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The Poems of Jonathan Swift, D.D., Volume 2

Chapter 94: THE SPEECH
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About This Book

A varied collection of verse that ranges from intimate occasional poems addressed to two women, playful riddles and epigrams, and birthday and epitaph pieces, to political satires, parodies, and pastoral dialogues. The poems alternate personal affection and teasing with mock-legal and parodic treatments of public figures, domestic scenes, and social manners, employing wit, irony, and formal experiments such as rebuses and riddle-answers. Recurring forms include short lyrical pieces, humorous instructions, and pointed topical lampoons, producing a mix of private lyricism and public invective that showcases verbal agility and moral ambivalence.

     [Footnote 1: Alluding to the year 1641, when the great rebellion broke
     out. Scott.]

     [Footnote 2: Lord Wharton.]








ATLAS; OR, THE MINISTER OF STATE[1] TO THE LORD TREASURER OXFORD, 1710

     Atlas, we read in ancient song,
     Was so exceeding tall and strong,
     He bore the skies upon his back,
     Just as the pedler does his pack;
     But, as the pedler overpress'd
     Unloads upon a stall to rest,
     Or, when he can no longer stand
     Desires a friend to lend a hand;
     So Atlas, lest the ponderous spheres
     Should sink, and fall about his ears,
     Got Hercules to bear the pile,
     That he might sit and rest awhile.
       Yet Hercules was not so strong,
     Nor could have borne it half so long.
     Great statesmen are in this condition;
     And Atlas is a politician,
     A premier minister of state;
     Alcides one of second rate.
     Suppose then Atlas ne'er so wise;
     Yet, when the weight of kingdoms lies
     Too long upon his single shoulders,
     Sink down he must, or find upholders.

     [Footnote 1: In these free, and yet complimentary verses, Swift cautions
     Oxford against his greatest political error, that affectation of mystery,
     and wish of engrossing the whole management of public affairs, which
     first disgusted, and then alienated, Harcourt and Bolingbroke. On this
     point our author has spoken very fully in the "Free Thoughts upon. The
     present State of Affairs."—Scott. See "Prose Works," v,
     391.—W. E. B. ]








LINES WRITTEN EXTEMPORE ON MR. HARLEY'S BEING STABBED,mAND ADDRESSED TO HIS PHYSICIAN, 1710-11 [1]

     On Britain Europe's safety lies,
     Britain is lost if Harley dies:
     Harley depends upon your skill:
     Think what you save, or what you kill.

     [Footnote 1: For details of Guiscard's murderous attack on Harley, see
     Journal to Stella, March 8, 1710-11, "Prose Works," ii.—W. E. B.]








AN EXCELLENT NEW SONG BEING THE INTENDED SPEECH OF A FAMOUS ORATOR AGAINST PEACE. 1711

     An orator dismal of Nottinghamshire,     Who has forty years let out his conscience to hire,
     Out of zeal for his country, and want of a place,
     Is come up, vi et armis, to break the queen's peace.
     He has vamp'd an old speech, and the court, to their sorrow,
     Shall hear him harangue against Prior to-morrow.
     When once he begins, he never will flinch,
     But repeats the same note a whole day like a Finch.[1]
     I have heard all the speech repeated by Hoppy,'
     And, "mistakes to prevent, I've obtained a copy."








THE SPEECH

     Whereas, notwithstanding I am in great pain,
     To hear we are making a peace without Spain;
     But, most noble senators, 'tis a great shame,
     There should be a peace, while I'm Not-in-game.     The duke show'd me all his fine house; and the duchess
     From her closet brought out a full purse in her clutches:
     I talk'd of a peace, and they both gave a start,
     His grace swore by G—d, and her grace let a f—t:
     My long old-fashion'd pocket was presently cramm'd;
     And sooner than vote for a peace I'll be damn'd.
       But some will cry turn-coat, and rip up old stories,
     How I always pretended to be for the Tories:
     I answer; the Tories were in my good graces,
     Till all my relations were put into places.
     But still I'm in principle ever the same,
     And will quit my best friends, while I'm Not-in-game.       When I and some others subscribed our names
     To a plot for expelling my master King James,
     I withdrew my subscription by help of a blot,
     And so might discover or gain by the plot:
     I had my advantage, and stood at defiance,
     For Daniel[2] was got from the den of the lions:
     I came in without danger, and was I to blame?
     For, rather than hang, I would be Not-in-game.       I swore to the queen, that the Prince of Hanover
     During her sacred life would never come over:
     I made use of a trope; that "an heir to invite,
     Was like keeping her monument always in sight."
     But, when I thought proper, I alter'd my note;
     And in her own hearing I boldly did vote,
     That her Majesty stood in great need of a tutor,
     And must have an old or a young coadjutor:
     For why; I would fain have put all in a flame,
     Because, for some reasons, I was Not-in-game.       Now my new benefactors have brought me about,
     And I'll vote against peace, with Spain or without:
     Though the court gives my nephews, and brothers, and cousins,
     And all my whole family, places by dozens;
     Yet, since I know where a full purse may be found,
     And hardly pay eighteen-pence tax in the pound:
     Since the Tories have thus disappointed my hopes,
     And will neither regard my figures nor tropes,
     I'll speech against peace while Dismal's my name,
     And be a true Whig, while I'm Not-in-game.
     [Footnote 1: Lord Nottingham's family name.]

     [Footnote 2: This was the Earl's Christian name.]








THE WINDSOR PROPHECY[1]

     "About three months ago, at Windsor, a poor knight's widow was buried in
     the cloisters. In digging the grave, the sexton struck against a small
     leaden coffer, about half a foot in length, and four inches wide. The
     poor man, expecting he had discovered a treasure, opened it with some
     difficulty; but found only a small parchment, rolled up very fast, put
     into a leather case; which case was tied at the top, and sealed with St.
     George, the impression on black wax, very rude and gothic. The parchment
     was carried to a gentleman of learning, who found in it the following
     lines, written in a black old English letter, and in the orthography of
     the age, which seems to be about two hundred years ago. I made a shift to
     obtain a copy of it; but the transcriber, I find, hath in many parts
     altered the spelling to the modern way. The original, as I am informed,
     is now in the hands of the ingenious Dr. Woodward, F. R. S. where, I
     suppose, the curious will not be refused the satisfaction of seeing it.

     "The lines seem to be a sort of prophecy, and written in verse, as old
     prophecies usually are, but in a very hobbling kind of measure. Their
     meaning is very dark, if it be any at all; of which the learned reader
     can judge better than I: however it be, several persons were of opinion
     that they deserved to be published, both as they discover somewhat of the
     genius of a former age, and may be an amusement to the
     present."—Swift.

     The subject of this virulent satire was Elizabeth, Baroness Percy,
     daughter and heiress of Josceline, Earl of Northumberland, who died in
     1670. She was born in 1666. In 1679 she was married to Henry Cavendish,
     Earl of Ogle, who died in 1680. In 1681, she married Thomas Thynne, a man
     of great wealth, a friend of the Duke of Monmouth and the Issachar of
     Dryden's "Absalom and Achitophel." A few months afterwards, in February
     1681-2, Thynne was assassinated in the Haymarket by foreigners, who were
     devoted friends of Count Konigsmark, and appear to have acted under his
     direction. The Count had been in London shortly before Lady Ogle's
     marriage to Thynne, and had then paid his addresses to her. He fled the
     day after the murder, but was brought back, and was tried with the
     principals as an accessory, but was acquitted. Four months after the
     murder of Thynne, his widow was married to Charles Seymour, Duke of
     Somerset, on 30th May, 1682, and ultimately became the favourite and
     friend of Queen Anne, and a zealous partisan of the Whig party. Hence
     Swift's "Prophecy." See "State Trials," vol. ix, and "Notes and
     Queries," 1st S., v. 269.—W. E. B.
     When a holy black Swede, the son of Bob,[2]
     With a saint[3] at his chin and a seal at his fob,
     Shall not see one[4] New-Years-day in that year,
     Then let old England make good cheer:
     Windsor[5] and Bristol[5] then shall be
     Joined together in the Low-countree.[5]
     Then shall the tall black Daventry Bird[6]
     Speak against peace right many a word;
     And some shall admire his coneying wit,
     For many good groats his tongue shall slit.
     But spight of the Harpy[7] that crawls on all four,
     There shall be peace, pardie, and war no more
     But England must cry alack and well-a-day,
     If the stick be taken from the dead sea.[8]
     And, dear Englond, if ought I understond,
     Beware of Carrots[9] from Northumberlond.
     Carrots sown Thynne a deep root may get,
     If so be they are in Somer set:
     Their Conyngs[10] mark thou; for I have been told,
     They assassine when younge, and poison when old.
     Root out these Carrots, O thou,[11] whose name
     is backwards and forwards always the same;
     And keep thee close to thee always that name
     Which backwards and forwards is [12] almost the same.
     And, England, wouldst thou be happy still,
     Burn those Carrots under a Hill.[13]
     [Footnote 1: Although Swift was advised by Mrs. Masham "not to let the
     Prophecy be published," and he acted on her advice, many copies were
     "printed and given about, but not sold." To Stella, Swift writes: "I
     doubt not but you will have the Prophecy in Ireland although it is not
     published here, only printed copies given to friends." See Journal to
     Stella, 26, 27 Dec. 1711, and Jan. 4, 1711-12.—W. E. B.]

     [Footnote 2: Dr. John Robinson, Bishop of Bristol, one of the
     plenipotentiaries at Utrecht.—Scott.]

     [Footnote 3: He was Dean of Windsor, and lord privy seal.]

     [Footnote 4: The New Style, which was not adopted in Great Britain and
     Ireland till it was brought in by Lord Chesterfield in 1752, was then
     Observed in most parts of Europe. The bishop set out from England the
     Latter end of December, O. S.; and on his arrival at Utrecht, by the
     Variation of the style, he found January somewhat advanced.]

     [Footnote 5: Alluding to the deanery and bishopric being possessed by the
     same person, then at Utrecht.]

     [Footnote 6: Earl of Nottingham.]

     [Footnote 7: Duke of Marlborough.]

     [Footnote 8: The treasurer's wand, taken from Harley, whose second title
     was Lord Mortimer.]

     [Footnote 9: The Duchess of Somerset.[1]]

     [Footnote 10: Count Konigsmark.[2]]

     [Footnote 11: ANNA.]

     [Footnote 12: MASHAM.]

     [Footnote 13: Lady Masham's maiden name.]

     [embedded footnote 1: She had red hair, post, 165. ]

     [embedded footnote 2: Or Coningsmark.]








CORINNA,[1] A BALLAD, 1711-12

     This day (the year I dare not tell)
       Apollo play'd the midwife's part;
     Into the world Corinna fell,
       And he endued her with his art.

     But Cupid with a Satyr comes;
       Both softly to the cradle creep;
     Both stroke her hands, and rub her gums,
       While the poor child lay fast asleep.

     Then Cupid thus: "This little maid
       Of love shall always speak and write;"
     "And I pronounce," the Satyr said,
       "The world shall feel her scratch and bite."

     Her talent she display'd betimes;
       For in a few revolving moons,
     She seem'd to laugh and squall in rhymes,
       And all her gestures were lampoons.

     At six years old, the subtle jade
       Stole to the pantry-door, and found
     The butler with my lady's maid:
       And you may swear the tale went round.

     She made a song, how little miss
       Was kiss'd and slobber'd by a lad:
     And how, when master went to p—,
       Miss came, and peep'd at all he had.

     At twelve, a wit and a coquette;
       Marries for love, half whore, half wife;
     Cuckolds, elopes, and runs in debt;
       Turns authoress, and is Curll's for life.

     Her common-place book all gallant is,
       Of scandal now a cornucopia;
     She pours it out in Atalantis
       Or memoirs of the New Utopia.
     [Footnote 1: This ballad refers to some details in the life of Mrs. de la
     Rivihre Manley, a political writer, who was born about 1672, and died in
     July, 1724. The work by which she became famous was "Secret memoirs and
     manners of several persons of quality of both sexes, from the New
     Atalantis." She was Swift's amanuensis and assistant in "The Examiner,"
     and succeeded him as Editor. In his Journal to Stella, Jan. 26, 1711-12,
     he writes: "Poor Mrs. Manley, the author, is very ill of a dropsy and
     sore leg; the printer tells me he is afraid she cannot live long. I am
     heartily sorry for her. She has very generous principles for one of her
     sort; and a great deal of good sense and invention: She is about forty,
     very homely and very fat." Swift's subsequent severe attack upon her in
     these verses can only be accounted for, but cannot be excused by, some
     change in his political views. See "The Tatler," Nos. 35, 63, edit.
     1786.—W. E. B.
]








THE FABLE OF MIDAS.[1] 1711-12

     Collated with Stella's copy.—Forster.

     Midas, we are in story told,[2]
     Turn'd every thing he touch'd to gold:
     He chipp'd his bread; the pieces round
     Glitter'd like spangles on the ground:
     A codling, ere it went his lip in,
     Would straight become a golden pippin.
     He call'd for drink; you saw him sup
     Potable gold in golden cup:
     His empty paunch that he might fill,
     He suck'd his victuals thro' a quill.
     Untouch'd it pass'd between his grinders,
     Or't had been happy for gold-finders:
     He cock'd his hat, you would have said
     Mambrino's[3] helm adorn'd his head;
     Whene'er he chanced his hands to lay
     On magazines of corn or hay,
     Gold ready coin'd appear'd instead
     Of paltry provender and bread;
     Hence, we are by wise farmers told[4]
     Old hay is equal to old gold:[5]
     And hence a critic deep maintains
     We learn'd to weigh our gold by grains.
       This fool had got a lucky hit;
     And people fancied he had wit,
     Two gods their skill in music tried
     And both chose Midas to decide:
     He against Ph[oelig]bus' harp decreed,
     And gave it for Pan's oaten reed:
     The god of wit, to show his grudge,
     Clapt asses' ears upon the judge,
     A goodly pair, erect and wide,
     Which he could neither gild nor hide.
       And now the virtue of his hands
     Was lost among Pactolus' sands,
     Against whose torrent while he swims
     The golden scurf peels off his limbs:
     Fame spreads the news, and people travel
     From far, to gather golden gravel;
     Midas, exposed to all their jeers,
     Had lost his art, and kept his ears.
       This tale inclines the gentle reader
     To think upon a certain leader;
     To whom, from Midas down, descends
     That virtue in the fingers' ends.
     What else by perquisites are meant,
     By pensions, bribes, and three per cent.?
     By places and commissions sold,
     And turning dung itself to gold?
     By starving in the midst of store,
     As t'other Midas did before?
       None e'er did modern Midas chuse
     Subject or patron of his muse,
     But found him thus their merit scan,
     That Phoebus must give place to Pan:
     He values not the poet's praise,
     Nor will exchange his plums [6] for bays.
     To Pan alone rich misers call;
     And there's the jest, for Pan is ALL.
     Here English wits will be to seek,
     Howe'er, 'tis all one in the Greek.
       Besides, it plainly now appears
     Our Midas, too, has ass's ears:
     Where every fool his mouth applies,
     And whispers in a thousand lies;
     Such gross delusions could not pass
     Thro' any ears but of an ass.
       But gold defiles with frequent touch,
     There's nothing fouls the hand so much;
     And scholars give it for the cause
     Of British Midas' dirty paws;
     Which, while the senate strove to scour,
     They wash'd away the chemic power.[7]
     While he his utmost strength applied,
     To swim against this popular tide,
     The golden spoils flew off apace,
     Here fell a pension, there a place:
     The torrent merciless imbibes
     Commissions, perquisites, and bribes,
     By their own weight sunk to the bottom;
     Much good may't do 'em that have caught 'em!
     And Midas now neglected stands,
     With ass's ears, and dirty hands.
     [Footnote 1: This cutting satire upon the Duke of Marlborough was written
     about the time when he was deprived of his employments. See Journal to
     Stella, Feb. 14, 1711-12, "Prose Works," ii, 337.]

     [Footnote 2: Ovid, "Met.," lib. xi; Hyginus, "Fab." 191.—W. E. B.]

     [Footnote 3: Almonte and Mambrino, two Saracens of great valour, had each
     a golden helmet. Orlando Furioso took Almonte's, and his friend Rinaldo
     that of Mambrino. "Orlando Furioso," Canto I, St. 28. And readers of "Don
     Quixote" may remember how the knight argued with Sancho Panza that the
     barber's bason was the helmet of Mambrino.—"Don Quixote," pt. I, book 3,
     ch. 7.—W. E. B.]

     [Footnote 4: Stella.]

     [Footnote 5: The Duke of Marlborough was accused of having received large
     sums, as perquisites, from the contractors, who furnished bread, forage,
     etc., to the army.—Scott.]

     [Footnote 6: Scott prints this word "plumes," substituting a false
     meaning for the real point of the poem.—Forster.]

     [Footnote 7: The result of the investigations of the House of Commons was
     the removal of the Duke of Marlborough from his command, and all his
     employments.—Scott.]








TOLAND'S INVITATION TO DISMAL[1] TO DINE WITH THE CALVES HEAD CLUB

     Written A.D. 1712.—Stella.     Imitated from Horace, Lib. i, Epist. 5.

     Toland, the Deist, distinguished himself as a party writer in behalf
     of the Whigs. He wrote a pamphlet on the demolition of Dunkirk, and
     another called "The Art of Reasoning," in which he directly charged
     Oxford with the purpose of bringing in the Pretender. The Earl of
     Nottingham, here, as elsewhere, called Dismal from his swarthy
     complexion, was bred a rigid High-Churchman, and was only induced to
     support the Whigs, in their resolutions against a peace, by their
     consenting to the bill against occasional conformity. He was so
     distinguished for regularity, as to be termed by Rowe
       "The sober Earl of Nottingham,
       Of sober sire descended."—HOR., Odes, ii, 4.
     From these points of his character, we may estimate the severity of
     the following satire, which represents this pillar of High-Church
     principles as invited by the republican Toland to solemnize the 30th
     January, by attending the Calves' Head Club.—Scott.
     If, dearest Dismal, you for once can dine
     Upon a single dish, and tavern wine,
     Toland to you this invitation sends,
     To eat the calfs head with your trusty friends.
     Suspend awhile your vain ambitious hopes,
     Leave hunting after bribes, forget your tropes.
     To-morrow we our mystic feast prepare,
     Where thou, our latest proselyte, shall share:
     When we, by proper signs and symbols, tell,
     How by brave hands the royal traitor fell;
     The meat shall represent the tyrant's head,
     The wine, his blood our predecessors shed;
     Whilst an alluding hymn some artist sings,
     We toast, Confusion to the race of kings!
     At monarchy we nobly show our spight,
     And talk, what fools call treason, all the night.
       Who, by disgraces or ill fortune sunk,
     Feels not his soul enliven'd when he's drunk?
     Wine can clear up Godolphin's cloudy face,
     And fill Jack Smith with hopes to keep his place:
     By force of wine, ev'n Scarborough is brave,
     Hal[2] grows more pert, and Somers not so grave:
     Wine can give Portland wit, and Cleaveland sense,
     Montague learning, Bolton eloquence:
     Cholmondeley, when drunk, can never lose his wand;
     And Lincoln then imagines he has land.
       My province is, to see that all be right,
     Glasses and linen clean, and pewter bright;
     From our mysterious club to keep out spies,
     And Tories (dress'd like waiters) in disguise.
     You shall be coupled as you best approve,
     Seated at table next the man you love.
     Sunderland, Orford, Boyle, and Richmond's grace
     Will come; and Hampden shall have Walpole's place;
     Wharton, unless prevented by a whore,
     Will hardly fail; and there is room for more;
     But I love elbow-room whene'er I drink;
     And honest Harry is too apt to stink.
       Let no pretence of bus'ness make you stay;
     Yet take one word of counsel[3] by the way.
     If Guernsey calls, send word you're gone abroad;
     He'll teaze you with King Charles, and Bishop Laud,
     Or make you fast, and carry you to prayers;
     But, if he will break in, and walk up stairs,
     Steal by the back-door out, and leave him there;
     Then order Squash to call a hackney chair.

     [Footnote 1: Collated with Stella's copy.—Forster. See Journal to
     Stella, July 1, 1712, "Prose Works," ii, 375; and ix, 256,
     287.—W. E. B.]

     [Footnote 2: Right Honourable Henry Boyle.—Scott.]

     [Footnote 3: Scott prints "comfort."—Forster.]








PEACE AND DUNKIRK, BEING AN EXCELLENT NEW SONG UPON THE SURRENDER OF DUNKIRK TO GENERAL HILL, 1712

     To the tune of "The King shall enjoy his own again."

     Spite of Dutch friends and English foes,
     Poor Britain shall have peace at last:
     Holland got towns, and we got blows;
       But Dunkirk's ours, we'll hold it fast.
         We have got it in a string,
         And the Whigs may all go swing,
     For among good friends I love to be plain;
         All their false deluded hopes
         Will, or ought to end in ropes;
     "But the Queen shall enjoy her own again."

     Sunderlands run out of his wits,
       And Dismal double Dismal looks;
     Wharton can only swear by fits,
       And strutting Hal is off the hooks;
         Old Godolphin, full of spleen,
         Made false moves, and lost his Queen:
     Harry look'd fierce, and shook his ragged mane:
         But a Prince of high renown
         Swore he'd rather lose a crown,
     "Than the Queen should enjoy her own again."

     Our merchant-ships may cut the line,
       And not be snapt by privateers.
     And commoners who love good wine
       Will drink it now as well as peers:
         Landed men shall have their rent,
         Yet our stocks rise cent, per cent.     The Dutch from hence shall no more millions drain:
         We'll bring on us no more debts,
         Nor with bankrupts fill gazettes;
     "And the Queen shall enjoy her own again."

     The towns we took ne'er did us good:
       What signified the French to beat?
     We spent our money and our blood,
       To make the Dutchmen proud and great:
         But the Lord of Oxford swears,
         Dunkirk never shall be theirs.
     The Dutch-hearted Whigs may rail and complain;
         But true Englishmen may fill
         A good health to General Hill:
     "For the Queen now enjoys her own again."








HORACE, EPIST. I, VII, IMITATION OF HORACE, TO LORD OXFORD, A.D. 1713[1]

     Harley, the nation's great support,
     Returning home one day from court,
     His mind with public cares possest,
     All Europe's business in his breast,
     Observed a parson near Whitehall,
     Cheap'ning old authors on a stall.
     The priest was pretty well in case,
     And show'd some humour in his face;
     Look'd with an easy, careless mien,
     A perfect stranger to the spleen;
     Of size that might a pulpit fill,
     But more inclining to sit still.
     My lord, (who, if a man may say't,
     Loves mischief better than his meat),
     Was now disposed to crack a jest
     And bid friend Lewis[2] go in quest.
     (This Lewis was a cunning shaver,
     And very much in Harley's favour)—
     In quest who might this parson be,
     What was his name, of what degree;
     If possible, to learn his story,
     And whether he were Whig or Tory.
       Lewis his patron's humour knows;
     Away upon his errand goes,
     And quickly did the matter sift;
     Found out that it was Doctor Swift,
     A clergyman of special note
     For shunning those of his own coat;
     Which made his brethren of the gown
     Take care betimes [3] to run him down:
     No libertine, nor over nice,
     Addicted to no sort of vice;
     Went where he pleas'd, said what he thought;
     Not rich, but owed no man a groat;
     In state opinions ` la mode,
     He hated Wharton like a toad;
     Had given the faction many a wound,
     And libell'd all the junto round;
     Kept company with men of wit,
     Who often father'd what he writ:
     His works were hawk'd in ev'ry street,
     But seldom rose above a sheet:
     Of late, indeed, the paper-stamp
     Did very much his genius cramp;
     And, since he could not spend his fire,
     He now intended[4] to retire.
       Said Harley, "I desire to know
     From his own mouth, if this be so:
     Step to the doctor straight, and say,
     I'd have him dine with me to-day."
     Swift seem'd to wonder what he meant,
     Nor could believe my lord had sent;
     So never offer'd once to stir,
     But coldly said, "Your servant, sir!"
     "Does he refuse me?" Harley cry'd:
     "He does; with insolence and pride."
       Some few days after, Harley spies
     The doctor fasten'd by the eyes
     At Charing-cross, among the rout,
     Where painted monsters are hung out:
     He pull'd the string, and stopt his[5] coach,
     Beck'ning the doctor to approach.
     Swift, who could[6] neither fly nor hide,
     Came sneaking to[7] the chariot side,
     And offer'd many a lame excuse:
     He never meant the least abuse—
     "My lord—the honour you design'd—
     Extremely proud—but I had dined—
     I am sure I never should neglect—
     No man alive has more respect"—
     Well, I shall think of that no more,
     If you'll be sure to come at four."
       The doctor now obeys the summons,
     Likes both his company and commons;
     Displays his talent, sits till ten;
     Next day invited, comes again;
     Soon grows domestic, seldom fails,
     Either at morning or at meals;
     Came early, and departed late;
     In short, the gudgeon took the bait.
     My lord would carry on the jest,
     And down to Windsor takes his guest.
     Swift much admires the place and air,
     And longs to be a Canon there;
     In summer round the Park to ride,
     In winter—never to reside.
     A Canon!—that's a place too mean:
     No, doctor, you shall be a Dean;
     Two dozen canons round your stall,
     And you the tyrant o'er them all:
     You need but cross the Irish seas,
     To live in plenty, power, and ease.
     Poor Swift departed, and, what's worse,
     With borrow'd money in his purse,
     Travels at least a hundred leagues,
     And suffers numberless fatigues.
       Suppose him now a dean complete,
     Demurely[8] lolling in his seat,
     And silver verge, with decent pride,
     Stuck underneath his cushion side.
     Suppose him gone through all vexations,
     Patents, instalments, abjurations,
     First-fruits, and tenths, and chapter-treats;
     Dues, payments, fees, demands, and cheats.
     (The wicked laitys contriving
     To hinder clergymen from thriving.)
     Now all the doctor's moneys spent,
     His tenants wrong him in his rent,
     The farmers spitefully combine,
     Force him to take his tithes in kine,
     And Parvisol[9] discounts arrears
     By bills, for taxes and repairs.
       Poor Swift, with all his losses vex'd,
     Not knowing where to turn him next,
     Above a thousand pounds in debt,
     Takes horse, and in a mighty fret
     Rides day and night at such a rate,
     He soon arrives at Harley's gate;
     But was so dirty, pale, and thin,
     Old Read[10] would hardly let him in.
       Said Harley, "Welcome, rev'rend dean!
     What makes your worship look so lean?
     Why, sure you won't appear in town
     In that old wig and rusty gown?
     I doubt your heart is set on pelf
     So much that you neglect yourself.
     What! I suppose, now stocks are high,
     You've some good purchase in your eye?
     Or is your money out at use?"—
       "Truce, good my lord, I beg a truce!"
     The doctor in a passion cry'd,
     "Your raillery is misapply'd;
     Experience I have[11] dearly bought;
     You know I am not worth a groat:
     But you resolved to have your jest,
     And 'twas a folly to contest;
     Then, since you now have done your worst,
     Pray leave me where you found me first."
     [Footnote 1: Collated with Stella's copy.—Forster.]

     [Footnote 2: Erasmus Lewis, Esq., the treasurer's secretary.]

     [Footnote 3: By time.—Stella.]

     [Footnote 4: Is now contented,—Stella.]

     [Footnote 5: The.—Stella.]

     [Footnote 6: Would.—Stella.]

     [Footnote 7: By.—Stella.]

     [Footnote 8: "Devoutly" is the word in Stella's transcript: but it must
     be admitted that "demurely" is more in keeping.—Forster.]

     [Footnote 9: The Dean's agent, a Frenchman.]

     [Footnote 10: The lord treasurer's porter.]

     [Footnote 11: I have experience.—Stella.]








THE AUTHOR UPON HIMSELF, 1713

     A few of the first lines were wanting in the copy sent us by a friend of
     the Author's from London.—Dublin Edition.



            *       *  By an old —— pursued,
     A crazy prelate,[1] and a royal prude;[2]
     By dull divines, who look with envious eyes
     On ev'ry genius that attempts to rise;
     And pausing o'er a pipe, with doubtful nod,
     Give hints, that poets ne'er believe in God.
     So clowns on scholars as on wizards look,
     And take a folio for a conj'ring book.
       Swift had the sin of wit, no venial crime:
     Nay, 'twas affirm'd, he sometimes dealt in rhyme;
     Humour and mirth had place in all he writ;
     He reconcil'd divinity and wit:
     He moved and bow'd, and talk'd with too much grace;
     Nor show'd the parson in his gait or face;
     Despised luxurious wines and costly meat;
     Yet still was at the tables of the great;
     Frequented lords; saw those that saw the queen;
     At Child's or Truby's,[3] never once had been;
     Where town and country vicars flock in tribes,
     Secured by numbers from the laymen's gibes;
     And deal in vices of the graver sort,
     Tobacco, censure, coffee, pride, and port.
       But, after sage monitions from his friends,
     His talents to employ for nobler ends;
     To better judgments willing to submit,
     He turns to politics his dang'rous wit.
       And now, the public Int'rest to support,
     By Harley Swift invited, comes to court;
     In favour grows with ministers of state;
     Admitted private, when superiors wait:
     And Harley, not ashamed his choice to own,
     Takes him to Windsor in his coach alone.
     At Windsor Swift no sooner can appear,
     But St. John comes, and whispers in his ear:
     The waiters stand in ranks: the yeomen cry,
     Make room, as if a duke were passing by.
       Now Finch[4] alarms the lords: he hears for certain
     This dang'rous priest is got behind the curtain.
     Finch, famed for tedious elocution, proves
     That Swift oils many a spring which Harley moves.
     Walpole and Aislaby,[5] to clear the doubt,
     Inform the Commons, that the secret's out:
     "A certain doctor is observed of late
     To haunt a certain minister of state:
     From whence with half an eye we may discover
     The peace is made, and Perkin must come over."
       York is from Lambeth sent, to show the queen
     A dang'rous treatise[6] writ against the spleen;
     Which, by the style, the matter, and the drift,
     'Tis thought could be the work of none but Swift.
     Poor York! the harmless tool of others' hate;
     He sues for pardon,[7] and repents too late.
       Now angry Somerset her vengeance vows
     On Swift's reproaches for her ******* spouse:[8]
     From her red locks her mouth with venom fills,
     And thence into the royal ear instils.
     The queen incensed, his services forgot,
     Leaves him a victim to the vengeful Scot.[9]
     Now through the realm a proclamation spread,
     To fix a price on his devoted head.[10]
     While innocent, he scorns ignoble flight;
     His watchful friends preserve him by a sleight.
       By Harley's favour once again he shines;
     Is now caress'd by candidate divines,
     Who change opinions with the changing scene:
     Lord! how were they mistaken in the dean!
     Now Delawar[11] again familiar grows;
     And in Swift's ear thrusts half his powder'd nose.
     The Scottish nation, whom he durst offend,
     Again apply that Swift would be their friend.[12]
       By faction tired, with grief he waits awhile,
     His great contending friends to reconcile;
     Performs what friendship, justice, truth require:
     What could he more, but decently retire?
     [Footnote 1: Dr. John Sharpe, who, for some unbecoming reflections in his
     sermons, had been suspended, May 14, 1686, was raised from the Deanery of
     Canterbury, to the Archbishopric of York, July 5, 1691; and died February
     2, 1712-13. According to Dr. Swift's account, the archbishop had
     represented him to the queen as a person that was not a Christian; the
     great lady [the Duchess of Somerset] had supported the aspersion; and the
     queen, upon such assurances, had given away the bishopric contrary to her
     majesty's first intentions [which were in favour of Swift]. See Orrery's
     "Remarks on the Life of Swift," p. 48.—W. E. B.]

     [Footnote 2: Queen Anne.]

     [Footnote 3: Coffeehouses frequented by the clergy. In the preceding
     poem, Swift gives the same trait of his own character:
       "A clergyman of special note
       For shunning those of his own coat."
     His feeling towards his order was exactly the reverse of his celebrated
     misanthropical expression of hating mankind, but loving individuals. On
     the contrary, he loved the church, but disliked associating with
     individual clergymen.—Scott. See his letter to Pope, Sept. 29, 1725,
     in Pope's Works, edit. Elwin and Courthope, vii, 53, and the unjust
     remarks of the commentators.—W. E. B.]

     [Footnote 4: Daniel Finch, Earl of Nottingham, who made a speech in the
     House of Lords against the author.]

     [Footnote 5: John Aislaby, then M.P. for Ripon. They both spoke against
     him in the House of Commons.—Scott.]

     [Footnote 6: The Tale of a Tub.]

     [Footnote 7: He sent a message to the author to desire his pardon, and
     that he was very sorry for what he had said and done.]

     [Footnote 8: Insert murder'd. The duchess's first husband, Thomas
     Thynne, Esq., was assassinated in Pall Mall by banditti, the emissaries
     of Count Kvnigsmark. As the motive of this crime was the count's love to
     the lady, with whom Thynne had never cohabited, Swift seems to throw upon
     her the imputation of being privy to the crime. See the "Windsor
     Prophecy," ante, p. 150.—W. E. B.]

     [Footnote 9: The Duke of Argyle.]

     [Footnote 10: For writing "The Public Spirit of the Whigs."]

     [Footnote 11: Then lord-treasurer of the household, who cautiously
     avoided Swift while the proclamation was impending.]

     [Footnote 12: He was visited by the Scots lords more than ever.]








THE FAGOT[1]

     Written in the year 1713, when the Queen's ministers were quarrelling
     among themselves.
     Observe the dying father speak:
     Try, lads, can you this bundle break?
     Then bids the youngest of the six
     Take up a well-bound heap of sticks.
     They thought it was an old man's maggot;
     And strove, by turns, to break the fagot:
     In vain: the complicated wands
     Were much too strong for all their hands.
     See, said the sire, how soon 'tis done:
     Then took and broke them one by one.
     So strong you'll be, in friendship ty'd;
     So quickly broke, if you divide.
     Keep close then, boys, and never quarrel:
     Here ends the fable, and the moral.
       This tale may be applied in few words,
     To treasurers, comptrollers, stewards;
     And others, who, in solemn sort,
     Appear with slender wands at court;
     Not firmly join'd to keep their ground,
     But lashing one another round:
     While wise men think they ought to fight
     With quarterstaffs instead of white;
     Or constable, with staff of peace,
     Should come and make the clatt'ring cease;
     Which now disturbs the queen and court,
     And gives the Whigs and rabble sport.
       In history we never found
     The consul's fasces[2] were unbound:
     Those Romans were too wise to think on't,
     Except to lash some grand delinquent,
     How would they blush to hear it said,
     The praetor broke the consul's head!
     Or consul in his purple gown,
     Came up and knock'd the praetor down!
       Come, courtiers: every man his stick!
     Lord treasurer,[3] for once be quick:
     And that they may the closer cling,
     Take your blue ribbon for a string.
     Come, trimming Harcourt,[4] bring your mace;
     And squeeze it in, or quit your place:
     Dispatch, or else that rascal Northey[5]
     Will undertake to do it for thee:
     And be assured, the court will find him
     Prepared to leap o'er sticks, or bind them.
       To make the bundle strong and safe,
     Great Ormond, lend thy general's staff:
     And, if the crosier could be cramm'd in
     A fig for Lechmere, King, and Hambden!
     You'll then defy the strongest Whig
     With both his hands to bend a twig;
     Though with united strength they all pull,
     From Somers,[6] down to Craggs[7] and Walpole.