About This Book
This study examines the psychological and aesthetic foundations of motion pictures, tracing their technical emergence and theatrical expansion while focusing on how film perception differs from real-world perception. It argues that depth and movement on screen are partly mental constructions, emphasizes attention as the organizing faculty that gives on-screen events meaning, and analyzes memory, imagination, and emotion in cinematic experience. The second part situates the motion picture among the arts, comparing expressive means, outlining formal demands and techniques for effective storytelling, and considering the art's purposes and social and aesthetic functions.
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