The Philosophy of Fine Art, volume 4 (of 4) / Hegel's Aesthetik
Explore more books like this:
About This Book
The text analyzes poetry as a distinctive art that withdraws from direct sensory material to rely on imaginative vision and language, enabling the presentation of ideas in historical succession and synthetic definition. It contrasts poetic creation with painting and music, arguing that poetry’s verbal medium and subordinate use of tone allow a broader and deeper grasp of spiritual content, while also distinguishing poetical from prosaic modes of expression. Poetry is described as a universal art capable of reconstituting other artistic types, yet its tendency to negate sensuous presence can verge on dissolving art into religion and philosophical thought. The work also surveys variations of poetic activity across ages and cultures.
About the Author
More Books by This Author
Hegel's Lectures on the History of Philosophy: Volume 1 (of 3)
by Georg Wilhelm Friedrich Hegel
Hegel's Lectures on the History of Philosophy: Volume 2 (of 3)
by Georg Wilhelm Friedrich Hegel
Hegel's Lectures on the History of Philosophy: Volume 3 (of 3)
by Georg Wilhelm Friedrich Hegel
Hegel's Philosophy of Mind
by Georg Wilhelm Friedrich Hegel
Phänomenologie des Geistes
by Georg Wilhelm Friedrich Hegel
Rede zum Schuljahresabschluß am 29. September 1809
by Georg Wilhelm Friedrich Hegel
You May Also Like
"Phiz" (Hablot Knight Browne), a Memoir.
by Frederic George Kitton
"Præterita": souvenirs de jeunesse
by John Ruskin
"The spirit of '76": Some recollections of the artist and the painting
by Henry Kelsey Devereux
"Their Majesties' Servants." Annals of the English Stage (Volume 1 of 3)
by Dr. Doran
A architectura religiosa na Edade Média
by Augusto Fuschini
A Book About the Theater
by Brander Matthews