THE MARYLAND YELLOW-THROAT
When May bedecks the naked trees
With tassels and embroideries,
And many blue-eyed violets beam
Along the edges of the stream,
I hear a voice that seems to say,
Now near at hand, now far away,
“Witchery—witchery—witchery.”
An incantation so serene,
So innocent, befits the scene:
There's magic in that small bird's note—
See, there he flits—the Yellow-throat;
A living sunbeam, tipped with wings,
A spark of light that shines and sings
“Witchery—witchery—witchery.”
You prophet with a pleasant name,
If out of Mary-land you came,
You know the way that thither goes
Where Mary's lovely garden grows:
Fly swiftly back to her, I pray,
And try to call her down this way,
“Witchery—witchery—witchery!”
Tell her to leave her cockle-shells,
And all her little silver bells
That blossom into melody,
And all her maids less fair than she.
She does not need these pretty things,
For everywhere she comes, she brings
“Witchery—witchery—witchery!”
The woods are greening overhead,
And flowers adorn each mossy bed;
The waters babble as they run—
One thing is lacking, only one:
If Mary were but here to-day,
I would believe your charming lay,
“Witchery—witchery—witchery!”
Along the shady road I look—
Who's coming now across the brook?
A woodland maid, all robed in white—
The leaves dance round her with delight,
The stream laughs out beneath her feet—
Sing, merry bird, the charm's complete,
“Witchery—witchery—witchery!”
1895.
A NOVEMBER DAISY
Afterthought of summer's bloom!
Late arrival at the feast,
Coming when the songs have ceased
And the merry guests departed,
Leaving but an empty room,
Silence, solitude, and gloom,—
Are you lonely, heavy-hearted;
You, the last of all your kind,
Nodding in the autumn-wind;
Now that all your friends are flown,
Blooming late and all alone?
Nay, I wrong you, little flower,
Reading mournful mood of mine
In your looks, that give no sign
Of a spirit dark and cheerless!
You possess the heavenly power
That rejoices in the hour.
Glad, contented, free, and fearless,
Lift a sunny face to heaven
When a sunny day is given!
Make a summer of your own,
Blooming late and all alone!
Once the daisies gold and white
Sea-like through the meadow rolled:
Once my heart could hardly hold
All its pleasures. I remember,
In the flood of youth's delight
Separate joys were lost to sight.
That was summer! Now November
Sets the perfect flower apart;
Gives each blossom of the heart
Meaning, beauty, grace unknown,—
Blooming late and all alone.
November, 1899.
THE ANGLER'S REVEILLE
What time the rose of dawn is laid across the lips of night,
And all the little watchman-stars have fallen asleep in light,
'Tis then a merry wind awakes, and runs from tree to tree,
And borrows words from all the birds to sound the reveille.
This is the carol the Robin throws
Over the edge of the valley;
Listen how boldly it flows,
Sally on sally:
Tirra-lirra,
Early morn,
New born!
Day is near,
Clear, clear.
Down the river
All a-quiver,
Fish are breaking;
Time for waking,
Tup, tup, tup!
Do you hear?
All clear—
Wake up!
The phantom flood of dreams has ebbed and vanished with the dark,
And like a dove the heart forsakes the prison of the ark;
Now forth she fares thro' friendly woods and diamond-fields of dew,
While every voice cries out “Rejoice!” as if the world were new.
This is the ballad the Bluebird sings,
Unto his mate replying,
Shaking the tune from his wings
While he is flying:
Surely, surely, surely,
Life is dear
Even here.
Blue above,
You to love,
Purely, purely, purely.
There's wild azalea on the hill, and iris down the dell,
And just one spray of lilac still abloom beside the well;
The columbine adorns the rocks, the laurel buds grow pink,
Along the stream white arums gleam, and violets bend to drink.
This is the song of the Yellow-throat,
Fluttering gaily beside you;
Hear how each voluble note
Offers to guide you:
Which way, sir?
I say, sir,
Let me teach you,
I beseech you!
Are you wishing
Jolly fishing?
This way, sir!
I'll teach you.
Then come, my friend, forget your foes and leave your fears behind,
And wander forth to try your luck, with cheerful, quiet mind;
For be your fortune great or small, you take what God will give,
And all the day your heart will say, “'Tis luck enough to live.”
This is the song the Brown Thrush flings
Out of his thicket of roses;
Hark how it bubbles and rings,
Mark how it closes:
Luck, luck,
What luck?
Good enough for me,
I'm alive, you see!
Sun shining,
No repining;
Never borrow
Idle sorrow;
Drop it!
Cover it up!
Hold your cup!
Joy will fill it,
Don't spill it,
Steady, be ready,
Good luck!
1899.
THE RUBY-CROWNED KINGLET
I
Where's your kingdom, little king?
Where the land you call your own,
Where your palace and your throne?
Fluttering lightly on the wing
Through the blossom-world of May,
Whither lies your royal way,
Little king?
Far to northward lies a land
Where the trees together stand
Closely as the blades of wheat
When the summer is complete.
Rolling like an ocean wide
Over vale and mountainside,
Balsam, hemlock, spruce and pine,—
All those mighty trees are mine.
There's a river flowing free,—
All its waves belong to me.
There's a lake so clear and bright
Stars shine out of it all night;
Rowan-berries round it spread
Like a belt of coral red.
Never royal garden planned
Fair as my Canadian land!
There I build my summer nest,
There I reign and there I rest,
While from dawn to dark I sing,
Happy kingdom! Lucky king!
II
Back again, my little king!
Is your happy kingdom lost
To the rebel knave, Jack Frost?
Have you felt the snow-flakes sting?
Houseless, homeless in October,
Whither now? Your plight is sober,
Exiled king!
Far to southward lie the regions
Where my loyal flower-legions
Hold possession of the year,
Filling every month with cheer.
Christmas wakes the winter rose;
New Year daffodils unclose;
Yellow jasmine through the wood
Flows in February flood,
Dropping from the tallest trees
Golden streams that never freeze.
Thither now I take my flight
Down the pathway of the night,
Till I see the southern moon
Glisten on the broad lagoon,
Where the cypress' dusky green,
And the dark magnolia's sheen,
Weave a shelter round my home.
There the snow-storms never come;
There the bannered mosses gray
Like a curtain gently sway,
Hanging low on every side
Round the covert where I bide,
Till the March azalea glows,
Royal red and heavenly rose,
Through the Carolina glade
Where my winter home is made.
There I hold my southern court,
Full of merriment and sport:
There I take my ease and sing,
Happy kingdom! Lucky king!
III
Little boaster, vagrant king,
Neither north nor south is yours,
You've no kingdom that endures!
Wandering every fall and spring,
With your ruby crown so slender,
Are you only a Pretender,
Landless king?
Never king by right divine
Ruled a richer realm than mine!
What are lands and golden crowns,
Armies, fortresses and towns,
Jewels, sceptres, robes and rings,—
What are these to song and wings?
Everywhere that I can fly,
There I own the earth and sky;
Everywhere that I can sing.
There I'm happy as a king.
1900.
SCHOOL
I put my heart to school
In the world where men grow wise:
“Go out,” I said, “and learn the rule;
Come back when you win a prize.”
My heart came back again:
“Now where is the prize?” I cried.—
“The rule was false, and the prize was pain,
And the teacher's name was Pride.”
I put my heart to school
In the woods where veeries sing
And brooks run clear and cool,
In the fields where wild flowers spring.
“And why do you stay so long
My heart, and where do you roam?”
The answer came with a laugh and a song,—
“I find this school is home.”
April, 1901.
INDIAN SUMMER
A silken curtain veils the skies,
And half conceals from pensive eyes
The bronzing tokens of the fall;
A calmness broods upon the hills,
And summer's parting dream distils
A charm of silence over all.
The stacks of corn, in brown array,
Stand waiting through the tranquil day,
Like tattered wigwams on the plain;
The tribes that find a shelter there
Are phantom peoples, forms of air,
And ghosts of vanished joy and pain.
At evening when the crimson crest
Of sunset passes down the West,
I hear the whispering host returning;
On far-off fields, by elm and oak,
I see the lights, I smell the smoke,—
The Camp-fires of the Past are burning.
Tertius and Henry van Dyke.
November, 1903.
SPRING IN THE NORTH
I
Ah, who will tell me, in these leaden days,
Why the sweet Spring delays,
And where she hides,—the dear desire
Of every heart that longs
For bloom, and fragrance, and the ruby fire
Of maple-buds along the misty hills,
And that immortal call which fills
The waiting wood with songs?
The snow-drops came so long ago,
It seemed that Spring was near!
But then returned the snow
With biting winds, and earth grew sere,
And sullen clouds drooped low
To veil the sadness of a hope deferred:
Then rain, rain, rain, incessant rain
Beat on the window-pane,
Through which I watched the solitary bird
That braved the tempest, buffeted and tossed
With rumpled feathers down the wind again.
Oh, were the seeds all lost
When winter laid the wild flowers in their tomb?
I searched the woods in vain
For blue hepaticas, and trilliums white,
And trailing arbutus, the Spring's delight,
Starring the withered leaves with rosy bloom.
But every night the frost
To all my longing spoke a silent nay,
And told me Spring was far away.
Even the robins were too cold to sing,
Except a broken and discouraged note,—
Only the tuneful sparrow, on whose throat
Music has put her triple finger-print,
Lifted his head and sang my heart a hint,—
“Wait, wait, wait! oh, wait a while for Spring!”
II
But now, Carina, what divine amends
For all delay! What sweetness treasured up,
What wine of joy that blends
A hundred flavours in a single cup,
Is poured into this perfect day!
For look, sweet heart, here are the early flowers
That lingered on their way,
Thronging in haste to kiss the feet of May,
Entangled with the bloom of later hours,—
Anemones and cinque-foils, violets blue
And white, and iris richly gleaming through
The grasses of the meadow, and a blaze
Of butter-cups and daisies in the field,
Filling the air with praise,
As if a chime of golden bells had pealed!
The frozen songs within the breast
Of silent birds that hid in leafless woods,
Melt into rippling floods
Of gladness unrepressed.
Now oriole and bluebird, thrush and lark,
Warbler and wren and vireo,
Mingle their melody; the living spark
Of Love has touched the fuel of desire,
And every heart leaps up in singing fire.
It seems as if the land
Were breathing deep beneath the sun's caress,
Trembling with tenderness,
While all the woods expand,
In shimmering clouds of rose and gold and green,
To veil a joy too sacred to be seen.
III
Come, put your hand in mine,
True love, long sought and found at last,
And lead me deep into the Spring divine
That makes amends for all the wintry past.
For all the flowers and songs I feared to miss
Arrive with you;
And in the lingering pressure of your kiss
My dreams come true;
And in the promise of your generous eyes
I read the mystic sign
Of joy more perfect made
Because so long delayed,
And bliss enhanced by rapture of surprise.
Ah, think not early love alone is strong;
He loveth best whose heart has learned to wait:
Dear messenger of Spring that tarried long,
You're doubly dear because you come so late.
SPRING IN THE SOUTH
Now in the oak the sap of life is welling,
Tho' to the bough the rusty leafage clings;
Now on the elm the misty buds are swelling;
Every little pine-wood grows alive with wings;
Blue-jays are fluttering, yodeling and crying,
Meadow-larks sailing low above the faded grass,
Red-birds whistling clear, silent robins flying,—
Who has waked the birds up? What has come to pass?
Last year's cotton-plants, desolately bowing,
Tremble in the March-wind, ragged and forlorn;
Red are the hillsides of the early ploughing,
Gray are the lowlands, waiting for the corn.
Earth seems asleep, but she is only feigning;
Deep in her bosom thrills a sweet unrest;
Look where the jasmine lavishly is raining
Jove's golden shower into Danäe's breast!
Now on the plum-tree a snowy bloom is sifted,
Now on the peach-tree, the glory of the rose,
Far o'er the hills a tender haze is drifted,
Full to the brim the yellow river flows.
Dark cypress boughs with vivid jewels glisten,
Greener than emeralds shining in the sun.
Whence comes the magic? Listen, sweetheart, listen!
The mocking-bird is singing: Spring is begun.
Hark, in his song no tremor of misgiving!
All of his heart he pours into his lay,—
“Love, love, love, and pure delight of living:
Winter is forgotten: here's a happy day!”
Fair in your face I read the flowery presage,
Snowy on your brow and rosy on your mouth:
Sweet in your voice I hear the season's message,—
Love, love, love, and Spring in the South!
1904.
A NOON SONG
There are songs for the morning and songs for the night,
For sunrise and sunset, the stars and the moon;
But who will give praise to the fulness of light,
And sing us a song of the glory of noon?
Oh, the high noon, the clear noon,
The noon with golden crest;
When the blue sky burns, and the great sun turns
With his face to the way of the west!
How swiftly he rose in the dawn of his strength!
How slowly he crept as the morning wore by!
Ah, steep was the climbing that led him at length
To the height of his throne in the wide summer sky.
Oh, the long toil, the slow toil,
The toil that may not rest,
Till the sun looks down from his journey's crown,
To the wonderful way of the west!
Then a quietness falls over meadow and hill,
The wings of the wind in the forest are furled,
The river runs softly, the birds are all still,
The workers are resting all over the world.
Oh, the good hour, the kind hour,
The hour that calms the breast!
Little inn half-way on the road of the day,
Where it follows the turn to the west!
There's a plentiful feast in the maple-tree shade,
The lilt of a song to an old-fashioned tune,
The talk of a friend, or the kiss of a maid,
To sweeten the cup that we drink to the noon.
Oh, the deep noon, the full noon,
Of all the day the best!
When the blue sky burns, and the great sun turns
To his home by the way of the west!
1906.
LIGHT BETWEEN THE TREES
Long, long, long the trail
Through the brooding forest-gloom,
Down the shadowy, lonely vale
Into silence, like a room
Where the light of life has fled,
And the jealous curtains close
Round the passionless repose
Of the silent dead.
Plod, plod, plod away,
Step by step in mouldering moss;
Thick branches bar the day
Over languid streams that cross
Softly, slowly, with a sound
Like a smothered weeping,
In their aimless creeping
Through enchanted ground.
“Yield, yield, yield thy quest,”
Whispers through the woodland deep;
“Come to me and be at rest;
I am slumber, I am sleep.”
Then the weary feet would fail,
But the never-daunted will
Urges “Forward, forward still!
Press along the trail!”
Breast, breast, breast the slope
See, the path is growing steep.
Hark! a little song of hope
Where the stream begins to leap.
Though the forest, far and wide,
Still shuts out the bending blue,
We shall finally win through,
Cross the long divide.
On, on, on we tramp!
Will the journey never end?
Over yonder lies the camp;
Welcome waits us there, my friend.
Can we reach it ere the night?
Upward, upward, never fear!
Look, the summit must be near;
See the line of light!
Red, red, red the shine
Of the splendour in the west,
Glowing through the ranks of pine,
Clear along the mountain-crest!
Long, long, long the trail
Out of sorrow's lonely vale;
But at last the traveller sees
Light between the trees!
March, 1904.
THE HERMIT THRUSH
O wonderful! How liquid clear
The molten gold of that ethereal tone,
Floating and falling through the wood alone,
A hermit-hymn poured out for God to hear!
O holy, holy, holy! Hyaline,
Long light, low light, glory of eventide!
Love far away, far up,—up,—love divine!
Little love, too, for ever, ever near,
Warm love, earth love, tender love of mine,
In the leafy dark where you hide,
You are mine,—mine,—mine!
Ah, my belovèd, do you feel with me
The hidden virtue of that melody,
The rapture and the purity of love,
The heavenly joy that can not find the word?
Then, while we wait again to hear the bird,
Come very near to me, and do not move,—
Now, hermit of the woodland, fill anew
The cool, green cup of air with harmony,
And we will drink the wine of love with you.
May, 1908.
TURN O' THE TIDE
The tide flows in to the harbour,—
The bold tide, the gold tide, the flood o' the sunlit sea,—
And the little ships riding at anchor,
Are swinging and slanting their prows to the ocean, panting
To lift their wings to the wide wild air,
And venture a voyage they know not where,—
To fly away and be free!
The tide runs out of the harbour,—
The low tide, the slow tide, the ebb o' the moonlit bay,—
And the little ships rocking at anchor,
Are rounding and turning their bows to the landward, yearning
To breathe the breath of the sun-warmed strand,
To rest in the lee of the high hill land,—
To hold their haven and stay!
My heart goes round with the vessels,—
My wild heart, my child heart, in love with the sea and the land,—
And the turn o' the tide passes through it,
In rising and falling with mystical currents, calling
At morn, to range where the far waves foam,
At night, to a harbour in love's true home,
With the hearts that understand!
Seal Harbour, August 12, 1911.
SIERRA MADRE
O Mother mountains! billowing far to the snow-lands,
Robed in aërial amethyst, silver, and blue,
Why do ye look so proudly down on the lowlands?
What have their groves and gardens to do with you?
Theirs is the languorous charm of the orange and myrtle,
Theirs are the fruitage and fragrance of Eden of old,—
Broad-boughed oaks in the meadows fair and fertile,
Dark-leaved orchards gleaming with globes of gold.
You, in your solitude standing, lofty and lonely,
Bear neither garden nor grove on your barren breasts;
Rough is the rock-loving growth of your canyons, and only
Storm-battered pines and fir-trees cling to your crests.
Why are ye throned so high, and arrayed in splendour
Richer than all the fields at your feet can claim?
What is your right, ye rugged peaks, to the tender
Queenly promise and pride of the mother-name?
Answered the mountains, dim in the distance dreaming:
“Ours are the forests that treasure the riches of rain;
Ours are the secret springs and the rivulets gleaming
Silverly down through the manifold bloom of the plain.
“Vain were the toiling of men in the dust of the dry land,
Vain were the ploughing and planting in waterless fields,
Save for the life-giving currents we send from the sky-land,
Save for the fruit our embrace with the storm-cloud yields.”
O mother mountains, Madre Sierra, I love you!
Rightly you reign o'er the vale that your bounty fills—
Kissed by the sun, or with big, bright stars above you,—
I murmur your name and lift up mine eyes to the hills.
Pasadena, March, 1913.
THE GRAND CANYON
DAYBREAK
What makes the lingering Night so cling to thee?
Thou vast, profound, primeval hiding-place
Of ancient secrets,—gray and ghostly gulf
Cleft in the green of this high forest land,
And crowded in the dark with giant forms!
Art thou a grave, a prison, or a shrine?
A stillness deeper than the dearth of sound
Broods over thee: a living silence breathes
Perpetual incense from thy dim abyss.
The morning-stars that sang above the bower
Of Eden, passing over thee, are dumb
With trembling bright amazement; and the Dawn
Steals through the glimmering pines with naked feet,
Her hand upon her lips, to look on thee!
She peers into thy depths with silent prayer
For light, more light, to part thy purple veil.
O Earth, swift-rolling Earth, reveal, reveal,—
Turn to the East, and show upon thy breast
The mightiest marvel in the realm of Time!
'Tis done,—the morning miracle of light,—
The resurrection of the world of hues
That die with dark, and daily rise again
With every rising of the splendid Sun!
Be still, my heart! Now Nature holds her breath
To see the solar flood of radiance leap
Across the chasm, and crown the western rim
Of alabaster with a far-away
Rampart of pearl, and flowing down by walls
Of changeful opal, deepen into gold
Of topaz, rosy gold of tourmaline,
Crimson of garnet, green and gray of jade,
Purple of amethyst, and ruby red,
Beryl, and sard, and royal porphyry;
Until the cataract of colour breaks
Upon the blackness of the granite floor.
How far below! And all between is cleft
And carved into a hundred curving miles
Of unimagined architecture! Tombs,
Temples, and colonnades are neighboured there
By fortresses that Titans might defend,
And amphitheatres where Gods might strive.
Cathedrals, buttressed with unnumbered tiers
Of ruddy rock, lift to the sapphire sky
A single spire of marble pure as snow;
And huge aërial palaces arise
Like mountains built of unconsuming flame.
Along the weathered walls, or standing deep
In riven valleys where no foot may tread,
Are lonely pillars, and tall monuments
Of perished æons and forgotten things.
My sight is baffled by the wide array
Of countless forms: my vision reels and swims
Above them, like a bird in whirling winds.
Yet no confusion fills the awful chasm;
But spacious order and a sense of peace
Brood over all. For every shape that looms
Majestic in the throng, is set apart
From all the others by its far-flung shade,
Blue, blue, as if a mountain-lake were there.
How still it is! Dear God, I hardly dare
To breathe, for fear the fathomless abyss
Will draw me down into eternal sleep.
What force has formed this masterpiece of awe?
What hands have wrought these wonders in the waste?
O river, gleaming in the narrow rift
Of gloom that cleaves the valley's nether deep,—
Fierce Colorado, prisoned by thy toil,
And blindly toiling still to reach the sea,—
Thy waters, gathered from the snows and springs
Amid the Utah hills, have carved this road
Of glory to the Californian Gulf.
But now, O sunken stream, thy splendour lost,
'Twixt iron walls thou rollest turbid waves,
Too far away to make their fury heard!
At sight of thee, thou sullen labouring slave
Of gravitation,—yellow torrent poured
From distant mountains by no will of thine,
Through thrice a hundred centuries of slow
Fallings and liftings of the crust of Earth,—
At sight of thee my spirit sinks and fails.
Art thou alone the Maker? Is the blind
Unconscious power that drew thee dumbly down
To cut this gash across the layered globe,
The sole creative cause of all I see?
Are force and matter all? The rest a dream?
Then is thy gorge a canyon of despair,
A prison for the soul of man, a grave
Of all his dearest daring hopes! The world
Wherein we live and move is meaningless,
No spirit here to answer to our own!
The stars without a guide: The chance-born Earth
Adrift in space, no Captain on the ship:
Nothing in all the universe to prove
Eternal wisdom and eternal love!
And man, the latest accident of Time,—
Who thinks he loves, and longs to understand,
Who vainly suffers, and in vain is brave,
Who dupes his heart with immortality,—
Man is a living lie,—a bitter jest
Upon himself,—a conscious grain of sand
Lost in a desert of unconsciousness,
Thirsting for God and mocked by his own thirst.
Spirit of Beauty, mother of delight,
Thou fairest offspring of Omnipotence
Inhabiting this lofty lone abode,
Speak to my heart again and set me free
From all these doubts that darken earth and heaven!
Who sent thee forth into the wilderness
To bless and comfort all who see thy face?
Who clad thee in this more than royal robe
Of rainbows? Who designed these jewelled thrones
For thee, and wrought these glittering palaces?
Who gave thee power upon the soul of man
To lift him up through wonder into joy?
God! let the radiant cliffs bear witness, God!
Let all the shining pillars signal, God!
He only, on the mystic loom of light.
Hath woven webs of loveliness to clothe
His most majestic works: and He alone
Hath delicately wrought the cactus-flower
To star the desert floor with rosy bloom.
O Beauty, handiwork of the Most High,
Where'er thou art He tells his Love to man,
And lo, the day breaks, and the shadows flee!
Now, far beyond all language and all art
In thy wild splendour, Canyon marvellous,
The secret of thy stillness lies unveiled
In wordless worship! This is holy ground;
Thou art no grave, no prison, but a shrine.
Garden of Temples filled with Silent Praise,
If God were blind thy Beauty could not be!
February 24-26, 1913.
THE HEAVENLY HILLS OF HOLLAND
The heavenly hills of Holland,—
How wondrously they rise
Above the smooth green pastures
Into the azure skies!
With blue and purple hollows,
With peaks of dazzling snow,
Along the far horizon
The clouds are marching slow.
No mortal foot has trodden
The summits of that range,
Nor walked those mystic valleys
Whose colours ever change;
Yet we possess their beauty,
And visit them in dreams,
While ruddy gold of sunset
From cliff and canyon gleams.
In days of cloudless weather
They melt into the light;
When fog and mist surround us
They're hidden from our sight;
But when returns a season
Clear shining after rain,
While the northwest wind is blowing,
We see the hills again.
The old Dutch painters loved them,
Their pictures show them fair,—
Old Hobbema and Ruysdael,
Van Goyen and Vermeer.
Above the level landscape,
Rich polders, long-armed mills,
Canals and ancient cities,—
Float Holland's heavenly hills.
The Hague, November, 1916.
FLOOD-TIDE OF FLOWERS
IN HOLLAND
The laggard winter ebbed so slow
With freezing rain and melting snow,
It seemed as if the earth would stay
Forever where the tide was low,
In sodden green and watery gray.
But now from depths beyond our sight,
The tide is turning in the night,
And floods of colour long concealed
Come silent rising toward the light,
Through garden bare and empty field.
And first, along the sheltered nooks,
The crocus runs in little brooks
Of joyance, till by light made bold
They show the gladness of their looks
In shining pools of white and gold.
The tiny scilla, sapphire blue,
Is gently seeping in, to strew
The earth with heaven; and sudden rills
Of sunlit yellow, sweeping through,
Spread into lakes of daffodils.
The hyacinths, with fragrant heads,
Have overflowed their sandy beds,
And fill the earth with faint perfume,
The breath that Spring around her sheds.
And now the tulips break in bloom!
A sea, a rainbow-tinted sea,
A splendour and a mystery,
Floods o'er the fields of faded gray:
The roads are full of folks in glee,
For lo,—to-day is Easter Day!
April, 1916.
ODE
GOD OF THE OPEN AIR
I
Thou who hast made thy dwelling fair
With flowers below, above with starry lights
And set thine altars everywhere,—
On mountain heights,
In woodlands dim with many a dream,
In valleys bright with springs,
And on the curving capes of every stream:
Thou who hast taken to thyself the wings
Of morning, to abide
Upon the secret places of the sea,
And on far islands, where the tide
Visits the beauty of untrodden shores,
Waiting for worshippers to come to thee
In thy great out-of-doors!
To thee I turn, to thee I make my prayer,
God of the open air.
II
Seeking for thee, the heart of man
Lonely and longing ran,
In that first, solitary hour,
When the mysterious power
To know and love the wonder of the morn
Was breathed within him, and his soul was born;
And thou didst meet thy child,
Not in some hidden shrine,
But in the freedom of the garden wild,
And take his hand in thine,—
There all day long in Paradise he walked,
And in the cool of evening with thee talked.
III
Lost, long ago, that garden bright and pure,
Lost, that calm day too perfect to endure,
And lost the child-like love that worshipped and was sure!
For men have dulled their eyes with sin,
And dimmed the light of heaven with doubt,
And built their temple walls to shut thee in,
And framed their iron creeds to shut thee out.
But not for thee the closing of the door,
O Spirit unconfined!
Thy ways are free
As is the wandering wind,
And thou hast wooed thy children, to restore
Their fellowship with thee,
In peace of soul and simpleness of mind.
IV
Joyful the heart that, when the flood rolled by,
Leaped up to see the rainbow in the sky;
And glad the pilgrim, in the lonely night,
For whom the hills of Haran, tier on tier,
Built up a secret stairway to the height
Where stars like angel eyes were shining clear.
From mountain-peaks, in many a land and age,
Disciples of the Persian seer
Have hailed the rising sun and worshipped thee;
And wayworn followers of the Indian sage
Have found the peace of God beneath a spreading tree.
V
But One, but One,—ah, Son most dear,
And perfect image of the Love Unseen,—
Walked every day in pastures green,
And all his life the quiet waters by,
Reading their beauty with a tranquil eye.
To him the desert was a place prepared
For weary hearts to rest;
The hillside was a temple blest;
The grassy vale a banquet-room
Where he could feed and comfort many a guest.
With him the lily shared
The vital joy that breathes itself in bloom;
And every bird that sang beside the nest
Told of the love that broods o'er every living thing.
He watched the shepherd bring
His flock at sundown to the welcome fold,
The fisherman at daybreak fling
His net across the waters gray and cold,
And all day long the patient reaper swing
His curving sickle through the harvest-gold.
So through the world the foot-path way he trod,
Breathing the air of heaven in every breath;
And in the evening sacrifice of death
Beneath the open sky he gave his soul to God.
Him will I trust, and for my Master take;
Him will I follow; and for his dear sake,
God of the open air,
To thee I make my prayer.
VI
From the prison of anxious thought that greed has builded,
From the fetters that envy has wrought and pride has gilded,
From the noise of the crowded ways and the fierce confusion,
From the folly that wastes its days in a world of illusion,
(Ah, but the life is lost that frets and languishes there!)
I would escape and be free in the joy of the open air.
By the breadth of the blue that shines in silence o'er me,
By the length of the mountain-lines that stretch before me,
By the height of the cloud that sails, with rest in motion,
Over the plains and the vales to the measureless ocean,
(Oh, how the sight of the greater things enlarges the eyes!)
Draw me away from myself to the peace of the hills and skies.
While the tremulous leafy haze on the woodland is spreading,
And the bloom on the meadow betrays where May has been treading;
While the birds on the branches above, and the brooks flowing under,
Are singing together of love in a world full of wonder,
(Lo, in the magic of Springtime, dreams are changed into truth!)
Quicken my heart, and restore the beautiful hopes of youth.
By the faith that the wild-flowers show when they bloom unbidden,
By the calm of the river's flow to a goal that is hidden,
By the strength of the tree that clings to its deep foundation,
By the courage of birds' light wings on the long migration,
(Wonderful spirit of trust that abides in Nature's breast!)
Teach me how to confide, and live my life, and rest.
For the comforting warmth of the sun that my body embraces,
For the cool of the waters that run through the shadowy places,
For the balm of the breezes that brush my face with their fingers,
For the vesper-hymn of the thrush when the twilight lingers,
For the long breath, the deep breath, the breath of a heart without care,—
I will give thanks and adore thee, God of the open air!
VII
These are the gifts I ask
Of thee, Spirit serene:
Strength for the daily task,
Courage to face the road,
Good cheer to help me bear the traveller's load,
And, for the hours of rest that come between,
An inward joy in all things heard and seen.
These are the sins I fain
Would have thee take away:
Malice, and cold disdain,
Hot anger, sullen hate,
Scorn of the lowly, envy of the great,
And discontent that casts a shadow gray
On all the brightness of the common day.
These are the things I prize
And hold of dearest worth:
Light of the sapphire skies,
Peace of the silent hills,
Shelter of forests, comfort of the grass,
Music of birds, murmur of little rills,
Shadows of cloud that swiftly pass,
And, after showers,
The smell of flowers
And of the good brown earth,—
And best of all, along the way, friendship and mirth.
So let me keep
These treasures of the humble heart
In true possession, owning them by love;
And when at last I can no longer move
Among them freely, but must part
From the green fields and from the waters clear,
Let me not creep
Into some darkened room and hide
From all that makes the world so bright and dear;
But throw the windows wide
To welcome in the light;
And while I clasp a well-belovèd hand,
Let me once more have sight
Of the deep sky and the far-smiling land,—
Then gently fall on sleep,
And breathe my body back to Nature's care,
My spirit out to thee, God of the open air.
1904.