WeRead Powered by ReaderPub
The Poems of Madison Cawein, Volume 3 (of 5) / Nature poems cover

The Poems of Madison Cawein, Volume 3 (of 5) / Nature poems

Chapter 17: YOUNG SEPTEMBER
Open in WeRead

Explore more books like this:

About This Book

A lyrical assortment of short poems that observe woodlands, fields, hills, rivers, and seasonal change with rich sensory detail and personification. The pieces range from bright, music-filled summer scenes—locusts, crickets, and harvest work—to quieter, elegiac moments among fallen beeches, old houses, and autumn light, often meditating on memory and the passage of time. The verse emphasizes musical rhythm and image-driven description, moving between intimate domestic corners and broad mountain or river vistas to explore nature’s beauty, solitude, and subdued spiritual resonance.

LIST OF ILLUSTRATIONS

Undreamed of Things that Happened Long Ago
(See page 8)
Frontispiece
 PAGE
Ghostly and Windy White168
My Spirit Saw Her Pass432

PROLOGUE

There is a poetry that speaks
Through common things: the grasshopper,
That in the hot weeds creaks and creaks,
Says all of summer to my ear:
And in the cricket’s cry I hear
The fireside speak, and feel the frost
Work mysteries of silver near
On country casements, while, deep lost
In snow, the gatepost seems a sheeted ghost.
And other things give rare delight:
The guttural harps the green-frogs tune,
Those minstrels of the falling night,
That hail the sickle of the moon
From grassy pools that glass her lune:
Or,—all of August in its loud
Dry cry,—the locust’s call at noon,
That emphasizes heat, no cloud
Of lazy white makes less with its cool shroud.
The rain,—whose cloud dark-lids the moon,
That great white eyeball of the night,—
Makes music for me; to its tune
I hear the flowers unfolding white,
The mushroom growing, and the slight
Green sound of grass that dances near;
The melon ripening with delight;
And in the orchard, soft and clear,
The apple redly rounding out its sphere.
The grigs make music as of old,
To which the fairies whirl and shine
Within the moonlight’s prodigal gold,
On woodways wild with many a vine:
When all the wilderness with wine
Of stars is drunk, I hear it say—
“Is God restricted to confine
His wonders only to the day,
That yields the abstract tangible to clay?”
And to my ear the wind of Morn,—
When on her rubric forehead far
One star burns big,—lifts a vast horn
Of wonder where all murmurs are:
In which I hear the waters war,
The torrent and the blue abyss,
And pines,—that terrace bar on bar
The mountain side,—like lovers kiss,
And whisper words where all of grandeur is.
The jutting crags,—dark, iron-veined
With ore,—the peaks, where eagles scream,
That pour their cataracts, rainbow-stained,
Like hair, in many a mountain stream,
Can lift my soul beyond the dream
Of all religions; make me scan
No mere external or extreme,
But inward pierce the outward plan
And learn that rocks have souls as well as man.

IN THE SHADOW OF THE BEECHES

In the shadow of the beeches,
Where the fragile wildflowers bloom;
Where the pensive silence pleaches
Green a roof of cool perfume,
Have you felt an awe imperious
As when, in a church, mysterious
Windows paint with God the gloom?
In the shadow of the beeches,
Where the rock-ledged waters flow;
Where the sun’s slant splendor bleaches
Every wave to foaming snow,
Have you felt a music solemn
As when minster arch and column
Echo organ worship low?
In the shadow of the beeches,
Where the light and shade are blent;
Where the forest-bird beseeches,
And the breeze is brimmed with scent,—
Is it joy or melancholy
That o’erwhelms us partly, wholly,
To our spirit’s betterment?
In the shadow of the beeches
Lay me where no eye perceives;
Where,—like some great arm that reaches
Gently as a love that grieves,—
One gnarled root may clasp me kindly
While the long years, working blindly,
Slowly change my dust to leaves.

A FALLEN BEECH

Nevermore at doorways that are barken
Shall the madcap wind knock and the moonlight;
Nor the circle which thou once didst darken,
Shine with footsteps of the neighboring moonlight,
Visitors for whom thou oft didst hearken.
Nevermore, gallooned with cloudy laces,
Shall the morning, like a fair freebooter,
Make thy leaves his richest treasure-places;
Nor the sunset, like a royal suitor,
Clothe thy limbs with his imperial graces.
And no more, between the savage wonder
Of the sunset and the moon’s up-coming,
Shall the storm, with boisterous hoof-beats, under
Thy dark roof dance, Faun-like, to the humming
Of the Pan-pipes of the rain and thunder.
Oft the Satyr-spirit, beauty-drunken,
Of the Spring called; and the music measure
Of thy sap made answer; and thy sunken

Veins grew vehement with youth, whose pressure
Swelled thy gnarly muscles, winter-shrunken.
And the germs, deep down in darkness rooted,
Bubbled green from all thy million oilets,
Where the spirits, rain and sunbeam suited,
Of the April made their whispering toilets,
Or within thy stately shadow footed.
Oft the hours of blonde Summer tinkled
At the windows of thy twigs, and found thee
Bird-blithe; or, with shapely bodies, twinkled
Lissom feet of naked flowers around thee,
Where thy mats of moss lay sunbeam-sprinkled.
And the Autumn with his gypsy-coated
Troop of days beneath thy branches rested,
Swarthy-faced and dark of eye; and throated
Songs of hunting; or with red hand tested
Every nut-burr that above him floated.
Then the Winter, barren-browed, but rich in
Shaggy followers of frost and freezing,
Made the floor of thy broad boughs his kitchen,
Trapper-like, to camp in; grimly easing
Limbs snow-furred and moccasined with lichen.
Now, alas! no more do these invest thee
With the dignity of whilom gladness!
They—unto whose hearts thou once confessed thee
Of thy dreams—now know thee not! and sadness
Sits beside thee where, forgot, dost rest thee.

A COIGNE OF THE FOREST

A HOUSE IN THE HILLS

Old hearts that hold the saddest memories
Are the most beautiful; and such make sweet
Light, happy moods of younger natures which
Their sadness contacts and so sanctifies.
And such to me is an old gabled house,
Deserted, and neglected, and unknown,
Lost in the tangled hollow of its hills,
Dark, cedared hills, and dreamy orchard-lands;
With but its host of shrouded memories
Haunting its ruined rooms and desolate halls,—
Pathetic with their fallen finery,—
And whispering through its cob-webbed crevices
And roomy hearths, that sigh with ceaseless wind,
Undreamed of things that happened long ago.
Here in gray afternoons I love to sit,
And hear the running rain along the roof;
The creak and crack of noises that are born
Of silence or mysterious agencies;

The fitful footfalls of the wind adown
Grand, winding stairways, massy banistered;
A clapping door and then a sudden hush
As if the old house held its breath to see,—
Invisible to me,—a presence pass,
That brings a pleasant terror stiffening through
The tingling veins and staring from the eyes.
Then comes the rain again along the roof;
And in rain-rotted room and rain-stained hall
The drip and whisper of the wind and rain
Seem viewless footsteps of the sometime lords
And mistresses who lived here in the past.
And could the state material but assume
A state clairvoyant, then the dream-drugged eyes,
Perhaps, might see, from room to dusty room,
The ghosts of stately gentlemen glide by,
And glimmering ladies, all beruffled, trail
Long, haughty silks miraculously stiff.

THE WIND

Wind of the East, if thou pass by the land where my loved ones dwell, I pray,
The fullest of greetings bear to them from me, their lover, and say
That I am the pledge of passion still.”—
FROM THE ARABIC.
The ways of the wind are eerie,
And I love them all:
The blithe, the mad, and the dreary,
Spring, winter, and fall.
When it tells to the waiting crocus
Its beak to show;
And hangs on the wayside locust
Bloom-bunches of snow.
When it roars in the autumn season,
And whines with rain,
Or sleet, like a mind without reason,
Or a soul in pain.
When the woodways, once so spicy
With bud and bloom,
Are desolate, dead and icy
As the icy tomb.
When the puffed owl, crouched and frowsy,
In the hollow tree,
Sobs, dolorous, cold, and drowsy,
Its shuddering melody.
Then I love to sit in December
Where the big hearth sings,
And, dreaming, forget and remember
A host of things.
And the wind—I hear how it strangles,
And wails and sighs
On the roof’s sharp, shivering angles
That front the skies.
How it shouts and romps and tumbles
In attics o’erhead;
In the great-throated chimney rumbles,
Then all at once falls dead;
Then comes like the footsteps stealing
Of a child on the stair,
Or a bent, old gentleman feeling
His slippered way with care.
And my soul grows anxious-hearted
For those once dear—
The long-lost loves, departed,
In the wind draw near.
And I seem to see their faces—
Not one estranged—
In their old accustomed places
Round the wide hearth ranged.
And the wind, that waits and poises
Where the shadows sway,
Seems their visionary voices
Calling me far away.
Then I wake in tears and hear it
Wailing outside my door,—
Or is it some wandering spirit
Weeping upon the moor?

RAIN IN THE WOODS

When on the leaves the rain persists,
And every gust brings showers down;
When copse and woodland smoke with mists,
I take the old road out of town
Into the hills through which it twists.
I find the vale where catnip grows,
Where boneset blooms, with moisture bowed;
The vale through which the red creek flows,
Turbid with hill-washed clay, and loud
As some wild horn a huntsman blows.
Around the root the beetle glides,
A burnished beryl; and the ant,
Large, agate-red, a garnet, slides
Beneath the rock; and every plant
Is roof for some frail thing that hides.
The locust harsh, that sharply saws
The silence of the summer noon;
The katydid, that thinly draws
Its fine file o’er the bars of moon;
And grasshopper that drills each pause:
The mantis, long-clawed, furtive, lean—
Fierce feline of the insect hordes—
And dragonfly, gauze-winged and green,
Beneath the wild-grape’s leaves and gourd’s,
Have housed themselves and rest unseen.
The butterfly and forest-bird
Are huddled on the same gnarled bough,
From which, like some rain-voweled word
That dampness hoarsely utters now,
The tree-toad’s guttural voice is heard.
I crouch and listen: and again
The woods are filled with phantom forms—
With shapes, grotesque in cloudy train,
That rise and reach to me cool arms
Of mist: dim, wandering wraiths of rain.
I see them come; fantastic, fair;
Chill, mushroom-colored: sky and earth
Grow ghostly with their floating hair
And trailing limbs, that have their birth
In wetness—fungi of the air.
O wraiths of rain! O ghosts of mist!
Still fold me, hold me, and pursue!
Still let my lips by yours be kissed!
Still draw me with your hands of dew
Unto the tryst, the dripping tryst.

HEAT

I

Now is it as if Spring had never been,
And Winter but a memory and a dream,
Here where the Summer stands, her lap of green
Heaped high with bloom and beam,
Among her blackberry-lilies, low that lean
To kiss her feet; or, freckle-browed, that stare
Upon the dragonfly which, slimly seen,
Like a blue jewel flickering in her hair,
Sparkles above them there.

II

III

Within its channel glares the creek and shrinks,
Beneath whose rocks the furtive crawfish hides
In stagnant places, where the green frog blinks,
And water-strider glides.
Far hotter seems it for the bird that drinks,
The startled kingfisher that screams and flies;
Hotter and lonelier for the purples and pinks
Of weeds that bloom, whose sultry perfumes rise
Stifling the swooning skies.

IV

From ragweed fallows, rye-fields, heaped with sheaves,
From blistering rocks, no moss or lichens crust,
And from the road, where every hoof-stroke heaves
A cloud of burning dust,
The hotness quivers, making limp the leaves,
That loll like panting tongues. The pulsing heat
Seems a wan wimple that the Summer weaves,
A veil, in which she wraps,—as in a sheet,—
The shriveling corn and wheat.

V

Furious, incessant in the weeds and briers
The sawing weed bugs sing: and, heat-begot,
The grasshoppers, so many strident wires,
Staccato stinging hot:
A lash of whirling sound that never tires,
The locust flails the noon, where harnessed Thirst,
Beside the road-spring, many a shod hoof mires,
Into the trough thrusts his hot head; immersed,
Round which cool bubbles burst.

VI

The sad, sweet voice of some wood-spirit who
Laments while watching a loved oak-tree die,
From the deep forest comes the wood-dove’s coo,
A long, lost, lonely cry.—
Oh, for a breeze! a mighty wind to woo
The woods to stormy laughter; sow like grain
The world with freshness of invisible dew,
And pile above far, fevered hill and plain
Cloud-bastions, black with rain.

YOUNG SEPTEMBER

I

With a look and a laugh where the stream was flowing,
September led me along the land;
Where the goldenrod and lobelia, glowing,
Seemed burning torches within her hand.
And faint as the thistle’s or milkweed’s feather
I glimpsed her form in the sparkling weather.

II

III

Along the bank in a wild procession
Of gold and sapphire the blossoms blew;
And borne on the breeze came their soft confession
In syllabled musk and honey-dew;
In words unheard that their lips kept saying,
Sweet as the lips of children praying.

IV

And so, meseemed, I heard them tell
How here her loving glance once fell
Upon this bank, and from its azure grew
The ageratum mist-flower’s happy hue;
How from her kiss, as crimson as the dawn,
The cardinal-flow’r drew its vermilion;
And from her hair’s blond touch th’ elecampane
Evolved the glory of its golden rain;
While from her starry footsteps, redolent,
The aster pearled its flowery firmament.

THE VINTAGER

Among the fragrant grapes she bows;
Long violet clusters heap her hands:
And, with bright brows, on him bestows
Sweet looks, like soft commands.
And from her sunburnt throat, at times,
As bubbles burst on new-made wine,
A happy fit of merry rhymes
Rings down the hills of vine.
And in his heart, remorseless, sweet,
Grew big the red-grape, passion, there;
His heart, that, ever at her feet,
Was filled with love’s despair.
But she, who ne’er the honeyed must
Of love had drained, a grown-up child,
Saw in him—merely one to trust,
And broke his heart, and smiled.

BLACK VESPER’S PAGEANTS

A TWILIGHT MOTH

Dusk is thy dawn; when Eve puts on her state
Of gold and purple in the marbled west,
Thou comest forth like some embodied trait,
Or dim conceit, a lily-bud confessed;
Or, of a rose, the visible wish; that, white,
Goes softly messengering through the night,
Whom each expectant flower makes its guest.
All day the primroses have thought of thee,
Their golden heads close-haremed from the heat;
All day the mystic moonflowers silkenly
Veiled snowy faces,—that no bee might greet
Or butterfly that, weighed with pollen, passed;—
Keeping Sultana-charms for thee, at last,
Their lord, who comest to salute each sweet.
Cool-throated flowers that avoid the day’s
Too fervid kisses; every bud that drinks
The tipsy dew and to the starlight plays
Nocturnes of fragrance, thy wing’d shadow links

In bonds of secret brotherhood and faith;
O bearer of their order’s shibboleth,
Like some pale symbol fluttering o’er these pinks.
What dost thou whisper in the balsam’s ear
That sets it blushing, or the hollyhock’s,—
A syllabled silence that no man may hear,—
As dreamily upon its stem it rocks?
What spell dost bear from listening plant to plant,
Like some white witch, some ghostly ministrant,
Some spectre of some perished flower of phlox?
O voyager of that universe which lies
Between the four walls of this garden fair,—
Whose constellations are the fireflies
That wheel their instant courses everywhere,—
’Mid fairy firmaments wherein one sees
Mimic Boötes and the Pleiades,
Thou steerest like some fairy ship-of-air.
Gnome-wrought of moonbeam-fluff and gossamer,
Silent as scent, perhaps thou chariotest
Mab or King Oberon; or, haply, her
His queen, Titania, on some midnight quest.—
Oh for the herb, the magic euphrasy,
That should unmask thee to mine eyes, ah me!
And all that world at which my soul hath guessed!

THE GRASSHOPPER

I

What joy you take in making hotness hotter,
In emphasizing dullness with your buzz,
Making monotony more monotonous!
When summer comes, and drouth hath dried the water
In all the creeks, we hear your ragged rasp
Filing the stillness. Or,—as urchins beat
A stagnant pond whereon the bubbles gasp,—
Your switch-like music whips the midday heat.
O burr of sound caught in the Summer’s hair,
We hear you everywhere.

II

We hear you in the vines and berry-brambles,
Along the unkempt lanes, among the weeds,
Amid the shadeless meadows, gray with seeds,
And by the wood, round which the rail-fence rambles,

Sawing the sunlight with your sultry saw.
Or,—like to tomboy truants, at their play
With noisy mirth among the barn’s deep straw,—
You sing away the careless summer-day.
O brier-like voice that clings in idleness
To Summer’s drowsy dress.

III

You tramp of insects, vagrant and unheeding,
Improvident, who of the summer make
One long green meal-time, and for winter take
No care, aye singing or just merely feeding!
Happy-go-lucky vagabond,—though frost
Shall pierce, ere long, your coat of green or brown,
And pinch your body,—let no song be lost,
But as you lived, into your grave go down—
Like some small poet with his little rhyme,
Forgotten of all time.

FOREST AND FIELD

I

The stagnant stream flows sleepily
Thick-paved with lily-pads; the bee,—
Brown, honey-drunk, a Bassarid,—
Booms past the mottled toad, that, hid
In calamus and blue-eyed grass,
Beside the water’s pooling glass,
Silenus-like, eyes stolidly
The Mænad-glittering dragonfly.
And pennyroyal and peppermint
Pour dry-hot odors without stint
From fields and banks of many streams;
And in their scent one almost seems
To see Demeter pass, her breath
Sweet with her triumph over death.—
A haze of floating saffron; sound
Of shy, crisp creepings o’er the ground;
The dip and stir of twig and leaf;
Tempestuous gusts of spices brief
Borne over bosks of sassafras
By winds that foot it on the grass;
Sharp, sudden songs and whisperings,
That hint at untold, hidden things—
Pan and Sylvanus who of old
Kept sacred each wild wood and wold.
A wily light beneath the trees
Quivers and dusks with every breeze—
A Hamadryad, haply, who,—
Culling her morning meal of dew
From frail, accustomed cups of flowers,—
Now sees some Satyr in the bowers,
Or hears his goat-hoof snapping press
A brittle branch, and in distress
Shrinks back; her dark, dishevelled hair
Veiling her limbs one instant there.

II

Down precipices of the dawn
The rivers of the day are drawn,
The soundless torrents, free and far,
Of gold that deluge every star.
There is a sound of winds and wings
That fills the woods with carollings;
And, dashed on moss and flower and fern,
And leaves, that quiver, breathe and burn,
Rose-radiance smites the solitudes,
The dew-drenched hills, the dripping woods
That twitter as with canticles
Of bird and brook; and air that smells
Of flowers, and buds, and boisterous bees,
Delirious honey and wet trees.—
Through briers that trip them, one by one,
With swinging pails, that flash the sun,
A troop of girls comes—berriers,
Whose bare feet glitter where they pass
Through dewdrop-trembling tufts of grass.
And, oh! their laughter and their cheers
Wake Echo on her shrubby rocks
Who, answering, from her mountain mocks
With rapid fairy horns—as if
Each mossy vale and weedy cliff
Had its imperial Oberon,
Who, seeking his Titania, hid
In coverts caverned from the sun,
In kingly wrath had called and chid.
Cloud-feathers, oozing orange light,
Make rich the Indian locks of Night;
Her dusky waist with sultry gold
Girdled and buckled fold on fold.
One star. A sound of bleating flocks.
Great shadows stretched along the rocks,
Like giant curses overthrown
By some Arthurian champion.
Soft-swimming sorceries of mist
That streak blue glens with amethyst.
And, tinkling in the clover dells,
The twilight sound of cattle-bells.
And where the marsh in reed and grass
Burns, angry as a shattered glass,
The flies blur sudden gold, and shine
Like drops of amber-scattered wine
Spun high by reeling Bacchanals,
When Bacchus wreathes his curling hair
With vine-leaves, and from every lair
His worshippers around him calls.
They come, they come, a happy throng,
The berriers with lilt and song;
Their pails brimmed black to tin-bright eaves
With luscious fruit, kept cool with leaves
Of aromatic sassafras;
’Twixt which a berry often slips,
Like laughter, from the purple mass,
Wine-swollen as Silenus’ lips.

III