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The Poems of Madison Cawein, Volume 3 (of 5) / Nature poems cover

The Poems of Madison Cawein, Volume 3 (of 5) / Nature poems

Chapter 197: ON CHENOWETH’S RUN
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About This Book

A lyrical assortment of short poems that observe woodlands, fields, hills, rivers, and seasonal change with rich sensory detail and personification. The pieces range from bright, music-filled summer scenes—locusts, crickets, and harvest work—to quieter, elegiac moments among fallen beeches, old houses, and autumn light, often meditating on memory and the passage of time. The verse emphasizes musical rhythm and image-driven description, moving between intimate domestic corners and broad mountain or river vistas to explore nature’s beauty, solitude, and subdued spiritual resonance.

He makes a roadway of the crumbling fence,
Or on the fallen tree,—brown as a leaf
Fall stripes with russet,—gambols down the dense
Green twilight of the woods. We see not whence
He comes, nor whither—’tis a time too brief!—
He vanishes;—swift carrier of some Fay,
Some pixy steed that haunts our child-belief—
A goblin glimpse from woodland way to way.

II

What harlequin mood of nature qualified
Him so with happiness? and limbed him with
Such young activity as winds, that ride
The ripples, have, that dance on every side?
As sunbeams know, that urge the sap and pith
Through hearts of trees? yet made him to delight,
Gnome-like, in darkness,—like a moonlight myth,—
Lairing in labyrinths of the under night.

III

Here, by a rock, beneath the moss, a hole
Leads to his home, the den wherein he sleeps;
Lulled by near noises of the cautious mole
Tunnelling its mine—like some ungainly Troll
—Or by the tireless cricket there that keeps
Picking its drowsy and monotonous lute;
Or slower sounds of grass that creeps and creeps,
And trees unrolling mighty root on root.

IV

Such is the music of his sleeping hours.
Day hath another—’tis a melody
He trips to, made by the assembled flowers,
And light and fragrance laughing ’mid the bowers,
And ripeness busy with the acorn-tree.
Such strains, perhaps, as filled with mute amaze—
The silent music of Earth’s ecstasy—
The Satyr’s soul, the Faun of classic days.

THE WILD IRIS

That day we wandered ’mid the hills,—so lone
Clouds are not lonelier,—the forest lay
In emerald darkness round us. Many a stone
And gnarly root, gray-mossed, made wild our way:
And many a bird the glimmering light along
Showered the golden bubbles of its song.
Then in the valley, where the brook went by,
Silvering the ledges that it rippled from,—
An isolated slip of fallen sky,
Epitomizing heaven in its sum,—
An iris bloomed—blue, as if, flower-disguised,
The gaze of Spring had there materialized.
I have forgotten many things since then—
Much beauty and much happiness and grief;

And toiled and dreamed among my fellow-men,
Rejoicing in the knowledge life is brief.
Tis winter now,” so says each barren bough;
And face and hair proclaim ’tis winter now.
I would forget the gladness of that spring!
I would forget that day when she and I,
Between the bird-song and the blossoming,
Went hand in hand beneath the soft spring sky!—
Much is forgotten, yea—and yet, and yet,
The things we would we never can forget.—
Nor I how May then minted treasuries
Of crowfoot gold; and molded out of light
The sorrel’s cups, whose elfin chalices
Of limpid spar were streaked with rosy white.
Nor all the stars of twinkling spiderwort,
And mandrake moons with which her brows were girt.
But most of all, yea, it were well for me,
Me and my heart, that I forget that flower,
The blue wild-iris, azure fleur-de-lis,
That she and I together found that hour.
Its recollection can but emphasize
The pain of loss, remindful of her eyes.

THE PATH BY THE CREEK

There is a path that leads
Through purple ironweeds,
By button-bush and mallow
Along a creek;
A path that wildflowers hallow,
That wild-birds seek;
Roofed thick with eglantine
And grape and trumpet-vine.
This side, the blackberries sweet
Glow cobalt in the heat;
That side, a creamy yellow,
In summer-time
The pawpaws slowly mellow:
And autumn’s prime
Strews red the Chickasaw,
Persimmon brown and haw.
The glittering dragon-fly,
A wingéd gem, goes by;
And tawny wasp and hornet
Make drowsy drone;

The beetle, like a garnet,
Basks on the stone;
And butterflies float there,
Spangling with gold the air.
Here the brown thrashers hide,
And chat and cat-bird chide;
The blue kingfisher houses
Above the stream,
And here the heron drowses,
Lost in his dream;
The vireo’s flitting note
Makes woodlands more remote.
And now a cow’s slow bell
Tinkles from dale to dell;
Where breeze-dropped petals winnow
From blossomy limbs
On waters, where the minnow,
Faint-twinkling, swims;
Where, in the root-arched shade,
Slim prisms of light are laid.
When in the tangled thorn
The new-moon hangs a horn,
Or, ’mid the sunset’s islands,
Guides her canoe,
The brown owl in the silence
Calls, and the dew
Beads glimmering orbs of damp,
Each one a glow-worm lamp.
Then when the night is still
Here sings the whippoorwill;
And stealthy sounds of crickets,
And winds that pass,
Whispering, through bramble thickets
Along the grass,
Faint with warm scents of hay,
Seem feet of dreams astray.
And where the water shines
Dark through tree-twisted vines,
Some water-spirit, dreaming,
Braids in her hair
A star’s reflection; seeming
A jewel there;
While all the sweet night long
Ripples her quiet song....
Would I could imitate,
O path, thy happy state!
Making my life all beauty,
All bloom and beam;
Knowing no other duty
But just to dream,
And far from pain and woe
Lead feet that come and go.
Leading to calm content,
O’er ways the Master went,
Through lowly things and humble,
To peace and love;
Teaching the lives that stumble
To look above,
Forget the world of toil
And all its mad turmoil.

ALONG THE STREAM

Where the violet shadows brood
Under cottonwoods and beeches,
Through whose leaves the restless reaches
Of the river glance, I’ve stood,
While the red-bird and the thrush
Set to song the morning hush.
There,—when wakening woods encroach
On the shadowy winding waters,
And the bluets, April’s daughters,
At the darling Spring’s approach,
Star their myriads through the trees,—
All the land is one with peace.
There,—when harvest heights impend
Over shores of rippling summer,
And to greet the fair new-comer,—
June,—the wildrose thickets bend
In a million blossoms dressed,—
All the land is one with rest.
On some rock, where gaunt the oak
Reddens and the sombre cedar
Darkens, like a sachem leader,
I have lain and watched the smoke
Of the steamboat, far-away,
Trailed along the dying day.
There,—when margin waves reflect
Autumn colors, gay and sober,
And the Indian-girl, October,
Wampum-like in berries decked,
Leans above the leaf-strewn streams,—
All the land is one with dreams.
Through the bottoms where,—out-tossed
By the wind’s wild hands,—ashiver
Bend the willows o’er the river,
I have walked in sleet and frost,
While beneath the cold round moon,
Frozen, gleamed the long lagoon.
There,—when leafless woods uplift
Spectral arms the storm-blasts splinter,
And the hoary trapper, Winter,
Builds his camp of ice and drift,
With his snow-pelts furred and shod,—
All the land is one with God.

VOICES

THE ROAD HOME

Over the hills as the pewee flies,
Under the blue of the southern skies;
Over the hills where the red-bird wings,
Like a scarlet blossom, or sits and sings;
Under the shadow of rock and tree,
Where the warm wind drones with the honeybee;
And the tall wild-carrots around you sway
Their lace-like flowers of cloudy gray:
By the black-cohosh and its pearl-white plume
A-nod in the woodland’s odorous gloom;
By the old rail-fence, in the elder’s shade,
That the myriad hosts of the weeds invade:
Where the butterfly-weed, like a coal of fire,
Blurs orange-red through brush and brier;
Where the pennyroyal and mint smell sweet,
And blackberries tangle the humming heat,

The old road leads; then crosses the creek,
Where the minnow dartles, a silvery streak;
Where the cows wade deep through the blue-eyed grass,
And the flickering dragon-flies gleaming pass.
That road is easy, however long,
Which wends with beauty as toil with song;
And the road we follow shall lead us straight
Past creek and wood to a farm-house gate.
Past hill and hollow, whence scents are blown
Of dew-wet clover that scythes have mown;
To a house that stands with porches wide
And gray low roof on the green hill-side.
Colonial, stately; ’mid shade and shine
Of the locust tree and the southern pine;
With its orchard acres and meadowlands
Stretched out before it like welcoming hands.
And gardens, where, in the myrrh-sweet June,
Magnolias blossom with many a moon
Of fragrance; and, in the feldspar light
Of August, roses bloom red and white.
In a woodbine arbor, a perfumed place,
A slim girl sits with listening face;
Her bonnet by her, a sunbeam lies
On her lovely hair, in her earnest eyes.
Her eyes, as blue as the distant deeps
Of the heavens above where the high hawk sleeps;
A book beside her, wherein she read
Till she saw him coming, she heard his tread.
Come home at last; come back from the war;
In his eyes a smile, on his brow a scar:
To the South come back—who wakes from her dream
To the love and the peace of a new regime.

DROUTH

I

The hot sunflowers by the glaring pike
Lift shields of sultry brass; the teasel tops,
Pink-thorned, advance with bristling spike on spike
Against the furious sunlight. Field and copse
Are sick with summer: now, with breathless stops,
The locusts cymbal; now grasshoppers beat
Their castanets: and rolled in dust, a team,—
Like some mean life wrapped in its sorry dream,—
An empty wagon rattles through the heat.

II

Where now the blue, blue flags? the flow’rs whose mouths
Are moist and musky? Where the sweet-breathed mint,

That made the brook-bank herby? Where the South’s
Wild morning-glories, rich in hues, that hint
At coming showers that the rainbows tint?
Where all the blossoms that the wildwood knows?
The frail oxalis hidden in its leaves;
The Indian-pipe, pale as a soul that grieves;
The freckled touch-me-not and forest rose.

III

Dead! dead! all dead beside the drouth-burnt brook,
Shrouded in moss or in the shriveled grass.
Where waved their bells,—from which the wild-bee shook
The dew-drop once,—gaunt, in a nightmare mass,
The rank weeds crowd; through which the cattle pass,
Thirsty and lean, seeking some meagre spring,
Closed in with thorns, on which stray bits of wool
The panting sheep have left, that sought the cool,
From morn till evening wearily wandering.

IV

No bird is heard; no throat to whistle awake
The sleepy hush; to let its music leak
Fresh, bubble-like, through bloom-roofs of the brake:
Only the green-blue heron, famine-weak,—
Searching the stale pools of the minnowless creek,—
Utters its call; and then the rain-crow, too,
False prophet now, croaks to the stagnant air;
While overhead,—still as if painted there,—
A buzzard hangs, black on the burning blue.

THE BROKEN DROUTH

FEUD

A mile of lane,—hedged high with ironweeds
And dying daisies,—white with sun, that leads
Downward into a wood; through which a stream
Steals like a shadow; over which is laid
A bridge of logs, worn deep with many a team,
Sunk in the tangled shade.
Far off a wood-dove lifts its lonely cry;
And in the sleepy silver of the sky
A gray hawk wheels scarce larger than a hand.—
From point to point the road grows worse and worse,
Until that place is reached where all the land
Seems burdened with some curse.
Fields over which a path, o’erwhelmed with burrs
And ragweeds, noisy with the grasshoppers,
Leads,—lost, irresolute as paths the cows
Wear through the woods,—unto a woodshed; then,
With wrecks of windows, to a huddled house,
Where men have murdered men.
A house, whose tottering chimney, clay and rock,
Is seamed and crannied; whose lame door and lock
Are bullet-bored; around which, there and here,
Are sinister stains.—One dreads to look around.—
The place seems thinking of that time of fear
And dares not breathe a sound.
Within, is emptiness: the sunlight falls
On faded journals papering its walls;
On advertisement chromos, torn with time
Around a hearth where wasps and spiders build.—
The house is dead: meseems that night of crime
It, too, was shot and killed.

UNANOINTED

I

Upon the Siren-haunted seas, between Fate’s mythic shores,
Within a world of moon and mist, where dusk and daylight wed,
I see a phantom galley and its hull is banked with oars,
With ghostly oars that move to song, a song of dreams long dead:—

II

Within a land of cataracts and mountains old, and sand,
Beneath whose heavens ruins rise, o’er which the stars burn red,
I see a spectral cavalcade with crucifix in hand
And shadowy armor march and sing, a song of dreams long dead:—
“Oh, we are weary marching on!
Our limbs are travel-worn;
With cross and sword from dawn to dawn
We wend with raiment torn:
The leagues to go, the leagues we’ve gone
Are sand and rock and thorn—
The way is long to Avalon
Beyond the deeps of morn.”

III

They are the curs’d! the souls who yearn and evermore pursue
The vision of a vain desire, a splendor far ahead;
To whom God gives the poet’s dream without the grasp to do,
The artist’s hope without the scope between the quick and dead:—
I, too, am weary toiling where
The winds and waters beat;
When shall I ease the oar I bear
And rest my tired feet?
When will the white moons cease to glare,
The red suns veil their heat?
And from the heights blow sweet the air
Of Love’s divine retreat?

SUNSET AND STORM

Deep with divine tautology,
The sunset’s mighty mystery
Again has traced the scroll-like west
With hieroglyphs of burning gold:
Forever new, forever old,
Its miracle is manifest.
Time lays the scroll away. And now
Above the hills a giant brow
Night lifts of cloud; and from her arm,
Barbaric black, upon the world,
With thunder, wind and fire, is hurled
Her awful argument of storm.
What part, O man, is yours in such?
Whose awe and wonder are in touch
With Nature,—speaking rapture to
Your soul,—yet leaving in your reach
No human word of thought or speech
Expressive of the thing you view.

BEECH BLOOMS

Among the valleys
The wild oxalis
Lifts up its chalice
Of pink and pearl;
And, balsam-breathing
From out their sheathing,
The myriad wreathing
Green leaves uncurl.
The whole world brightens
With spring, that lightens
The foot that frightens
The building thrush;
Where water tosses
On ferns and mosses
The squirrel crosses
The beechen hush.
And vision on vision,—
Like ships elysian
On some white mission,—
Sails cloud on cloud;

With scents of clover
The winds brim over,
And in the cover
The stream is loud.
’Twixt bloom that blanches
The orchard branches
Old farms and ranches
Gleam in the gloam:
Through fields for sowing,
’Mid blossoms blowing,
The cows come lowing,
The cows come home.
Where ways are narrow,
A vesper-sparrow
Flits like an arrow
Of living rhyme;
The red sun poises,
And farm-yard noises
Mix with glad voices
Of milking-time.
When dusk disposes
Of all its roses,
And darkness closes,
And work is done,
A moon’s white feather
In starry weather
And two together
Whose hearts are one.

WORSHIP

I

The mornings raise
Voices of gold in the Almighty’s praise;
The sunsets soar
In choral crimson from far shore to shore:
Each is a blast,
Reverberant, of color,—seen as vast
Concussions,—that the vocal firmament
In worship sounds o’er every continent.

II

Not for our ears
The cosmic music of the rolling spheres,
That sweeps the skies!
Music we hear, but only with our eyes.
For all too weak
Our mortal frames to bear the words these speak,
Those detonations that we name the dawn
And sunset—hues Earth’s harmony puts on.

UNHEARD

All things are wrought of melody,
Unheard, yet full of speaking spells;
Within the rock, within the tree,
A soul of music dwells.
A mute symphonic sense that thrills
The silent frame of mortal things;
Its heart beats in the ancient hills,
And in each flow’r sings.
To harmony all growth is set—
Each seed is but a music mote,
From which each plant, each violet,
Evolves its purple note.
Compact of melody, the rose
Woos the soft wind with strain on strain
Of crimson; and the lily blows
Its white bars to the rain.
The trees are pæans; and the grass
One long green fugue beneath the sun—
Song is their life; and all shall pass,
Shall end, when song is done.

REINCARNATION

High in the place of outraged Liberty,
He ruled the world, an emperor and god:
His iron armies swept the land and sea,
And conquered nations trembled at his nod.
By him the love that fills man’s soul with light,
And makes a heaven of earth, was crucified;
Lust-crowned he lived, yea, lived in God’s despite,
And old in infamies, a king he died.
Justice begins now.—Many centuries
In some vile body must his soul atone
As slave, as beggar, loathsome with disease,
Less than the dog at which we fling a stone.

ON CHENOWETH’S RUN

I thought of the road through the glen,
With its hawk’s nest high in the pine;
With its rock, where the fox had his den,
’Mid tangles of sumach and vine,
Where she swore to be mine.
I thought of the creek and its banks,
Now glooming, now gleaming with sun;
The rustic bridge builded of planks,
The bridge over Chenoweth’s Run,
Where I wooed her and won.
I thought of the house in the lane,
With its pinks and its sweet mignonette;
Its fence, and the gate with its chain,
Its porch where the roses hung wet,
Where I kissed her and met.
Then I thought of the family graves,
Walled rudely with stone, in the West,

Where the sorrowful cedar-tree waves,
And the wind is a spirit distressed,
Where they laid her to rest.
And my soul, overwhelmed with despair,
Cried out on the city and mart!—
How I longed, how I longed to be there,
Away from the struggle and smart,
By her and my heart.
By her and my heart in the West,—
Laid sadly together as one;—
On her grave for a moment to rest,
Far away from the noise and the sun,
On Chenoweth’s Run.

REQUIESCAT

The roses mourn for her who sleeps
Within the tomb;
For her each lily-flower weeps
Dew and perfume.
In each neglected flower-bed
Each blossom droops its lovely head,—
They miss her touch, they miss her tread,
Her face of bloom,
Of happy bloom.
The sunlight, too, seems pale with care,
Or sick with woe;
The memory haunts it of her hair,
Its golden glow.
No more within the bramble-brake
The sleepy bloom is kissed awake—
The sun is sad for her dear sake,
Whose head lies low,
Lies dim and low.
The bird, that sang so sweet, is still
At dusk and dawn;
No more it makes the silence thrill
Of wood and lawn.
In vain the buds, when it is near,
Open each pink and perfumed ear,—
The song it sings she will not hear
Who now is gone,
Is dead and gone.
Ah, well she sleeps who loved them well,
The birds and bowers;
The fair, the young, the lovable,
Who once was ours.
Alas! that loveliness must pass!
Must come to lie beneath the grass!
That youth and joy must fade, alas!
And die like flowers,
Earth’s sweetest flowers!

THE QUEST

I

First I asked the honey-bee,
Busy in the balmy bowers;
Saying, “Sweetheart, tell it me:
Have you seen her, honey-bee?
She is cousin to the flowers—
All the sweetness of the south
In her wild-rose face and mouth.”—
But the bee passed silently.

II

Then I asked the forest-bird,
Warbling by the woodland waters;
Saying, “Dearest, have you heard,
Have you heard her, forest-bird?
She is one of Music’s daughters—
Never song so sweet by half
As the music of her laugh.”—
But the bird said not a word.

III