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The play's the thing

Chapter 7: Transcriber’s note
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About This Book

A celebrated dramatist and his collaborator engineer a theatrical ruse to resolve romantic entanglements involving a young composer, a prima donna and a jealous actor. By mounting a play-within-the-play in a seaside castle they use rehearsals, mistaken identities and contrived scenes to expose loyalties and provoke comic misunderstandings. The three-act structure compresses much of the action into a single night and the following day, blending brisk farce with witty commentary on stagecraft. Themes examine the porous boundary between performance and reality and show how theatrical artifice can manipulate feeling while illuminating character.

Transcriber’s note

Minor punctuation errors have been changed without notice. Inconsistencies in hyphenation have been standardized.

Other spelling has been retained as originally published except for the changes below.

Page 35: “Everyday I’ve been” “Every day I’ve been”
Page 62: “ALMADY. [To Almady.]” ALMADY. [To Turai.]”
Page 74: “TURAI. My God!” ILONA. My God!”
Page 111: “put the whip down on the” “puts the whip down on the”
Page 115: “peace that has ripened” “peach that has ripened”
Page 132: “This is to much.” “This is too much.”