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The Poetical Works of Elizabeth Barrett Browning, Volume 4

Chapter 70: TOLD IN TUSCANY.
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About This Book

The collection assembles lyric and narrative poems that alternate between intimate confession and public argument. It contains the sonnet sequence Sonnets from the Portuguese, domestic elegies on grief and motherhood, dramatic monologues and longer civic pieces such as Casa Guidi Windows and Poems Before Congress that respond to contemporary political events, and shorter lyrics reflecting spiritual longing and moral reflection. Varied forms—sonnet, ode, and narrative stanza—serve recurring themes of love, loss, conscience, and the struggle to reconcile personal feeling with social and political responsibility.

I.

Emperor, Emperor!

From the centre to the shore,

From the Seine back to the Rhine,

Stood eight millions up and swore

By their manhood’s right divine

So to elect and legislate,

This man should renew the line

Broken in a strain of fate

And leagued kings at Waterloo,

When the people’s hands let go.

Emperor

Evermore.

II.


I.

You remember down at Florence our Cascine,

Where the people on the feast-days walk and drive,

And, through the trees, long-drawn in many a green way,

O’er-roofing hum and murmur like a hive,

The river and the mountains look alive?

II.

You remember the piazzone there, the stand-place

Of carriages a-brim with Florence Beauties,

Who lean and melt to music as the band plays,

Or smile and chat with someone who a-foot is,

Or on horseback, in observance of male duties?

193

IX.

And they danced there till the blue that overskied us

Swooned with passion, though the footing seemed sedate;

And the mountains, heaving mighty hearts beside us,

Sighed a rapture in a shadow, to dilate,

And touch the holy stone where Dante sate.

X.

Then the sons of France, bareheaded, lowly bowing,

Led the ladies back where kinsmen of the south

Stood, received them; till, with burst of overflowing

Feeling—husbands, brothers, Florence’s male youth,

Turned, and kissed the martial strangers mouth to mouth.

XI.

And a cry went up, a cry from all that people!

—You have heard a people cheering, you suppose,

For the Member, mayor ... with chorus from the steeple?

This was different: scarce as loud, perhaps (who knows?),

For we saw wet eyes around us ere the close.


I.

My little son, my Florentine,

Sit down beside my knee,

And I will tell you why the sign

Of joy which flushed our Italy

Has faded since but yesternight;

And why your Florence of delight

Is mourning as you see.

II.

A great man (who was crowned one day)

Imagined a great Deed:

He shaped it out of cloud and clay,

He touched it finely till the seed

Possessed the flower: from heart and brain

He fed it with large thoughts humane,

To help a people’s need.


I.

Her hair was tawny with gold, her eyes with purple were dark,

Her cheeks’ pale opal burnt with a red and restless spark.

II.

Never was lady of Milan nobler in name and in race;

Never was lady of Italy fairer to see in the face.

III.

Never was lady on earth more true as woman and wife,

Larger in judgment and instinct, prouder in manners and life.


“Una voce augusta.”—Monitore Toscano.

I.

You’ll take back your Grand-duke?

I made the treaty upon it.

Just venture a quiet rebuke;

Dall’ Ongaro write him a sonnet;

Ricasoli gently explain

Some need of the constitution:

He’ll swear to it over again,

Providing an “easy solution.”

You’ll call back the Grand-duke.

II.

You’ll take back your Grand-duke?

I promised the Emperor Francis

To argue the case by his book,

And ask you to meet his advances.

208

The Ducal cause, we know

(Whether you or he be the wronger),

Has very strong points;—although

Your bayonets, there, have stronger.

You’ll call back the Grand-duke.


ὡς βασιλεῖ, ὡς θεῷ, ὡς νεκρῷ.        

Gregory Nazianzen.

I.

The Pope on Christmas Day

Sits in Saint Peter’s chair;

But the peoples murmur and say

“Our souls are sick and forlorn,

And who will show us where

Is the stable where Christ was born?”

II.

The star is lost in the dark;

The manger is lost in the straw;

The Christ cries faintly ... hark!...

Through bands that swaddle and strangle—

But the Pope in the chair of awe

Looks down the great quadrangle.