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The Poetical Works of Elizabeth Barrett Browning, Volume 4 cover

The Poetical Works of Elizabeth Barrett Browning, Volume 4

Chapter 81: A FALSE STEP.
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About This Book

The collection assembles lyric and narrative poems that alternate between intimate confession and public argument. It contains the sonnet sequence Sonnets from the Portuguese, domestic elegies on grief and motherhood, dramatic monologues and longer civic pieces such as Casa Guidi Windows and Poems Before Congress that respond to contemporary political events, and shorter lyrics reflecting spiritual longing and moral reflection. Varied forms—sonnet, ode, and narrative stanza—serve recurring themes of love, loss, conscience, and the struggle to reconcile personal feeling with social and political responsibility.

I.

Florence, Bologna, Parma, Modena:

When you named them a year ago,

So many graves reserved by God, in a

Day of Judgment, you seemed to know,

To open and let out the resurrection.

II.

And meantime (you made your reflection

If you were English), was nought to be done

But sorting sables, in predilection

For all those martyrs dead and gone,

Till the new earth and heaven made ready.


I heard an angel speak last night,

And he said “Write!

Write a Nation’s curse for me,

And send it over the Western Sea.”

I faltered, taking up the word:

“Not so, my lord!

If curses must be, choose another

To send thy curse against my brother.

“For I am bound by gratitude,

By love and blood,

To brothers of mine across the sea,

Who stretch out kindly hands to me.”


I.

Because ye have broken your own chain

With the strain

Of brave men climbing a Nation’s height,

Yet thence bear down with brand and thong

On souls of others,—for this wrong

This is the curse. Write.

Because yourselves are standing straight

In the state

Of Freedom’s foremost acolyte,

Yet keep calm footing all the time

On writhing bond-slaves,—for this crime

This is the curse. Write.

Because ye prosper in God’s name,

With a claim

To honour in the old world’s sight,

Yet do the fiend’s work perfectly

In strangling martyrs,—for this lie

This is the curse. Write.


I.

Dead! Thirteen a month ago!

Short and narrow her life’s walk;

Lover’s love she could not know

Even by a dream or talk:

Too young to be glad of youth,

Missing honour, labour, rest,

And the warmth of a babe’s mouth

At the blossom of her breast.

Must you pity her for this

And for all the loss it is,

You, her mother, with wet face,

Having had all in your case?

II.


I.

Sweet, thou hast trod on a heart.

Pass; there’s a world full of men;

And women as fair as thou art

Must do such things now and then.

II.

Thou only hast stepped unaware,—

Malice, not one can impute;

And why should a heart have been there

In the way of a fair woman’s foot?

III.

It was not a stone that could trip,

Nor was it a thorn that could rend:

Put up thy proud under-lip!

’T was merely the heart of a friend.


I.

Sleep, little babe, on my knee,

Sleep, for the midnight is chill,

And the moon has died out in the tree,

And the great human world goeth ill.

Sleep, for the wicked agree:

Sleep, let them do as they will.

Sleep.

II.

Sleep, thou hast drawn from my breast

The last drop of milk that was good;

And now, in a dream, suck the rest,

Lest the real should trouble thy blood.

Suck, little lips dispossessed,

As we kiss in the air whom we would.

Sleep.


I.

“But why do you go?” said the lady, while both sat under the yew,

And her eyes were alive in their depth, as the kraken beneath the sea-blue.

II.

“Because I fear you,” he answered;—“because you are far too fair,

And able to strangle my soul in a mesh of your gold-coloured hair.”

III.

“Oh, that,” she said, “is no reason! Such knots are quickly undone,

And too much beauty, I reckon, is nothing but too much sun.”


I.

The cypress stood up like a church

That night we felt our love would hold,

And saintly moonlight seemed to search

And wash the whole world clean as gold;

The olives crystallized the vales’

Broad slopes until the hills grew strong:

The fire-flies and the nightingales

Throbbed each to either, flame and song.

The nightingales, the nightingales!

II.

Upon the angle of its shade

The cypress stood, self-balanced high;

Half up, half down, as double-made,

Along the ground, against the sky;

And we, too! from such soul-height went

Such leaps of blood, so blindly driven,

260

We scarce knew if our nature meant

Most passionate earth or intense heaven

The nightingales, the nightingales!


I.

She was not as pretty as women I know,

And yet all your best made of sunshine and snow

Drop to shade, melt to nought in the long-trodden ways,

While she’s still remembered on warm and cold days—

My Kate.

II.

Her air had a meaning, her movements a grace;

You turned from the fairest to gaze on her face:

And when you had once seen her forehead and mouth,

You saw as distinctly her soul and her truth—

My Kate.

III.

Such a blue inner light from her eyelids outbroke,

You looked at her silence and fancied she spoke:

When she did, so peculiar yet soft was the tone,

Though the loudest spoke also, you heard her alone—

My Kate.