NOTES.

THE BOYS. The members of the Harvard College class of 1829 referred to in this poem are: "Doctor," Francis Thomas; "Judge," G. T. Bigelow, Chief Justice of the Supreme Court of Massachusetts; "O Speaker," Hon. Francis B. Crowninshield, Speaker of the Massachusetts House of Representatives; "Mr. Mayor," G. W. Richardson, of Worcester,Mass.; "Member of Congress," Hon. George T. Davis; "Reverend," James Freeman Clarke; "boy with the grave mathematical look," Benjamin Peirce; "boy with a three-decker brain," Judge Benjamin R. Curtis, of the Supreme Court of the United States; "nice youngster of excellent pith," S. F. Smith, author of "My Country, 't is of Thee."

"That lovely, bright-eyed boy." William Sturgis.

"Who faced the storm so long." Francis B. Crowninshield.

"Our many featured friend." George T. Davis.

"The close-clinging dulcamara." The "bitter-sweet" of New England is the Celastrus scandens, "bourreau des arbres" of the Canadian French.

"All armed with picks and spades." The captured slaves were at this time organized as pioneers.

THE POETICAL WORKS

OF

OLIVER WENDELL HOLMES

VOL. III

CONTENTS

BUNKER-HILL BATTLE AND OTHER POEMS
     GRANDMOTHER'S STORY OF BUNKER-HILL BATTLE
     AT THE "ATLANTIC" DINNER, DECEMBER 15, 1874
     "LUCY." FOR HER GOLDEN WEDDING, OCTOBER 18, 1875
     HYMN FOR THE INAUGURATION OF THE STATUE OF GOVERNOR ANDREW, HINGHAM,
          OCTOBER 7, 1875
     A MEMORIAL TRIBUTE TO DR. SAMUEL G. HOWE
     JOSEPH WARREN, M. D.
     OLD CAMBRIDGE, JULY 3, 1875
     WELCOME TO THE NATIONS, PHILADELPHIA, JULY 4, 1876
     A FAMILIAR LETTER
     UNSATISFIED
     HOW THE OLD HORSE WON THE BET
     AN APPEAL FOR "THE OLD SOUTH"
     THE FIRST FAN
     To R. B. H.
     THE SHIP OF STATE
     A FAMILY RECORD

THE IRON GATE AND OTHER POEMS. THE IRON GATE VESTIGIA QUINQUE RETRORSUM MY AVIARY ON THE THRESHOLD TO GEORGE PEABODY AT THE PAPYRUS CLUB FOR WHITTIER'S SEVENTIETH BIRTHDAY TWO SONNETS: HARVARD THE COMING ERA IN RESPONSE FOR THE MOORE CENTENNIAL CELEBRATION TO JAMES FREEMAN CLARKE WELCOME TO THE CHICAGO COMMERCIAL CLUB AMERICAN ACADEMY CENTENNIAL CELEBRATION THE SCHOOL-BOY THE SILENT MELODY OUR HOME—OUR COUNTRY POEM AT THE CENTENNIAL ANNIVERSARY DINNER OF THE MASSACHUSETTS MEDICAL SOCIETY RHYMES OF A LIFE-TIME

BEFORE THE CURFEW AT MY FIRESIDE AT THE SATURDAY CLUB OUR DEAD SINGER. H. W. L. TWO POEMS TO HARRIET BEECHER STOWE ON HER SEVENTIETH BIRTHDAY. I. AT THE SUMMIT II. THE WORLD'S HOMAGE A WELCOME TO DR. BENJAMIN APTHORP GOULD TO FREDERICK HENRY HEDGE ON HIS EIGHTIETH BIRTHDAY TO JAMES RUSSELL LOWELL TO JOHN GREENLEAF WHITTIER ON HIS EIGHTIETH BIRTHDAY PRELUDE TO A VOLUME PRINTED IN RAISED LETTERS FOR THE BLIND BOSTON TO FLORENCE AT THE UNITARIAN FESTIVAL, MARCH 8, 1882 POEM FOR THE TWO HUNDRED AND FIFTIETH ANNIVERSARY OF THE FOUNDING OF HARVARD COLLEGE POST-PRANDIAL: PHI BETA KAPPA, 1881 THE FLANEUR: DURING THE TRANSIT OF VENUS, 1882 AVE KING'S CHAPEL READ AT THE TWO HUNDREDTH ANNIVERSARY HYMN FOR THE SAME OCCASION HYMN.—THE WORD OF PROMISE HYMN READ AT THE DEDICATION OF THE OLIVER WENDELL HOLMES HOSPITAL AT HUDSON, WISCONSIN, JUNE 7, 1887 ON THE DEATH OF PRESIDENT GARFIELD THE GOLDEN FLOWER HAIL, COLUMBIA! POEM FOR THE DEDICATION OF THE FOUNTAIN AT STRATFORD-ON-AVON, PRESENTED BY GEORGE CHILDS, OF PHILADELPHIA TO THE POETS WHO ONLY READ AND LISTEN FOR THE DEDICATION OF THE NEW CITY LIBRARY FOR THE WINDOW IN ST. MARGARET'S JAMES RUSSELL LO WELL: 1819-1891

POEMS FROM OVER THE TEACUPS. TO THE ELEVEN LADIES WHO PRESENTED ME WITH A SILVER LOVING CUP THE PEAU DE CHAGRIN OF STATE STREET CACOETHES SCRIBENDI THE ROSE AND THE FERN I LIKE YOU AND I LOVE YOU LA MAISON D'OR BAR HARBOR TOO YOUNG FOR LOVE THE BROOMSTICK TRAIN; OR, THE RETURN OF THE WITCHES TARTARUS AT THE TURN OF THE ROAD INVITA MINERVA

READINGS OVER THE TEACUPS TO MY OLD READERS THE BANKER'S SECRET THE EXILE'S SECRET THE LOVER'S SECRET THE STATESMAN'S SECRET THE MOTHER'S SECRET THE SECRET OF THE STARS

VERSES FROM THE OLDEST PORTFOLIO FIRST VERSES: TRANSLATION FROM THE THE MEETING OF THE DRYADS THE MYSTERIOUS VISITOR THE TOADSTOOL THE SPECTRE PIG TO A CAGED LION THE STAR AND THE WATER-LILY ILLUSTRATION OF A PICTURE: "A SPANISH GIRL REVERIE" A ROMAN AQUEDUCT FROM A BACHELOR'S PRIVATE JOURNAL LA GRISETTE OUR YANKEE GIRLS L'INCONNUE STANZAS LINES BY A CLERK THE PHILOSOPHER TO HIS LOVE THE POET'S LOT TO A BLANK SHEET OF PAPER TO THE PORTRAIT OF "A GENTLEMAN" IN THE ATHENAEUM GALLERY THE BALLAD OF THE OYSTERMAN A NOONTIDE LYRIC THE HOT SEASON A PORTRAIT AN EVENING THOUGHT. WRITTEN AT SEA THE WASP AND THE HORNET "QUI VIVE?"

NOTES

BUNKER-HILL BATTLE

AND OTHER POEMS

1874-1877

GRANDMOTHER'S STORY OF BUNKER-HILL BATTLE

AS SHE SAW IT FROM THE BELFRY

'T is like stirring living embers when, at eighty, one remembers
All the achings and the quakings of "the times that tried men's souls";
When I talk of Whig and Tory, when I tell the Rebel story,
To you the words are ashes, but to me they're burning coals.

I had heard the muskets' rattle of the April running battle;
Lord Percy's hunted soldiers, I can see their red-coats still;
But a deadly chill comes o'er me, as the day looms up before me,
When a thousand men lay bleeding on the slopes of Bunker's Hill.

'T was a peaceful summer's morning, when the first thing gave us warning
Was the booming of the cannon from the river and the shore:
"Child," says grandma, "what 's the matter, what is all this noise and
     clatter?
Have those scalping Indian devils come to murder us once more?"

Poor old soul! my sides were shaking in the midst of all my quaking,
To hear her talk of Indians when the guns began to roar:
She had seen the burning village, and the slaughter and the pillage,
When the Mohawks killed her father with their bullets through his door.

Then I said, "Now, dear old granny, don't you fret and worry any,
For I'll soon come back and tell you whether this is work or play;
There can't be mischief in it, so I won't be gone a minute"—
For a minute then I started. I was gone the live-long day.

No time for bodice-lacing or for looking-glass grimacing;
Down my hair went as I hurried, tumbling half-way to my heels;
God forbid your ever knowing, when there's blood around her flowing,
How the lonely, helpless daughter of a quiet house-hold feels!

In the street I heard a thumping; and I knew it was the stumping
Of the Corporal, our old neighbor, on that wooden leg he wore,
With a knot of women round him,-it was lucky I had found him,
So I followed with the others, and the Corporal marched before.

They were making for the steeple,—the old soldier and his people;
The pigeons circled round us as we climbed the creaking stair.
Just across the narrow river—oh, so close it made me shiver!—
Stood a fortress on the hill-top that but yesterday was bare.

Not slow our eyes to find it; well we knew who stood behind it,
Though the earthwork hid them from us, and the stubborn walls were dumb
Here were sister, wife, and mother, looking wild upon each other,
And their lips were white with terror as they said, THE HOUR HAS COME!

The morning slowly wasted, not a morsel had we tasted,
And our heads were almost splitting with the cannons' deafening thrill,
When a figure tall and stately round the rampart strode sedately;
It was PRESCOTT, one since told me; he commanded on the hill.

Every woman's heart grew bigger when we saw his manly figure,
With the banyan buckled round it, standing up so straight and tall;
Like a gentleman of leisure who is strolling out for pleasure,
Through the storm of shells and cannon-shot he walked around the wall.

At eleven the streets were swarming, for the red-coats' ranks were
     forming;
At noon in marching order they were moving to the piers;
How the bayonets gleamed and glistened, as we looked far down, and
     listened
To the trampling and the drum-beat of the belted grenadiers!

At length the men have started, with a cheer (it seemed faint-hearted),
In their scarlet regimentals, with their knapsacks on their backs,
And the reddening, rippling water, as after a sea-fight's slaughter,
Round the barges gliding onward blushed like blood along their tracks.

So they crossed to the other border, and again they formed in order;
And the boats came back for soldiers, came for soldiers, soldiers still:
The time seemed everlasting to us women faint and fasting,—
At last they're moving, marching, marching proudly up the hill.

We can see the bright steel glancing all along the lines advancing,—
Now the front rank fires a volley,—they have thrown away their shot;
For behind their earthwork lying, all the balls above them flying,
Our people need not hurry; so they wait and answer not.

Then the Corporal, our old cripple (he would swear sometimes and tipple),
He had heard the bullets whistle (in the old French war) before,—
Calls out in words of jeering, just as if they all were hearing,—
And his wooden leg thumps fiercely on the dusty belfry floor:—

"Oh! fire away, ye villains, and earn King George's shillin's,
But ye 'll waste a ton of powder afore a 'rebel' falls;
You may bang the dirt and welcome, they're as safe as Dan'l Malcolm
Ten foot beneath the gravestone that you've splintered with your balls!"

In the hush of expectation, in the awe and trepidation
Of the dread approaching moment, we are well-nigh breathless all;
Though the rotten bars are failing on the rickety belfry railing,
We are crowding up against them like the waves against a wall.

Just a glimpse (the air is clearer), they are nearer,—nearer,—nearer,
When a flash—a curling smoke-wreath—then a crash—the steeple shakes—
The deadly truce is ended; the tempest's shroud is rended;
Like a morning mist it gathered, like a thunder-cloud it breaks!

Oh the sight our eyes discover as the blue-black smoke blows over!
The red-coats stretched in windrows as a mower rakes his hay;
Here a scarlet heap is lying, there a headlong crowd is flying
Like a billow that has broken and is shivered into spray.

Then we cried, "The troops are routed! they are beat—it can't be
     doubted!
God be thanked, the fight is over!"—Ah! the grim old soldier's smile!
"Tell us, tell us why you look so?" (we could hardly speak, we shook so),
"Are they beaten? Are they beaten? ARE they beaten?"—"Wait a while."

Oh the trembling and the terror! for too soon we saw our error:
They are baffled, not defeated; we have driven them back in vain;
And the columns that were scattered, round the colors that were tattered,
Toward the sullen, silent fortress turn their belted breasts again.

All at once, as we are gazing, lo the roofs of Charlestown blazing!
They have fired the harmless village; in an hour it will be down!
The Lord in heaven confound them, rain his fire and brimstone round them,
The robbing, murdering red-coats, that would burn a peaceful town!

They are marching, stern and solemn; we can see each massive column
As they near the naked earth-mound with the slanting walls so steep.
Have our soldiers got faint-hearted, and in noiseless haste departed?
Are they panic-struck and helpless? Are they palsied or asleep?

Now! the walls they're almost under! scarce a rod the foes asunder!
Not a firelock flashed against them! up the earth-work they will swarm!
But the words have scarce been spoken, when the ominous calm is broken,
And a bellowing crash has emptied all the vengeance of the storm!

So again, with murderous slaughter, pelted backwards to the water,
Fly Pigot's running heroes and the frightened braves of Howe;
And we shout, "At last they're done for, it's their barges they have run
     for:
They are beaten, beaten, beaten; and the battle 's over now!"

And we looked, poor timid creatures, on the rough old soldier's features,
Our lips afraid to question, but he knew what we would ask:
"Not sure," he said; "keep quiet,—once more, I guess, they 'll try it—
Here's damnation to the cut-throats!"—then he handed me his flask,

Saying, "Gal, you're looking shaky; have a drop of old Jamaiky;
I 'm afeard there 'll be more trouble afore the job is done";
So I took one scorching swallow; dreadful faint I felt and hollow,
Standing there from early morning when the firing was begun.

All through those hours of trial I had watched a calm clock dial,
As the hands kept creeping, creeping,—they were creeping round to four,
When the old man said, "They're forming with their bagonets fixed for
     storming:
It 's the death-grip that's a coming,—they will try the works once
     more."

With brazen trumpets blaring, the flames behind them glaring,
The deadly wall before them, in close array they come;
Still onward, upward toiling, like a dragon's fold uncoiling,—
Like the rattlesnake's shrill warning the reverberating drum.

Over heaps all torn and gory—shall I tell the fearful story,
How they surged above the breastwork, as a sea breaks over a deck;
How, driven, yet scarce defeated, our worn-out men retreated,
With their powder-horns all emptied, like the swimmers from a wreck?

It has all been told and painted; as for me, they say I fainted,
And the wooden-legged old Corporal stumped with me down the stair:
When I woke from dreams affrighted the evening lamps were lighted,—
On the floor a youth was lying; his bleeding breast was bare.

And I heard through all the flurry, "Send for WARREN! hurry! hurry!
Tell him here's a soldier bleeding, and he 'll come and dress his
     wound!"
Ah, we knew not till the morrow told its tale of death and sorrow,
How the starlight found him stiffened on the dark and bloody ground.

Who the youth was, what his name was, where the place from which he came
was,
Who had brought him from the battle, and had left him at our door,
He could not speak to tell us; but 't was one of our brave fellows,
As the homespun plainly showed us which the dying soldier wore.

For they all thought he was dying, as they gathered round him crying,—
And they said, "Oh, how they'll miss him!" and, "What will his mother
     do?"
Then, his eyelids just unclosing like a child's that has been dozing,
He faintly murmured, "Mother!"—and—I saw his eyes were blue.

"Why, grandma, how you 're winking!" Ah, my child, it sets me thinking
Of a story not like this one. Well, he somehow lived along;
So we came to know each other, and I nursed him like a—mother,
Till at last he stood before me, tall, and rosy-checked, and strong.

And we sometimes walked together in the pleasant summer weather,—
"Please to tell us what his name was?" Just your own, my little dear,—
There's his picture Copley painted: we became so well acquainted,
That—in short, that's why I 'm grandma, and you children all are here!

AT THE "ATLANTIC" DINNER

DECEMBER 15, 1874

I SUPPOSE it's myself that you're making allusion to
And bringing the sense of dismay and confusion to.
Of course some must speak,—they are always selected to,
But pray what's the reason that I am expected to?
I'm not fond of wasting my breath as those fellows do;
That want to be blowing forever as bellows do;
Their legs are uneasy, but why will you jog any
That long to stay quiet beneath the mahogany?

Why, why call me up with your battery of flatteries?
You say "He writes poetry,"—that 's what the matter is
"It costs him no trouble—a pen full of ink or two
And the poem is done in the time of a wink or two;
As for thoughts—never mind—take the ones that lie uppermost,
And the rhymes used by Milton and Byron and Tupper most;
The lines come so easy! at one end he jingles 'em,
At the other with capital letters he shingles 'em,—
Why, the thing writes itself, and before he's half done with it
He hates to stop writing, he has such good fun with it!"

Ah, that is the way in which simple ones go about
And draw a fine picture of things they don't know about!
We all know a kitten, but come to a catamount
The beast is a stranger when grown up to that amount,
(A stranger we rather prefer should n't visit us,
A felis whose advent is far from felicitous.)
The boy who can boast that his trap has just got a mouse
Must n't draw it and write underneath "hippopotamus";
Or say unveraciously, "This is an elephant,"—
Don't think, let me beg, these examples irrelevant,—
What they mean is just this—that a thing to be painted well
Should always be something with which we're acquainted well.

You call on your victim for "things he has plenty of,—
Those copies of verses no doubt at least twenty of;
His desk is crammed full, for he always keeps writing 'em
And reading to friends as his way of delighting 'em!"
I tell you this writing of verses means business,—
It makes the brain whirl in a vortex of dizziness
You think they are scrawled in the languor of laziness—
I tell you they're squeezed by a spasm of craziness,
A fit half as bad as the staggering vertigos
That seize a poor fellow and down in the dirt he goes!

And therefore it chimes with the word's etytology
That the sons of Apollo are great on apology,
For the writing of verse is a struggle mysterious
And the gayest of rhymes is a matter that's serious.
For myself, I'm relied on by friends in extremities,
And I don't mind so much if a comfort to them it is;
'T is a pleasure to please, and the straw that can tickle us
Is a source of enjoyment though slightly ridiculous.

I am up for a—something—and since I 've begun with it,
I must give you a toast now before I have done with it.
Let me pump at my wits as they pumped the Cochituate
That moistened—it may be—the very last bit you ate:
Success to our publishers, authors and editors
To our debtors good luck,—pleasant dreams to our creditors;
May the monthly grow yearly, till all we are groping for
Has reached the fulfilment we're all of us hoping for;
Till the bore through the tunnel—it makes me let off a sigh
To think it may possibly ruin my prophecy—
Has been punned on so often 't will never provoke again
One mild adolescent to make the old joke again;
Till abstinent, all-go-to-meeting society
Has forgotten the sense of the word inebriety;
Till the work that poor Hannah and Bridget and Phillis do
The humanized, civilized female gorillas do;
Till the roughs, as we call them, grown loving and dutiful,
Shall worship the true and the pure and the beautiful,
And, preying no longer as tiger and vulture do,
All read the "Atlantic" as persons of culture do!

"LUCY"

FOR HER GOLDEN WEDDING, OCTOBER 18, 1875

"Lucy."—The old familiar name
Is now, as always, pleasant,
Its liquid melody the same
Alike in past or present;
Let others call you what they will,
I know you'll let me use it;
To me your name is Lucy still,
I cannot bear to lose it.

What visions of the past return
With Lucy's image blended!
What memories from the silent urn
Of gentle lives long ended!
What dreams of childhood's fleeting morn,
What starry aspirations,
That filled the misty days unborn
With fancy's coruscations!

Ah, Lucy, life has swiftly sped
From April to November;
The summer blossoms all are shed
That you and I remember;
But while the vanished years we share
With mingling recollections,
How all their shadowy features wear
The hue of old affections!

Love called you. He who stole your heart
Of sunshine half bereft us;
Our household's garland fell apart
The morning that you left us;
The tears of tender girlhood streamed
Through sorrow's opening sluices;
Less sweet our garden's roses seemed,
Less blue its flower-de-luces.

That old regret is turned to smiles,
That parting sigh to greeting;
I send my heart-throb fifty miles
Through every line 't is beating;
God grant you many and happy years,
Till when the last has crowned you
The dawn of endless day appears,
And heaven is shining round you!

October 11, 1875.

HYMN

FOR THE INAUGURATION OF THE STATUE OF GOVERNOR ANDREW, HINGHAM, OCTOBER 7, 1875

BEHOLD the shape our eyes have known!
It lives once more in changeless stone;
So looked in mortal face and form
Our guide through peril's deadly storm.

But hushed the beating heart we knew,
That heart so tender, brave, and true,
Firm as the rooted mountain rock,
Pure as the quarry's whitest block!

Not his beneath the blood-red star
To win the soldier's envied sear;
Unarmed he battled for the right,
In Duty's never-ending fight.

Unconquered will, unslumbering eye,
Faith such as bids the martyr die,
The prophet's glance, the master's hand
To mould the work his foresight planned,

These were his gifts; what Heaven had lent
For justice, mercy, truth, he spent,
First to avenge the traitorous blow,
And first to lift the vanquished foe.

Lo, thus he stood; in danger's strait
The pilot of the Pilgrim State!
Too large his fame for her alone,—
A nation claims him as her own!

A MEMORIAL TRIBUTE

READ AT THE MEETING HELD AT MUSIC HALL, FEBRUARY 8, 1876, IN MEMORY OF DR. SAMUEL G. HOWE

I.

LEADER of armies, Israel's God,
Thy soldier's fight is won!
Master, whose lowly path he trod,
Thy servant's work is done!

No voice is heard from Sinai's steep
Our wandering feet to guide;
From Horeb's rock no waters leap;
No Jordan's waves divide;

No prophet cleaves our western sky
On wheels of whirling fire;
No shepherds hear the song on high
Of heaven's angelic choir.

Yet here as to the patriarch's tent
God's angel comes a guest;
He comes on heaven's high errand sent,
In earth's poor raiment drest.

We see no halo round his brow
Till love its own recalls,
And, like a leaf that quits the bough,
The mortal vesture falls.

In autumn's chill declining day,
Ere winter's killing frost,
The message came; so passed away
The friend our earth has lost.

Still, Father, in thy love we trust;
Forgive us if we mourn
The saddening hour that laid in dust
His robe of flesh outworn.

II.

How long the wreck-strewn journey seems
To reach the far-off past
That woke his youth from peaceful dreams
With Freedom's trumpet-blast.

Along her classic hillsides rung
The Paynim's battle-cry,
And like a red-cross knight he sprung
For her to live or die.

No trustier service claimed the wreath
For Sparta's bravest son;
No truer soldier sleeps beneath
The mound of Marathon;

Yet not for him the warrior's grave
In front of angry foes;
To lift, to shield, to help, to save,
The holier task he chose.

He touched the eyelids of the blind,
And lo! the veil withdrawn,
As o'er the midnight of the mind
He led the light of dawn.

He asked not whence the fountains roll
No traveller's foot has found,
But mapped the desert of the soul
Untracked by sight or sound.

What prayers have reached the sapphire throne,
By silent fingers spelt,
For him who first through depths unknown
His doubtful pathway felt,

Who sought the slumbering sense that lay
Close shut with bolt and bar,
And showed awakening thought the ray
Of reason's morning star.

Where'er he moved, his shadowy form
The sightless orbs would seek,
And smiles of welcome light and warm
The lips that could not speak.

No labored line, no sculptor's art,
Such hallowed memory needs;
His tablet is the human heart,
His record loving deeds.

III.

The rest that earth denied is thine,—
Ah, is it rest? we ask,
Or, traced by knowledge more divine,
Some larger, nobler task?

Had but those boundless fields of blue
One darkened sphere like this;
But what has heaven for thee to do
In realms of perfect bliss?

No cloud to lift, no mind to clear,
No rugged path to smooth,
No struggling soul to help and cheer,
No mortal grief to soothe!

Enough; is there a world of love,
No more we ask to know;
The hand will guide thy ways above
That shaped thy task below.

JOSEPH WARREN, M. D.

TRAINED in the holy art whose lifted shield
Wards off the darts a never-slumbering foe,
By hearth and wayside lurking, waits to throw,
Oppression taught his helpful arm to wield
The slayer's weapon: on the murderous field
The fiery bolt he challenged laid him low,
Seeking its noblest victim. Even so
The charter of a nation must be sealed!
The healer's brow the hero's honors crowned,
From lowliest duty called to loftiest deed.
Living, the oak-leaf wreath his temples bound;
Dying, the conqueror's laurel was his meed,
Last on the broken ramparts' turf to bleed
Where Freedom's victory in defeat was found.

June 11, 1875.

OLD CAMBRIDGE

JULY 3, 1875

AND can it be you've found a place
Within this consecrated space,
That makes so fine a show,
For one of Rip Van Winkle's race?
And is it really so?
Who wants an old receipted bill?
Who fishes in the Frog-pond still?
Who digs last year's potato hill?—
That's what he'd like to know!

And were it any spot on earth
Save this dear home that gave him birth
Some scores of years ago,
He had not come to spoil your mirth
And chill your festive glow;
But round his baby-nest he strays,
With tearful eye the scene surveys,
His heart unchanged by changing days,
That's what he'd have you know.

Can you whose eyes not yet are dim
Live o'er the buried past with him,
And see the roses blow
When white-haired men were Joe and Jim
Untouched by winter's snow?
Or roll the years back one by one
As Judah's monarch backed the sun,
And see the century just begun?—
That's what he'd like to know!

I come, but as the swallow dips,
Just touching with her feather-tips
The shining wave below,
To sit with pleasure-murmuring lips
And listen to the flow
Of Elmwood's sparkling Hippocrene,
To tread once more my native green,
To sigh unheard, to smile unseen,—
That's what I'd have you know.

But since the common lot I've shared
(We all are sitting "unprepared,"
Like culprits in a row,
Whose heads are down, whose necks are bared
To wait the headsman's blow),
I'd like to shift my task to you,
By asking just a thing or two
About the good old times I knew,—
Here's what I want to know.

The yellow meetin' house—can you tell
Just where it stood before it fell
Prey of the vandal foe,—
Our dear old temple, loved so well,
By ruthless hands laid low?
Where, tell me, was the Deacon's pew?
Whose hair was braided in a queue?
(For there were pig-tails not a few,)—
That's what I'd like to know.

The bell—can you recall its clang?
And how the seats would slam and bang?
The voices high and low?
The basso's trump before he sang?
The viol and its bow?
Where was it old Judge Winthrop sat?
Who wore the last three-cornered hat?
Was Israel Porter lean or fat?—
That's what I'd like to know.

Tell where the market used to be
That stood beside the murdered tree?
Whose dog to church would go?
Old Marcus Reemie, who was he?
Who were the brothers Snow?
Does not your memory slightly fail
About that great September gale?—
Whereof one told a moving tale,
As Cambridge boys should know.

When Cambridge was a simple town,
Say just when Deacon William Brown
(Last door in yonder row),
For honest silver counted down,
His groceries would bestow?—
For those were days when money meant
Something that jingled as you went,—
No hybrid like the nickel cent,
I'd have you all to know,

But quarter, ninepence, pistareen,
And fourpence hapennies in between,
All metal fit to show,
Instead of rags in stagnant green,
The scum of debts we owe;
How sad to think such stuff should be
Our Wendell's cure-all recipe,—
Not Wendell H., but Wendell P.,—
The one you all must know!

I question—but you answer not—
Dear me! and have I quite forgot
How fivescore years ago,
Just on this very blessed spot,
The summer leaves below,
Before his homespun ranks arrayed
In green New England's elmbough shade
The great Virginian drew the blade
King George full soon should know!

O George the Third! you found it true
Our George was more than double you,
For nature made him so.
Not much an empire's crown can do
If brains are scant and slow,—
Ah, not like that his laurel crown
Whose presence gilded with renown
Our brave old Academic town,
As all her children know!

So here we meet with loud acclaim
To tell mankind that here he came,
With hearts that throb and glow;
Ours is a portion of his fame
Our trumpets needs must blow!
On yonder hill the Lion fell,
But here was chipped the eagle's shell,—
That little hatchet did it well,
As all the world shall know!

WELCOME TO THE NATIONS

PHILADELPHIA, JULY 4, 1876

BRIGHT on the banners of lily and rose
Lo! the last sun of our century sets!
Wreathe the black cannon that scowled on our foes,
All but her friendships the nation forgets
All but her friends and their welcome forgets!
These are around her; but where are her foes?
Lo, while the sun of her century sets,
Peace with her garlands of lily and rose!

Welcome! a shout like the war trumpet's swell
Wakes the wild echoes that slumber around
Welcome! it quivers from Liberty's bell;
Welcome! the walls of her temple resound!
Hark! the gray walls of her temple resound
Fade the far voices o'er hillside and dell;
Welcome! still whisper the echoes around;
Welcome I still trembles on Liberty's bell!

Thrones of the continents! isles of the sea
Yours are the garlands of peace we entwine;
Welcome, once more, to the land of the free,
Shadowed alike by the pahn and the pine;
Softly they murmur, the palm and the pine,
"Hushed is our strife, in the land of the free";
Over your children their branches entwine,
Thrones of the continents! isles of the sea!

A FAMILIAR LETTER

TO SEVERAL CORRESPONDENTS

YES, write, if you want to, there's nothing like trying;
Who knows what a treasure your casket may hold?
I'll show you that rhyming's as easy as lying,
If you'll listen to me while the art I unfold.

Here's a book full of words; one can choose as he fancies,
As a painter his tint, as a workman his tool;
Just think! all the poems and plays and romances
Were drawn out of this, like the fish from a pool!

You can wander at will through its syllabled mazes,
And take all you want,—not a copper they cost,—
What is there to hinder your picking out phrases
For an epic as clever as "Paradise Lost"?

Don't mind if the index of sense is at zero,
Use words that run smoothly, whatever they mean;
Leander and Lilian and Lillibullero
Are much the same thing in the rhyming machine.

There are words so delicious their sweetness will smother
That boarding-school flavor of which we 're afraid,—
There is "lush" is a good one, and "swirl" another,—
Put both in one stanza, its fortune is made.

With musical murmurs and rhythmical closes
You can cheat us of smiles when you've nothing to tell;
You hand us a nosegay of milliner's roses,
And we cry with delight, "Oh, how sweet they do smell!"

Perhaps you will answer all needful conditions
For winning the laurels to which you aspire,
By docking the tails of the two prepositions
I' the style o' the bards you so greatly admire.

As for subjects of verse, they are only too plenty
For ringing the changes on metrical chimes;
A maiden, a moonbeam, a lover of twenty
Have filled that great basket with bushels of rhymes.

Let me show you a picture—'tis far from irrelevant—
By a famous old hand in the arts of design;
'T is only a photographed sketch of an elephant,—
The name of the draughtsman was Rembrandt of Rhine.

How easy! no troublesome colors to lay on,
It can't have fatigued him,—no, not in the least,—
A dash here and there with a hap-hazard crayon,
And there stands the wrinkled-skinned, baggy-limbed beast.

Just so with your verse,—'t is as easy as sketching,—
You—can reel off a song without knitting your brow,
As lightly as Rembrandt a drawing or etching;
It is nothing at all, if you only know how.

Well; imagine you've printed your volume of verses:
Your forehead is wreathed with the garland of fame,
Your poems the eloquent school-boy rehearses,
Her album the school-girl presents for your name;

Each morning the post brings you autograph letters;
You'll answer them promptly,—an hour is n't much
For the honor of sharing a page with your betters,
With magistrates, members of Congress, and such.

Of course you're delighted to serve the committees
That come with requests from the country all round,
You would grace the occasion with poems and ditties
When they've got a new schoolhouse, or poor-house, or pound.

With a hymn for the saints and a song for the sinners,
You go and are welcome wherever you please;
You're a privileged guest at all manner of dinners,
You've a seat on the platform among the grandees.

At length your mere presence becomes a sensation,
Your cup of enjoyment is filled to its brim
With the pleasure Horatian of digitmonstration,
As the whisper runs round of "That's he!" or "That Is him!"

But remember, O dealer in phrases sonorous,
So daintily chosen, so tunefully matched,
Though you soar with the wings of the cherubim o'er us,
The ovum was human from which you were hatched.

No will of your own with its puny compulsion
Can summon the spirit that quickens the lyre;
It comes, if at all, like the Sibyl's convulsion
And touches the brain with a finger of fire.

So perhaps, after all, it's as well to be quiet,
If you've nothing you think is worth saying in prose,
As to furnish a meal of their cannibal diet
To the critics, by publishing, as you propose.

But it's all of no use, and I 'm sorry I've written,—
I shall see your thin volume some day on my shelf;
For the rhyming tarantula surely has bitten,
And music must cure you, so pipe it yourself.

UNSATISFIED

"ONLY a housemaid!" She looked from the kitchen,—
Neat was the kitchen and tidy was she;
There at her window a sempstress sat stitching;
"Were I a sempstress, how happy I'd be!"

"Only a Queen!" She looked over the waters,—
Fair was her kingdom and mighty was she;
There sat an Empress, with Queens for her daughters;
"Were I an Empress, how happy I'd be!"

Still the old frailty they all of them trip in!
Eve in her daughters is ever the same;
Give her all Eden, she sighs for a pippin;
Give her an Empire, she pines for a name!

May 8, 1876.

HOW THE OLD HORSE WON THE BET

DEDICATED BY A CONTRIBUTOR TO THE COLLEGIAN, 1830, TO THE EDITORS OF THE HARVARD ADVOCATE, 1876.

'T WAS on the famous trotting-ground,
The betting men were gathered round
From far and near; the "cracks" were there
Whose deeds the sporting prints declare
The swift g. m., Old Hiram's nag,
The fleet s. h., Dan Pfeiffer's brag,
With these a third—and who is he
That stands beside his fast b. g.?
Budd Doble, whose catarrhal name
So fills the nasal trump of fame.
There too stood many a noted steed
Of Messenger and Morgan breed;
Green horses also, not a few;
Unknown as yet what they could do;
And all the hacks that know so well
The scourgings of the Sunday swell.

Blue are the skies of opening day;
The bordering turf is green with May;
The sunshine's golden gleam is thrown
On sorrel, chestnut, bay, and roan;
The horses paw and prance and neigh,
Fillies and colts like kittens play,
And dance and toss their rippled manes
Shining and soft as silken skeins;
Wagons and gigs are ranged about,
And fashion flaunts her gay turn-out;
Here stands—each youthful Jehu's dream
The jointed tandem, ticklish team!
And there in ampler breadth expand
The splendors of the four-in-hand;
On faultless ties and glossy tiles
The lovely bonnets beam their smiles;
(The style's the man, so books avow;
The style's the woman, anyhow);
From flounces frothed with creamy lace
Peeps out the pug-dog's smutty face,
Or spaniel rolls his liquid eye,
Or stares the wiry pet of Skye,—
O woman, in your hours of ease
So shy with us, so free with these!

"Come on! I 'll bet you two to one
I 'll make him do it!" "Will you? Done!"

What was it who was bound to do?
I did not hear and can't tell you,—
Pray listen till my story's through.

Scarce noticed, back behind the rest,
By cart and wagon rudely prest,
The parson's lean and bony bay
Stood harnessed in his one-horse shay—
Lent to his sexton for the day;
(A funeral—so the sexton said;
His mother's uncle's wife was dead.)

Like Lazarus bid to Dives' feast,
So looked the poor forlorn old beast;
His coat was rough, his tail was bare,
The gray was sprinkled in his hair;
Sportsmen and jockeys knew him not,
And yet they say he once could trot
Among the fleetest of the town,
Till something cracked and broke him down,—
The steed's, the statesman's, common lot!
"And are we then so soon forgot?"
Ah me! I doubt if one of you
Has ever heard the name "Old Blue,"
Whose fame through all this region rung
In those old days when I was young!

"Bring forth the horse!" Alas! he showed
Not like the one Mazeppa rode;
Scant-maned, sharp-backed, and shaky-kneed,
The wreck of what was once a steed,
Lips thin, eyes hollow, stiff in joints;
Yet not without his knowing points.
The sexton laughing in his sleeve,
As if 't were all a make-believe,
Led forth the horse, and as he laughed
Unhitched the breeching from a shaft,
Unclasped the rusty belt beneath,
Drew forth the snaffle from his teeth,
Slipped off his head-stall, set him free
From strap and rein,—a sight to see!

So worn, so lean in every limb,
It can't be they are saddling him!
It is! his back the pig-skin strides
And flaps his lank, rheumatic sides;
With look of mingled scorn and mirth
They buckle round the saddle-girth;
With horsey wink and saucy toss
A youngster throws his leg across,
And so, his rider on his back,
They lead him, limping, to the track,
Far up behind the starting-point,
To limber out each stiffened joint.

As through the jeering crowd he past,
One pitying look Old Hiram cast;
"Go it, ye cripple, while ye can!"
Cried out unsentimental Dan;
"A Fast-Day dinner for the crows!"
Budd Doble's scoffing shout arose.

Slowly, as when the walking-beam
First feels the gathering head of steam,
With warning cough and threatening wheeze
The stiff old charger crooks his knees;
At first with cautious step sedate,
As if he dragged a coach of state
He's not a colt; he knows full well
That time is weight and sure to tell;
No horse so sturdy but he fears
The handicap of twenty years.

As through the throng on either hand
The old horse nears the judges' stand,
Beneath his jockey's feather-weight
He warms a little to his gait,
And now and then a step is tried
That hints of something like a stride.

"Go!"—Through his ear the summons stung
As if a battle-trump had rung;
The slumbering instincts long unstirred
Start at the old familiar word;
It thrills like flame through every limb,—
What mean his twenty years to him?
The savage blow his rider dealt
Fell on his hollow flanks unfelt;
The spur that pricked his staring hide
Unheeded tore his bleeding side;
Alike to him are spur and rein,—
He steps a five-year-old again!

Before the quarter pole was past,
Old Hiram said, "He's going fast."
Long ere the quarter was a half,
The chuckling crowd had ceased to laugh;
Tighter his frightened jockey clung
As in a mighty stride he swung,
The gravel flying in his track,
His neck stretched out, his ears laid back,
His tail extended all the while
Behind him like a rat-tail file!
Off went a shoe,—away it spun,
Shot like a bullet from a gun;

The quaking jockey shapes a prayer
From scraps of oaths he used to swear;
He drops his whip, he drops his rein,
He clutches fiercely for a mane;
He'll lose his hold—he sways and reels—
He'll slide beneath those trampling heels!
The knees of many a horseman quake,
The flowers on many a bonnet shake,
And shouts arise from left and right,
"Stick on! Stick on!" "Hould tight! Hould tight!"
"Cling round his neck and don't let go—"
"That pace can't hold—there! steady! whoa!"
But like the sable steed that bore
The spectral lover of Lenore,
His nostrils snorting foam and fire,
No stretch his bony limbs can tire;
And now the stand he rushes by,
And "Stop him!—stop him!" is the cry.
Stand back! he 's only just begun—
He's having out three heats in one!

"Don't rush in front! he'll smash your brains;
But follow up and grab the reins!"
Old Hiram spoke. Dan Pfeiffer heard,
And sprang impatient at the word;
Budd Doble started on his bay,
Old Hiram followed on his gray,
And off they spring, and round they go,
The fast ones doing "all they know."
Look! twice they follow at his heels,
As round the circling course he wheels,
And whirls with him that clinging boy
Like Hector round the walls of Troy;
Still on, and on, the third time round
They're tailing off! they're losing ground!
Budd Doble's nag begins to fail!
Dan Pfeiffer's sorrel whisks his tail!
And see! in spite of whip and shout,
Old Hiram's mare is giving out!
Now for the finish! at the turn,
The old horse—all the rest astern—
Comes swinging in, with easy trot;
By Jove! he's distanced all the lot!

That trot no mortal could explain;
Some said, "Old Dutchman come again!"
Some took his time,—at least they tried,
But what it was could none decide;
One said he couldn't understand
What happened to his second hand;
One said 2.10; that could n't be—
More like two twenty-two or three;
Old Hiram settled it at last;
"The time was two—too dee-vel-ish fast!"

The parson's horse had won the bet;
It cost him something of a sweat;
Back in the one-horse shay he went;
The parson wondered what it meant,
And murmured, with a mild surprise
And pleasant twinkle of the eyes,
That funeral must have been a trick,
Or corpses drive at double-quick;
I should n't wonder, I declare,
If brother—Jehu—made the prayer!

And this is all I have to say
About that tough old trotting bay,
Huddup! Huddup! G'lang! Good day!
Moral for which this tale is told
A horse can trot, for all he 's old.