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The Poems of Madison Cawein, Volume 2 (of 5) / New world idylls and poems of love cover

The Poems of Madison Cawein, Volume 2 (of 5) / New world idylls and poems of love

Chapter 15: V
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About This Book

The collection gathers lyric and narrative poems that alternate pastoral New World idylls with love lyrics, ranging from short meditative pieces to longer eclogues. Recurring images of moonlight, gardens, woods, and seasonal change frame meditations on desire, memory, loss, and devotion. Language favors ornate, musical diction and vivid natural detail, often addressing lovers, graves, and evening landscapes. Some poems adopt dramatic or elegiac tones while others celebrate intimate encounters and rural life, producing an overall register of romantic sentimentality and reflective melancholy.

There are shadows that compel us,
There are powers that control:
More than substance these can tell us,
Speaking to the human soul.
In the moonlight, when it glistened
On my window, white of glow,
Once I woke and, leaning, listened
To a voice that sang below.
Full of gladness, full of yearning,
Strange with dreamy melody,
Like a bird whose heart was burning,
Wildly sweet it sang to me.
I arose; and by the starlight,
Pale beneath the summer sky,
There I saw it, full of far light,—
My dead joy go singing by.
In the darkness, when the glimmer
Of the storm was on the pane,
Once I sat and heard a dimmer
Voice lamenting in the rain.
Full of parting and unspoken
Heartbreak, faint with agony,
Like a bird whose heart was broken,
Moaning low it cried to me.
I arose; and in the darkness,
Wan beneath the winter sky,
There I saw it, cold to starkness,—
My dead love go wailing by.

V

He arouses from his abstraction, buries his face in his hands and thinks:

So long it seems since last I saw her face,
So long ago it seems,
Like some sad soul in unconjectured space,
Still seeking happiness through perished grace
And unrealities, a little while
Illusions lead me, ending in the smile
Of Death, triumphant in a thorny place,
Among Love’s ruined roses and dead dreams.
Since she is gone, no more I feel the light,—
Since she has left all dark,—
Cleave, with its revelation, all the night.
I wander blindly, on a crumbling height,
Among the fragments and the wrecks and stones
Of Life, where Hope, amid Life’s skulls and bones,
With weary face, disheartened, wild and white,
Trims her pale lamp with its expiring spark.
Now she is dead, the Soul, naught can o’erawe,—
Now she is gone from me,—
Questions God’s justice that seems full of flaw,
As is His world, where misery is law,
And all men fools, too willing to be slaves.—
My House of Faith, built up on dust of graves,
The wind of doubt sweeps down as made of straw,
And all is night and I no longer see.
VI

He looks from his window toward the sombre west:

Ridged and bleak the gray, forsaken
Twilight at the night has guessed;
And no star of dusk has taken
Flame unshaken in the west.
All day long the woodlands, dying,
Moaned, and drippings as of grief
Rained from barren boughs with sighing
Death of flying twig and leaf.
Ah, to live a life unbroken
Of the flings and scorns of fate!
Like that tree, with branches oaken,
Strength’s unspoken intimate.—
Who can say that we have never
Lived the life of plants and trees?—
Not so wide the lines that sever
Us forever here from these.
Colors, odors, that are cherished,
Haply hint we once were flowers:
Memory alone has perished
In this garnished world that’s ours.
Music,—that all things expresses,
All for which we’ve sought and sinned,—
Haply in our treey tresses
Once was guesses of the wind.
But I dream!—The dusk, dark braiding
Locks that lack both moon and star,
Deepens; and, the darkness aiding,
Earth seems fading, faint and far.
And within me doubt keeps saying—
“What is wrong, and what is right?
Hear the cursing! hear the praying!
All are straying on in night.”
VII

He turns from the window, takes up a book, and reads:

The soul, like Earth, hath silences
Which speak not, yet are heard:
The voices mute of memories
Are louder than a word.
Theirs is a speech which is not speech;
A language that is bound
To soul-vibrations, vague, that reach
Deeper than any sound.
No words are theirs. They speak through things,
A visible utterance
Of thoughts—like those some sunset brings,
Or withered rose, perchance.
The heavens that once, in purple and flame,
Spake to two hearts as one,
In after years may speak the same
To one sad heart alone.
Through it the vanished face and eyes
Of her, the sweet and fair,
Of her the lost, again shall rise
To comfort his despair.
And so the love that led him long
From golden scene to scene,
Within the sunset is a tongue
That speaks of what has been.—
How loud it speaks of that dead day,
The rose whose bloom is fled!
Of her who died; who, clasped in clay,
Lies numbered with the dead.
The dead are dead; with them ’tis well
Within their narrow room;—
No memories haunt their hearts who dwell
Within the grave and tomb.
But what of those—the dead who live!
The living dead, whose lot
Is still to love—ah, God forgive!—
To live and love, forgot!
VIII

The storm is heard sounding wildly outside with wind and hail:

The night is wild with rain and sleet;
Each loose-warped casement claps or groans:
I hear the plangent woodland beat
The tempest with long blatant moans,
Like one who fears defeat.
And sitting here beyond the storm,
Alone within the lonely house,
It seems that some mesmeric charm
Holds all things—even the gnawing mouse
Has ceased its faint alarm.
And in the silence, stolen o’er
Familiar objects, lo, I fear—
I fear—that, opening yon door,
I ’ll find my dead self standing near,
With face that once I wore.
The stairway creaks with ghostly gusts:
The flue moans; all its gorgon throat
One wail of winds: ancestral dusts,—
Which yonder Indian war-gear coat
With gray, whose quiver rusts,—
Are shaken down.—Or, can it be,
That he who wore it in the dance,
Or battle, now fills shadowy
Its wampumed skins? and shakes his lance
And spectral plume at me?—
Mere fancy!—Yet those curtains toss
Mysteriously as if some dark
Hand moved them.—And I would not cross
The shadow there, that hearthstone’s spark,
A glow-worm sunk in moss.
Outside ’t were better!—Yes, I yearn
To walk the waste where sway and dip
Deep, dark December boughs—where burn
Some late last leaves, that drip and drip
No matter where you turn.
Where sodden soil, you scarce have trod,
Fills oozy footprints—but the blind
Night there, though like the frown of God,
Presents no fancies to the mind,
Like those that have o’erawed.—
The months I count: how long it seems
Since summer! summer, when with her,
When on her porch, in rainy gleams
We watched the flickering lightning stir
In heavens gray as dreams.
When all the west, a sheet of gold,
Flared,—like some Titan’s opened forge,—
With storm; revealing, manifold,
Vast peaks of clouds with crag and gorge,
Where thunder-torrents rolled.
Then came the wind: again, again
Storm lit the instant earth—and how
The forest rang with roaring rain!—
We could not read—where is it now?—
That tale of Charlemagne:
That old romance! that tale, which we
Were reading; till we heard the plunge
Of distant thunder sullenly,
And left to watch the lightning lunge,
And storm-winds toss each tree.
That summer!—How it built us there,
Of sorcery and necromance,
A mental-world, where all was fair;
A land like one great pearl, a-trance
With lilied light and air.
Where every flower was a thought;
And every bird, a melody;
And every fragrance, zephyr brought,
Was but the rainbowed drapery
Of some sweet dream long sought.
’Mid which we reared our heart’s high home,
Fair on the hills; with terraces,
Vine-hung and wooded, o’er the foam
Of undiscovered fairy seas,
All violet in the gloam.
O land of shadows! shadow-home,
Within my world of memories!
Around whose ruins sweeps the foam
Of sorrow’s immemorial seas,
To whose dark shores I come!
How long in your wrecked halls, alone
With ghosts of joys must I remain?
Between the unknown and the known,
Still hearing through the wind and rain
My lost love moan and moan.

IX

He sits by the slowly dying fire. The storm is heard with increased violence:

Wild weather. The lash of the sleet
On the gusty casement, clapping—
The sound of the storm like a sheet
My soul and senses wrapping.
Wild weather. And how is she,
Now the rush of the rain falls serried
There on the turf and the tree
Of the place where she is buried?
Wild weather. How black and deep
Is the night where the mad winds scurry!—
Do I sleep? do I dream in my sleep
That I hear her footsteps hurry?
Hither they come like flowers—
And I see her raiment glisten,
Like the robes of one of the hours
Where the stars to the angels listen.
Before me, behold, how she stands!
With lips high thoughts have weighted,
With testifying hands,
And eyes with glory sated.
I have spoken and I have kneeled:
I have kissed her feet in wonder—
But, lo! her lips—they are sealed,
God-sealed, and will not sunder.
Though I sob, “Your stay was long!
You are come,—but your feet were laggard!—
With mansuetude and song
For the heart your death has daggered.”
Never a word replies,
Never, to all my weeping—
Only a sound of sighs,
And of raiment past me sweeping....
I wake; and a clock tolls three—
And the night and the storm beat serried
There on the turf and the tree
Of the place where she is buried.

RED LEAVES AND ROSES

I

And he had lived such loveless years
That suffering had made him wise;
And she had known no graver tears
Than those of girlhood’s eyes.
And he, perhaps, had loved before—
One, who had wedded, or had died;—
So life to him had been but poor
In love for which he sighed.
In years and heart she was so young
Love paused and beckoned at the gate,
And bade her hear his songs, unsung;
She laughed that “love must wait.”
He understood. She only knew
Love’s hair was faded, face was gray—
Nor saw the rose his autumn blew
There in her heedless way.

II

If he had come to her when May
Danced down the wildwood,—every way
Marked with white flow’rs, as if her gown
Had torn and fallen,—it might be
She had not met him with a frown,
Nor used his love so bitterly.
Or if he had but come when June
Set stars and roses to one tune,
And breathed in honeysuckle throats
Clove-honey of her spicy mouth,
His heart had found some loving notes
In hers to cheer his life’s long drouth.
He came when Fall made mad the sky,
And on the hills leapt like a cry
Of battle; when his youth was dead;
To her, the young, the wild, the white;
Whose symbol was the rose, blood-red,
And his the red leaf pinched with blight.
He might have known, since youth was flown,
And autumn claimed him for its own;
And winter neared with snow, wild whirled,
His love to her would seem absurd;
To youth like hers; whose lip had curled
Yet heard him to his last sad word.
Then laughed and—well, his heart denied
The words he uttered then in pride;
And he remembered how the gray
Was his of autumn, ah! and hers,
The rose-hued colors of the May,
And May was all her universe.
And then he left her: and, like blood,
In her deep hair, the rose; whose bud
Was badge to her: while unto him,
His middle-age, must still remain
The red-leaf, withering at the rim,
As symbol of the all-in-vain.

III

“Such days as these,” she said, and bent
Among her marigolds, all dew,
And dripping zinnia stems, “were meant
For spring not autumn; days we knew
In childhood; these endearing those;
Much dearer since they have grown old:
Days, once imperfect with the rose,
Now perfect with the marigold.”
“Such days as these,” he said, and gazed
Long with unlifted eyes that held
Sad autumn nights, “our hopes have raised
In futures that are mist-enspelled.
And so it is the fog blows in
Days dearer for the death they paint
With hues of life and joy,—as sin,
At death, puts off all earthly taint.”

IV

Like deeds of hearts that have not kept
Their riches, as a miser, when
Sad souls have asked, with eyes that wept,
Among the toiling tribes of men,
The summer days gave Earth sweet alms
In silver of white lilies, while
Each night, with healing, outstretched palms
Stood Christ-like with its starry smile.
Will she remember him when dull
Months drag their duller hours by?
With feet that crush the beautiful
And leave the beautiful to die?
Or never see? nor sit with lost
Dreams withered, ’mid hope’s empty husks,
And wait, heart-counting-up the cost
Of love’s illusions ’mid life’s dusks?

V

He is as one who, treading salty scurf
Of lonely sea-sands, hears the roaring rocks
Of some lost isle of misty crags and lochs;
Who sees no sea, but, through a world of surf,
Gray ghosts of gulls and screaming petrel flocks:
When, from the deep’s white ruin and wild wreck,
Above the fog, beneath the ghostly gull,
The iron ribs of some storm-shattered hull
Loom, packed with pirate treasure to the deck
A century rotten: feels his wealth replete,
When long-baulked ocean claims it; and one dull
Wave flings, derisive at despondent feet,
A skull, one doubloon rattling in the skull.

VI

And when full autumn sets the dahlia stems
On fire with flowers, and the chill dew turns
The maple trees, above geranium urns,
To Emir tents, and strings with flawless gems
The moon-flower and the wahoo-bush that burns;
Calmly she sees the year grow sad and strange,
And stands with one among the wilted walks
Of the old garden of the gray, old grange,
And feels no sorrow for the frost-maimed stalks
Since—though the wailing autumn to her talks—
Youth marks swift spring on life’s far mountain-range.
Or she will lean to her old harpsichord;
A youthful face beside her; and the glow
Of hickory on the hearth will balk the blow
Of blustering rain that beats the casement hard;
And sing of summer and so thwart the snow.
“Haply, some day, she yet may sit alone,”
He thinks, “within the shadow-saddened house,
When round the gables stormy echoes moan,
And in the closet gnaws the lonesome mouse;
And Memory come stealing down the stair
From dusty attics where is piled the Past—
Like so much rubbish that we hate to keep—
And turn the knob; and, framed in frosty hair,
A grave, forgotten face look in at last,
And she will know, and bow her head and weep.”

WILD THORN AND LILY

I

And she?
Was it the lightning that lent lividness
And terror to her countenance? or fear
Of her own heart? revulsion? memory?
Did deep regret, that, now the thing was done,
That she was mine, a yearning to be free,
Away from me, assail her? or, the thought,
The knowledge, that she did not love the man
Whom she had wedded? knowing better now
That all her heart was Julien’s from the first,
And would be Julien’s until the end.
And did she now look backward on the past?
Or forward—on the barrier that the church
For all the future years had placed between
The possible and impossible? God knows!
Yet I had won her honestly with words
Love, only, uttered out of its soul’s truth;
Had won her—was it openly?—perhaps!—
Although engaged to Julien.—What else
Had led us to elopement?—Well, ’t was done!
The whole, mad, lovely, miserable affair
Of love and youthful folly. Being done
We must abide the reckoning. That is,
I would; and she?—she saw her duty there
Beside her husband. And within myself,
When we alighted from the carriage, thus,—
Beneath the porch,—my mind resolved the thing:
“I am her husband now, and she my wife.
Less than her husband, I, much less a man,
Were I not able to regain and keep
The love she gave me, that she thinks is his,
That is not his. ’T is pity merely now
That makes her pensive. I am pensive, too,
For Julien, the poet and the friend;
The dreamer and the lover.—But all ’s fair
In love they say; and I,—well, willingly
I’ll bear the burthen of the blame of all.”
Scarce had we entered when high heaven oped
Vast gates of bronze and doors of booming brass
That dammed a deluge, and the deluge poured.—
I thought of him still; for I felt that she
Was thinking too of Julien and his moods,
That often swept his soul with storm like this,
Yet oftener with sunlight than with storm;
That soul of sun and tempest, ray and rain,
My school-friend Julien! whom once she won
To think she loved—I know not how. My play
Was open as the morning, and as fair.
His poverty and genius here, and here
My wealth and—platitude; and I had won.
But it was hard for him. I did not dream
That it would end so. And when Gwendolyn
Used every gentleness—and that is much—
I did not dream his poet’s temperament
Were so affected of a love affair,
A wrong or right; he, whose sole aim seemed song.
I did not dream he ’d take it desperately,
And end so tragically. Who ’d have thought
His character, although so sensitive,
Would fall into extremes of morbidness
And melancholy! Had it now been I,
Whose heart had lost in the great game of love,
None would have wondered; for I am of those
Whose vigorous iron does not bend, but break
At one decisive blow: his should have sprung—
Or so I think, not broken as it had—
Elastic as fine-tempered steel that bends
And then resumes its usual usefulness.
A pale smile strained the corners of her mouth
When, from the porch, into the parlor’s blaze
I led her. And her mother met us there,
Her mother and her father. And I saw
The slow reflection of their happiness
Make glad her eyes, as their approval grew
From half-severe rebukes, that were well meant,
To open, glad avowal of their joy.
She had done well, and we were soon forgiven....
But I resumed his letter when alone:
His letter written her three months before,
When all was over, and we two were one,
And well upon our way to Italy
For six sweet months of honeymoon. His word,
His letter, all of her, that came to me
At Venice, that I opened in mistake,
Amid a lot of papers sent from home.
She had not read, and never should while I
Had power to conceal until I ’d read.
I would not let the dead scrawl mar or soil
My late-won joy, my testament of love.
No! I would read it, afterwards destroy.
Thoughts made of music for a last farewell,
When he knew all and asked her to perpend
Expressions of past things her gift of love
Had given speech to in the happy days.
And so I read:—

II

“The rhyme is mine, but yours
The thought and all the music, springing from
The rareness of the love that dawned on me
A little while to make my sad life glad.
Should I regret the sunset it refused,
Since all my morn was richer than the world?
Or that my day should stride without a change
Of crimson, or of purple, or of gold,
Into the barren blackness where the moon
And all God’s stars lay dead? Should I complain,
Upbraid or censure or one moment curse,
I with my morning? ’T is a memory
That stains the midnight now: one wild-rose ray
Laid like a finger pointing me the path
I follow, and I go rejoicingly.
Our love was very young (nor had it aged—
If we had lived long lifetimes—here in me),
When one day, strolling in the sun, you spoke
Words I perceived should hint a coming change:
I made three stanzas of the thought, you see:
But now ’t is like the sea-shell that suggests,
And still associates us with the sea
In its vague song and elfland workmanship.
Yet it has lost a something that it had
There by the far sand’s foaming; something rare,
A different beauty like an element:
I wonder on what life will do
When love is loser of all love;
When life still longs to love anew
And has not love enough:—
I ’ll turn my heart into a ray,
And wait—a day?
I wonder on what love will hold
When life is weary of all life;
And life and love have both grown old
With scars of sin and strife:—
I’ll change my soul into a flower,
And wait—an hour?
I wonder on why men forget
The life that love made laugh; and why
Weak women will remember yet
The life that love made sigh:—
I’ll sing my thought into a song,
And wait—how long?

III

“And once you questioned of our mocking-bird,
And of the German nightingale, and I
Knowing a sweeter bird than those sweet two,
Made fast associates of birds and brooks
And learned their numbers. Middle April made
The path of lilac leading to your porch
A rift of fallen Paradise; a blue
So full of fragrance that the birds that built
Among the lilacs thought that God was there,
And of God’s goodness they would sing and sing,
Till every throat seemed bursting with its song,
Note on wild note, diviner each than each.
And waiting by the gate, that reached the lane,
For you, who gave sweet eloquence to all,
The afternoon, the lilacs and the spring,
My heart was singing and it sang of you:
Two glow-worms are the jewels in
Her ears; and underneath her chin
A diamond like a firefly:
There is no starlight in the sky
When Gwendolyn stands in the maze
Of woodbine, near the portico;
For all the stars are in her gaze,
The night and stars I know.
A clinging dream of mist the lawn
She wears; and like a bit of dawn
Her fan with one red jewel pinned:
Among the boughs there breathes no wind
When Gwendolyn comes down the path
Of lilacs from the portico;
For all the breeze her coming hath,
The beam and breeze I know.
Two locust-blooms her hands; and slips
Of eglantine her cheeks and lips;
Her hair, a hyacinth of gloom:
The balmy buds give no perfume
When Gwendolyn draws near to me,
The gate beyond the portico;
For all aroma sweet is she,
All fragrance that I know.
Life, love, and faith are in her face,
And in her presence all their grace:
And my religion is a word,
A wish of hers. No mocking-bird,
When Gwendolyn laughs near, dare float
One bubble from the portico;
For all of song is in her throat,
All music that I know.

IV

“The mocking-bird! and then weird fancy filled
My soul with vision, and I saw a song
Pursue a bird that was no bird—a voice
Concealed in dim expressions of the spring,—
Who sits among the forests and the fields,
With dark-blue eyes smiling to life the flowers,—
Where we strolled happy as the April hills:
A sunbeam, all the day that fell
Upon the fountain,—
Like laughter gurgling in the dell
Below the mountain,—
Drank, with its sparkle, one by one,
The water-words that, in the sun,
Made melody,—the sun-rays tell,—
That never yet was done.
A moon-ray, that had gone astray
’Mid wildwood alleys,
Where Echo haunts the forest way
Among the valleys,
The livelong night upon the rocks
Slept, hid among girl Echo’s locks,
And stole her voice,—the moonbeams say,—
That mocks and only mocks.
A shadow, that had made its seat
Amid the roses
And thorns—the bitter and the sweet
That life discloses—
Mixed with the rose-balm and the dew
And crimson thorns that pierced it through,
Until its soul,—the shades repeat,—
Was portion of them, too.
A Fairy found the beam of gold,
And ray of glitter;
The shadow, whose dim soul did hold
Both sweet and bitter;
And made a bird, that haunts the morn
And night; that flits from flower to thorn,
A voice of laughter,—it is told,—
Love, mockery, and scorn.

V

“Among the white haw-blossoms, where the creek
Droned under drifts of dogwood and of haw,
The red-bird, like a crimson blossom blown
Against the snow-white bosom of the Spring,
The chaste confusion of her lawny breast,
Sang on, prophetic of serener days,
As confident as June’s completer hours.
And I stood listening like a hind, who hears
A wood-nymph breathing in a forest flute
Among gray beech-trees of myth-haunted ways:
And when it ceased, the memory of the air
Blew like a syrinx in my brain: I made
A lyric of the notes that men might know:
He flies with flirt and fluting—
As flies a falling star
From flaming star-beds shooting shooting—
From where the roses are.
Wings past and sings; and seven
Notes, sweet as fragrance is,—
That turn to sylphs in heaven,—
Float round him full of bliss.
He sings; each burning feather
Thrills, throbbing at his throat;
A song of glow-worm weather,
And of a firefly boat:
Of Elfland and a princess
Who, born of a perfume,
His music lulls,—where winces
That rose’s cradled bloom.
No bird is half so airy,
No bird of dusk or dawn,
O masking King of Fairy!
O red-crowned Oberon.

VI