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The Poems of Madison Cawein, Volume 5 (of 5) / Poems of meditation and of forest and field cover

The Poems of Madison Cawein, Volume 5 (of 5) / Poems of meditation and of forest and field

Chapter 183: WHEREFORE
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About This Book

A collection of lyric poems that alternates contemplative meditation with close natural description, tracing seasonal shifts, woodland and field scenes, and small rural moments. Poems probe themes of beauty, memory, mortality, and the ideal, often invoking classical and mythic imagery while relying on rich sensory detail—flowers, birds, moonlight, orchards, and streams. The tone moves between wistful, elegiac, and quietly celebratory, using short quatrains and longer reflective pieces to explore dreams, ancient voices, and the consolations of art and nature.

The cross I bear no man shall know—
No man shall see the cross I bear!—
Alas! the thorny path of woe
Up the steep hill of care!
There is no word to comfort me;
No sign to ease my cross-bowed head:
Deep night is in the heart of me,
And in my soul is dread.
To strive, it seems, that I was born,
For that which others shall obtain;
The disappointment and the scorn
Alone for me remain.
One half my life is overpast;
The other half I contemplate—
Meseems the past doth but forecast
A darker future state.
Sick to the heart of that which makes
Me hope and struggle and desire,
The aspiration here that aches
With ineffectual fire:
While inwardly I know the lack
Of thought, the paucity of power,
Each past day’s retrospect makes black
Each onward-coming hour.
Now in my youth would I could die!
Would God that I could lay me down
And pass away without a sigh,
Oblivious of renown!

NIGHTFALL

O day, so sicklied o’er with night!
O dreadful fruit of fallen dusk!—
A Circe orange, golden-bright,
With horror ’neath its husk.—
And I, who gave the promise heed
That made life’s tempting surface fair,
Have I not eaten to the seed
Its ashes of despair!
Leave me alone with sleep that knows
Not anything that life may keep—
Not e’en the pulse that comes and goes
In germs that climb and creep.
Or if an aspiration pale
Must quicken there—oh, let the spot
Grow weeds! that dust may so prevail
Where spirit once could not!

PAUSE

ABOVE THE VALES

INSOMNIA

ENCOURAGEMENT

WHICH?

The wind was on the forest,
And silence on the wold;
And darkness on the waters,
And heaven was starry cold;
When Sleep, with all her magic,
Made me this thing behold:
This side, an iron woodland;
That side, an iron waste;
Between which rose a tower,
Wherein a wan light paced,
A light, or phantom woman
Ice-eyed and icy-faced.
For, lo! a voice behind me
Kept sighing in my ear
The dreams my mind accepted,
My heart refused to hear—
Of one I loved and loved not,
Whose spirit now was near,
And, lo! a voice before me
Kept calling constantly
The hopes my heart accepted,
My mind refused to see—
Of one I loved and loved not,
Whose spirit spake to me.
This way the one would bid me;
This way the other saith:—
Sweet is the voice behind me
Of Life that followeth;
And sweet the voice before me
Of Life whose name is Death.

STORM

TIME AND DEATH AND LOVE

A PHANTASY

I know not where I found you
With your wild hair a-blow,
Nor why the world around you
Would never let me know:
Perhaps ’twas Heaven relented;
Perhaps ’twas Hell resented
My hope, and grimly vented
Its hate upon me so.
In Shadowland I met you
Where all life’s shadows meet;
Within my heart I set you,
A woman bitter-sweet:
No hope for me to win you,
Though I with soul and sinew
Strove on and on, when in you
There was no heart or heat.
Still always, aye, and ever,
Although I knew you lied,
I followed on, but never
Would your fair form abide:

With loving arms stretched meward,
As Sirens beckon seaward
To some frail vessel leeward,
Before me you would glide.
But like an evil fairy,
That mocks one with a light,
Now near, you led your airy,
Now far, your fitful flight:
With red-gold tresses blowing,
And eyes of sapphire glowing,
With raiment white and flowing,
You lured me through the night.
To some unearthly revel
Of mimes, a motley crew,
’Twixt Angel-land and Devil-,
You lured me on, I knew,
And lure me still! soft whiling
The way with hopes beguiling,
While dark Despair sits smiling
Behind the eyes of you.

WHEREFORE

TRISTRAM AND ISOLT

NIGHT

See, where the roses, at the wood’s dark edge,
In many a languid bloom, bow to the moon
And the dim river’s lisp; sleep weighs their eyes
With damask lashes of deep petals fringed,
That the rude, frolic bee,—rough paramour,—
So often kissed beneath the noonday sun.
How cool the breezes touch the tired head!
As if with unseen fingers, soft and slow,
Smoothing away the weariness of day.
And on the breeze, hark! to that melody,
Borne from that thorn-tree, white with fragrant bloom,
The dreaming nocturne of a mocking-bird,—
Ave Maria, nun-like, slumbering sung,—
There on its couch of clustered snow and scent.
See, where the violet mound nods many a flower!
Dreamily sad as Sorrow’s own sad eyes,
And lost in thought, and great with dewy grief,
As are her eyes when haltingly she bends
O’er Lethe’s waves, and, stooping down to drink,
Delays to drink, and faltering remains.
The Night with feet of moon-tinged mist and wind
Swept o’er them now, but as she passed she bent,
Meseemed, and kissed each modest bloom and left
A brilliant on its brow, that bashful hung,
Freighted with love: then, groping up her train
Of star-stained crape, that billowed breeze-like by,
I seemed to hear her whisper as she passed:
“Sleep, sleep, my children! Lo, I bring to you
God’s best gift, sleep! the soft, the misty eyed;
The strange, the wonderful! the cure for care!”
And all things slept, the trees, the rocks, the soil,
Sleep’s soft ablution in them washing out
The fever and the frenzy of the day:
But I, I slept not with them, though the world
And all its peoples slept, I could not sleep,
My heart being brimmed with love, with joy and love,
With thoughts and dreams of love’s first happiness;
Until the Night turned from the slumbering world,
From her dim vigil turned,—as, from her child,
A loving mother turns, who, all night long,
Hath bent above its cradle, and with songs
And kisses soothed to rest:—and in the east
The first faint streaks of dawn made gray the heaven,
And the rathe cock, like some clear clarion, crew.

DAWN

I

Mist on the mountain height
Silverly creeping:
Incarnate beads of light
Bloom-cradled sleeping,
Dripped from the brow of Night.

II

Shadows and winds that rise
Over the mountain:
Stars in the spar that lies
Lost in the fountain,
Cold as the waking skies.

III

IV

Sleep on the restless sea
Hushing its trouble:
Rest on the dreams that be
Hued in Life’s bubble:
Calm on the heart of me.

V

Mist from the mountain height
Hurriedly fleeting:
Star in the locks of Night
Throbbing and beating,
Thrilled with the coming light.

VI

Flocks on the musky strips;
Pearl on the fountain:
Winds from the heavens’ lips;
And, on the mountain,
Dawn with her rose that drips.

THE OCKLAWAHA

River, winding from the west,
Winding from the River May,
Often hath the Indian pressed
Through your black-gums and your mosses,
Where the alligator crosses
Still some lily-paven bay,
Basking there in lazy rest.
Still the spider-lily loops
Sprawling flowers, peels of pearl,
Where the green magnolia stoops
Buds to yellow-lily bonnets;
Where, the morning dew upon its
Golden funnels, curl on curl,
The festooning jasmine droops.
Who may paint the beauty of
Orchids blooming late in June,
Bristling on the boughs above!
Cypress trees where vine and flower,

Long, liana’d blossoms shower
On the deer that come at noon
To the inlets that they love.
Lilied inlets,—where the teal
Dabble ’mid the water-grasses,—
That some treasure seem to seal
With white blooms that star the river:
Bays, the swift kingfishers shiver
Into circles as each passes
O’er their mirrors that reveal.
Bends, reflecting root and moss,
Where the tall palmettos throng
’Mid the live-oaks; tower and toss
Panther necks whose heads are heavy:
Hamaks, where the perfumes levy
Tribute from the birds in song,
From the mocking-birds that cross.
Logs, the turtles haunt; and deeps
Of lagoons the searching crane
Wades; and where the heron sleeps;
Where the screaming limpkins listen,
And the leaping mullet glisten;
Where the bream and bass show plain,
And the dark didapper sweeps.
Coäcoochee! Coäcoochee!
Still your loved magnolias bloom,
Still the tangled Cherokee;
Still the blazing-star spreads splendor
Through the forest, and the tender
Discs of the hibiscus loom,
Rosy, where you once roamed free.
Osceola! Osceola!
Phantoms of your vanquished race
Seem around me: overawe
All my soul here. Mossy regions
Swarm with Seminoles: lost legions
Rise, the war-paint on each face—
Dead, long dead for Florida!

THE MINORCAN

I

The mocking-bird may sing
Loud welcomes in the Spring;
The farewell of our nightingales
Prevails, prevails!
No thing may hush their song:
In sleep they sing the clearer—
It’s “home, home, home,” the whole night long—
What wonder that we feel our wrong
The nearer!

II

Hibiscus blooms surprise
The swamp with rosy eyes;
The Balearic girl but knows
Our rose, our rose!
No slavery may undo
Her dream it makes the purer,

With “love, love, love,” the long night through,—
That makes the day’s long heartbreak too
The surer.

III

The wind from out the west
Would teach our souls unrest;
We will not hear until hath ceased
The East, the East!
Within its whispering sweep
The olive sounds and rushes;
It’s “rest, rest, rest,” while night doth keep
The weight of memory asleep
That crushes.

IV

Deep ocean brings us shells,
Like dead but fond farewells,
And calls to us with all its tongues of foam,
“From home! from home!”
And then the stars on high
Look down and say, “Come, cherish
Hope, hope, sweet hope,” our hearts deny
Us while we toil all day and sigh,
And perish.

THE SPRING IN FLORIDA

I

Crab-apples make the western belt
Of hamak one gay holiday of pink;
And through palmetto deeps, on winds like felt,
The jasmine odors sink.
The wind blows blurs of peach and pearl
Around the villa by the river’s side;
The guava blossoms and the orange-trees whirl
Aroma far and wide.
“He courts her!” sings the mocking-bird;
“He courts her, and she misses
This word, or that, she might have heard,
Had he not crushed a sweeter word
On her sweet mouth with kisses.
He courts her.”

II

Chameleons haunt the sunlight there,
Where lemons firmament with blooms the way:

The white rose gives its soul up and the air
Ensnares it in a ray.
Great lilies open mouths of musk
And stun the wind with scent; the loaded light
Swoons with japonicas; and, tusk on tusk,
Magnolias bud in sight.
The red-bird sings, “Oh, haste, haste, haste!
Sweetheart! no longer tarry!
Go, clasp her sweetly by the waist!
And ask her, like a poppy faced,
Sweetheart! if she will marry.
Oh, haste, haste, haste!”

III

There the verandah, spilled and spun
With deep bignonia, foaming all its frame
With fiery blooms, seems pouring for the sun
A cataract of flame.
The oleander hedges soak
The dusk with fragrance: and the gray moss sweeps
Its streamers from the cypress and live-oak
Where blue the ocean sleeps.
“Oh, love, love, love!” the wood-dove coos;
“Oh, love, love, love, for ever!
They who the crimson rose refuse,
All other flowers, too, may lose—
So choose thou now or never!
Oh, love, love, love!”

LONG AGO

SELF

ASPIRATION

PEACE

I

When rose-leaves ’neath the rose-bush lie
And lilies bloom and lilacs die,
When days fall sadder than a sigh,
Lay me asleep;
Where breezes blow the rose-leaves by,
Lay me asleep.

II

III

Then pass as softly: shed no tear
Nor flaw with sighs the peace that’s here;
The pallid silence, far and near,
So weary grown;
Nor bring the world to jar the ear
So weary grown.

SIN

THE HOUSE OF FEAR

SATAN

OSSIAN