The Poems of Madison Cawein, Volume 3 (of 5) / Nature poems

Frail, shrunken face, so pinched and worn,
That life has carved with care and doubt!
So weary waiting, night and morn,
For that which never came about!
Pale lamp, so utterly forlorn,
In which God’s light at last is out.

Gray hair, that lies so thin and prim
On either side the sunken brows!
And soldered eyes, so deep and dim,
No word of man could now arouse!
And hollow hands, so virgin slim,
Forever clasped in silent vows!

Poor breasts! that God designed for love,
For baby lips to kiss and press!
That never felt, yet dreamed thereof,
The human touch, the child caress—
That lie like shriveled blooms above
The heart’s long-perished happiness.

O withered body, Nature gave
For purposes of death and birth,
That never knew, and could but crave
Those things perhaps that make life worth—
Rest now, alas! within the grave,
Sad shell that served no end of Earth.

AUGUST

I

Clad on with glowing beauty and the peace,
Benign, of calm maturity, she stands
Among her meadows and her orchard-lands,
And on her mellowing gardens and her trees,
Out of the ripe abundance of her hands
Bestows increase
And fruitfulness, as, wrapped in sunny ease,
Blue-eyed and blonde she goes,
Upon her bosom Summer’s richest rose.

II

And he who follows where her footsteps lead,
By hill and rock, by forest-side and stream,
May glimpse the glory of her visible dream,
In flower and fruit, in rounded nut and seed:
She, in whose path the very shadows gleam;
Whose humblest weed
Seems lovelier than June’s loveliest flower, indeed,
And sweeter to the smell
Than April’s self within a rainy dell.

III

Hers is a sumptuous simplicity
Within the fair Republic of her flowers,
Where you may see her standing hours on hours,
Breast-deep in gold, soft-holding up a bee
To her hushed ear; or sitting under bowers
Of greenery,
A butterfly a-tilt upon her knee;
Or lounging on her hip,
Dancing a cricket on her finger-tip.

IV

Ay, let me breathe hot scents that tell of you:
The hoary catnip and the meadow-mint,
On which the honor of your touch doth print
Itself as odor. Let me drink the hue
Of ironweed and mist-flower here that hint
With purple and blue,
The rapture that your presence doth imbue
Their inmost essence with,
Immortal, though as transient as a myth.

V

Yea, let me feed on sounds that still assure
Me where you hide: the brooks’, whose happy din
Tells where, the deep, retired woods within,
Disrobed, you bathe; the birds’, whose drowsy lure
Tells where you slumber, your warm, nestling chin
Soft on the pure,
Pink cushion of your palm.... What better cure
For care and memory’s ache
Than to behold you thus, and watch you wake.

THE BUSH-SPARROW

I

Ere wild-haws, looming in the glooms,
Build bolted drifts of breezy blooms;
And in the whistling hollow there
The red-bud bends, as brown and bare
As buxom Roxy’s up-stripped arm;
From some gray hickory or larch,
Sighed o’er the sodden meads of March,
The sad heart thrills and reddens warm
To hear you braving the rough storm,
Frail courier of green-gathering powers;
Rebelling sap in trees and flowers;
Love’s minister come heralding—
O sweet saint-voice among bleak bowers!
O brown-red pursuivant of Spring!

II

“Moan,” sob the woodland waters still
Down bloomless ledges of the hill;
And gray, gaunt clouds like harpies hang
In harpy heavens, and swoop and clang
Sharp beaks and talons of the wind:
Black scowl the forests, and unkind
The far fields as the near: while song
Seems murdered and all beauty wrong.
One weak frog only in the thaw
Of spawny pools wakes cold and raw,
Expires a melancholy bass
And stops as if bewildered: then
Along the frowning wood again,
Flung in the thin wind’s vulture face,
From woolly tassels of the proud,
Red-bannered maples, long and loud,
“The Spring is come! is here! her Grace! her Grace!

III

“Her Grace, the Spring! her Grace! her Grace!
Climbs, beautiful and sunny browed,
Up, up the kindling hills and wakes
Blue berries in the berry brakes:
With fragrant flakes, that blow and bleach,
Deep-powders smothered quince and peach:
Eyes dogwoods with a thousand eyes:
Teaches each sod how to be wise
With twenty wildflowers to one weed,
And kisses germs that they may seed.
In purest purple and sweet white
Treads up the happier hills of light,
Bloom-, cloudy-borne, song in her hair
And balm and beam of odorous air.
Winds, her retainers; and the rains
Her yeomen strong who sweep the plains:
Her scarlet knights of dawn, and gold
Of eve, her panoply unfold:
Her herald tabarded behold!
Awake to greet! prepare to sing!
She comes, the darling Duchess, Spring!”

QUIET

A log-hut in the solitude,
A clapboard roof to rest beneath!
This side, the shadow-haunted wood;
That side, the sunlight-haunted heath.

At daybreak Morn will come to me
In raiment of the white winds spun;
Slim in her rosy hand the key
That opes the gateway of the sun.

Her smile will help my heart enough
With love to labor all the day,
And cheer the road, whose rocks are rough,
With her smooth footprints, each a ray.

At dusk a voice will call afar,
A lone voice like the whippoorwill’s;
And, on her shimmering brow one star,
Night will descend the western hills.

She at my door till dawn will stand,
With gothic eyes, that, dark and deep,
Are mirrors of a mystic land,
Fantastic with the towns of sleep.

MUSIC

Thou, oh, thou!
Thou of the chorded shell and golden plectrum, thou
Of the dark eyes and pale pacific brow!
Music, who by the plangent waves,
Or in the echoing night of labyrinthine caves,
Or on God’s mountains, lonely as the stars,
Touchest reverberant bars
Of immemorial sorrow and amaze;—
Keeping regret and memory awake,
And all the immortal ache
Of love that leans upon the past’s sweet days
In retrospection!—now, oh, now,
Interpreter and heart-physician, thou
Who gazest on the heaven and the hell
Of life, and singest each as well,
Touch with thy all-mellifluous finger-tips
Or thy melodious lips,
This sickness named my soul,
Making it whole
As is an echo of a chord,
Or some symphonic word,
Or sweet vibrating sigh,
That deep, resurgent, still doth rise and die
On thy voluminous roll;
Part of the beauty and the mystery
That axles Earth with music; as a slave,
Swinging it round and round on each sonorous pole,
’Mid spheric harmony,
And choral majesty,
And diapasoning of wind and wave;
Speeding it on its far elliptic way
’Mid vasty anthemings of night and day.—
O cosmic cry
Of two eternities, wherein we see
The phantasms, Death and Life,
At endless strife
Above the silence of a monster grave.

A DREAM SHAPE

With moon-white hearts that held a gleam
I gathered wildflowers in a dream,
And shaped a woman, whose sweet blood
Was odor of the wildwood bud.

From dew, the starlight arrowed through,
I wrought a woman’s eyes of blue;
The lids that on her eyeballs lay
Were rose-pale petals of the May.

Out of a rosebud’s veins I drew
The fragrant crimson beating through
The languid lips of her, whose kiss
Was as a poppy’s drowsiness.

Out of the moonlight and the air
I wrought the glory of her hair,
That o’er her eyes’ blue heaven lay
Like some gold cloud o’er dawn of day.

My spirit saw her pass Page 432

A Dream Shape

I took the music of the breeze
And water, whispering in the trees,
And shaped the soul that breathed below
A woman’s blossom breasts of snow.

A shadow’s shadow in the glass
Of sleep, my spirit saw her pass:
And thinking of it now, meseems
We only live within our dreams.

For in that time she was to me
More real than our reality;
More real than Earth, more real than I—
The unreal things that pass and die.

THE OLD BARN

Low, swallow-swept and gray,
Between the orchard and the spring,
All its wide windows overflowing hay,
And crannied doors a-swing,
The old barn stands to-day.

Deep in its hay the Leghorn hides
A round white nest; and, humming soft
On roof and rafter, or its log-rude sides,
Black in the sun-shot loft,
The building hornet glides.

Along its corn-crib, cautiously
As thieving fingers, skulks the rat;
Or in warped stalls of fragrant timothy,
Gnaws at some loosened slat,
Or passes shadowy.

A dream of drouth made audible
Before its door, hot, harsh, and shrill
All day the locust sings.... What other spell
Shall hold it, lazier still
Than the long day’s, now tell:—

Dusk and the cricket and the strain
Of tree-toad and of frog; and stars
That burn above the rich west’s ribbéd stain;
And dropping pasture bars,
And cowbells up the lane.

Night and the moon and katydid,
And leaf-lisp of the wind-touched boughs;
And mazy shadows that the fireflies thrid;
And sweet breath of the cows,
And the lone owl here hid.

THE WOOD WITCH

There is a woodland witch who lies
With bloom-bright limbs and beam-bright eyes,
Among the water-flags that rank
The slow brook’s heron-haunted bank.
The dragonflies, in brass and blue,
Are signs she works her sorcery through;
Weird, wizard characters she weaves
Her spells with under forest leaves,—
These wait her word, like imps, upon
The gray flag-pods; their wings, of lawn
And gauze; their bodies, gleaming green.
While o’er the wet sand,—left between
The running water and the still,—
In pansy hues and daffodil,
The fancies that she doth devise
Assume the forms of butterflies,
Rich-colored.—And ’tis she you hear,
Whose sleepy rune, hummed in the ear
Of silence, bees and beetles purr,
And the dry-droning locusts whirr;
Till, where the wood is very lone,
Vague monotone meets monotone,
And Slumber is begot and born,
A faery child beneath the thorn.
There is no mortal who may scorn
The witchery she spreads around
Her dim demesne, wherein is bound
The beauty of abandoned time,
As some sweet thought ’twixt rhyme and rhyme.
And through her spells you shall behold
The blue turn gray, the gray turn gold
Of hollow heaven; and the brown
Of twilight vistas twinkled down
With fireflies; and in the gloom
Feel the cool vowels of perfume
Slow-syllabled of weed and bloom.
But, in the night, at languid rest,—
When like a spirit’s naked breast
The moon slips from a silver mist,—
With star-bound brow, and star-wreathed wrist,
If you should see her rise and wave
You welcome—ah! what thing could save
You then? forevermore her slave!

MAY

The golden discs of the rattlesnake-weed,
That spangle the woods and dance—
No gleam of gold that the twilights hold
Is strong as their necromance:
For, under the oaks where the woodpaths lead,
The golden discs of the rattlesnake-weed
Are the May’s own utterance.

The azure stars of the bluet bloom,
That sprinkle the woodland’s trance—
No blink of blue that a cloud lets through
Is sweet as their countenance:
For, over the knolls that the woods perfume,
The azure stars of the bluet bloom
Are the light of the May’s own glance.

With her wondering words and her looks she comes,
In a sunbeam of a gown;
She needs but think and the blossoms wink,
But look, and they shower down.
By orchard ways, where the wild bee hums,
With her wondering words and her looks she comes
Like a little maid to town.

RAIN

I

Around, the stillness deepened; then the grain
Went wild with wind; and every briery lane
Was swept with dust; and then, tempestuous black,
Hillward the tempest heaved a monster back,
That on the thunder leaned as on a cane;
And on huge shoulders bore a cloudy pack,
That gullied gold from many a lightning crack:
One great drop splashed and wrinkled down the pane,
And then field, hill, and wood were lost in rain.

II

At last, through clouds,—as from a cavern hewn
Into night’s heart,—the sun burst, angry roon;
And every cedar, with its weight of wet,
Against the sunset’s fiery splendor set,
Startled to beauty, seemed with rubies strewn:
Then in drenched gardens, like sweet phantoms met,
Dim odors rose of pink and mignonette;
And in the east a confidence, that soon
Grew to the calm assurance of the moon.

FALL

Sad-hearted Spirit of the solitudes,
Who comest through the ruin-wedded woods!
Gray-gowned in fog, gold-girdled with the gloom
Of tawny sunsets; burdened with perfume
Of rain-wet uplands, chilly with the mist;
And all the beauty of the fire-kissed
Cold forests crimsoning thy indolent way,
Odorous of death and drowsy with decay.
I think of thee as seated ’mid the showers
Of languid leaves that cover up the flowers,—
The little flower-sisterhoods, whom June
Once gave wild sweetness to, as to a tune
A singer gives her soul’s wild melody,—
Watching the squirrel store his granary.
Or, ’mid old orchards, I have pictured thee:
Thy hair’s profusion blown about thy back;
One lovely shoulder bathed with gypsy black;
Upon thy palm one nestling cheek, and sweet
The rosy russets tumbled at thy feet.

Was it a voice lamenting for the flowers?
Or heart-sick bird that sang of happier hours?
A cricket dirging days that soon must die?
Or did the ghost of Summer wander by?

SUNSET IN AUTUMN

Blood-colored oaks, that stand against a sky of gold and brass;
Gaunt slopes, on which the bleak leaves glow of brier and sassafras,
And broom-sedge strips of smoky pink and pearl-gray clumps of grass
In which, beneath the ragged sky, the rain pools gleam like glass.

From west to east, from wood to wood, along the forest-side,
The winds,—the sowers of the Lord,—with thunderous footsteps stride;
Their stormy hands rain acorns down; and mad leaves, wildly dyed,
Like tatters of their rushing cloaks, stream round them far and wide.

The frail leaf-cricket in the weeds sounds its far fairy-bell;
And like a torch of phantom ray the milkweed’s windy shell
Glimmers; while, wrapped in withered dreams, the wet, autumnal smell
Of loam and leaf, like Fall’s own ghost, steals over field and dell.

The oaks, against a copper sky—o’er which, like some black lake
Of Dis, bronze clouds, (like surges fringed with sullen fire) break—
Loom sombre as Doom’s citadel above the vales that make
A pathway to a land of mist the moon’s pale feet shall take.

Now, dyed with burning carbuncle, a limbo-litten pane,
Red in wild walls of storm, the west opens to hill and plain,
On which the wild-geese ink themselves, a far triangled train;
And then the shuttering clouds close down—and night it comes again.

CONTENT

When I behold how some pursue
Fame that is Care’s embodiment,
Or fortune, whose false face looks true,—
An humble home with sweet content
Is all I ask for me and you.

An humble home, where pigeons coo,
Whose path leads under breezy lines
Of frosty-berried cedars to
A gate, one mass of trumpet-vines,
Is all I ask for me and you.

A garden, which, all summer through,
The roses old make redolent,
And morning-glories, gay of hue,
And tansy with its homely scent,
Is all I ask for me and you.

An orchard, that the pippins strew,
From whose bruised gold the juices spring;
A vineyard, where the grapes hang blue,
Wine-big and ripe for vintaging,
Is all I ask for me and you.

A lane, that leads to some far view
Of forest or of fallow-land,
Bloomed o’er of rose and meadow-rue,
Each with a bee in its hot hand,
Is all I ask for me and you.

At morn, a pathway deep with dew,
And birds that vary time and tune;
At eve, a sunset avenue,
And whippoorwills that haunt the moon,
Is all I ask for me and you.

Dear heart, with wants so small and few,
And faith, that’s better far than gold,
A lowly friend; a child or two,
To care for us when we are old,
Is all I ask for me and you.

OCTOBER

Long hosts of sunlight, and the bright wind blows
A tourney-trumpet on the listed hill;
Past is the splendor of the royal rose
And duchess daffodil.

Crowned queen of beauty, in the garden’s space,
Strong daughter of a bitter race and bold,
A ragged beggar with a lovely face,
Reigns the sad marigold.

And I, who sought June’s butterfly for days,
Now find it—like a coreopsis bloom—
Amber and seal, rain-murdered ’neath the blaze
Of this sunflower’s plume.

Here drones the bee; and there, sky-voyaging wings
Dare the blue gulfs of heaven: the last song
The red-bird flings me as adieu, still rings
Upon that pear-tree’s prong.

No angry sunset brims with rubier red
The bowl of heaven than the days, indeed,
Pour in the blossoms of this salvia-bed
Where each leaf seems to bleed.

And where the wood-gnats dance, a little mist,
Above the efforts of the weedy stream,
The girl, October, tired of the tryst,
Dreams a diviner dream.

One foot just dipping the caressing wave,
One knee at languid angle; locks that drown
Hands nut-stained; hazel-eyed, she lies, and grave,
Watching the leaves drift down.

DISCOVERY

What is it now that I shall seek
Where woods dip downward, in the hills?—
A mossy nook, a ferny creek,
And May among the daffodils.

Or in the valley’s vistaed glow,
Past rocks of terraced trumpet-vines,
Shall I behold her coming slow,
Sweet May, among the columbines?

With red-bud cheeks and bluet eyes,
Big eyes, the homes of happiness,
To meet me with the old surprise,
Her hoiden hair all bonnetless.

Who waits for me, where, note for note,
The birds make glad the forest trees?
A dogwood blossom at her throat,
My May among th’ anemones.

As sweetheart breezes kiss the blooms,
And dewdrops drink the moon’s bright beams,
My soul shall kiss her lips’ perfumes,
And drain the magic of her dreams.

THE OLD SPRING

I

Under rocks whereon the rose
Like a strip of morning glows;
Where the azure-throated newt
Drowses on the twisted root;
And the brown bees, humming homeward,
Stop to suck the honeydew;
Fern and leaf-hid gleaming gloamward,
Drips the wildwood spring I knew,
Drips the spring my boyhood knew.

II

Myrrh and music everywhere
Haunt its cascades—like the hair
That a Naiad tosses cool,
Swimming strangely beautiful,
With white fragrance for her bosom,
And her mouth a breath of song:—
Under leaf and branch and blossom
Flows the woodland spring along,
Sparkling, singing flows along.

III

Still the wet wan mornings touch
Its gray rocks, perhaps; and such
Slender stars as dusk may have
Pierce the rose that roofs its wave;
Still the thrush may call at noontide
And the whippoorwill at night;
Nevermore, by sun or moontide,
Shall I see it gliding white,
Falling, flowing, wild and white.

THE FOREST SPRING

Push back the brambles, berry-blue;
The hollowed spring is full in view:
Deep-tangled with luxuriant fern
Ripples its rock-embedded urn.

Not for the loneliness that keeps
The coigne wherein its crystal sleeps;
Not for wild butterflies that sway
Their pansy pinions all the day
Above its mirror; nor the bee,
Nor dragon-fly, that, passing, see
Themselves reflected in its spar;
Not for the one white liquid star
That twinkles in its firmament;
Nor moon-shot clouds, so slowly sent
Athwart it when the kindly night
Beads its long grasses with the light
Small jewels of the dimpled dew:
Not for the day’s inverted blue,
Nor the quaint, dimly colored stones
That dance within it where it moans;
Not for all these I love to sit
In silence and to gaze in it.
But, lo! a nymph with merry eyes
Greets mine within its laughing skies;
A glimmering, shimmering nymph who plays
All the long fragrant summer days
With instant sights of bees and birds,
And talks with them in water-words;
And for whose nakedness the air
Weaves moony mists; and on whose hair,
Unfilleted, the night will set
That lone star as a coronet.

THE HILLS

There is no joy of earth that thrills
My bosom like the far-off hills!
Th’ unchanging hills, that, shadowy,
Beckon our mutability
To follow and to gaze upon
Foundations of the dusk and dawn.
Meseems the very heavens are massed
Upon their shoulders, vague and vast
With all the skyey burden of
The winds and clouds and stars above.
Lo, how they sit before us, seeing
The laws that give all Beauty being!
Behold! to them, when dawn draws near,
The nomads of the air appear,
Unfolding crimson camps of day
In brilliant bands; then march away;
And under burning battlements
Of evening plant their tinted tents.
The truth of olden myths, that brood
By haunted stream and haunted wood,
They see; and feel the happiness
Of old at which we only guess:
The dreams, the ancients loved and knew,
Still as their rocks and trees are true:
Not otherwise than presences
The tempest and the calm to these:
One, shouting on them all the night,
Black-limbed and veined with lambent light:
The other, with the ministry
Of all soft things that company
With music—whose embodied form
Fills all the solitude with charm
Of leaves and waters and the peace
Of bird-begotten melodies—
And who at night doth still confer
With the mild moon, that telleth her
Pale tale of lonely love, until
Wan shadows of her passion fill
The heights with shapes that glimmer by
Clad on with sleep and memory.