About This Book
An analytical study of the sources of expressive power in language, arguing that economy of mental effort and of mental feeling explains why particular words, sentence arrangements, and figures of speech are effective. It formulates a general principle of economy and applies it to words, sentences, and rhetorical figures, treating suggestion and metaphor as means of compression. It then examines how attention and emotional rhythms produce effects such as climax, antithesis, anticlimax, and poetic force, and offers practical guidance linking psychological laws of perception and feeling to concrete choices in composition and the qualities of an ideal writer.
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