just that passing of daylight when a man thinks he can still read; when the buildings and the bridges are great masses of purple that deceive one, recalling the details of daylight, but when the night birds, surer than men and less troubled by this illusion of memory, have discovered that their darkness has conquered.

The peasants sat outside their houses in the twilight accepting the cool air; every one spoke to me as I marched through, and I answered them all, nor was there in any of their salutations the omission of good fellowship or of the name of God. Saving with one man, who was a sergeant of artillery on leave, and who cried out to me in an accent that was very familiar and asked me to drink; but I told him I had to go up into the forest to take advantage of the night, since the days were so warm for walking. As I left the last house of the village I was not secure from loneliness, and when the road began to climb up the hill into the wild and the trees I was wondering how the night would pass.

THE NIGHT IN THE FOREST

With every step upward a greater mystery surrounded me. A few stars were out, and the brown night mist was creeping along the water below, but there was still light enough to see the road, and even to distinguish the bracken in the deserted hollows. The highway became little better than a lane; at the top of the hill it plunged under tall pines, and was vaulted over with darkness. The kingdoms that have no walls, and are built up of shadows, began to oppress me as the night hardened. Had I had companions, still we would only have spoken in a whisper, and in that dungeon of trees even my own self would not raise its voice within me.

It was full night when I had reached a vague clearing in the woods, right up on the height of that flat hill. This clearing was called 'The Fountain of Magdalen'. I was so far relieved by the broader sky of the open field that I could wait and rest a little, and there, at last, separate from men, I thought of a thousand things. The air was full of midsummer, and its mixture of exaltation and fear cut me off from ordinary living. I now understood why our religion has made sacred this season of the year; why we have, a little later, the night of St John, the fires in the villages, and the old perception of fairies dancing in the rings of the summer grass. A general communion of all things conspires at this crisis of summer against us reasoning men that should live in the daylight, and something fantastic possesses those who are foolish enough to watch upon such nights. So I, watching, was cut off. There were huge, vague summits, all wooded, peering above the field I sat in, but they merged into a confused horizon. I was on a high plateau, yet I felt myself to be alone with the immensity that properly belongs to plains alone. I saw the stars, and remembered how I had looked up at them on just such a night when I was close to the Pacific, bereft of friends and possessed with solitude. There was no noise; it was full darkness. The woods before and behind me made a square frame of silence, and I was enchased here in the clearing, thinking of all things.

Then a little wind passed over the vast forests of Lorraine. It seemed to wake an indefinite sly life proper to this seclusion, a life to which I was strange, and which thought me an invader. Yet I heard nothing. There were no adders in the long grass, nor any frogs in that dry square of land, nor crickets on the high part of the hill; but I knew that little creatures in league with every nocturnal influence, enemies of the sun, occupied the air and the land about me; nor will I deny that I felt a rebel, knowing well that men were made to work in happy dawns and to sleep in the night, and everything in that short and sacred darkness multiplied my attentiveness and my illusion. Perhaps the instincts of the sentry, the necessities of guard, come back to us out of the ages unawares

24

THE UNHAPPY VILLAGE

during such experiments. At any rate the night oppressed and exalted me. Then I suddenly attributed such exaltation to the need of food.

'If we must try this bookish plan of sleeping by day and walking by night,' I thought, 'at least one must arrange night meals to suit it.'

I therefore, with my mind still full of the forest, sat down and lit a match and peered into my sack, taking out therefrom bread and ham and chocolate and Brûlé wine. For seat and table there was a heathery bank still full of the warmth and savour of the last daylight, for companions these great inimical influences of the night which I had met and dreaded, and for occasion or excuse there was hunger. Of the Many that debate what shall be done with travellers, it was the best and kindest Spirit that prompted me to this salutary act. For as I drank the wine and dealt with the ham and bread, I felt more and more that I had a right to the road; the stars became familiar and the woods a plaything. It is quite clear that the body must be recognized and the soul kept in its place, since a little refreshing food and drink can do so much to make a man.

On this repast I jumped up merrily, lit a pipe, and began singing, and heard, to my inexpressible joy, some way down the road, the sound of other voices. They were singing that old song of the French infantry which dates from Louis XIV, and is called 'Auprès de ma blonde'. I answered their chorus, so that, by the time we met under the wood, we were already acquainted. They told me they had had a forty-eight hours' leave into Nancy, the four of them, and had to be in by roll-call at a place called Villey the Dry. I remembered it after all those years.

It is a village perched on the brow of one of these high hills above the river, and it found itself one day surrounded by earthworks, and a great fort raised just above the church. Then, before they knew where they were, they learnt that (1) no one could go in or out between sunset and sunrise without leave of the officer in command; (2) that from being a village they had become the 'buildings situate within Fort No. 18'; (3) that they were to be deluged with soldiers; and (4) that they were liable to evacuate their tenements on mobilization. They had become a fort unwittingly as they slept, and all their streets were blocked with ramparts. A hard fate; but they should not have built their village just on the brow of a round hill. They did this in the old days, when men used stone instead of iron, because the top of a hill was a good place to hold against enemies; and so now, these 73,426 years after, they find the same advantage catching them again to their hurt. And so things go the round.

Anyway Villey the Dry is a fort, and there my four brothers were going. It was miles off, and they had to be in by sunrise, so I offered them a pull of my

THE CRY FOR A BED

wine, which, to my great joy, they refused, and we parted courteously. Then I found the road beginning to fall, and knew that I had crossed the hills. As the forest ended and the sloping fields began, a dim moon came up late in the east in the bank of fog that masked the river. So by a sloping road, now free from the woods, and at the mouth of a fine untenanted valley under the moon, I came down again to the Moselle, having saved a great elbow by this excursion over the high land. As I swung round the bend of the hills downwards and looked up the sloping dell, I remembered that these heathery hollows were called 'vallons' by the people of Lorraine, and this set me singing the song of the hunters, 'Entends tu dans nos vallons, le Chasseur sonner du clairon,' which I sang loudly till I reached the river bank, and lost the exhilaration of the hills.

I had now come some twelve miles from my starting-place, and it was midnight. The plain, the level road (which often rose a little), and the dank air of the river began to oppress me with fatigue. I was not disturbed by this, for I had intended to break these nights of marching by occasional repose, and while I was in the comfort of cities--especially in the false hopes that one got by reading books--I had imagined that it was a light matter to sleep in the open. Indeed, I had often so slept when I had been compelled to it in Manoeuvres, but I had forgotten how essential was a rug of some kind, and what a difference a fire and comradeship could make. Thinking over it all, feeling my tiredness, and shivering a little in the chill under the moon and the clear sky, I was very ready to capitulate and to sleep in bed like a Christian at the next opportunity. But there is some influence in vows or plans that escapes our power of rejudgement. All false calculations must be paid for, and I found, as you will see, that having said I would sleep in the open, I had to keep to it in spite of all my second thoughts.

I passed one village and then another in which everything was dark, and in which I could waken nothing but dogs, who thought me an enemy, till at last I saw a great belt of light in the fog above the Moselle. Here there was a kind of town or large settlement where there were ironworks, and where, as I thought, there would be houses open, even after midnight. I first found the old town, where just two men were awake at some cooking work or other. I found them by a chink of light streaming through their door; but they gave me no hope, only advising me to go across the river and try in the new town where the forges and the ironworks were. 'There,' they said, 'I should certainly find a bed.'

I crossed the bridge, being now much too weary to notice anything, even the shadowy hills, and the first thing I found was a lot of waggons that belonged

26

THE FULL CURSE

to a caravan or fair. Here some men were awake, but when I suggested that they should let me sleep in their little houses on wheels, they told me it was never done; that it was all they could do to pack in themselves; that they had no straw; that they were guarded by dogs; and generally gave me to understand (though without violence or unpoliteness) that I looked as though I were the man to steal their lions and tigers. They told me, however, that without doubt I should find something open in the centre of the workmen's quarter, where the great electric lamps now made a glare over the factory.

I trudged on unwillingly, and at the very last house of this detestable industrial slavery, a high house with a gable, I saw a window wide open, and a blonde man smoking a cigarette at a balcony. I called to him at once, and asked him to let me a bed. He put to me all the questions he could think of. Why was I there? Where had I come from? Where (if I was honest) had I intended to sleep? How came I at such an hour on foot? and other examinations. I thought a little what excuse to give him, and then, determining that I was too tired to make up anything plausible, I told him the full truth; that I had meant to sleep rough, but had been overcome by fatigue, and that I had walked from Toul, starting at evening. I conjured him by our common Faith to let me in. He told me that it was impossible, as he had but one room in which he and his family slept, and assured me he had asked all these questions out of sympathy and charity alone. Then he wished me good-night, honestly and kindly, and went in.

By this time I was very much put out, and began to be angry. These straggling French towns give no opportunity for a shelter. I saw that I should have to get out beyond the market gardens, and that it might be a mile or two before I found any rest. A clock struck one. I looked up and saw it was from the belfry of one of those new chapels which the monks are building everywhere, nor did I forget to curse the monks in my heart for building them. I cursed also those who started smelting works in the Moselle valley; those who gave false advice to travellers; those who kept lions and tigers in caravans, and for a small sum I would have cursed the whole human race, when I saw that my bile had hurried me out of the street well into the countryside, and that above me, on a bank, was a patch of orchard and a lane leading up to it. Into this I turned, and, finding a good deal of dry hay lying under the trees, I soon made myself an excellent bed, first building a little mattress, and then piling on hay as warm as a blanket.

I did not lie awake (as when I planned my pilgrimage I had promised myself I would do), looking at the sky through the branches of trees, but I slept at once without dreaming, and woke up to find it was broad daylight, and the sun

27

ON BREAKFASTS

ready to rise. Then, stiff and but little rested by two hours of exhaustion, I took up my staff and my sack and regained the road.

I should very much like to know what those who have an answer to everything can say about the food requisite to breakfast? Those great men Marlowe and Jonson, Shakespeare, and Spenser before him, drank beer at rising, and tamed it with a little bread. In the regiment we used to drink black coffee without sugar, and cut off a great hunk of stale crust, and eat nothing more till the halt: for the matter of that, the great victories of '93 were fought upon such unsubstantial meals; for the Republicans fought first and ate afterwards, being in this quite unlike the Ten Thousand. Sailors I know eat nothing for some hours--I mean those who turn out at four in the morning; I could give the name of the watch, but that I forget it and will not be plagued to look up technicalities. Dogs eat the first thing they come across, cats take a little milk, and gentlemen are accustomed to get up at nine and eat eggs, bacon, kidneys, ham, cold pheasant, toast, coffee, tea, scones, and honey, after which they will boast that their race is the hardiest in the world and ready to bear every fatigue in the pursuit of Empire. But what rule governs all this? Why is breakfast different from all other things, so that the Greeks called it the best thing in the world, and so that each of us in a vague way knows that he would eat at breakfast nothing but one special kind of food, and that he could not imagine breakfast at any other hour in the day?

The provocation to this inquiry (which I have here no time to pursue) lies in the extraordinary distaste that I conceived that morning for Brule wine. My ham and bread and chocolate I had consumed overnight. I thought, in my folly, that I could break my fast on a swig of what had seemed to me, only the night before, the best revivifier and sustenance possible. In the harsh dawn it turned out to be nothing but a bitter and intolerable vinegar. I make no attempt to explain this, nor to say why the very same wine that had seemed so good in the forest (and was to seem so good again later on by the canal) should now repel me. I can only tell you that this heavy disappointment convinced me of a great truth that a Politician once let slip in my hearing, and that I have never since forgotten. 'Man,' said the Director of the State, 'man is but the creature of circumstance.'

As it was, I lit a pipe of tobacco and hobbled blindly along for miles under and towards the brightening east. Just before the sun rose I turned and looked backward from a high bridge that recrossed the river. The long effort of the night had taken me well on my way. I was out of the familiar region of the

28

THE FURTHER VALLEY

garrison. The great forest-hills that I had traversed stood up opposite the dawn, catching the new light; heavy, drifting, but white clouds, rare at such an hour, sailed above them. The valley of the Moselle, which I had never thought of save as a half mountainous region, had fallen, to become a kind of long garden, whose walls were regular, low, and cultivated slopes. The main waterway of the valley was now not the river but the canal that fed from it.

The tall grasses, the leaves, and poplars bordering the river and the canal seemed dark close to me, but the valley as a whole was vague, a mass of trees with one Lorraine church-tower showing, and the delicate slopes bounding it on either side.

Descending from this bridge I found a sign-post, that told me I had walked thirty-two kilometres--which is twenty miles--from Toul; that it was one kilometre to Flavigny, and heaven knows how much to a place called Charmes. The sun rose in the mist that lay up the long even trends of the vale, between the low and level hills, and I pushed on my thousand yards towards Flavigny. There, by a special providence, I found the entertainment and companionship whose lack had left me wrecked all these early hours.

As I came into Flavigny I saw at once that it was a place on which a book might easily be written, for it had a church built in the seventeenth century, when few churches were built outside great towns, a convent, and a general air

29

HOW TO WRITE RHYMES

of importance that made of it that grand and noble thing, that primary cell of the organism of Europe, that best of all Christian associations - a large village.

I say a book might be written upon it, and there is no doubt that a great many articles and pamphlets must have been written upon it, for the French are furiously given to local research and reviews, and to glorifying their native places: and when they cannot discover folklore they enrich their beloved homes by inventing it.

There was even a man (I forget his name) who wrote a delightful book called Popular and Traditional Songs of my Province, which book, after he was dead, was discovered to be entirely his own invention, and not a word of it familiar to the inhabitants of the soil. He was a large, laughing man that smoked enormously, had great masses of hair, and worked by night; also he delighted in the society of friends, and talked continuously. I wish he had a statue somewhere, and that they would pull down to make room for it any one of those useless bronzes that are to be found even in the little villages, and that commemorate solemn, whiskered men, pillars of the state. For surely this is the habit of the true poet, and marks the vigour and recurrent origin of poetry, that a man should get his head full of rhythms and catches, and that they should jumble up somehow into short songs of his own. What could more suggest (for instance) a whole troop of dancing words and lovely thoughts than this refrain from the Tourdenoise -

... Son beau corps est en terre Son âme en Paradis.

Tu ris?

Et ris, tu ris, ma Bergère, Ris, ma Bergère, tu ris.

That was the way they set to work in England before the Puritans came, when men were not afraid to steal verses from one another, and when no one imagined that he could live by letters, but when every poet took a patron, or begged or robbed the churches. So much for the poets.

Flavigny then, I say (for I seem to be digressing), is a long street of houses all built together as animals build their communities. They are all very old, but the people have worked hard since the Revolution, and none of them are poor, nor are any of them very rich. I saw but one gentleman's house, and that, I am glad to say, was in disrepair. Most of the peasants' houses had, for a ground floor, cavernous great barns out of which came a delightful smell of morning -- that is, of hay, litter, oxen, and stored grains and old wood; which is the true breath of morning, because it is the scent that all the human race worth calling

THE HAY-MAKING NUNS

human first meets when it rises, and is the association of sunrise in the minds of those who keep the world alive: but not in the wretched minds of townsmen, and least of all in the minds of journalists, who know nothing of morning save that it is a time of jaded emptiness when you have just done prophesying (for the hundredth time) the approaching end of the world, when the floors are beginning to tremble with machinery, and when, in a weary kind of way, one feels hungry and alone: a nasty life and usually a short one.

To return to Flavigny. This way of stretching a village all along one street is Roman, and is the mark of civilization. When I was at college I was compelled to read a work by the crabbed Tacitus on the Germans, where, in the midst of a deal that is vague and fantastic nonsense and much that is wilful lying, comes this excellent truth, that barbarians build their houses separate, but civilized men together. So whenever you see a lot of red roofs nestling, as the phrase goes, in the woods of a hillside in south England, remember that all that is savagery; but when you see a hundred white-washed houses in a row along a dead straight road, lift up your hearts, for you are in civilization again.

But I continue to wander from Flavigny. The first thing I saw as I came into the street and noted how the level sun stood in a haze beyond, and how it shadowed and brought out the slight irregularities of the road, was a cart drawn by a galloping donkey, which came at and passed me with a prodigious clatter as I dragged myself forward. In the cart were two nuns, each with a scythe; they were going out mowing, and were up the first in the village, as Religious always are. Cheered by this happy omen, but not yet heartened, I next met a very old man leading out a horse, and asked him if there was anywhere where I could find coffee and bread at that hour; but he shook his head mournfully and wished me good-morning in a strong accent, for he was deaf and probably thought I was begging. So I went on still more despondent till I came to a really merry man of about middle age who was going to the fields, singing, with a very large rake over his shoulder. When I had asked him the same question he stared at me a little and said of course coffee and bread could be had at the baker's, and when I asked him how I should know the baker's he was still more surprised at my ignorance, and said, 'By the smoke coming from the large chimney.' This I saw rising a short way off on my right, so I thanked him and went and found there a youth of about nineteen, who sat at a fine oak table and had coffee, rum, and a loaf before him. He was waiting for the bread in the oven to be ready; and meanwhile he was very courteous, poured out coffee and rum for me and offered me bread.