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I. Florence, Bologna, Parma, Modena: When you named them a year ago, So many graves reserved by God, in a Day of Judgment, you seemed to know, To open and let out the resurrection. II. And meantime (you made your reflection If you were English), was nought to be done But sorting sables, in predilection For all those martyrs dead and gone, Till the new earth and heaven made ready. And if your politics were not heady, Violent, ... “Good,” you added, “good In all things! Mourn on sure and steady. Churchyard thistles are wholesome food For our European wandering asses. IV. “The date of the resurrection passes Human foreknowledge: men unborn Will gain by it (even in the lower classes), But none of these. It is not the morn Because the cock of France is crowing. V. “Cocks crow at midnight, seldom knowing Starlight from dawn-light! ’t is a mad Poor creature.” Here you paused, and growing Scornful,—suddenly, let us add, The trumpet sounded, the graves were open. Life and life and life! agrope in The dusk of death, warm hands, stretched out For swords, proved more life still to hope in, Beyond and behind. Arise with a shout, Nation of Italy, slain and buried! VII. Hill to hill and turret to turret Flashing the tricolor,—newly created Beautiful Italy, calm, unhurried, Rise heroic and renovated, Rise to the final restitution. VIII. Rise; prefigure the grand solution Of earth’s municipal, insular schisms,— Statesmen draping self-love’s conclusion In cheap vernacular patriotisms, Unable to give up Judæa for Jesus. Bring us the higher example; release us Into the larger coming time: And into Christ’s broad garment piece us Rags of virtue as poor as crime, National selfishness, civic vaunting. X. No more Jew nor Greek then,—taunting Nor taunted;—no more England nor France! But one confederate brotherhood planting One flag only, to mark the advance, Onward and upward, of all humanity. XI. For civilization perfected Is fully developed Christianity. “Measure the frontier,” shall it be said, “Count the ships,” in national vanity? —Count the nation’s heart-beats sooner. For, though behind by a cannon or schooner, That nation still is predominant Whose pulse beats quickest in zeal to oppugn or Succour another, in wrong or want, Passing the frontier in love and abhorrence. XIII. Modena, Parma, Bologna, Florence, Open us out the wider way! Dwarf in that chapel of old Saint Lawrence Your Michel Angelo’s giant Day, With the grandeur of this Day breaking o’er us! XIV. Ye who, restrained as an ancient chorus, Mute while the coryphæus spake, Hush your separate voices before us, Sink your separate lives for the sake Of one sole Italy’s living for ever! Givers of coat and cloak too,—never Grudging that purple of yours at the best, By your heroic will and endeavour Each sublimely dispossessed, That all may inherit what each surrenders! XVI. Earth shall bless you, O noble emenders On egotist nations! Ye shall lead The plough of the world, and sow new splendours Into the furrow of things for seed,— Ever the richer for what ye have given. XVII. Lead us and teach us, till earth and heaven Grow larger around us and higher above. Our sacrament-bread has a bitter leaven; We bait our traps with the name of love, Till hate itself has a kinder meaning. Oh, this world: this cheating and screening Of cheats! this conscience for candle-wicks, Not beacon-fires! this overweening Of underhand diplomatical tricks, Dared for the country while scorned for the counter! XIX. Oh, this envy of those who mount here, And oh, this malice to make them trip! Rather quenching the fire there, drying the fount here, To frozen body and thirsty lip, Than leave to a neighbour their ministration. XX. I cry aloud in my poet-passion, Viewing my England o’er Alp and sea. I loved her more in her ancient fashion: She carries her rifles too thick for me Who spares them so in the cause of a brother. Suspicion, panic? end this pother. The sword, kept sheathless at peace-time, rusts. None fears for himself while he feels for another: The brave man either fights or trusts, And wears no mail in his private chamber. XXII. Beautiful Italy! golden amber Warm with the kisses of lover and traitor! Thou who hast drawn us on to remember, Draw us to hope now: let us be greater By this new future than that old story. XXIII. Till truer glory replaces all glory, As the torch grows blind at the dawn of day; And the nations, rising up, their sorry And foolish sins shall put away, As children their toys when the teacher enters. Till Love’s one centre devour these centres Of many self-loves; and the patriot’s trick To better his land by egotist ventures, Defamed from a virtue, shall make men sick, As the scalp at the belt of some red hero. XXV. For certain virtues have dropped to zero, Left by the sun on the mountain’s dewy side; Churchman’s charities, tender as Nero, Indian suttee, heathen suicide, Service to rights divine, proved hollow: XXVI. And Heptarchy patriotisms must follow. —National voices, distinct yet dependent, Ensphering each other, as swallow does swallow, With circles still widening and ever ascendant, In multiform life to united progression,— These shall remain. And when, in the session Of nations, the separate language is heard, Each shall aspire, in sublime indiscretion, To help with a thought or exalt with a word Less her own than her rival’s honour. XXVIII. Each Christian nation shall take upon her The law of the Christian man in vast: The crown of the getter shall fall to the donor, And last shall be first while first shall be last, And to love best shall still be, to reign unsurpassed. |
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I heard an angel speak last night, And he said “Write! Write a Nation’s curse for me, And send it over the Western Sea.” I faltered, taking up the word: “Not so, my lord! If curses must be, choose another To send thy curse against my brother. “For I am bound by gratitude, By love and blood, To brothers of mine across the sea, Who stretch out kindly hands to me.” “Therefore,” the voice said, “shalt thou write My curse to-night. From the summits of love a curse is driven, As lightning is from the tops of heaven.” “Not so,” I answered. “Evermore My heart is sore For my own land’s sins: for little feet Of children bleeding along the street: “For parked-up honours that gainsay The right of way: For almsgiving through a door that is Not open enough for two friends to kiss: “For love of freedom which abates Beyond the Straits: For patriot virtue starved to vice on Self-praise, self-interest, and suspicion: “For an oligarchic parliament, And bribes well-meant. What curse to another land assign, When heavy-souled for the sins of mine?” “Therefore,” the voice said, “shalt thou write My curse to-night. Because thou hast strength to see and hate A foul thing done within thy gate.” “Not so,” I answered once again. “To curse, choose men. For I, a woman, have only known How the heart melts and the tears run down.” “Therefore,” the voice said, “shalt thou write My curse to-night. Some women weep and curse, I say (And no one marvels), night and day. “And thou shalt take their part to-night, Weep and write. A curse from the depths of womanhood Is very salt, and bitter, and good.” So thus I wrote, and mourned indeed, What all may read. And thus, as was enjoined on me, I send it over the Western Sea. |
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I. Because ye have broken your own chain With the strain Of brave men climbing a Nation’s height, Yet thence bear down with brand and thong On souls of others,—for this wrong This is the curse. Write. Because yourselves are standing straight In the state Of Freedom’s foremost acolyte, Yet keep calm footing all the time On writhing bond-slaves,—for this crime This is the curse. Write. Because ye prosper in God’s name, With a claim To honour in the old world’s sight, Yet do the fiend’s work perfectly In strangling martyrs,—for this lie This is the curse. Write. Ye shall watch while kings conspire Round the people’s smouldering fire, And, warm for your part, Shall never dare—O shame! To utter the thought into flame Which burns at your heart. This is the curse. Write. Ye shall watch while nations strive With the bloodhounds, die or survive, Drop faint from their jaws, Or throttle them backward to death; And only under your breath Shall favour the cause. This is the curse. Write. Ye shall watch while strong men draw The nets of feudal law To strangle the weak; And, counting the sin for a sin, Your soul shall be sadder within Than the word ye shall speak. This is the curse. Write. When good men are praying erect That Christ may avenge his elect And deliver the earth, The prayer in your ears, said low, Shall sound like the tramp of a foe That’s driving you forth. This is the curse. Write. When wise men give you their praise, They shall pause in the heat of the phrase, As if carried too far. When ye boast your own charters kept true Ye shall blush; for the thing which ye do Derides what ye are. This is the curse. Write. When fools cast taunts at your gate, Your scorn ye shall somewhat abate As ye look o’er the wall; For your conscience, tradition, and name Explode with a deadlier blame Than the worst of them all. This is the curse. Write. |
These Poems are given as they occur on a list drawn up last June. A few had already been printed in periodicals.
There is hardly such direct warrant for publishing the Translations; which were only intended, many years ago, to accompany and explain certain Engravings after ancient Gems, in the projected work of a friend, by whose kindness they are now recovered: but as two of the original series (the “Adonis” of Bion and “Song to the Rose” from Achilles Tatius) have subsequently appeared, it is presumed that the remainder may not improperly follow.
A single recent version is added.
London: February 1862.
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I. Dead! Thirteen a month ago! Short and narrow her life’s walk; Lover’s love she could not know Even by a dream or talk: Too young to be glad of youth, Missing honour, labour, rest, And the warmth of a babe’s mouth At the blossom of her breast. Must you pity her for this And for all the loss it is, You, her mother, with wet face, Having had all in your case? II. Just so young but yesternight, Now she is as old as death. Meek, obedient in your sight, Gentle to a beck or breath Only on last Monday! Yours, Answering you like silver bells Lightly touched! An hour matures: You can teach her nothing else. She has seen the mystery hid Under Egypt’s pyramid: By those eyelids pale and close Now she knows what Rhamses knows. III. Cross her quiet hands, and smooth Down her patient locks of silk, Cold and passive as in truth You your fingers in spilt milk Drew along a marble floor; But her lips you cannot wring Into saying a word more, “Yes,” or “No,” or such a thing: Though you call and beg and wreak Half your soul out in a shriek, She will lie there in default And most innocent revolt. Ay, and if she spoke, maybe She would answer, like the Son, “What is now ’twixt thee and me?” Dreadful answer! better none. Yours on Monday, God’s to-day! Yours, your child, your blood, your heart, Called ... you called her, did you say, “Little Mattie” for your part? Now already it sounds strange, And you wonder, in this change, What He calls His angel-creature, Higher up than you can reach her. V. ’T was a green and easy world As she took it; room to play (Though one’s hair might get uncurled At the far end of the day). What she suffered she shook off In the sunshine; what she sinned She could pray on high, enough To keep safe above the wind. If reproved by God or you, ’T was to better her, she knew; And if crossed, she gathered still ’T was to cross out something ill. VI. You, you had the right, you thought, To survey her with sweet scorn, Poor gay child, who had not caught Yet the octave-stretch forlorn Of your larger wisdom! Nay, Now your places are changed so, In that same superior way She regards you dull and low As you did herself exempt From life’s sorrows. Grand contempt Of the spirits risen awhile, Who look back with such a smile! VII. There’s the sting of’t. That, I think, Hurts the most a thousandfold! To feel sudden, at a wink, Some dear child we used to scold, Praise, love both ways, kiss and tease, Teach and tumble as our own, All its curls about our knees, Rise up suddenly full-grown. Who could wonder such a sight Made a woman mad outright? Show me Michael with the sword Rather than such angels, Lord! |
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I. Sweet, thou hast trod on a heart. Pass; there’s a world full of men; And women as fair as thou art Must do such things now and then. II. Thou only hast stepped unaware,— Malice, not one can impute; And why should a heart have been there In the way of a fair woman’s foot? III. It was not a stone that could trip, Nor was it a thorn that could rend: Put up thy proud under-lip! ’T was merely the heart of a friend. And yet peradventure one day Thou, sitting alone at the glass, Remarking the bloom gone away, Where the smile in its dimplement was, V. And seeking around thee in vain From hundreds who flattered before, Such a word as “Oh, not in the main Do I hold thee less precious, but more!”... VI. Thou’lt sigh, very like, on thy part, “Of all I have known or can know, I wish I had only that Heart I trod upon ages ago!” |
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I. Sleep, little babe, on my knee, Sleep, for the midnight is chill, And the moon has died out in the tree, And the great human world goeth ill. Sleep, for the wicked agree: Sleep, let them do as they will. Sleep. II. Sleep, thou hast drawn from my breast The last drop of milk that was good; And now, in a dream, suck the rest, Lest the real should trouble thy blood. Suck, little lips dispossessed, As we kiss in the air whom we would. Sleep. O lips of thy father! the same, So like! Very deeply they swore When he gave me his ring and his name, To take back, I imagined, no more! And now is all changed like a game, Though the old cards are used as of yore? Sleep. IV. “Void in law,” said the Courts. Something wrong In the forms? Yet, “Till death part us two, I, James, take thee, Jessie,” was strong, And One witness competent. True Such a marriage was worth an old song, Heard in Heaven though, as plain as the New. Sleep. V. Sleep, little child, his and mine! Her throat has the antelope curve, And her cheek just the colour and line Which fade not before him nor swerve: Yet she has no child!—the divine Seal of right upon loves that deserve. Sleep. My child! though the world take her part, Saying “She was the woman to choose; He had eyes, was a man in his heart,”— We twain the decision refuse: We ... weak as I am, as thou art, ... Cling on to him, never to loose. Sleep. VII. He thinks that, when done with this place, All’s ended? he’ll new-stamp the ore? Yes, Cæsar’s—but not in our case. Let him learn we are waiting before The grave’s mouth, the heaven’s gate, God’s face With implacable love evermore. Sleep. VIII. He’s ours, though he kissed her but now, He’s ours, though she kissed in reply: He’s ours, though himself disavow, And God’s universe favour the lie; Ours to claim, ours to clasp, ours below, Ours above, ... if we live, if we die. Sleep. Ah baby, my baby, too rough Is my lullaby? What have I said? Sleep! When I’ve wept long enough I shall learn to weep softly instead, And piece with some alien stuff My heart to lie smooth for thy head. Sleep. X. Two souls met upon thee, my sweet; Two loves led thee out to the sun: Alas, pretty hands, pretty feet, If the one who remains (only one) Set her grief at thee, turned in a heat To thine enemy,—were it well done? Sleep. XI. May He of the manger stand near And love thee! An infant He came To His own who rejected Him here, But the Magi brought gifts all the same. I hurry the cross on my Dear! My gifts are the griefs I declaim! Sleep. |
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I. “But why do you go?” said the lady, while both sat under the yew, And her eyes were alive in their depth, as the kraken beneath the sea-blue. II. “Because I fear you,” he answered;—“because you are far too fair, And able to strangle my soul in a mesh of your gold-coloured hair.” III. “Oh, that,” she said, “is no reason! Such knots are quickly undone, And too much beauty, I reckon, is nothing but too much sun.” “Yet farewell so,” he answered;—“the sun-stroke’s fatal at times. I value your husband, Lord Walter, whose gallop rings still from the limes.” V. “Oh, that,” she said, “is no reason. You smell a rose through a fence: If two should smell it, what matter? who grumbles, and where’s the pretence?” VI. “But I,” he replied, “have promised another, when love was free, To love her alone, alone, who alone and afar loves me.” VII. “Why, that,” she said, “is no reason. Love’s always free, I am told. Will you vow to be safe from the headache on Tuesday, and think it will hold?” “But you,” he replied, “have a daughter, a young little child, who was laid In your lap to be pure; so I leave you: the angels would make me afraid.” IX. “Oh, that,” she said, “is no reason. The angels keep out of the way; And Dora, the child, observes nothing, although you should please me and stay.” X. At which he rose up in his anger,—“Why, now, you no longer are fair! Why, now, you no longer are fatal, but ugly and hateful, I swear.” XI. At which she laughed out in her scorn: “These men! Oh, these men overnice, Who are shocked if a colour not virtuous is frankly put on by a vice.” Her eyes blazed upon him—“And you! You bring us your vices so near That we smell them! You think in our presence a thought ’t would defame us to hear! XIII. “What reason had you, and what right,—I appeal to your soul from my life,— To find me too fair as a woman? Why, sir, I am pure, and a wife. XIV. “Is the day-star too fair up above you? It burns you not. Dare you imply I brushed you more close than the star does, when Walter had set me as high? XV. “If a man finds a woman too fair, he means simply adapted too much To uses unlawful and fatal. The praise!—shall I thank you for such? “Too fair?—not unless you misuse us! and surely if, once in a while, You attain to it, straightway you call us no longer too fair, but too vile. XVII. “A moment,—I pray your attention!—I have a poor word in my head I must utter, though womanly custom would set it down better unsaid. XVIII. “You grew, sir, pale to impertinence, once when I showed you a ring. You kissed my fan when I dropped it. No matter!—I’ve broken the thing. XIX. “You did me the honour, perhaps, to be moved at my side now and then In the senses—a vice, I have heard, which is common to beasts and some men. “Love’s a virtue for heroes!—as white as the snow on high hills, And immortal as every great soul is that struggles, endures, and fulfils. XXI. “I love my Walter profoundly,—you, Maude, though you faltered a week, For the sake of ... what was it—an eyebrow? or, less still, a mole on a cheek? XXII. “And since, when all’s said, you’re too noble to stoop to the frivolous cant About crimes irresistible, virtues that swindle, betray and supplant, XXIII. “I determined to prove to yourself that, whate’er you might dream or avow By illusion, you wanted precisely no more of me than you have now. “There! Look me full in the face!—in the face. Understand, if you can, That the eyes of such women as I am are clean as the palm of a man. XXV. “Drop his hand, you insult him. Avoid us for fear we should cost you a scar— You take us for harlots, I tell you, and not for the women we are. XXVI. “You wronged me: but then I considered ... there’s Walter! And so at the end I vowed that he should not be mulcted, by me, in the hand of a friend. XXVII. “Have I hurt you indeed? We are quits then. Nay, friend of my Walter, be mine! Come, Dora, my darling, my angel, and help me to ask him to dine.” |
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I. The cypress stood up like a church That night we felt our love would hold, And saintly moonlight seemed to search And wash the whole world clean as gold; The olives crystallized the vales’ Broad slopes until the hills grew strong: The fire-flies and the nightingales Throbbed each to either, flame and song. The nightingales, the nightingales! II. Upon the angle of its shade The cypress stood, self-balanced high; Half up, half down, as double-made, Along the ground, against the sky; And we, too! from such soul-height went Such leaps of blood, so blindly driven, We scarce knew if our nature meant Most passionate earth or intense heaven The nightingales, the nightingales! III. We paled with love, we shook with love, We kissed so close we could not vow; Till Giulio whispered “Sweet, above God’s Ever guaranties this Now.” And through his words the nightingales Drove straight and full their long clear call, Like arrows through heroic mails, And love was awful in it all. The nightingales, the nightingales! IV. O cold white moonlight of the north, Refresh these pulses, quench this hell! O coverture of death drawn forth Across this garden-chamber ... well! But what have nightingales to do In gloomy England, called the free ... (Yes, free to die in!...) when we two Are sundered, singing still to me? And still they sing, the nightingales! I think I hear him, how he cried “My own soul’s life!” between their notes. Each man has but one soul supplied, And that’s immortal. Though his throat’s On fire with passion now, to her He can’t say what to me he said! And yet he moves her, they aver. The nightingales sing through my head,— The nightingales, the nightingales! VI. He says to her what moves her most. He would not name his soul within Her hearing,—rather pays her cost With praises to her lips and chin. Man has but one soul, ’t is ordained, And each soul but one love, I add; Yet souls are damned and love’s profaned; These nightingales will sing me mad! The nightingales, the nightingales! VII. I marvel how the birds can sing. There’s little difference, in their view, Betwixt our Tuscan trees that spring As vital flames into the blue, And dull round blots of foliage meant, Like saturated sponges here, To suck the fogs up. As content Is he too in this land, ’t is clear. And still they sing, the nightingales. VIII. My native Florence! dear, forgone! I see across the Alpine ridge How the last feast-day of Saint John Shot rockets from Carraia bridge. The luminous city, tall with fire, Trod deep down in that river of ours, While many a boat with lamp and choir Skimmed birdlike over glittering towers. I will not hear these nightingales. IX. I seem to float, we seem to float Down Arno’s stream in festive guise; A boat strikes flame into our boat, And up that lady seems to rise As then she rose. The shock had flashed A vision on us! What a head, What leaping eyeballs!—beauty dashed To splendour by a sudden dread. And still they sing, the nightingales. X. Too bold to sin, too weak to die; Such women are so. As for me, I would we had drowned there, he and I, That moment, loving perfectly. He had not caught her with her loosed Gold ringlets ... rarer in the south ... Nor heard the “Grazie tanto” bruised To sweetness by her English mouth. And still they sing, the nightingales. XI. She had not reached him at my heart With her fine tongue, as snakes indeed Kill flies; nor had I, for my part, Yearned after, in my desperate need, And followed him as he did her To coasts left bitter by the tide, Whose very nightingales, elsewhere Delighting, torture and deride! For still they sing, the nightingales. A worthless woman; mere cold clay As all false things are: but so fair, She takes the breath of men away Who gaze upon her unaware. I would not play her larcenous tricks To have her looks! She lied and stole, And spat into my love’s pure pyx The rank saliva of her soul. And still they sing, the nightingales. XIII. I would not for her white and pink, Though such he likes—her grace of limb, Though such he has praised—nor yet, I think. For life itself, though spent with him, Commit such sacrilege, affront God’s nature which is love, intrude ’Twixt two affianced souls, and hunt Like spiders, in the altar’s wood. I cannot bear these nightingales. XIV. If she chose sin, some gentler guise She might have sinned in, so it seems: She might have pricked out both my eyes, And I still seen him in my dreams! —Or drugged me in my soup or wine, Nor left me angry afterward: To die here with his hand in mine, His breath upon me, were not hard. (Our Lady hush these nightingales!) XV. But set a springe for him, “mio ben,” My only good, my first last love!— Though Christ knows well what sin is, when He sees some things done they must move Himself to wonder. Let her pass. I think of her by night and day. Must I too join her ... out, alas!... With Giulio, in each word I say? And evermore the nightingales! XVI. Giulio, my Giulio!—sing they so, And you be silent? Do I speak, And you not hear? An arm you throw Round someone, and I feel so weak? —Oh, owl-like birds! They sing for spite, They sing for hate, they sing for doom, They’ll sing through death who sing through night, They’ll sing and stun me in the tomb— The nightingales, the nightingales! |
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I. She was not as pretty as women I know, And yet all your best made of sunshine and snow Drop to shade, melt to nought in the long-trodden ways, While she’s still remembered on warm and cold days— My Kate. II. Her air had a meaning, her movements a grace; You turned from the fairest to gaze on her face: And when you had once seen her forehead and mouth, You saw as distinctly her soul and her truth— My Kate. III. Such a blue inner light from her eyelids outbroke, You looked at her silence and fancied she spoke: When she did, so peculiar yet soft was the tone, Though the loudest spoke also, you heard her alone— My Kate. I doubt if she said to you much that could act As a thought or suggestion: she did not attract In the sense of the brilliant or wise: I infer ’T was her thinking of others made you think of her— My Kate. V. She never found fault with you, never implied Your wrong by her right; and yet men at her side Grew nobler, girls purer, as through the whole town The children were gladder that pulled at her gown— My Kate. VI. None knelt at her feet confessed lovers in thrall; They knelt more to God than they used,—that was all: If you praised her as charming, some asked what you meant, But the charm of her presence was felt when she went— My Kate. VII. The weak and the gentle, the ribald and rude, She took as she found them, and did them all good; It always was so with her—see what you have! She has made the grass greener even here ... with her grave— My Kate. My dear one!—when thou wast alive with the rest, I held thee the sweetest and loved thee the best: And now thou art dead, shall I not take thy part As thy smiles used to do for thyself, my sweet Heart— My Kate? |