A LOVING-CUP SONG

1883

COME, heap the fagots! Ere we go
Again the cheerful hearth shall glow;
We 'll have another blaze, my boys!
When clouds are black and snows are white,
Then Christmas logs lend ruddy light
They stole from summer days, my boys,
They stole from summer days.

And let the Loving-Cup go round,
The Cup with blessed memories crowned,
That flows whene'er we meet, my boys;
No draught will hold a drop of sin
If love is only well stirred in
To keep it sound and sweet, my boys,
To keep it sound and sweet.

Give me, to pin upon my breast,
The blossoms twain I love the best,
A rosebud and a pink, my boys;
Their leaves shall nestle next my heart,
Their perfumed breath shall own its part
In every health we drink, my boys,
In every health we drink.

The breathing blossoms stir my blood,
Methinks I see the lilacs bud
And hear the bluebirds sing, my boys;
Why not? Yon lusty oak has seen
Full tenscore years, yet leaflets green
Peep out with every spring, my boys,
Peep out with every spring.

Old Time his rusty scythe may whet,
The unmowed grass is glowing yet
Beneath the sheltering snow, my boys;
And if the crazy dotard ask,
Is love worn out? Is life a task?
We'll bravely answer No! my boys,
We 'll bravely answer No!

For life's bright taper is the same
Love tipped of old with rosy flame
That heaven's own altar lent, my boys,
To glow in every cup we fill
Till lips are mute and hearts are still,
Till life and love are spent, my boys,
Till life and love are spent.

THE GIRDLE OF FRIENDSHIP

1884

SHE gathered at her slender waist
The beauteous robe she wore;
Its folds a golden belt embraced,
One rose-hued gem it bore.

The girdle shrank; its lessening round
Still kept the shining gem,
But now her flowing locks it bound,
A lustrous diadem.

And narrower still the circlet grew;
Behold! a glittering band,
Its roseate diamond set anew,
Her neck's white column spanned.

Suns rise and set; the straining clasp
The shortened links resist,
Yet flashes in a bracelet's grasp
The diamond, on her wrist.

At length, the round of changes past
The thieving years could bring,
The jewel, glittering to the last,
Still sparkles in a ring.

So, link by link, our friendships part,
So loosen, break, and fall,
A narrowing zone; the loving heart
Lives changeless through them all.

THE LYRE OF ANACREON

1885

THE minstrel of the classic lay
Of love and wine who sings
Still found the fingers run astray
That touched the rebel strings.

Of Cadmus he would fain have sung,
Of Atreus and his line;
But all the jocund echoes rung
With songs of love and wine.

Ah, brothers! I would fain have caught
Some fresher fancy's gleam;
My truant accents find, unsought,
The old familiar theme.

Love, Love! but not the sportive child
With shaft and twanging bow,
Whose random arrows drove us wild
Some threescore years ago;

Not Eros, with his joyous laugh,
The urchin blind and bare,
But Love, with spectacles and staff,
And scanty, silvered hair.

Our heads with frosted locks are white,
Our roofs are thatched with snow,
But red, in chilling winter's spite,
Our hearts and hearthstones glow.

Our old acquaintance, Time, drops in,
And while the running sands
Their golden thread unheeded spin,
He warms his frozen hands.

Stay, winged hours, too swift, too sweet,
And waft this message o'er
To all we miss, from all we meet
On life's fast-crumbling shore:

Say that, to old affection true,
We hug the narrowing chain
That binds our hearts,—alas, how few
The links that yet remain!

The fatal touch awaits them all
That turns the rocks to dust;
From year to year they break and fall,—
They break, but never rust.

Say if one note of happier strain
This worn-out harp afford,—
One throb that trembles, not in vain,—
Their memory lent its chord.

Say that when Fancy closed her wings
And Passion quenched his fire,
Love, Love, still echoed from the strings
As from Anacreon's lyre!

THE OLD TUNE

THIRTY-SIXTH VARIATION

1886

THIS shred of song you bid me bring
Is snatched from fancy's embers;
Ah, when the lips forget to sing,
The faithful heart remembers!

Too swift the wings of envious Time
To wait for dallying phrases,
Or woven strands of labored rhyme
To thread their cunning mazes.

A word, a sigh, and lo, how plain
Its magic breath discloses
Our life's long vista through a lane
Of threescore summers' roses!

One language years alone can teach
Its roots are young affections
That feel their way to simplest speech
Through silent recollections.

That tongue is ours. How few the words
We need to know a brother!
As simple are the notes of birds,
Yet well they know each other.

This freezing month of ice and snow
That brings our lives together
Lends to our year a living glow
That warms its wintry weather.

So let us meet as eve draws nigh,
And life matures and mellows,
Till Nature whispers with a sigh,
"Good-night, my dear old fellows!"

THE BROKEN CIRCLE

1887

I STOOD On Sarum's treeless plain,
The waste that careless Nature owns;
Lone tenants of her bleak domain,
Loomed huge and gray the Druid stones.

Upheaved in many a billowy mound
The sea-like, naked turf arose,
Where wandering flocks went nibbling round
The mingled graves of friends and foes.

The Briton, Roman, Saxon, Dane,
This windy desert roamed in turn;
Unmoved these mighty blocks remain
Whose story none that lives may learn.

Erect, half buried, slant or prone,
These awful listeners, blind and dumb,
Hear the strange tongues of tribes unknown,
As wave on wave they go and come.

"Who are you, giants, whence and why?"
I stand and ask in blank amaze;
My soul accepts their mute reply
"A mystery, as are you that gaze.

"A silent Orpheus wrought the charm
From riven rocks their spoils to bring;
A nameless Titan lent his arm
To range us in our magic ring.

"But Time with still and stealthy stride,
That climbs and treads and levels all,
That bids the loosening keystone slide,
And topples down the crumbling wall,—

"Time, that unbuilds the quarried past,
Leans on these wrecks that press the sod;
They slant, they stoop, they fall at last,
And strew the turf their priests have trod.

"No more our altar's wreath of smoke
Floats up with morning's fragrant dew;
The fires are dead, the ring is broke,
Where stood the many stand the few."

My thoughts had wandered far away,
Borne off on Memory's outspread wing,
To where in deepening twilight lay
The wrecks of friendship's broken ring.

Ah me! of all our goodly train
How few will find our banquet hall!
Yet why with coward lips complain
That this must lean, and that must fall?

Cold is the Druid's altar-stone,
Its vanished flame no more returns;
But ours no chilling damp has known,—
Unchanged, unchanging, still it burns.

So let our broken circle stand
A wreck, a remnant, yet the same,
While one last, loving, faithful hand
Still lives to feed its altar-flame!

THE ANGEL-THIEF

1888

TIME is a thief who leaves his tools behind him;
He comes by night, he vanishes at dawn;
We track his footsteps, but we never find him
Strong locks are broken, massive bolts are drawn,

And all around are left the bars and borers,
The splitting wedges and the prying keys,
Such aids as serve the soft-shod vault-explorers
To crack, wrench open, rifle as they please.

Ah, these are tools which Heaven in mercy lends us
When gathering rust has clenched our shackles fast,
Time is the angel-thief that Nature sends us
To break the cramping fetters of our past.

Mourn as we may for treasures he has taken,
Poor as we feel of hoarded wealth bereft,
More precious are those implements forsaken,
Found in the wreck his ruthless hands have left.

Some lever that a casket's hinge has broken
Pries off a bolt, and lo! our souls are free;
Each year some Open Sesame is spoken,
And every decade drops its master-key.

So as from year to year we count our treasure,
Our loss seems less, and larger look our gains;
Time's wrongs repaid in more than even measure,—
We lose our jewels, but we break our chains.

AFTER THE CURFEW

1889

THE Play is over. While the light
Yet lingers in the darkening hall,
I come to say a last Good-night
Before the final Exeunt all.

We gathered once, a joyous throng:
The jovial toasts went gayly round;
With jest, and laugh, and shout, and song,
We made the floors and walls resound.

We come with feeble steps and slow,
A little band of four or five,
Left from the wrecks of long ago,
Still pleased to find ourselves alive.

Alive! How living, too, are they
Whose memories it is ours to share!
Spread the long table's full array,—
There sits a ghost in every chair!

One breathing form no more, alas!
Amid our slender group we see;
With him we still remained "The Class,"—
Without his presence what are we?

The hand we ever loved to clasp,—
That tireless hand which knew no rest,—
Loosed from affection's clinging grasp,
Lies nerveless on the peaceful breast.

The beaming eye, the cheering voice,
That lent to life a generous glow,
Whose every meaning said "Rejoice,"
We see, we hear, no more below.

The air seems darkened by his loss,
Earth's shadowed features look less fair,
And heavier weighs the daily cross
His willing shoulders helped us bear.

Why mourn that we, the favored few
Whom grasping Time so long has spared
Life's sweet illusions to pursue,
The common lot of age have shared?

In every pulse of Friendship's heart
There breeds unfelt a throb of pain,—
One hour must rend its links apart,
Though years on years have forged the chain.

. . . . . . . . . . . .

So ends "The Boys,"—a lifelong play.
We too must hear the Prompter's call
To fairer scenes and brighter day
Farewell! I let the curtain fall.

POEMS FROM THE AUTOCRAT OF THE BREAKFAST-TABLE

1857-1858

THE CHAMBERED NAUTILUS

THIS is the ship of pearl, which, poets feign,
Sails the unshadowed main,—
The venturous bark that flings
On the sweet summer wind its purpled wings
In gulfs enchanted, where the Siren sings,
And coral reefs lie bare,
Where the cold sea-maids rise to sun their streaming hair.

Its webs of living gauze no more unfurl;
Wrecked is the ship of pearl!
And every chambered cell,
Where its dim dreaming life was wont to dwell,
As the frail tenant shaped his growing shell,
Before thee lies revealed,—
Its irised ceiling rent, its sunless crypt unsealed!

Year after year beheld the silent toil
That spread his lustrous coil;
Still, as the spiral grew,
He left the past year's dwelling for the new,
Stole with soft step its shining archway through,
Built up its idle door,
Stretched in his last-found home, and knew the old no more.

Thanks for the heavenly message brought by thee,
Child of the wandering sea,
Cast from her lap, forlorn!
From thy dead lips a clearer note is born
Than ever Triton blew from wreathed horn
While on mine ear it rings,
Through the deep caves of thought I hear a voice that sings:—

Build thee more stately mansions, O my soul,
As the swift seasons roll!
Leave thy low-vaulted past!
Let each new temple, nobler than the last,
Shut thee from heaven with a dome more vast,
Till thou at length art free,
Leaving thine outgrown shell by life's unresting sea!

SUN AND SHADOW

As I look from the isle, o'er its billows of green,
To the billows of foam-crested blue,
Yon bark, that afar in the distance is seen,
Half dreaming, my eyes will pursue
Now dark in the shadow, she scatters the spray
As the chaff in the stroke of the flail;
Now white as the sea-gull, she flies on her way,
The sun gleaming bright on her sail.

Yet her pilot is thinking of dangers to shun,—
Of breakers that whiten and roar;
How little he cares, if in shadow or sun
They see him who gaze from the shore!
He looks to the beacon that looms from the reef,
To the rock that is under his lee,
As he drifts on the blast, like a wind-wafted leaf,
O'er the gulfs of the desolate sea.

Thus drifting afar to the dim-vaulted caves
Where life and its ventures are laid,
The dreamers who gaze while we battle the waves
May see us in sunshine or shade;
Yet true to our course, though the shadows grow dark,
We'll trim our broad sail as before,
And stand by the rudder that governs the bark,
Nor ask how we look from the shore!

MUSA

O MY lost beauty!—hast thou folded quite
Thy wings of morning light
Beyond those iron gates
Where Life crowds hurrying to the haggard Fates,
And Age upon his mound of ashes waits
To chill our fiery dreams,
Hot from the heart of youth plunged in his icy streams?

Leave me not fading in these weeds of care,
Whose flowers are silvered hair!
Have I not loved thee long,
Though my young lips have often done thee wrong,
And vexed thy heaven-tuned ear with careless song?
Ah, wilt thou yet return,
Bearing thy rose-hued torch, and bid thine altar burn?

Come to me!—I will flood thy silent shrine
With my soul's sacred wine,
And heap thy marble floors
As the wild spice-trees waste their fragrant stores,
In leafy islands walled with madrepores
And lapped in Orient seas,
When all their feathery palms toss, plume-like, in the breeze.

Come to me!—thou shalt feed on honeyed words,
Sweeter than song of birds;—
No wailing bulbul's throat,
No melting dulcimer's melodious note
When o'er the midnight wave its murmurs float,
Thy ravished sense might soothe
With flow so liquid-soft, with strain so velvet-smooth.

Thou shalt be decked with jewels, like a queen,
Sought in those bowers of green
Where loop the clustered vines
And the close-clinging dulcamara twines,—
Pure pearls of Maydew where the moonlight shines,
And Summer's fruited gems,
And coral pendants shorn from Autumn's berried stems.

Sit by me drifting on the sleepy waves,—
Or stretched by grass-grown graves,
Whose gray, high-shouldered stones,
Carved with old names Life's time-worn roll disowns,
Lean, lichen-spotted, o'er the crumbled bones
Still slumbering where they lay
While the sad Pilgrim watched to scare the wolf away.

Spread o'er my couch thy visionary wing!
Still let me dream and sing,—
Dream of that winding shore
Where scarlet cardinals bloom-for me no more,—
The stream with heaven beneath its liquid floor,
And clustering nenuphars
Sprinkling its mirrored blue like golden-chaliced stars!

Come while their balms the linden-blossoms shed!—
Come while the rose is red,—
While blue-eyed Summer smiles
On the green ripples round yon sunken piles
Washed by the moon-wave warm from Indian isles,
And on the sultry air
The chestnuts spread their palms like holy men in prayer!

Oh for thy burning lips to fire my brain
With thrills of wild, sweet pain!—
On life's autumnal blast,
Like shrivelled leaves, youth's passion-flowers are cast,—
Once loving thee, we love thee to the last!—
Behold thy new-decked shrine,
And hear once more the voice that breathed "Forever thine!"

A PARTING HEALTH

TO J. L. MOTLEY

YES, we knew we must lose him,—though friendship may claim
To blend her green leaves with the laurels of fame;
Though fondly, at parting, we call him our own,
'T is the whisper of love when the bugle has blown.

As the rider that rests with the spur on his heel,
As the guardsman that sleeps in his corselet of steel,
As the archer that stands with his shaft on the string,
He stoops from his toil to the garland we bring.

What pictures yet slumber unborn in his loom,
Till their warriors shall breathe and their beauties shall bloom,
While the tapestry lengthens the life-glowing dyes
That caught from our sunsets the stain of their skies!

In the alcoves of death, in the charnels of timid,
Where flit the gaunt spectres of passion and crime,
There are triumphs untold, there are martyrs unsung,
There are heroes yet silent to speak with his tongue!

Let us hear the proud story which time has bequeathed!
From lips that are warm with the freedom they breathed!
Let him summon its tyrants, and tell us their doom,
Though he sweep the black past like Van Tromp with his broom!

. . . . . . . . . . . . . . .

The dream flashes by, for the west-winds awake
On pampas, on prairie, o'er mountain and lake,
To bathe the swift bark, like a sea-girdled shrine,
With incense they stole from the rose and the pine.

So fill a bright cup with the sunlight that gushed
When the dead summer's jewels were trampled and crushed:
THE TRUE KNIGHT OF LEARNING,—the world holds him dear,—
Love bless him, Joy crown him, God speed his career!

1857.

WHAT WE ALL THINK

THAT age was older once than now,
In spite of locks untimely shed,
Or silvered on the youthful brow;
That babes make love and children wed.

That sunshine had a heavenly glow,
Which faded with those "good old days"
When winters came with deeper snow,
And autumns with a softer haze.

That—mother, sister, wife, or child—
The "best of women" each has known.
Were school-boys ever half so wild?
How young the grandpapas have grown!

That but for this our souls were free,
And but for that our lives were blest;
That in some season yet to be
Our cares will leave us time to rest.

Whene'er we groan with ache or pain,—
Some common ailment of the race,—
Though doctors think the matter plain,—
That ours is "a peculiar case."

That when like babes with fingers burned
We count one bitter maxim more,
Our lesson all the world has learned,
And men are wiser than before.

That when we sob o'er fancied woes,
The angels hovering overhead
Count every pitying drop that flows,
And love us for the tears we shed.

That when we stand with tearless eye
And turn the beggar from our door,
They still approve us when we sigh,
"Ah, had I but one thousand more!"

Though temples crowd the crumbled brink
O'erhanging truth's eternal flow,
Their tablets bold with what we think,
Their echoes dumb to what we know;

That one unquestioned text we read,
All doubt beyond, all fear above,
Nor crackling pile nor cursing creed
Can burn or blot it: GOD IS LOVE!

SPRING HAS COME

INTRA MUROS

THE sunbeams, lost for half a year,
Slant through my pane their morning rays;
For dry northwesters cold and clear,
The east blows in its thin blue haze.

And first the snowdrop's bells are seen,
Then close against the sheltering wall
The tulip's horn of dusky green,
The peony's dark unfolding ball.

The golden-chaliced crocus burns;
The long narcissus-blades appear;
The cone-beaked hyacinth returns
To light her blue-flamed chandelier.

The willow's whistling lashes, wrung
By the wild winds of gusty March,
With sallow leaflets lightly strung,
Are swaying by the tufted larch.

The elms have robed their slender spray
With full-blown flower and embryo leaf;
Wide o'er the clasping arch of day
Soars like a cloud their hoary chief.

See the proud tulip's flaunting cup,
That flames in glory for an hour,—
Behold it withering,—then look up,—
How meek the forest monarch's flower!

When wake the violets, Winter dies;
When sprout the elm-buds, Spring is near:
When lilacs blossom, Summer cries,
"Bud, little roses! Spring is here!"

The windows blush with fresh bouquets,
Cut with the May-dew on their lips;
The radish all its bloom displays,
Pink as Aurora's finger-tips.

Nor less the flood of light that showers
On beauty's changed corolla-shades,—
The walks are gay as bridal bowers
With rows of many-petalled maids.

The scarlet shell-fish click and clash
In the blue barrow where they slide;
The horseman, proud of streak and splash,
Creeps homeward from his morning ride.

Here comes the dealer's awkward string,
With neck in rope and tail in knot,—
Rough colts, with careless country-swing,
In lazy walk or slouching trot.

. . . . . . . . . . . . . .

Wild filly from the mountain-side,
Doomed to the close and chafing thills,
Lend me thy long, untiring stride
To seek with thee thy western hills!

I hear the whispering voice of Spring,
The thrush's trill, the robin's cry,
Like some poor bird with prisoned wing
That sits and sings, but longs to fly.

Oh for one spot of living greed,—
One little spot where leaves can grow,—
To love unblamed, to walk unseen,
To dream above, to sleep below!

PROLOGUE

A PROLOGUE? Well, of course the ladies know,—
I have my doubts. No matter,—here we go!
What is a Prologue? Let our Tutor teach:
Pro means beforehand; logos stands for speech.
'T is like the harper's prelude on the strings,
The prima donna's courtesy ere she sings;
Prologues in metre are to other pros
As worsted stockings are to engine-hose.
"The world's a stage,"—as Shakespeare said, one day;
The stage a world—was what he meant to say.
The outside world's a blunder, that is clear;
The real world that Nature meant is here.
Here every foundling finds its lost mamma;
Each rogue, repentant, melts his stern papa;
Misers relent, the spendthrift's debts are paid,
The cheats are taken in the traps they laid;
One after one the troubles all are past
Till the fifth act comes right side up at last,
When the young couple, old folks, rogues, and all,
Join hands, so happy at the curtain's fall.
Here suffering virtue ever finds relief,
And black-browed ruffians always come to grief.
When the lorn damsel, with a frantic screech,
And cheeks as hueless as a brandy-peach,
Cries, "Help, kyind Heaven!" and drops upon her knees
On the green—baize,—beneath the (canvas) trees,—
See to her side avenging Valor fly:—
"Ha! Villain! Draw! Now, Terraitorr, yield or die!"
When the poor hero flounders in despair,
Some dear lost uncle turns up millionaire,
Clasps the young scapegrace with paternal joy,
Sobs on his neck, "My boy! MY BOY!! MY BOY!!!"

Ours, then, sweet friends, the real world to-night,
Of love that conquers in disaster's spite.
Ladies, attend! While woful cares and doubt
Wrong the soft passion in the world without,
Though fortune scowl, though prudence interfere,
One thing is certain: Love will triumph here!
Lords of creation, whom your ladies rule,—
The world's great masters, when you 're out of school,—
Learn the brief moral of our evening's play
Man has his will,—but woman has her way!
While man's dull spirit toils in smoke and fire,
Woman's swift instinct threads the electric wire,—
The magic bracelet stretched beneath the waves
Beats the black giant with his score of slaves.
All earthly powers confess your sovereign art
But that one rebel,—woman's wilful heart.
All foes you master, but a woman's wit
Lets daylight through you ere you know you 're hit.
So, just to picture what her art can do,
Hear an old story, made as good as new.

Rudolph, professor of the headsman's trade,
Alike was famous for his arm and blade.
One day a prisoner Justice had to kill
Knelt at the block to test the artist's skill.
Bare-armed, swart-visaged, gaunt, and shaggy-browed,
Rudolph the headsman rose above the crowd.
His falchion lighted with a sudden gleam,
As the pike's armor flashes in the stream.
He sheathed his blade; he turned as if to go;
The victim knelt, still waiting for the blow.
"Why strikest not? Perform thy murderous act,"
The prisoner said. (His voice was slightly cracked.)
"Friend, I have struck," the artist straight replied;
"Wait but one moment, and yourself decide."
He held his snuff-box,—"Now then, if you please!"
The prisoner sniffed, and, with a crashing sneeze,
Off his head tumbled,—bowled along the floor,—
Bounced down the steps;—the prisoner said no more!
Woman! thy falchion is a glittering eye;
If death lurk in it, oh how sweet to die!
Thou takest hearts as Rudolph took the head;
We die with love, and never dream we're dead!

LATTER-DAY WARNINGS

WHEN legislators keep the law,
When banks dispense with bolts and looks,
When berries—whortle, rasp, and straw—
Grow bigger downwards through the box,—

When he that selleth house or land
Shows leak in roof or flaw in right,—
When haberdashers choose the stand
Whose window hath the broadest light,—

When preachers tell us all they think,
And party leaders all they mean,—
When what we pay for, that we drink,
From real grape and coffee-bean,—

When lawyers take what they would give,
And doctors give what they would take,—
When city fathers eat to live,
Save when they fast for conscience' sake,—

When one that hath a horse on sale
Shall bring his merit to the proof,
Without a lie for every nail
That holds the iron on the hoof,—

When in the usual place for rips
Our gloves are stitched with special care,
And guarded well the whalebone tips
Where first umbrellas need repair,—

When Cuba's weeds have quite forgot
The power of suction to resist,
And claret-bottles harbor not
Such dimples as would hold your fist,—

When publishers no longer steal,
And pay for what they stole before,—
When the first locomotive's wheel
Rolls through the Hoosac Tunnel's bore;—

Till then let Cumming blaze away,
And Miller's saints blow up the globe;
But when you see that blessed day,
Then order your ascension robe.

ALBUM VERSES

WHEN Eve had led her lord away,
And Cain had killed his brother,
The stars and flowers, the poets say,
Agreed with one another.

To cheat the cunning tempter's art,
And teach the race its duty,
By keeping on its wicked heart
Their eyes of light and beauty.

A million sleepless lids, they say,
Will be at least a warning;
And so the flowers would watch by day,
The stars from eve to morning.

On hill and prairie, field and lawn,
Their dewy eyes upturning,
The flowers still watch from reddening dawn
Till western skies are burning.

Alas! each hour of daylight tells
A tale of shame so crushing,
That some turn white as sea-bleached shells,
And some are always blushing.

But when the patient stars look down
On all their light discovers,
The traitor's smile, the murderer's frown,
The lips of lying lovers,

They try to shut their saddening eyes,
And in the vain endeavor
We see them twinkling in the skies,
And so they wink forever.

A GOOD TIME GOING!

BRAVE singer of the coming time,
Sweet minstrel of the joyous present,
Crowned with the noblest wreath of rhyme,
The holly-leaf of Ayrshire's peasant,
Good by! Good by!—Our hearts and hands,
Our lips in honest Saxon phrases,
Cry, God be with him, till he stands
His feet among the English daisies!

'T is here we part;—for other eyes
The busy deck, the fluttering streamer,
The dripping arms that plunge and rise,
The waves in foam, the ship in tremor,
The kerchiefs waving from the pier,
The cloudy pillar gliding o'er him,
The deep blue desert, lone and drear,
With heaven above and home before him!

His home!—the Western giant smiles,
And twirls the spotty globe to find it;
This little speck the British Isles?
'T is but a freckle,—never mind it!
He laughs, and all his prairies roll,
Each gurgling cataract roars and chuckles,
And ridges stretched from pole to pole
Heave till they crack their iron knuckles!

But Memory blushes at the sneer,
And Honor turns with frown defiant,
And Freedom, leaning on her spear,
Laughs louder than the laughing giant
"An islet is a world," she said,
"When glory with its dust has blended,
And Britain keeps her noble dead
Till earth and seas and skies are rended!"

Beneath each swinging forest-bough
Some arm as stout in death reposes,—
From wave-washed foot to heaven-kissed brow
Her valor's life-blood runs in roses;
Nay, let our brothers of the West
Write smiling in their florid pages,
One half her soil has walked the rest
In poets, heroes, martyrs, sages!

Hugged in the clinging billow's clasp,
From sea-weed fringe to mountain heather,
The British oak with rooted grasp
Her slender handful holds together;—
With cliffs of white and bowers of green,
And Ocean narrowing to caress her,
And hills and threaded streams between,—
Our little mother isle, God bless her!

In earth's broad temple where we stand,
Fanned by the eastern gales that brought us,
We hold the missal in our hand,
Bright with the lines our Mother taught us.
Where'er its blazoned page betrays
The glistening links of gilded fetters,
Behold, the half-turned leaf displays
Her rubric stained in crimson letters!

Enough! To speed a parting friend
'T is vain alike to speak and listen;—
Yet stay,—these feeble accents blend
With rays of light from eyes that glisten.
Good by! once more,—and kindly tell
In words of peace the young world's story,—
And say, besides, we love too well
Our mothers' soil, our fathers' glory.

THE LAST BLOSSOM

THOUGH young no more, we still would dream
Of beauty's dear deluding wiles;
The leagues of life to graybeards seem
Shorter than boyhood's lingering miles.

Who knows a woman's wild caprice?
'It played with Goethe's silvered hair,
And many a Holy Father's "niece"
Has softly smoothed the papal chair.

When sixty bids us sigh in vain
To melt the heart of sweet sixteen,
We think upon those ladies twain
Who loved so well the tough old Dean.

We see the Patriarch's wintry face,
The maid of Egypt's dusky glow,
And dream that Youth and Age embrace,
As April violets fill with snow.

Tranced in her lord's Olympian smile
His lotus-loving Memphian lies,—
The musky daughter of the Nile,
With plaited hair and almond eyes.

Might we but share one wild caress
Ere life's autumnal blossoms fall,
And Earth's brown, clinging lips impress
The long cold kiss that waits us all!

My bosom heaves, remembering yet
The morning of that blissful day,
When Rose, the flower of spring, I met,
And gave my raptured soul away.

Flung from her eyes of purest blue,
A lasso, with its leaping chain,
Light as a loop of larkspurs, flew
O'er sense and spirit, heart and brain.

Thou com'st to cheer my waning age,
Sweet vision, waited for so long!
Dove that would seek the poet's cage
Lured by the magic breath of song!

She blushes! Ah, reluctant maid,
Love's drapeau rouge the truth has told!
O' er girlhood's yielding barricade
Floats the great Leveller's crimson fold!

Come to my arms!—love heeds not years;
No frost the bud of passion knows.
Ha! what is this my frenzy hears?
A voice behind me uttered,—Rose!

Sweet was her smile,—but not for me;
Alas! when woman looks too kind,
Just turn your foolish head and see,—
Some youth is walking close behind!

CONTENTMENT

"Man wants but little here below"

LITTLE I ask; my wants are few;
I only wish a hut of stone,
(A very plain brown stone will do,)
That I may call my own;—
And close at hand is such a one,
In yonder street that fronts the sun.

Plain food is quite enough for me;
Three courses are as good as ten;—
If Nature can subsist on three,
Thank Heaven for three. Amen
I always thought cold victual nice;—
My choice would be vanilla-ice.

I care not much for gold or land;—
Give me a mortgage here and there,—
Some good bank-stock, some note of hand,
Or trifling railroad share,—
I only ask that Fortune send
A little more than I shall spend.

Honors are silly toys, I know,
And titles are but empty names;
I would, perhaps, be Plenipo,—
But only near St. James;
I'm very sure I should not care
To fill our Gubernator's chair.

Jewels are baubles; 't is a sin
To care for such unfruitful things;—
One good-sized diamond in a pin,—
Some, not so large, in rings,—
A ruby, and a pearl, or so,
Will do for me;—I laugh at show.

My dame should dress in cheap attire;
(Good, heavy silks are never dear;)—
I own perhaps I might desire
Some shawls of true Cashmere,—
Some marrowy crapes of China silk,
Like wrinkled skins on scalded milk.

I would not have the horse I drive
So fast that folks must stop and stare;
An easy gait—two, forty-five—
Suits me; I do not care;—
Perhaps, for just a single spurt,
Some seconds less would do no hurt.

Of pictures, I should like to own
Titians and Raphaels three or four,—
I love so much their style and tone,
One Turner, and no more,
(A landscape,—foreground golden dirt,—
The sunshine painted with a squirt.)

Of books but few,—some fifty score
For daily use, and bound for wear;
The rest upon an upper floor;—
Some little luxury there
Of red morocco's gilded gleam
And vellum rich as country cream.

Busts, cameos, gems,—such things as these, Which others often show for pride, I value for their power to please, And selfish churls deride;— One Stradivarius, I confess, Two Meerschaums, I would fain possess.

Wealth's wasteful tricks I will not learn,
Nor ape the glittering upstart fool;—
Shall not carved tables serve my turn,
But all must be of buhl?
Give grasping pomp its double share,—
I ask but one recumbent chair.

Thus humble let me live and die,
Nor long for Midas' golden touch;
If Heaven more generous gifts deny,
I shall not miss them much,—
Too grateful for the blessing lent
Of simple tastes and mind content!

AESTIVATION

AN UNPUBLISHED POEM, BY MY LATE LATIN TUTOR

IN candent ire the solar splendor flames;
The foles, langueseent, pend from arid rames;
His humid front the Give, anheling, wipes,
And dreams of erring on ventiferous riper.

How dulce to vive occult to mortal eyes,
Dorm on the herb with none to supervise,
Carp the suave berries from the crescent vine,
And bibe the flow from longicaudate kine!

To me, alas! no verdurous visions come,
Save yon exiguous pool's conferva-scum,—
No concave vast repeats the tender hue
That laves my milk-jug with celestial blue!

Me wretched! Let me curr to quercine shades!
Effund your albid hausts, lactiferous maids!
Oh, might I vole to some umbrageous clump,—
Depart,—be off,—excede,—evade,—erump!

THE DEACON'S MASTERPIECE

OR, THE WONDERFUL "ONE-HOSS SHAY"

A LOGICAL STORY

HAVE you heard of the wonderful one-hoss shay,
That was built in such a logical way
It ran a hundred years to a day,
And then, of a sudden, it—ah, but stay,
I 'll tell you what happened without delay,
Scaring the parson into fits,
Frightening people out of their wits,—
Have you ever heard of that, I say?

Seventeen hundred and fifty-five.
Georgius Secundus was then alive,—
Snuffy old drone from the German hive.
That was the year when Lisbon-town
Saw the earth open and gulp her down,
And Braddock's army was done so brown,
Left without a scalp to its crown.
It was on the terrible Earthquake-day
That the Deacon finished the one-hoss shay.

Now in building of chaises, I tell you what,
There is always somewhere a weakest spot,—
In hub, tire, felloe, in spring or thill,
In panel, or crossbar, or floor, or sill,
In screw, bolt, thoroughbrace,—lurking still,
Find it somewhere you must and will,—
Above or below, or within or without,—
And that 's the reason, beyond a doubt,
That a chaise breaks down, but does n't wear out.

But the Deacon swore (as Deacons do,
With an "I dew vum," or an "I tell yeou ")
He would build one shay to beat the taown
'n' the keounty 'n' all the kentry raoun';
It should be so built that it couldn' break daown
"Fur," said the Deacon, "'t 's mighty plain
Thut the weakes' place mus' stan' the strain;
'n' the way t' fix it, uz I maintain,
     Is only jest
T' make that place uz strong uz the rest."

So the Deacon inquired of the village folk
Where he could find the strongest oak,
That couldn't be split nor bent nor broke,—
That was for spokes and floor and sills;
He sent for lancewood to make the thills;
The crossbars were ash, from the straightest trees,
The panels of white-wood, that cuts like cheese,
But lasts like iron for things like these;
The hubs of logs from the "Settler's ellum,"—
Last of its timber,—they could n't sell 'em,
Never an axe had seen their chips,
And the wedges flew from between their lips,
Their blunt ends frizzled like celery-tips;
Step and prop-iron, bolt and screw,
Spring, tire, axle, and linchpin too,
Steel of the finest, bright and blue;
Thoroughbrace bison-skin, thick and wide;
Boot, top, dasher, from tough old hide
Found in the pit when the tanner died.
That was the way he "put her through."
"There!" said the Deacon, "naow she 'll dew!"

Do! I tell you, I rather guess
She was a wonder, and nothing less!
Colts grew horses, beards turned gray,
Deacon and deaconess dropped away,
Children and grandchildren—where were they?
But there stood the stout old one-hoss shay
As fresh as on Lisbon-earthquake-day!

EIGHTEEN HUNDRED;—it came and found
The Deacon's masterpiece strong and sound.
Eighteen hundred increased by ten;—
"Hahnsum kerridge" they called it then.
Eighteen hundred and twenty came;—
Running as usual; much the same.
Thirty and forty at last arrive,
And then come fifty, and FIFTY-FIVE.
First of November, 'Fifty-five!
This morning the parson takes a drive.
Now, small boys, get out of the way!
Here comes the wonderful one-hoss shay,

Little of all we value here
Wakes on the morn of its hundredth year
Without both feeling and looking queer.
In fact, there 's nothing that keeps its youth,
So far as I know, but a tree and truth.
(This is a moral that runs at large;
Take it.—You 're welcome.—No extra charge.)

FIRST OF NOVEMBER,—the Earthquake-day,—
There are traces of age in the one-hoss shay,
A general flavor of mild decay,
But nothing local, as one may say.
There couldn't be,—for the Deacon's art
Had made it so like in every part
That there was n't a chance for one to start.
For the wheels were just as strong as the thills,
And the floor was just as strong as the sills,
And the panels just as strong as the floor,
And the whipple-tree neither less nor more,
And the back-crossbar as strong as the fore,
And spring and axle and hub encore.
And yet, as a whole, it is past a doubt
In another hour it will be worn out!

Drawn by a rat-tailed, ewe-necked bay.
"Huddup!" said the parson.—Off went they.
The parson was working his Sunday's text,—
Had got to fifthly, and stopped perplexed
At what the—Moses—was coming next.
All at once the horse stood still,
Close by the meet'n'-house on the hill.
First a shiver, and then a thrill,
Then something decidedly like a spill,—
And the parson was sitting upon a rock,
At half past nine by the meet'n'-house clock,—
Just the hour of the Earthquake shock!
What do you think the parson found,
When he got up and stared around?
The poor old chaise in a heap or mound,
As if it had been to the mill and ground!
You see, of course, if you 're not a dunce,
How it went to pieces all at once,—
All at once, and nothing first,—
Just as bubbles do when they burst.

End of the wonderful one-hoss shay.
Logic is logic. That's all I say.

PARSON TURELL'S LEGACY

OR, THE PRESIDENT'S OLD ARM-CHAIR

A MATHEMATICAL STORY

FACTS respecting an old arm-chair.
At Cambridge. Is kept in the College there.
Seems but little the worse for wear.
That 's remarkable when I say
It was old in President Holyoke's day.
(One of his boys, perhaps you know,
Died, at one hundred, years ago.)
He took lodgings for rain or shine
Under green bed-clothes in '69.

Know old Cambridge? Hope you do.—
Born there? Don't say so! I was, too.
(Born in a house with a gambrel-roof,—
Standing still, if you must have proof.—
"Gambrel?—Gambrel?"—Let me beg
You'll look at a horse's hinder leg,—
First great angle above the hoof,—
That 's the gambrel; hence gambrel-roof.)
Nicest place that ever was seen,—
Colleges red and Common green,
Sidewalks brownish with trees between.
Sweetest spot beneath the skies
When the canker-worms don't rise,—
When the dust, that sometimes flies
Into your mouth and ears and eyes,
In a quiet slumber lies,
Not in the shape of umbaked pies
Such as barefoot children prize.

A kind of harbor it seems to be,
Facing the flow of a boundless sea.
Rows of gray old Tutors stand
Ranged like rocks above the sand;
Rolling beneath them, soft and green,
Breaks the tide of bright sixteen,—
One wave, two waves, three waves, four,—
Sliding up the sparkling floor.

Then it ebbs to flow no more,
Wandering off from shore to shore
With its freight of golden ore!
Pleasant place for boys to play;—
Better keep your girls away;
Hearts get rolled as pebbles do
Which countless fingering waves pursue,
And every classic beach is strown
With heart-shaped pebbles of blood-red stone.

But this is neither here nor there;
I'm talking about an old arm-chair.
You 've heard, no doubt, of PARSON TURELL?
Over at Medford he used to dwell;
Married one of the Mathers' folk;
Got with his wife a chair of oak,—
Funny old chair with seat like wedge,
Sharp behind and broad front edge,—
One of the oddest of human things,
Turned all over with knobs and rings,—
But heavy, and wide, and deep, and grand,—
Fit for the worthies of the land,—
Chief Justice Sewall a cause to try in,
Or Cotton Mather to sit—and lie—in.
Parson Turell bequeathed the same
To a certain student,—SMITH by name;
These were the terms, as we are told:
"Saide Smith saide Chaire to have and holde;
When he doth graduate, then to passe
To ye oldest Youth in ye Senior Classe.
On payment of "—(naming a certain sum)—
"By him to whom ye Chaire shall come;
He to ye oldest Senior next,
And soe forever,"—(thus runs the text,)—
"But one Crown lesse then he gave to claime,
That being his Debte for use of same."
Smith transferred it to one of the BROWNS,
And took his money,—five silver crowns.
Brown delivered it up to MOORE,
Who paid, it is plain, not five, but four.
Moore made over the chair to LEE,
Who gave him crowns of silver three.
Lee conveyed it unto DREW,
And now the payment, of course, was two.
Drew gave up the chair to DUNN,—
All he got, as you see, was one.
Dunn released the chair to HALL,
And got by the bargain no crown at all.
And now it passed to a second BROWN,
Who took it and likewise claimed a crown.
When Brown conveyed it unto WARE,
Having had one crown, to make it fair,
He paid him two crowns to take the chair;
And Ware, being honest, (as all Wares be,)
He paid one POTTER, who took it, three.
Four got ROBINSON; five got Dix;
JOHNSON primus demanded six;
And so the sum kept gathering still
Till after the battle of Bunker's Hill.

When paper money became so cheap,
Folks would n't count it, but said "a heap,"
A certain RICHARDS,—the books declare,—
(A. M. in '90? I've looked with care
Through the Triennial,—name not there,)—
This person, Richards, was offered then
Eightscore pounds, but would have ten;
Nine, I think, was the sum he took,—
Not quite certain,—but see the book.
By and by the wars were still,
But nothing had altered the Parson's will.
The old arm-chair was solid yet,
But saddled with such a monstrous debt!
Things grew quite too bad to bear,
Paying such sums to get rid of the chair
But dead men's fingers hold awful tight,
And there was the will in black and white,
Plain enough for a child to spell.
What should be done no man could tell,
For the chair was a kind of nightmare curse,
And every season but made it worse.

As a last resort, to clear the doubt,
They got old GOVERNOR HANCOCK out.
The Governor came with his Lighthorse Troop
And his mounted truckmen, all cock-a-hoop;
Halberds glittered and colors flew,
French horns whinnied and trumpets blew,
The yellow fifes whistled between their teeth,
And the bumble-bee bass-drums boomed beneath;
So he rode with all his band,
Till the President met him, cap in hand.
The Governor "hefted" the crowns, and said,—
"A will is a will, and the Parson's dead."
The Governor hefted the crowns. Said he,—
"There is your p'int. And here 's my fee.

"These are the terms you must fulfil,—
On such conditions I BREAK THE WILL!"
The Governor mentioned what these should be.
(Just wait a minute and then you 'll see.)
The President prayed. Then all was still,
And the Governor rose and BROKE THE WILL!
"About those conditions?" Well, now you go
And do as I tell you, and then you'll know.
Once a year, on Commencement day,
If you 'll only take the pains to stay,
You'll see the President in the CHAIR,
Likewise the Governor sitting there.
The President rises; both old and young
May hear his speech in a foreign tongue,
The meaning whereof, as lawyers swear,
Is this: Can I keep this old arm-chair?
And then his Excellency bows,
As much as to say that he allows.
The Vice-Gub. next is called by name;
He bows like t' other, which means the same.
And all the officers round 'em bow,
As much as to say that they allow.
And a lot of parchments about the chair
Are handed to witnesses then and there,
And then the lawyers hold it clear
That the chair is safe for another year.

God bless you, Gentlemen! Learn to give
Money to colleges while you live.
Don't be silly and think you'll try
To bother the colleges, when you die,
With codicil this, and codicil that,
That Knowledge may starve while Law grows fat;
For there never was pitcher that wouldn't spill,
And there's always a flaw in a donkey's will!