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The Poems of Schiller — First period cover

The Poems of Schiller — First period

Chapter 4: FOOTNOTES
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About This Book

A collection of early lyrical and dramatic pieces that alternate intimate love lyrics, meditative fantasies, and elegiac reflections. The poems move between passionate addresses to a beloved, lofty meditations on love as a cosmic principle, and sombre treatments of death and mourning, often invoking mythic and classical imagery. Styles vary from concise songs and hymns to longer dramatic fragments and funeral fantasies; recurring motifs include longing, nature, friendship, heroism, and the interplay of joy and sorrow. The volume pairs emotional immediacy with philosophical speculation and richly musical language.





FOOTNOTES

1 The allusion in the original is to the seemingly magical power possessed by a Jew conjuror, named Philadelphia, which would not be understood in English.

2 This most exquisite love poem is founded on the platonic notion, that souls were united in a pre-existent state, that love is the yearning of the spirit to reunite with the spirit with which it formerly made one—and which it discovers on earth. The idea has often been made subservient to poetry, but never with so earnest and elaborate a beauty.

3 "Und Empfindung soll mein Richtschwert seyn." A line of great vigor in the original, but which, if literally translated, would seem extravagant in English.

4 Joseph, in the original.

5 The youth's name was John Christian Weckherlin.

6 Venus.

7 Originally Laura, this having been one of the "Laura-Poems," as the Germans call them of which so many appeared in the Anthology (see Preface). English readers will probably not think that the change is for the better.

8 Tityus.