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The Poetical Works of Elizabeth Barrett Browning, Volume 4

Chapter 11: QUESTION AND ANSWER.
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About This Book

The collection assembles lyric and narrative poems that alternate between intimate confession and public argument. It contains the sonnet sequence Sonnets from the Portuguese, domestic elegies on grief and motherhood, dramatic monologues and longer civic pieces such as Casa Guidi Windows and Poems Before Congress that respond to contemporary political events, and shorter lyrics reflecting spiritual longing and moral reflection. Varied forms—sonnet, ode, and narrative stanza—serve recurring themes of love, loss, conscience, and the struggle to reconcile personal feeling with social and political responsibility.

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Title: The Poetical Works of Elizabeth Barrett Browning, Volume 4

Author: Elizabeth Barrett Browning

Release date: January 18, 2010 [eBook #31015]
Most recently updated: January 6, 2021

Language: English

Credits: Produced by Thierry Alberto, Henry Craig, Katherine Ward
and the Online Distributed Proofreading Team at
https://www.pgdp.net

*** START OF THE PROJECT GUTENBERG EBOOK THE POETICAL WORKS OF ELIZABETH BARRETT BROWNING, VOLUME 4 ***

The Poetical Works
OF
Elizabeth Barrett Browning

In Six Volumes

Vol. IV.

London
Smith, Elder, & Co., 15 Waterloo Place
1890


POEMS:—PAGE
   A Child’s Grave at Florence 3
Catarina to Camoens 12
Life and Love 20
A Denial 22
Proof and Disproof 25
Question and Answer 29
Inclusions 30
Insufficiency 32
 
SONNETS FROM THE PORTUGUESE33
 
CASA GUIDI WINDOWS:—
First Part 83
Second Part 134
 
POEMS BEFORE CONGRESS:—
Napoleon III. in Italy 171
The Dance 190
A Tale of Villafranca 195
A Court Lady 200
An August Voice 207
Christmas Gifts 213
Italy and the World 217
A Curse for a Nation 227
 
LAST POEMS:—
Little Mattie 241
A False Step 246
Void in Law 248
Lord Walter’s Wife 252
Bianca among the Nightingales 259
My Kate 267
A Song for the Ragged Schools of London 270
May’s Love 279
Amy’s Cruelty 280
My Heart and I 284
The Best Thing in the World 287
Where’s Agnes? 288

A.A.E.C.
Born, July 1848. Died, November 1849

I.

Of English blood, of Tuscan birth,

What country should we give her?

Instead of any on the earth,

The civic Heavens receive her.

II.

And here among the English tombs

In Tuscan ground we lay her,

While the blue Tuscan sky endomes

Our English words of prayer.


I.

On the door you will not enter,

I have gazed too long: adieu!

Hope withdraws her peradventure;

Death is near me,—and not you.

Come, O lover,

Close and cover

These poor eyes, you called, I ween,

“Sweetest eyes were ever seen!”

II.

When I heard you sing that burden

In my vernal days and bowers,

Other praises disregarding,

I but hearkened that of yours—

13

Only saying

In heart-playing,

“Blessed eyes mine eyes have been,

If the sweetest HIS have seen!”

Keep my riband, take and keep it,

(I have loosed it from my hair)[1]

Feeling, while you overweep it,

Not alone in your despair,

Since with saintly

Watch unfaintly

Out of heaven shall o’er you lean

“Sweetest eyes were ever seen.”

XVII.


I.

Fast this Life of mine was dying,

Blind already and calm as death,

Snowflakes on her bosom lying

Scarcely heaving with her breath.

II.

Love came by, and having known her

In a dream of fabled lands,

Gently stooped, and laid upon her

Mystic chrism of holy hands;

III.

Drew his smile across her folded

Eyelids, as the swallow dips;

Breathed as finely as the cold did

Through the locking of her lips.


I.

We have met late—it is too late to meet,

O friend, not more than friend!

Death’s forecome shroud is tangled round my feet,

And if I step or stir, I touch the end.

In this last jeopardy

Can I approach thee, I, who cannot move?

How shall I answer thy request for love?

Look in my face and see.

II.

I love thee not, I dare not love thee! go

In silence; drop my hand.

If thou seek roses, seek them where they blow

In garden-alleys, not in desert-sand.

Can life and death agree,

That thou shouldst stoop thy song to my complaint?

I cannot love thee. If the word is faint,

Look in my face and see.


I.

Dost thou love me, my Belovèd?

Who shall answer yes or no?

What is provèd or disprovèd

When my soul inquireth so,

Dost thou love me, my Belovèd?

II.

I have seen thy heart to-day,

Never open to the crowd,

While to love me aye and aye

Was the vow as it was vowed

By thine eyes of steadfast grey.


I.

Love you seek for, presupposes

Summer heat and sunny glow.

Tell me, do you find moss-roses

Budding, blooming in the snow?

Snow might kill the rose-tree’s root—

Shake it quickly from your foot,

Lest it harm you as you go.

II.

From the ivy where it dapples

A grey ruin, stone by stone,

Do you look for grapes or apples,

Or for sad green leaves alone?

Pluck the leaves off, two or three—

Keep them for morality

When you shall be safe and gone.


I.

Oh, wilt thou have my hand, Dear, to lie along in thine?

As a little stone in a running stream, it seems to lie and pine.

Now drop the poor pale hand, Dear, unfit to plight with thine.

II.

Oh, wilt thou have my cheek, Dear, drawn closer to thine own?

My cheek is white, my cheek is worn, by many a tear run down.

Now leave a little space, Dear, lest it should wet thine own.


I.

There is no one beside thee and no one above thee,

Thou standest alone as the nightingale sings!

And my words that would praise thee are impotent things,

For none can express thee though all should approve thee.

I love thee so, Dear, that I only can love thee.

II.

Say, what can I do for thee? weary thee, grieve thee?

Lean on thy shoulder, new burdens to add?

Weep my tears over thee, making thee sad?

Oh, hold me not—love me not! let me retrieve thee.

I love thee so, Dear, that I only can leave thee.


I thought once how Theocritus had sung

Of the sweet years, the dear and wished-for years,

Who each one in a gracious hand appears

To bear a gift for mortals, old or young:

And, as I mused it in his antique tongue,

I saw, in gradual vision through my tears,

The sweet, sad years, the melancholy years,

Those of my own life, who by turns had flung

A shadow across me. Straightway I was ’ware,

So weeping, how a mystic Shape did move

Behind me, and drew me backward by the hair;

And a voice said in mastery, while I strove,—

“Guess now who holds thee?”—“Death,” I said. But, there,

The silver answer rang,—“Not Death, but Love.”


But only three in all God’s universe

Have heard this word thou hast said,—Himself, beside

Thee speaking, and me listening! and replied

One of us ... that was God, ... and laid the curse

So darkly on my eyelids, as to amerce

My sight from seeing thee,—that if I had died,

The deathweights, placed there, would have signified

Less absolute exclusion. “Nay” is worse

From God than from all others, O my friend!

Men could not part us with their worldly jars,

Nor the seas change us, nor the tempests bend;

Our hands would touch for all the mountain-bars:

And, heaven being rolled between us at the end,

We should but vow the faster for the stars.


Unlike are we, unlike, O princely Heart!

Unlike our uses and our destinies.

Our ministering two angels look surprise

On one another, as they strike athwart

Their wings in passing. Thou, bethink thee, art

A guest for queens to social pageantries,

With gages from a hundred brighter eyes

Than tears even can make mine, to play thy part

Of chief musician. What hast thou to do

With looking from the lattice-lights at me,

A poor, tired, wandering singer, singing through

The dark, and leaning up a cypress tree?

The chrism is on thine head,—on mine, the dew,—

And Death must dig the level where these agree.


Thou hast thy calling to some palace-floor,

Most gracious singer of high poems! where

The dancers will break footing, from the care

Of watching up thy pregnant lips for more.

And dost thou lift this house’s latch too poor

For hand of thine? and canst thou think and bear

To let thy music drop here unaware

In folds of golden fulness at my door?

Look up and see the casement broken in,

The bats and owlets builders in the roof!

My cricket chirps against thy mandolin.

Hush, call no echo up in further proof

Of desolation! there’s a voice within

That weeps ... as thou must sing ... alone, aloof.


I lift my heavy heart up solemnly,

As once Electra her sepulchral urn,

And, looking in thine eyes, I overturn

The ashes at thy feet. Behold and see

What a great heap of grief lay hid in me,

And how the red wild sparkles dimly burn

Through the ashen greyness. If thy foot in scorn

Could tread them out to darkness utterly,

It might be well perhaps. But if instead

Thou wait beside me for the wind to blow

The grey dust up, ... those laurels on thine head,

O my Belovèd, will not shield thee so,

That none of all the fires shall scorch and shred

The hair beneath. Stand further off then! go.


Go from me. Yet I feel that I shall stand

Henceforward in thy shadow. Nevermore

Alone upon the threshold of my door

Of individual life, I shall command

The uses of my soul, nor lift my hand

Serenely in the sunshine as before,

Without the sense of that which I forbore—

Thy touch upon the palm. The widest land

Doom takes to part us, leaves thy heart in mine

With pulses that beat double. What I do

And what I dream include thee, as the wine

Must taste of its own grapes. And when I sue

God for myself, He hears that name of thine,

And sees within my eyes the tears of two.