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The Physiology of Taste; Or, Transcendental Gastronomy

Chapter 27: BIOGRAPHICAL SKETCH.
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This work assembles aphorisms, meditations, and a dialogue to investigate the senses and the physiology and psychology of taste. It defines taste and appetite, analyzes how smell, texture, and dissolution create flavor perception, and distinguishes direct, complete, and reflected sensations. It surveys foods and preparations—broths, roasts, game, fish, truffles, coffee, and chocolate—and explains cooking techniques such as frying and the effects of various beverages. It includes gastronomical tests, social anecdotes about notable figures, and reflections on gastronomy's practical, cultural, and scientific dimensions.

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Title: The Physiology of Taste; Or, Transcendental Gastronomy

Author: Brillat-Savarin

Translator: Fayette Robinson

Release date: April 1, 2004 [eBook #5434]
Most recently updated: December 28, 2020

Language: English

Credits: Steve Harris, Charles Franks and the Online Distributed Proofreading Team

*** START OF THE PROJECT GUTENBERG EBOOK THE PHYSIOLOGY OF TASTE; OR, TRANSCENDENTAL GASTRONOMY ***

Steve Harris, Charles Franks and the Online Distributed Proofreading Team.

THE PHYSIOLOGY OF TASTE;

OR,
TRANSCENDENTAL GASTRONOMY.

ILLUSTRATED BY ANECDOTES OF DISTINGUISHED ARTISTS AND STATESMEN OF

BOTH CONTINENTS. BY BRILLAT SAVARIN.

TRANSLATED FROM THE LAST PARIS EDITION BY FAYETTE ROBINSON.

CONTENTS.

APHORISMS of the Professor to serve as Prolegomena to his work, and Eternal basis of the Science,

DIALOGUE, between the Author and his Friend,

BIOGRAPHY,
PREFACE,

MEDITATION I. THE SENSES,

Number of the Senses,

Action of the Senses,

Perfectness of the Senses,

Powers of the Taste,

Object of the Action of the Senses,

MEDITATION II. TASTE,

Definition of Taste,

Mechanism of Taste,

Sensation of Taste,

Flavors,

Influence of Smelling on the Taste,

Analyses of the Sensation of Taste,

Order of the Impressions of Taste,

Enjoyments due to the Taste,

Supremacy of Man,

Method of the Author,

MEDITATION III. GASTRONOMY,

Origin of Sciences,

Origin of Gastronomy,

Definition of Gastronomy,

Different objects of Gastronomy,

Utility of Gastronomical Knowledge,

Influence of Gastronomy on Business,

Gastronomical Academy,

MEDITATION IV. APPETITE,

Definition of Appetite,

Anecdote,

Great Appetites,

MEDITATION V.
FOOD IN GERMS—Section First,

Definitions,

Analyses,

Osmazome,

Principle of Aliments,

Vegetable Kingdom,

Difference between Fat and Lean,

Individual Instance,

MEDITATION VI.
FOOD IN GERMS—Section Second,

Specialities,

I. Pot-au-feu, Potage, etc.,

II. Bouilli,

III. Fowls,

IV. The Turkey,

Dindoniphiles,

Financial Influence of the Turkey,

Exploit of the Professor,

V. Game,

VI. Fish,

Anecdote,

Muria—Garum,

Philosophical Reflection,

VII. Truffles,

Erratic Virtue of Truffles,

Are Truffles Indigestible,

VIII. Sugar,

Indigenous Sugar,

Uses of Sugur,

IX. Origin of Coffee,

Different Modes of preparing Coffee,

Effects of Coffee,

X. Chocolate—its origin,

Properties of Chocolate,

True Method of preparing Chocolate,

MEDITATION VII. THEORY OF FRYING,

Allocution,

I. Chemistry,

II. Application,

MEDITATION VIII. ON THIRST,

Varieties of Thirst,

Causes of Thirst,

Example,

MEDITATION IX. ON DRINKS,

Water,

Quick effect of Drinks,

Strong Drinks,

MEDITATION X. AN EPISODE ON THE END OF THE WORLD,

MEDITATION XI. ON GOURMANDISE,

Definitions,

Advantages of Gourmandise,

Sequel,

Power of Gourmandise,

A Lady Gourmand,

Anecdote,

Are Women Gourmands?

The effects of Gourmandise of Sociability,

Influence of Gourmandise on Conjugal Happiness,

Note of a Patriot Gastronomer,

MEDITATION XII. GOURMANDS,

All who wish to be are not Gourmands,

Napoleon,

Gourmands by Destiny,

Gourmands by Profession,

Financiers,

Physicians,

Objurgation,

Men of Letters,

Devotees,

Chevaliers and Abbes,

Longevity of Gourmands,

MEDITATION XIII. GASTRONOMICAL TESTS,

First Series—Income of 5,000 francs,

Second Series—Income of 15,000 francs,

Third Series—Income of 30,000 francs, or more,

MEDITATION XIV. ON THE PLEASURES OF THE TABLE,

Origin of the Pleasures of the Table,

Difference between the Pleasures of Eating and the Pleasures of the Table,

Effects,

Accessories,

The 18th and 19th Century,

Summary,

MEDITATION XV. HALTES DE CHASSE,

Ladies,

MEDITATION XVI. ON DIGESTION,

Ingestion,

Duty of the Stomach,

Influence of Digestion,

MEDITATION XVII. REPOSE,

Time of Rest,

MEDITATION XVIII. SLEEP,

Definition,

MEDITATION XIX. DREAMS,

Nature of Dreams,

System of Dr. Gall,

First Observation,

Second Observation,

Result,

Age,

Phenomena of Dreams,

First Observation,

Second Observation,

Third Observation,

Do as you will be done by,

MEDITATION XX. INFLUENCE OF DIET ON REST, SLEEP AND DREAMS,

Effects of Diet on Labor,

Dreams,

Consequence,

Result,

MEDITATION XXI. OBESITY,

Causes of Obesity,

Sequel,

Sequel,

Anecdote,

Inconvenience of Obesity,

Examples of Obesity,

MEDITATION XXII. PRESERVATIVE TREATMENT AND CURE OF OBESITY,

Generalities,

Sequel of the Regimen,

Dangers of Acids,

Antiobesic Belt,

Quinquina,

MEDITATION XXIII. THINNESS,

Definition,

Varieties,

Effects of Thinness,

Natural Predestination,

Fattening Regimen,

MEDITATION XXIV. FASTING,

Definition,

Origin,

How people used to Fast,

Origin of the removal of Restriction in Fasting,

MEDITATION XXV. EXHAUSTION,

Treatment,

Cure by the Professor,

MEDITATION XXVI. DEATH,

MEDITATION XXVII. PHILOSOPHICAL HISTORY OF THE KITCHEN,

Order of Alimentation,

Discovery of Fire,

Baking,

Oriental Entertainments—Grecian,

Roman Festivals,

Resurrection of Lucullus,

Poetry,

Irruption of the Barbarians,

MEDITATION XXVIII. RESTAURATEURS,

Establishment,

PHYSIOLOGY OF TASTE—Part Second,

TRANSITION,

VARIETIES,
  I. L'omelette du Cure,

Omelette au Thon,

Observations,

II. A National Victory,

III. Mystification of the Professor and Defeat of a General,

IV. The Snare,

V. The Turbot,

VI. Pheasants,

VII. Gastronomical Industry of the Emigres,

VIII. Recollections of the Emigration,

The Weaver,

The Starving,

Sojourn in America,

Asparagus,

Fondue,

    Recipe for Fondue, Copied from the Papers of M. Trollet,
    Bailli of Mondon in Berne,

Disappointment,

Wonderful Effects of a Classical Dinner,

Effects and Danger of Strong Drinks,

Chevaliers and Abbes,

Miscellany—Wine,

Strawberries,

Judgment,

Raisins,

A Day with the Bernardines,

Prosperity en route,

H. … DeP …,

Conclusion,

BIOGRAPHICAL SKETCH.

The excellent man to whom we are indebted for this book has described himself, with so much charm, nature and truth; the principal events of his life have been recorded in such an agreeable and faithful manner that very few words will suffice to finish the story.

Brillat Savarin (Anthelme) Counsel of the Court of Cassation, member of the Legion of Honor, member of the Society for the Encouragement of National Industry, of the Antiquarian Society of France, of the Philoselic Society of Bourg, &c., &c., was born, 1st of April, 1755, at Belley, a little Alpine city, not far from the banks of the Rhine, which at this place separates France from Savoy. Like his forefathers, who had been for several generations devoted to the bar, the profession which pleased him, in consequence of his possession of great eloquence, he practised with great success.

In, 1789, the unanimous vote of his fellow citizens deputed him to the Constituent assembly, composed of all that was most brilliant in the youth of France at that day. Less attached in practice to the philosophy of Zeno than that of Epicurus, his name does not figure very conspicuously, but always appears at epochs, which show that he acted with the good and moderate.

His legislative functions being determined by the expiration of the Constituent Assembly, he was first appointed President of the Superior Civil court of the Department of Ain, and subsequently a Justice of the Court of Cassation, newly instituted; a man of talent, perfectly incorruptible and unhesitating in the discharge of his duty, he would have been precisely calculated for the place to which he had been appointed, had the warmth of political discussion made practicable the advice either of moderation or of prudence. In 1793, he was Mayor of Belley, and passed in anxiety there, the season of the reign of Terror; whence he was forced to fly to Switzerland for an asylum against the revolutionary movement. Nothing can better man, without a personal enemy, should be forced to pass in a foreign land the days he purposed to devote to the improvement of his country.

This is the point when the character of Brillat Savarin assumes its grandest proportions; proscribed, a fugitive, and often without pecuniary resources, frequently unable to provide for his personal safety, he was always able to console his companions in exile and set them an example of honest industry. As time rolled on, and his situation became more painful, he sought to find in the new world a repose which Europe denied him; he came from Europe, and in Boston, New York, Philadelphia, and Hartford passed two years teaching the French language, and for a time playing the first violin in the orchestra of the Park Theatre. Like many other emigres, Brillat Savarin ever sought to make the pleasant and the useful coincide. He always preserved very pleasant recollection of this period of his life, in which he enjoyed, with moderate labor, all that is necessary for happiness, liberty sweetened by honest toil. He might say all is well, and to be able to enjoy the breath of my native land would alone increase my happiness; he fancied that he saw brighter days with the commencement of Vendemiaire year 5, corresponding to September, of 1796. Appointed by the Directory, as Secretary of the General in Chief of the Republican armies in Germany, then Commisary of the government in the department of the Seine and Oise, (this appointment he held at the epoch of the 18th Brumaire, in which France fancied she exchanged liberty for repose,) sustained by the Senate and the Court, Brillat Savarin passed the remaining twenty-five years of his life respected by his inferiors, loved by his equals, and honored by all. A man of mind, a pleasant guest, with a deep fund of humor, he delighted every body. His judicial labors did not at all interfere with the composition of this book, which he esteemed the great one of his life.

To the very facility of its composition, the "Physiology of the Taste," owes its success; one would form a very erroneous opinion of it, were he to estimate it at all as we do Montaigue's writings on the Gueule. Savarin was naturally a thoughtful man, the simplest meal satisfied him, all he required was that it should be prepared artistically; and he maintained that the art of cookery consisted in exciting the taste. He used to say, "to excite a stomach of Papier Mache, and enliven vital powers almost ready to depart, a cook needs more talent than he who has solved the INFINTESIMAL CALCULUS."

The world was much surprised by finding in a book by Brillat Savarin, a man it had always looked upon as simply a very pleasant person, such a vast collection of general information; after his laborious profession he had always seemed to expend the rest of his time with the muses and graces, and none could divine where he obtained so much information, as almost to recall the story of some gray-haired sage of Greece. He had however already composed more than one work unrecognised, if we except the two opuscula "Critical and Historical Essay on Duel, with Relation to our Legislation and Morals," and a work on judicial practice. They were successful, but he was just then attacked by a violent cold, contracted by being present at the annual ceremony, [Footnote: Not only Brillat Savarin, but Robert De St. Vincent, and Attorney General Marchangy, contracted their death in consequence of the same ceremonial.] the 21st of January at the Church of St. Dennis. In spite of every care and attention, on the 2d of February, 1826, he died. For many years gifted with robust health and athletic constitution, made the more remarkable by his tall stature, Brillat Savarin had a presentiment of the approach of death; this feeling, however, did not influence the tenor of his life, for his habitual gaity was maintained unimpaired. When the fatal point was reached, he died tanquam convivia satur, not without regret, certainly, for he left many kind friends to whom his memory could not but be dear.

APHORISMS OF THE PROFESSOR.
TO SERVE AS PROLEGOMENA TO HIS WORK AND ETERNAL BASIS TO THE SCIENCE.

I. The universe would be nothing were it not for life and all that lives must be fed.

II. Animals fill themselves; man eats. The man of mind alone knows how to eat.

III. The destiny of nations depends on the manner in which they are fed.

IV. Tell me what kind of food you eat, and I will tell you what kind of man you are.

V. The Creator, when he obliges man to eat, invites him to do so by appetite, and rewards him by pleasure.

VI. Gourmandise is an act of our judgment, in obedience to which, we grant a preference to things which are agreeable, over those which nave not that quality.

VII. The pleasure of the table belongs to all ages, to all conditions, to all countries, and to all aeras; it mingles with all other pleasures, and remains at last to console us for their departure.

VIII. The table is the only place where one does not suffer, from ennui during the first hour.

IX. The discovery of a new dish confers more happiness on humanity, than the discovery of a new star.

X. Those persons who suffer from indigestion, or who become drunk, are utterly ignorant of the true principles of eating and drinking.

XI. The order of food is from the most substantial to the lightest.

XII. The order of drinking is from the mildest to the most foamy and perfumed.

XIII. To say that we should not change our drinks is a heresy; the tongue becomes saturated, and after the third glass yields but an obtuse sensation.

XIV. A dessert without cheese is like a beautiful woman who has lost an eye.

XV. A cook may be taught, but a man who can roast, is born with the faculty.

XVI. The most indispensable quality of a good cook is promptness.
It should also be that of the guests.

XVII. To wait too long for a dilatory guest, shows disrespect to those who are punctual.

XVIII. He who receives friends and pays no attention to the repast prepared for them, is not fit to have friends.

XIX. The mistress of the house should always be certain that the coffee be excellent; the master that his liquors be of the first quality.

XX. To invite a person to your house is to take charge of his happiness as long as he be beneath your roof.

DIALOGUE between the author and his friend. (after the usual salutations.)

FRIEND. As my wife and myself were at breakfast this morning, we came to the conclusion that you should print, as soon as possible, your Gastronomical Observations.

AUTHOR. What the wife wishes God wills. In six words that is the charta of Paris. I, though, am not subject to that law, for I am an unmarried man.

FRIEND. Bachelors, though, are as subject to the law as others are, sometimes much to our injury. Single blessedness here, however, will not save you. My wife says she has a right to order, because you began your book at her country-house.

AUTHOR. You know, dear Doctor, how I defer to the ladies; more than once you have found my submission to their orders. You also were one of those who said I would make an excellent husband. I will not, however, print my book.

FRIEND. Why not?

AUTHOR. Because being devoted, from the nature of my profession, to serious studies, I fear that those who only know the title of my book will think that I devote myself to trifles.

FRIEND. A panic terror! Thirty-six years of constant toil and labor for the public, have made you a reputation. Besides, my wife and I think every body would read you.

AUTHOR. Indeed!

FRIEND. The learned will read your book to ascertain what you have to tell.

AUTHOR. Perhaps.

FRIEND. Women will read your book because they will see—-

AUTHOR. My dear friend, I am old, I am attacked by a fit of wisdom. Miserere mei.

FRIEND. Gourmands will read you because you do them justice, and assign them their suitable rank in society.

AUTHOR. Well, that is true. It is strange that they have so long been misunderstood; I look on the dear Gourmands with paternal affection. They are so kind and their eyes are so bright.

FRIEND. Besides, did you not tell me such a book was needed in every library.

AUTHOR. I did. It is the truth—and I would die sooner than deny it.

FRIEND: Ah! you are convinced! You will come home with me?

AUTHOR. Not so. If there be flowers in the author's path, there are also thorns. The latter I leave to my heirs.

FRIEND. But then you disinherit your friends, acquaintances and cotemporaries. Dare you do so?

AUTHOR. My heirs! my heirs! I have heard that shades of the departed are always flattered by the praise of the living; this is a state of beatitude I wish to reserve myself for the other world.

FRIEND. But are you sure that the praise you love so, will come to the right address? Are you sure of the exactness of your heirs?

AUTHOR. I have no reason to think they will neglect a duty, in consideration of which I have excused them the neglect of so many others.

FRIEND. Will they—can they have for your book the paternal love, the author's attention without which every work always comes awkwardly before the public?

AUTHOR. My manuscript will be corrected, written out distinctly, and in all respects prepared; they will only have to print it.

FRIEND. And the chapter of events? Alas! such circumstances have caused the loss of many precious books,—among which was that of the famous Lecat, on the state of the body during sleep, the work of his whole life.

AUTHOR. This doubtless was a great loss; but I anticipate no such regrets for my book.

FRIEND. Believe me, your friends will have enough to do-to arrange matters with the church, with the law, and with the medical faculty, so that if they had the will, they would not have the time to devote them-selves to the various cares which precede, accompany, and follow the publication of a book,—however small the volume may be.

AUTHOR. But, my friend, what a title! Think of the ridicule!

FRIEND. The word Gastronomy makes every ear attentive; the subject is a la mode, and those who laugh are as great votaries of the science as any others are. This should satisfy you. Do you remember too, that the greatest men have sometimes written books on very trivial subjects,-Montesquieu, for example. [Footnote: M. de Monjucla, known as the author of an excellent history of mathematics, made a Dictionary of Gourmand Geography; he showed me portions of it during my residence at Versailles. It is said that M. Berryat-Professor of legal practice, has written a romance in several volumes on the subject.]

AUTHOR. (Quickly.) On my word, that is true. He wrote the Temple of Gnidus, and it would not be difficult to sustain that there is more real utility in meditating on what is at once a necessity, a pleasure, and an occupation every day of our lives, than in telling what was done and said a thousand years ago by two mad people, one of whom pursued through the woods of Greece the other, who had not the least disposition to escape.

FRIEND. Ah! ha! Now you yield?

AUTHOR. Not I. The ass's ear of the author only was shown; and this recalls to my memory a scene of English comedy, which amused me very much; it is, I think, in the play called the Natural Daughter. You shall see, however, for yourself. [Footnote: The reader will observe that my friend permits me to be familiar with him, without taking advantage of it. The reason is, that the difference between our ages is that of a father and a son, and that, though now a man of great note and importance in every respect, he would be completely overcome with grief if I changed my bearing towards him.] The subject relates to the Quakers, that sect which uses "thee" and "thou" to everybody, which dresses simply, never go to war, never swear or act with passion, and who never get angry. The hero of this piece is a young and handsome Quaker, who appears on the scene in a brown coat, a broad-brimmed hat, and slick hair! All this, though, does not keep him from being in love.

A fool who is his rival, emboldened by his exterior, ridicules and outrages him so that the young man gradually becoming excited, and finally made furious, gives his assailant a severe thrashing.

Having done this he at once resumes his habitual deportment and says, sadly, "Alas! the flesh is too mighty for the spirit."

Thus say I, and after a brief hesitation resume my first opinion.

FRIEND. That is impossible. You have shown your ear; you are a prize, and I will take you to my bookseller. I will tell you who has gotten wind of your secret.

AUTHOR. Do not; for I would speak of yourself, and who knows what
I would say?

FRIEND. What could you say? Do not think you can intimidate me.

AUTHOR. I will not say that our native city [Footnote: Belley, capital of Bugey, where high mountains, hills, vines, limpid streams, cascades, dells, gardens of a hundred square leagues are found, and where, BEFORE the revolution, the people were able to control the other two orders.] is proud of having given you birth. At the age of twenty-four you published an elementary book, which from that day has become a classic. A deserved reputation has attracted confidence to you. Your skill revives invalids; your dexterity animates them; your sensibility consoles them. All know this; but I will reveal to all Paris, to all France, the sole fault of which I know you guilty.

FRIEND. (Seriously.) What do you mean?

AUTHOR. An habitual fault which no persuasion can correct.

FRIEND. Tell me what you mean! Why torment me?

AUTHOR. You eat too quickly.

(Here, the friend takes up his hat and leaves, fancying that he has made a convert.)

BIOGRAPHY

The Doctor I have introduced into the dialogue we have just read, is not a creature of imagination like the Chloris of other days, but a real living Doctor. Those who know me, will remember RICHERAND.

When I thought of him I could not but have reference to those who preceded him, and I saw with pride that from Belley, from the department of Ain, my native soil, for a long time physicians of the greatest distinction had come. I could not resist the temptation to erect a brief monument to them.

During the regency Doctors Genin and Civoct were in full possession of practice, and expended in their country a wealth they had honorably acquired. The first was altogether HIPPOCRATITE; he proceeded secundum artem; the second was almost monopolized by women, and had as his device, as Tacitus would have said, res novas molientem.

About 1780 Chapelle became distinguished in the dangerous career of a military surgeon. About 1781 Doctor Dubois had great success in sundry maladies, then very much a la mode, and in nervous diseases. The success he obtained was really wonderful.

Unfortunately he inherited a fortune and became idle, and was satisfied to be a good story-teller. He was very amusing, and contrived to survive the dinners of the new and old regime. [Footnote: I smiled when I wrote the above, for it recalled to me an Academician, the eulogium of whom Fontenelle undertook. The deceased knew only how to play at all games. Fontenelle made a very decent oration, however, about him.] About the end of the reign of Louis XV., Dr. Coste, a native of Chatillon came to Paris; he had a letter from Voltaire to the Duc de Choiseuil, the good wishes of whom he gained as soon as he had seen him.

Protected by this nobleman, and by the Duchess of Grammont, his sister, young Coste advanced rapidly, and in a short time became one of the first physicians of Paris.

The patronage he had received took him from a profitable career to place him at the head of the medical department of the army which France sent to the United States, who then were contending for their independence.

Having fulfilled his mission, Coste returned to France, and almost unseen lived through the evil days of 1793. He was elected maire of Versailles, and even now the memory of his administration, at once mild, gentle and paternal, has been preserved.

The Directors now recalled him to the charge of the medical department of the army. Bonaparte appointed him one of the three Inspectors General of the service; the Doctor was always the friend, protector, and patron of the young men who selected that service. He was at last appointed Physician of the Invalides, and discharged the duties until he died.

Such service the Bourbons could not neglect, and Louis XVIII. granted to Doctor Coste the cordon of Saint Michel.

Doctor Coste died a few years since, leaving behind kind recollections, and a daughter married to M. Lalot, who distinguished himself in the Chamber of Deputies by his eloquent and profound arguments.

One day when we had dined with M. Favre, the Cure of St. Laurent, Doctor Coste told me of a difficulty he had, the day before, with the Count de Le Cessac, then a high officer of the ministry of war, about a certain economy which the latter proposed as a means of paying his court Napoleon.

The economy consisted in retrenching the allowances of hospital, so as to restrict men who had wounds from the comforts they were entitled to.

Doctor Coste said such measures were abominable, and he became angry.

I do not know what the result was, but only that the sick soldiers had their usual allowances, and that no change was made.

He was appointed Professor of the Faculty of Medicine. His style was simple and his addresses were plain and fruitful. Honors were crowded on him. He was appointed Physician to the Empress Marie Louise. He did not, however, fill that place long, the Emperor was swept away, and the Doctor himself succumbed to a disease of the leg, to which he had long been subject.

Bordier was of a calm disposition, kind and reliable.

About the 18th century appeared Bichat, all of the writings of whom bear the impress of genius. He expended his life in toil to advance science, and joined the patience of restricted minds to enthusiasm. He died at the age of thirty, and public honors were decreed to his memory.

At a later day came Doctor Montegre, who carried philosophy into clinics. He was the editor of the Gazette de Sante, and at the age of forty died in the Antilles whither he had gone to complete his book on the Vomite Negro.

At the present moment Richerand stands on the highest degree of operative medicine, and his Elements of Physiology have been translated into every language. Appointed at an early date a Professor of the Faculty of Paris, he made all rely fully on him. He is the keenest, gentlest, and quickest operator in the world.

Recamier, a professor of the same faculty, sits by his side.

The present being thus assured, the future expands itself before us! Under the wings of these mighty Professors arise young men of the same land, who seek to follow their honorable examples.

Janin and Manjot already crush the pavement of Paris. Manjot devotes himself to the diseases of children; he has happy inspirations, and soon will tell the public what he has discovered.

I trust my readers will pardon this digression of an old man, who, during an absence of thirty years, has neither forgotten his country nor his countrymen. I could not however omit all those physicians, the memory of whom is yet preserved in their birth- place, and who, though not conspicuous, had not on that account the less merit or worth. [Footnote: The translator thinks several have made world-renowned names.]

PREFACE.

In offering to the public the work I now produce, I have undertaken no great labor. I have only put in order materials I had collected long ago. The occupation was an amusing one, which I reserved for my old age.

When I thought of the pleasures of the table, under every point of view, I saw that something better than a common cookery book could be made out of it, and that much might be said about essential and continuous things, which have a direct influence on health, happiness, and even on business.

When I had once gotten hold of the idea, all the rest came naturally. I looked around, took notes, and amidst the most sumptuous festivals looked at the guests. Thus I escaped many of the dangers of conviviality.

To do what I have undertaken, one need not be a physician, chemist, physiologist, or even a savant. All I learned, I learned without the least idea that I would ever be an author. I was impressed by a laudable curiosity, by the fear of remaining behind my century, and by an anxiety to be able to sit at table on equal terms with the savants I used to meet.

I am essentially an amateur medecin, and this to me is almost a mania. Among the happiest days of my life, when with the Professors, I went to hear the thesis of Doctor Cloquet; I was delighted when I heard the murmur of the students' voices, each of whom asked who was the foreign professor who honored the College with his presence.

One other day is, I think, almost as dear to me. I refer to the meeting of the society for the encouragement of national industry, when I presented the irrorator, an instrument of my own invention, which is neither more nor less than a forcing pump filled with perfumes.

I had an apparatus fully charged in my pocket. I turned the cock, and thence pressed out a perfume which filled the whole room.

Then I saw, with inexpressible pleasure, the wisest heads of the capital bend beneath my irrigation, and I was glad to see that those who received most, were the happiest.

Thinking sometimes of the grave lucubrations to which I was attracted by my subject, I really as afraid that I would be troublesome. I have often read very stupid books.

I did all that I could to escape this reproach. I have merely hovered over subjects which presented themselves to me; I have filled my book with anecdotes, some of which to a degree are personal. I have omitted to mention many strange and singular things, which critical judgment induced me to reject, and I recalled popular attention to certain things which savants seemed to have reserved to themselves. If, in spite of all these efforts, I have not presented to my readers a science rarely understood, I shall sleep just as calmly, being certain that the MAJORITY will acquit me of all evil intention.

It may perhaps be said that sometimes I wrote too rapidly, and that sometimes I became garrulous. Is it my fault that I am old? Is it my fault that, like Ulysses, I have seen the manners and customs of many cities? Am I therefore blamable for writing a little bit of autobiography? Let the reader, however, remember that I do not inflict my political memoirs on him, which he would have to read, as he has many others, since during the last thirty years I have been exactly in the position to see great men and great things.

Let no one assign me a place among compilers; had I been reduced thus low, I would have laid down my pen, and would not have lived less happily.

I said, like Juvenal:

"Semper ego auditor tantum! nunquamne reponam!"

and those who know me will easily see that used to the tumult of society and to the silence of the study I had to take advantage of both one and the other of these positions.

I did too many things which pleased me particularly; I was able to mention many friends who did not expect me to do so, and recalled some pleasant memories; I seized on others which would have escaped, and, as we say familiarly, took my coffee.

It may be a single reader may in some category exclaim,——"I wished to know if——." "What was he thinking of," etc., etc. I am sure, though, the others will make him be silent and receive with kindness the effusions of a praiseworthy sentiment.

I have something to say about my style, which, as Buffon says, is all the man.

Let none think I come to ask for a favor which is never granted to those who need it. I wish merely to make an explanation.

I should write well, for Voltaire, Jean Jacques, Fenelon, Buffon, and Cochin and Aguesseau were my favorite authors. I knew them by heart.

It may be though, that the gods ordered otherwise; if so, this is the cause of the will of the gods.

I know five languages which now are spoken, which gives me an immense refectory of words.

When I need a word and do not find it in French, I select it from other tongues, and the reader has either to understand or translate me. Such is my fate.

I could have acted otherwise, but was prevented by a kind of system to which I was invincibly attached.

I am satisfied that the French language which I use is comparatively poor. What could I do? Either borrow or steal.

I did neither, for such borrowings, cannot be restored, though to steal words is not punishable by the penal code.

Any one may form an idea of my audacity when I say I applied the Spanish word volante to any one I had sent on an errand, and that I had determined to GALLICISE the English word TO SIP, which means to drink in small quantities. I however dug out the French word siroter, which expresses nearly the same thing.

I am aware the purists will appeal to Bosseux, to Fenelon, Raceri, Boilleau, Pascal, and others of the reign of Louis XIV. I fancy I hear their clamor.

To all this I reply distinctly, that I do not depreciate the merit of those authors; but what follows? Nothing, except that if they played well on an inferior instrument, how much better would they have done on a superior one. Therefore, we may believe that Tartini would have played on the violin far better than he did, if his bow had been long as that of Baillot.

I do not belong to the neologues or even to the romanticists; the last are discoverers of hidden treasures, the former are like sailors who go about to search for provisions they need.

The people of the North, and especially the English, have in this respect an immense advantage over us. Genius is never restricted by the want of expression, which is either made or created. Thus it is that of all subjects which demand depth and energy, our translations make but pale and dull infusions.

Once I heard at the institute a pleasant discourse on the danger of neologism, and on the necessity of maintaining our language as it was when the authors of the great century wrote.

"Like a chemist, I sifted the argument and ascertained that it meant:

"We have done so well, that we neither need nor can do better."

Now; I have lived long enough to know that each generation has done as much, and that each one laughs at his grandfather.

Besides, words must change, when manners and ideas undergo perpetual modifications. If we do things as the ancients did, we do not do them in the same manner. There are whole pages in many French books, which cannot be translated into Latin or Greek.

All languages had their birth, their apogee and decline. None of those which have been famous from the days of Sesostris to that of Philip Augustus, exist except as monuments. The French will have the same fate, and in the year 2825 if read, will be read with a dictionary.

I once had a terrible argument on this matter with the famous M.
Andrieux, at the Academie Francaise.

I made my assault in good array, I attacked him vigorously, and would have beaten him had he not made a prompt retreat, to which I opposed no obstacle, fortunately for him, as he was making one letter of the new lexicon.

I end by one important observation, for that reason I have kept it till the last.

When I write of ME in the singular, I gossip with my reader, he may examine, discuss, doubt or laugh; but when I say WE I am a professor, and all must bow to me.

"I am, Sir Oracle,

And when I ope my lips, let no dog bark."

Merchant of Venice.

PHYSIOLOGY OF TASTE.

MEDITATION FIRST.
THE SENSES.

The senses are the organs by which man places himself in connexion with exterior objects.

NUMBER OF THE SENSES.

1. They are at least six—

Sight, which embraces space, and tells us by means of light, of the existence and of the colors of the bodies around us.

Hearing, which, by the motion of the air, informs us of the motion of sounding or vibrating bodies.

Scent, by means of which we are made aware of the odors bodies possess.

Taste, which enables us to distinguish all that has a flavor from that which is insipid.

Touch informs us of the consistency and resistance of bodies.

The last is genesiac or physical love, which attracts the sexes to each other, and the object of which is the reproduction of the species.

It is astonishing that, almost to the days of Buffon, so important a sense was misunderstood, and was confounded with the touch.

Yet the sensation of which it is the seat, has nothing in common with touch; it resides in an apparatus as complete as the mouth or the eyes, and what is singular is that each sex has all that is needed to experience the sensation; it is necessary that the two should be united to reach nature's object. If the TASTE, the object of which is the preservation of the individual, be incontestibly a sense, the same title must indubitably be preserved on the organs destined to the preservation of the species.

Let us then assign to the genesiac the sensual place which cannot be refused to it, and let us leave to posterity the assignment of its peculiar rank.

ACTION OF THE SENSES.

If we were permitted, even in imagination, to refer to the first moments of the existence of the human race, we would believe that the first sensations were direct; that is to say that all saw confusedly and indirectly, smelled without care, ate without tasting, etc.

The centre of all these sensations, however, being the soul, the sensual attribute of humanity and active cause of perfectibility, they are reflected, compared, and judged by it; the other senses then come to the assistance of each other, for the utility and well-being of the sensitive; one or individual.

Thus touch rectifies the errors of sight; sound, by means of articulate speech, becomes the interpreter of every sentiment; taste is aided by sight and smell; hearing compares sounds, appreciates distance; and the genesiac sense takes possession of the organs of all the senses.

The torrent of centuries rolling over the human race, has continually brought new perfections, the cause of which, ever active though unseen, is found in the demands made by our senses, which always in their turns demand to be occupied.

Sight thus gave birth to painting, to sculpture, and to spectacles of every kind.

Sound, to melody, harmony, to the dance, and to music in all its branches, and means of execution.

Smell, to the discovery, manufacture and use of perfumes.

Taste, to the production, choice and preparation of all that is used for food.

Touch, to all art, trades and occupations.

The genesiac sense, to all which prepares or embellishes the reunion of senses, and, subsequently to the days of Francois I., to romantic love, to coquetry, which originated in France and obtained its name there, and from which the elite of the world, collected in the capital of the universe, take their lessons every day.

This proposition, strange as it seems, is very susceptible of demonstration; we cannot express with clearness in any ancient language, ideas about these three great motives of actual society.

I had written a dialogue on this subject, but suppressed it for the purpose of permitting the reader, each in his own way, to think of the matter for himself. There is enough to occupy the mind and display intelligence and erudition during a whole evening.

We said above, that the genesiac sense took possession of the organs of all the others; the influence it has exerted over all sciences is not less. When we look closer, we will find that all that is most delicate and ingenious is due to the desire, to hope, or to gratitude, in connexion with the union of the sexes.

Such is, indeed, the genealogy of the senses, even the most abstract ones, all being the immediate result of continuous efforts made to gratify our senses.

PERFECTNESS OF THE SENSES.

These senses, our favorites, are far from being perfect, and I will not pause to prove it. I will only observe, that that ethereal sense—sight, and touch, which is at the other extremity of the scale, have from time acquired a very remarkable additional power.

By means of spectacles the eye, so to say, escapes from the decay of age, which troubles almost all the other organs.

The telescope has discovered stars hitherto unknown and inaccessible to all our means of mensuration; it has penetrated distances so great, that luminous and necessarily immense bodies present themselves to us only like nebulous and almost imperceptible spots.

The microscope has made us acquainted with the interior configuration of bodies; or has shown the existence of a vegetation and of plants, the existence of which we were ignorant of.

Animals a hundred thousand times smaller than any visible with the naked eye have been discovered; these animalculae, however, move, feed and multiply, establishing the existence of organs of inconceivable tenuity.

Mechanics have multiplied our power; man has executed all that he could conceive of, and has moved weights nature made inaccessible to his weakness.

By means of arms and of the lever, man has conquered all nature; he has subjected it to his pleasure, wants and caprices. He has overturned its surfaces, and a feeble biped has become king of creation.

Sight and touch, being thus increased in capacity, might belong to some species far superior to man; or rather the human species would be far different had all the senses been thus improved.

We must in the meantime remark, that if touch has acquired a great development as a muscular power, civilization has done almost nothing for it as an organ of sensation. We must, however, despair of nothing, but remember that the human race is yet young, and that only after a long series of years can the senses aggrandise their domain.

For instance. Harmony was only discovered about four centuries ago, and that celestial science is to sound what painting is to colors.

Certainly, the ancients used to sing and accompany themselves in unison. Their knowledge, however, ended there. They knew neither how to decompose sounds, nor to appreciate their relations. [Footnote: We are aware that the contrary has been maintained; the idea though cannot be supported. Had the ancients been acquainted with harmony, their writings would have preserved some precise notion on the matter, instead of a few obscure phrases, which may be tortured to mean anything. Besides, we cannot follow the birth and progress of harmony in the monuments left to us; this obligation we owe to the Arabs, who made us a present of the organ, which produces at one time many continuous sounds, and thus created harmony.]

Tone was only reduced to system, and accords measured in the fifteenth century. Only then it was used to sustain the voice and to reinforce the expression of sentiments.

This discovery, made at so late a day, yet so natural, doubled the hearing, and has shown the existence of two somewhat independent faculties, one of which receives sound and the other appreciates resonance.

The German Doctors say that persons sensible of harmony have one sense more than others.

Of those persons to whom music is but a confused mass of sounds, we may remark that almost all sing false. We are forced to think that they have the auditory apparatus so made, as to receive but brief and short undulation, or that the two ears not being on the same diapason, the difference in length and sensibility of these constituent parts, causes them to transmit to the brain only an obscure and undetermined sensation, like two instruments played in neither the same key nor the same measure, and which can produce no continuous melody.

The centuries last passed have also given the taste important extension; the discovery of sugar, and its different preparations, of alcoholic liquors, of wine, ices, vanilla, tea and coffee, have given us flavors hitherto unknown.

Who knows if touch will not have its day, and if some fortuitous circumstance will not open to us thence some new enjoyments? This is especially probable as tactile sensitiveness exists every where in the body, and consequently can every where be excited.

We have seen that physical love has taken possession of all the sciences. In this respect it acts with its habitual tyranny.

The taste is a more prudent measure but not less active faculty. Taste, we say, has accomplished the same thing, with a slowness which ensures its success.

Elsewhere we will consider the march. We may, however, observe, that he who has enjoyed a sumptuous banquet in a hall decked with flowers, mirrors, paintings, and statues, embalmed in perfume, enriched with pretty women, filled with delicious harmony, will not require any great effort of thought to satisfy himself that all sciences have been put in requisition to exalt and to enhance the pleasures of taste.

OBJECT OF THE ACTION OF THE SENSES.

Let us now glance at the system of our senses, considered together, and we will see that the Author of creation had two objects, one of which is the consequence of the other,—the preservation of the individual and the duration of the species.

Such is the destiny of man, considered as a sensitive being; all his actions have reference to this double purpose.

The eye perceives external objects, reveals the wonders by which a man is surrounded, and tells him he is a portion of the great whole.

Hearing perceives sounds, not only as an agreeable sensation, but as warnings of the movement of bodies likely to endanger us.

The sense of touch watches to warn us by pain of any immediate lesion.

That faithful servant the hand has prepared his defence, assured his steps, but has from instinct seized objects it thought needed to repair losses caused by the use of life.

The sense of smell explores; deleterious substances almost always have an unpleasant smell.

The taste decides; the teeth are put in action, the tongue unites with the palate in tasting, and the stomach soon commences the process of assimilation.

In this state a strange languor is perceived, objects seem discolored, the body bends, the eyes close, all disappears, and the senses are in absolute repose.

When he awakes man sees that nothing around him has changed, a secret fire ferments in his bosom, a new organ is developed. He feels that he wishes to divide his existence.

This active unquiet and imperious sentiment is common to both sexes. It attracts them together and unites them, and when the germ of a new being is fecundated, the individuals can sleep in peace.

They have fulfilled the holiest of their duties by assuring the duration of the species. [Footnote: Buffon describes, with all the charms of the most brilliant eloquence, the first moments of Eve's existence. Called on to describe almost the same subject, we have drawn but one feature. The reader will complete the picture.]

Such are the general and philosophical principles I wished to place before my readers, to lead them naturally to the examination of the organ of taste.

MEDITATION II.
TASTE.
DEFINITION OF TASTE.

Taste is the sense which communicates to us a knowledge of vapid bodies by means of the sensations which they excite.

Taste, which has as its excitement appetite, hunger and thirst, is the basis of many operations the result of which is that the individual believes, developes, preserves and repairs the losses occasioned by vital evaporation.

Organized bodies are not sustained in the same manner. The Author of creation, equally varied in causes and effects, has assigned them different modes of preservation.

Vegetables, which are the lowest in the scale of living things, are fed by roots, which, implanted in the native soil, select by the action of a peculiar mechanism, different subjects, which serve to increase and to nourish them.

As we ascend the scale we find bodies gifted with animal life and deprived of locomotion. They are produced in a medium which favors their existence, and have special and peculiar organs which extract all that is necessary to sustain the portion and duration of life allotted them. They do not seek food, which, on the contrary, comes to seek them.

Another mode has been appointed for animals endowed with locomotion, of which man is doubtless the most perfect. A peculiar instinct warns him of the necessity of food; he seeks and seizes the things which he knows are necessary to satisfy his wants; he eats, renovates himself, and thus during his life passes through the whole career assigned to him.

Taste may be considered in three relations.

In physical man it is the apparatus by means of which he appreciates flavors.

In moral man it is the sensation which the organ impressed by any savorous centre impresses on the common centre. Considered as a material cause, taste is the property which a body has to impress the organ and to create a sensation.

Taste seems to have two chief uses:

1. It invites us by pleasure to repair the losses which result from the use of life.

2. It assists us to select from among the substances offered by nature, those which are alimentary.

In this choice taste is powerfully aided by the sense of smell, as we will see hereafter; as a general principle, it may be laid down that nutritious substances are repulsive neither to the taste nor to the smell.

It is difficult to say in exactly what the faculty of taste consists. It is more complicated than it appears.

The tongue certainly plays a prominent part in the mechanism of degustation—for, being endued with great muscular power, it enfolds, turns, presses and swallows food.

Also, by means of the more or less numerous pores which cover it, it becomes impregnated with the sapid and soluble portions of the bodies which it is placed in contact with. Yet all this does not suffice, for many adjacent parts unite in completing the sensation —viz: jaws, palate, and especially the nasal tube, to which physiologists have perhaps not paid attention enough.

The jaws furnish saliva, as necessary to mastication as to the formation of the digestible mass. They, like the palate, are gifted with a portion of the appreciative faculties; I do not know that, in certain cases, the nose does not participate, and if but for the odor which is felt in the back of the mouth, the sensation of taste would not be obtuse and imperfect.

Persons who have no tongue or who have lost it, yet preserve the sensation of taste. All the books mention the first case; the second was explained to me by an unfortunate man, whose tongue had been cut out by the Algerines for having, with several of his companions, formed a plot to escape from captivity.

I met this man at Amsterdam, where he was a kind of broker. He was a person of education, and by writing was perfectly able to make himself understood.

Observing that his whole tongue, to the very attachment, had been cut away, I asked him if he yet preserved any sense of taste when he ate, and if the sense of taste had survived the cruel operation he had undergone.

He told me his greatest annoyance was in swallowing, (which indeed was difficult;) that he had a full appreciation of tastes and flavors, but that acid and bitter substances produced intense pain.

He told me the abscission of the tongue was very common in the African kingdoms, and was made use of most frequently to punish those thought to be the leaders of any plot, and that they had peculiar instruments to affect it with. I wished him to describe them, but he showed such painful reluctance in this matter, that I did not insist.

I reflected on what he said, and ascending to the centuries of ignorance, when the tongues of blasphemers were cut and pierced, I came to the conclusion that these punishments were of Moorish origin, and were imported by the crusaders.

We have seen above, that the sensation of taste resided chiefly in the pores and feelers of the tongue. Anatomy tells us that all tongues are not exactly alike, there being three times as many feelers in some tongues as in others. This circumstance will explain why one of two guests, sitting at the same table, is delighted, while the other seems to eat from constraint; the latter has a tongue but slightly provided. These are recognized in the empire of the taste—both deaf and dumb.

SENSATION OF TASTE.

Five or six opinions have been advanced as to the modus operandi of the sensation of taste. I have mine, viz:

The sensation of taste is a chemical operation, produced by humidity. That is to say, the savorous particles must be dissolved in some fluid, so as to be subsequently absorbed by the nervous tubes, feelers, or tendrils, which cover the interior of the gastatory apparatus.

This system, whether true or not, is sustained by physical and almost palpable proofs.

Pure water creates no sensation, because it contains no sapid particle. Dissolve, however, a grain of salt, or infuse a few drops of vinegar, and there will be sensation.

Other drinks, on the contrary, create sensation because they are neither more nor less than liquids filled with appreciable particles.