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The Poetical Works of Oliver Wendell Holmes — Volume 09 / The Iron Gate and Other Poems

Chapter 2: THE IRON GATE
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This collection gathers late-career lyrical and occasional poems that move between playful satire, tender domestic observation, and reflective meditations on aging, memory, and mortality. The poet alternates light social verse and witty commemorative pieces with solemn academic and civic odes, employing classical allusion, conversational narrative, and precise natural imagery. Several sonnets and short sequences address friends, public ceremonies, and the passage of time, while other pieces offer homely sketches of family life, birds, and small moral lessons. The voice balances humor and melancholy, favoring clear diction, musical rhythms, and pointed epigrams to comment on personal feeling and public occasion.

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Title: The Poetical Works of Oliver Wendell Holmes — Volume 09

Author: Oliver Wendell Holmes

Release date: September 30, 2004 [eBook #7396]
Most recently updated: December 30, 2020

Language: English

Credits: Produced by David Widger

*** START OF THE PROJECT GUTENBERG EBOOK THE POETICAL WORKS OF OLIVER WENDELL HOLMES — VOLUME 09 ***

Produced by David Widger

THE POETICAL WORKS

OF
OLIVER WENDELL HOLMES

[Volume 3 of the 1893 three volume set]

THE IRON GATE

AND OTHER POEMS

1877-1881

THE IRON GATE VESTIGIA QUINQUE RETRORSUM MY AVIARY ON THE THRESHOLD TO GEORGE PEABODY AT THE PAPYRUS CLUB FOR WHITTIER'S SEVENTIETH BIRTHDAY TWO SONNETS: HARVARD THE COMING ERA IN RESPONSE FOR THE MOORE CENTENNIAL CELEBRATION TO JAMES FREEMAN CLARKE WELCOME TO THE CHICAGO COMMERCIAL CLUB AMERICAN ACADEMY CENTENNIAL CELEBRATION THE SCHOOL-BOY THE SILENT MELODY OUR HOME—OUR COUNTRY POEM AT THE CENTENNIAL ANNIVERSARY DINNER OF THE MASSACHUSETTS MEDICAL SOCIETY RHYMES OF A LIFE-TIME

THE IRON GATE

Read at the Breakfast given in honor of Dr. Holmes's Seventieth Birthday by the publishers of the "Atlantic Monthly," Boston, December 3, 1879.

WHERE is this patriarch you are kindly greeting?
Not unfamiliar to my ear his name,
Nor yet unknown to many a joyous meeting
In days long vanished,—is he still the same,

Or changed by years, forgotten and forgetting,
Dull-eared, dim-sighted, slow of speech and thought,
Still o'er the sad, degenerate present fretting,
Where all goes wrong, and nothing as it ought?

Old age, the graybeard! Well, indeed, I know him,—
Shrunk, tottering, bent, of aches and ills the prey;
In sermon, story, fable, picture, poem,
Oft have I met him from my earliest day.

In my old AEsop, toiling with his bundle,—
His load of sticks,—politely asking Death,
Who comes when called for,—would he lug or trundle
His fagot for him?—he was scant of breath.

And sad "Ecclesiastes, or the Preacher,"—
Has he not stamped the image on my soul,
In that last chapter, where the worn-out Teacher
Sighs o'er the loosened cord, the broken bowl?

Yes, long, indeed, I've known him at a distance,
And now my lifted door-latch shows him here;
I take his shrivelled hand without resistance,
And find him smiling as his step draws near.

What though of gilded baubles he bereaves us,
Dear to the heart of youth, to manhood's prime;
Think of the calm he brings, the wealth he leaves us,
The hoarded spoils, the legacies of time!

Altars once flaming, still with incense fragrant,
Passion's uneasy nurslings rocked asleep,
Hope's anchor faster, wild desire less vagrant,
Life's flow less noisy, but the stream how deep!

Still as the silver cord gets worn and slender,
Its lightened task-work tugs with lessening strain,
Hands get more helpful, voices, grown more tender,
Soothe with their softened tones the slumberous brain.

Youth longs and manhood strives, but age remembers,
Sits by the raked-up ashes of the past,
Spreads its thin hands above the whitening embers
That warm its creeping life-blood till the last.

Dear to its heart is every loving token
That comes unbidden ere its pulse grows cold,
Ere the last lingering ties of life are broken,
Its labors ended and its story told.

Ah, while around us rosy youth rejoices,
For us the sorrow-laden breezes sigh,
And through the chorus of its jocund voices
Throbs the sharp note of misery's hopeless cry.

As on the gauzy wings of fancy flying
From some far orb I track our watery sphere,
Home of the struggling, suffering, doubting, dying,
The silvered globule seems a glistening tear.

But Nature lends her mirror of illusion
To win from saddening scenes our age-dimmed eyes,
And misty day-dreams blend in sweet confusion
The wintry landscape and the summer skies.

So when the iron portal shuts behind us,
And life forgets us in its noise and whirl,
Visions that shunned the glaring noonday find us,
And glimmering starlight shows the gates of pearl.

I come not here your morning hour to sadden,
A limping pilgrim, leaning on his staff,—
I, who have never deemed it sin to gladden
This vale of sorrows with a wholesome laugh.

If word of mine another's gloom has brightened,
Through my dumb lips the heaven-sent message came;
If hand of mine another's task has lightened,
It felt the guidance that it dares not claim.

But, O my gentle sisters, O my brothers,
These thick-sown snow-flakes hint of toil's release;
These feebler pulses bid me leave to others
The tasks once welcome; evening asks for peace.

Time claims his tribute; silence now is golden;
Let me not vex the too long suffering lyre;
Though to your love untiring still beholden,
The curfew tells me—cover up the fire.

And now with grateful smile and accents cheerful,
And warmer heart than look or word can tell,
In simplest phrase—these traitorous eyes are tearful—
Thanks, Brothers, Sisters,—Children,—and farewell!

VESTIGIA QUINQUE RETRORSUM

AN ACADEMIC POEM

1829-1879

Read at the Commencement Dinner of the Alumni of Harvard
University, June 25, 1879.

WHILE fond, sad memories all around us throng,
Silence were sweeter than the sweetest song;
Yet when the leaves are green and heaven is blue,
The choral tribute of the grove is due,
And when the lengthening nights have chilled the skies,
We fain would hear the song-bird ere be flies,
And greet with kindly welcome, even as now,
The lonely minstrel on his leafless bough.

This is our golden year,—its golden day;
Its bridal memories soon must pass away;
Soon shall its dying music cease to ring,
And every year must loose some silver string,
Till the last trembling chords no longer thrill,—
Hands all at rest and hearts forever still.

A few gray heads have joined the forming line;
We hear our summons,—"Class of 'Twenty-Nine!"
Close on the foremost, and, alas, how few!
Are these "The Boys" our dear old Mother knew?
Sixty brave swimmers. Twenty—something more—
Have passed the stream and reached this frosty shore!

How near the banks these fifty years divide
When memory crosses with a single stride!
'T is the first year of stern "Old Hickory" 's rule
When our good Mother lets us out of school,
Half glad, half sorrowing, it must be confessed,
To leave her quiet lap, her bounteous breast,
Armed with our dainty, ribbon-tied degrees,
Pleased and yet pensive, exiles and A. B.'s.

Look back, O comrades, with your faded eyes,
And see the phantoms as I bid them rise.
Whose smile is that? Its pattern Nature gave,
A sunbeam dancing in a dimpled wave;
KIRKLAND alone such grace from Heaven could win,
His features radiant as the soul within;
That smile would let him through Saint Peter's gate
While sad-eyed martyrs had to stand and wait.
Here flits mercurial Farrar; standing there,
See mild, benignant, cautious, learned Ware,
And sturdy, patient, faithful, honest Hedge,
Whose grinding logic gave our wits their edge;
Ticknor, with honeyed voice and courtly grace;
And Willard, larynxed like a double bass;
And Channing, with his bland, superior look,
Cool as a moonbeam on a frozen brook,

While the pale student, shivering in his shoes,
Sees from his theme the turgid rhetoric ooze;
And the born soldier, fate decreed to wreak
His martial manhood on a class in Greek,
Popkin! How that explosive name recalls
The grand old Busby of our ancient halls
Such faces looked from Skippon's grim platoons,
Such figures rode with Ireton's stout dragoons:
He gave his strength to learning's gentle charms,
But every accent sounded "Shoulder arms!"

Names,—empty names! Save only here and there
Some white-haired listener, dozing in his chair,
Starts at the sound he often used to hear,
And upward slants his Sunday-sermon ear.
And we—our blooming manhood we regain;
Smiling we join the long Commencement train,
One point first battled in discussion hot,—
Shall we wear gowns? and settled: We will not.
How strange the scene,—that noisy boy-debate
Where embryo-speakers learn to rule the State!
This broad-browed youth, sedate and sober-eyed,
Shall wear the ermined robe at Taney's side;
And he, the stripling, smooth of face and slight,
Whose slender form scarce intercepts the light,
Shall rule the Bench where Parsons gave the law,
And sphinx-like sat uncouth, majestic Shaw
Ah, many a star has shed its fatal ray
On names we loved—our brothers—where are they?

Nor these alone; our hearts in silence claim
Names not less dear, unsyllabled by fame.

How brief the space! and yet it sweeps us back
Far, far along our new-born history's track
Five strides like this;—the sachem rules the land;
The Indian wigwams cluster where we stand.

The second. Lo! a scene of deadly strife—
A nation struggling into infant life;
Not yet the fatal game at Yorktown won
Where failing Empire fired its sunset gun.
LANGDON sits restless in the ancient chair,—
Harvard's grave Head,—these echoes heard his prayer
When from yon mansion, dear to memory still,
The banded yeomen marched for Bunker's Hill.
Count on the grave triennial's thick-starred roll
What names were numbered on the lengthening scroll,—
Not unfamiliar in our ears they ring,—
Winthrop, Hale, Eliot, Everett, Dexter, Tyng.

Another stride. Once more at 'twenty-nine,—
GOD SAVE KING GEORGE, the Second of his line!
And is Sir Isaac living? Nay, not so,—
He followed Flainsteed two short years ago,—
And what about the little hump-backed man
Who pleased the bygone days of good Queen Anne?
What, Pope? another book he's just put out,—
"The Dunciad,"—witty, but profane, no doubt.

Where's Cotton Mather? he was always here.
And so he would be, but he died last year.
Who is this preacher our Northampton claims,
Whose rhetoric blazes with sulphureous flames
And torches stolen from Tartarean mines?
Edwards, the salamander of divines.
A deep, strong nature, pure and undefiled;
Faith, firm as his who stabbed his sleeping child;
Alas for him who blindly strays apart,
And seeking God has lost his human heart!
Fall where they might, no flying cinders caught
These sober halls where WADSWORTH ruled and
taught.

One footstep more; the fourth receding stride
Leaves the round century on the nearer side.
GOD SAVE KING CHARLES! God knows that pleasant knave
His grace will find it hard enough to save.
Ten years and more, and now the Plague, the Fire,
Talk of all tongues, at last begin to tire;
One fear prevails, all other frights forgot,—
White lips are whispering,—hark! The Popish Plot!
Happy New England, from such troubles free
In health and peace beyond the stormy sea!
No Romish daggers threat her children's throats,
No gibbering nightmare mutters "Titus Oates;"
Philip is slain, the Quaker graves are green,
Not yet the witch has entered on the scene;
Happy our Harvard; pleased her graduates four;
URIAN OAKES the name their parchments bore.

Two centuries past, our hurried feet arrive
At the last footprint of the scanty five;
Take the fifth stride; our wandering eyes explore
A tangled forest on a trackless shore;
Here, where we stand, the savage sorcerer howls,
The wild cat snarls, the stealthy gray wolf prowls,
The slouching bear, perchance the trampling moose
Starts the brown squaw and scares her red pappoose;
At every step the lurking foe is near;
His Demons reign; God has no temple here!

Lift up your eyes! behold these pictured walls;
Look where the flood of western glory falls
Through the great sunflower disk of blazing panes
In ruby, saffron, azure, emerald stains;
With reverent step the marble pavement tread
Where our proud Mother's martyr-roll is read;
See the great halls that cluster, gathering round
This lofty shrine with holiest memories crowned;
See the fair Matron in her summer bower,
Fresh as a rose in bright perennial flower;
Read on her standard, always in the van,
"TRUTH,"—the one word that makes a slave a man;
Think whose the hands that fed her altar-fires,
Then count the debt we owe our scholar-sires!

Brothers, farewell! the fast declining ray
Fades to the twilight of our golden day;
Some lesson yet our wearied brains may learn,
Some leaves, perhaps, in life's thin volume turn.
How few they seem as in our waning age
We count them backwards to the title-page!
Oh let us trust with holy men of old
Not all the story here begun is told;
So the tired spirit, waiting to be freed,
On life's last leaf with tranquil eye shall read
By the pale glimmer of the torch reversed,
Not Finis, but The End of Volume First!

MY AVIARY

Through my north window, in the wintry weather,—
My airy oriel on the river shore,—
I watch the sea-fowl as they flock together
Where late the boatman flashed his dripping oar.

The gull, high floating, like a sloop unladen,
Lets the loose water waft him as it will;
The duck, round-breasted as a rustic maiden,
Paddles and plunges, busy, busy still.

I see the solemn gulls in council sitting
On some broad ice-floe pondering long and late,
While overhead the home-bound ducks are flitting,
And leave the tardy conclave in debate,

Those weighty questions in their breasts revolving
Whose deeper meaning science never learns,
Till at some reverend elder's look dissolving,
The speechless senate silently adjourns.

But when along the waves the shrill north-easter
Shrieks through the laboring coaster's shrouds "Beware!"
The pale bird, kindling like a Christmas feaster
When some wild chorus shakes the vinous air,

Flaps from the leaden wave in fierce rejoicing,
Feels heaven's dumb lightning thrill his torpid nerves,
Now on the blast his whistling plumage poising,
Now wheeling, whirling in fantastic curves.

Such is our gull; a gentleman of leisure,
Less fleshed than feathered; bagged you'll find him such;
His virtue silence; his employment pleasure;
Not bad to look at, and not good for much.

What of our duck? He has some high-bred cousins,—
His Grace the Canvas-back, My Lord the Brant,—
Anas and Anser,—both served up by dozens,
At Boston's Rocher, half-way to Nahant.

As for himself, he seems alert and thriving,—
Grubs up a living somehow—what, who knows?
Crabs? mussels? weeds?—Look quick! there 's one just diving!
Flop! Splash! his white breast glistens—down he goes!

And while he 's under—just about a minute—
I take advantage of the fact to say
His fishy carcase has no virtue in it
The gunning idiot's worthless hire to pay.

Shrewd is our bird; not easy to outwit him!
Sharp is the outlook of those pin-head eyes;
Still, he is mortal and a shot may hit him,
One cannot always miss him if he tries.

He knows you! "sportsmen" from suburban alleys,
Stretched under seaweed in the treacherous punt;
Knows every lazy, shiftless lout that sallies
Forth to waste powder—as he says, to "hunt."

I watch you with a patient satisfaction,
Well pleased to discount your predestined luck;
The float that figures in your sly transaction
Will carry back a goose, but not a duck.

Look! there's a young one, dreaming not of danger;
Sees a flat log come floating down the stream;
Stares undismayed upon the harmless stranger;
Ah! were all strangers harmless as they seem!

Habet! a leaden shower his breast has shattered;
Vainly he flutters, not again to rise;
His soft white plumes along the waves are scattered;
Helpless the wing that braved the tempest lies.

He sees his comrades high above him flying
To seek their nests among the island reeds;
Strong is their flight; all lonely he is lying
Washed by the crimsoned water as he bleeds.

O Thou who carest for the falling sparrow,
Canst Thou the sinless sufferer's pang forget?
Or is thy dread account-book's page so narrow
Its one long column scores thy creatures' debt?

Poor gentle guest, by nature kindly cherished,
A world grows dark with thee in blinding death;
One little gasp—thy universe has perished,
Wrecked by the idle thief who stole thy breath!

Is this the whole sad story of creation,
Lived by its breathing myriads o'er and o'er,—
One glimpse of day, then black annihilation,—
A sunlit passage to a sunless shore?

Give back our faith, ye mystery-solving lynxes!
Robe us once more in heaven-aspiring creeds
Happier was dreaming Egypt with her sphinxes,
The stony convent with its cross and beads!

How often gazing where a bird reposes,
Rocked on the wavelets, drifting with the tide,
I lose myself in strange metempsychosis
And float a sea-fowl at a sea-fowl's side;

From rain, hail, snow in feathery mantle muffled,
Clear-eyed, strong-limbed, with keenest sense to hear
My mate soft murmuring, who, with plumes unruffled,
Where'er I wander still is nestling near;

The great blue hollow like a garment o'er me;
Space all unmeasured, unrecorded time;
While seen with inward eye moves on before me
Thought's pictured train in wordless pantomime.

A voice recalls me.—From my window turning
I find myself a plumeless biped still;
No beak, no claws, no sign of wings discerning,—
In fact with nothing bird-like but my quill.

ON THE THRESHOLD

INTRODUCTION TO A COLLECTION OF POEMS BYDIFFERENT AUTHORS

AN usher standing at the door
I show my white rosette;
A smile of welcome, nothing more,
Will pay my trifling debt;
Why should I bid you idly wait
Like lovers at the swinging gate?

Can I forget the wedding guest?
The veteran of the sea?
In vain the listener smites his breast,—
"There was a ship," cries he!
Poor fasting victim, stunned and pale,
He needs must listen to the tale.

He sees the gilded throng within,
The sparkling goblets gleam,
The music and the merry din
Through every window stream,
But there he shivers in the cold
Till all the crazy dream is told.

Not mine the graybeard's glittering eye
That held his captive still
To hold my silent prisoners by
And let me have my will;
Nay, I were like the three-years' child,
To think you could be so beguiled!

My verse is but the curtain's fold
That hides the painted scene,
The mist by morning's ray unrolled
That veils the meadow's green,
The cloud that needs must drift away
To show the rose of opening day.

See, from the tinkling rill you hear
In hollowed palm I bring
These scanty drops, but ah, how near
The founts that heavenward spring!
Thus, open wide the gates are thrown
And founts and flowers are all your own!

TO GEORGE PEABODY

DANVERS, 1866

BANKRUPT! our pockets inside out!
Empty of words to speak his praises!
Worcester and Webster up the spout!
Dead broke of laudatory phrases!
Yet why with flowery speeches tease,
With vain superlatives distress him?
Has language better words than these?
THE FRIEND OF ALL HIS RACE, GOD BLESS HIM!

A simple prayer—but words more sweet
By human lips were never uttered,
Since Adam left the country seat
Where angel wings around him fluttered.
The old look on with tear-dimmed eyes,
The children cluster to caress him,
And every voice unbidden cries,
THE FRIEND OF ALL HIS RACE, GOD BLESS HIM!

AT THE PAPYRUS CLUB

A LOVELY show for eyes to see
I looked upon this morning,—
A bright-hued, feathered company
Of nature's own adorning;
But ah! those minstrels would not sing
A listening ear while I lent,—
The lark sat still and preened his wing,
The nightingale was silent;
I longed for what they gave me not—
Their warblings sweet and fluty,
But grateful still for all I got
I thanked them for their beauty.

A fairer vision meets my view
Of Claras, Margarets, Marys,
In silken robes of varied hue,
Like bluebirds and canaries;
The roses blush, the jewels gleam,
The silks and satins glisten,
The black eyes flash, the blue eyes beam,
We look—and then we listen
Behold the flock we cage to-night—
Was ever such a capture?
To see them is a pure delight;
To hear them—ah! what rapture!

Methinks I hear Delilah's laugh
At Samson bound in fetters;
"We captured!" shrieks each lovelier half,
"Men think themselves our betters!
We push the bolt, we turn the key
On warriors, poets, sages,
Too happy, all of them, to be
Locked in our golden cages!"
Beware! the boy with bandaged eyes
Has flung away his blinder;

He 's lost his mother—so he cries—
And here he knows he'll find her:
The rogue! 't is but a new device,—
Look out for flying arrows
Whene'er the birds of Paradise
Are perched amid the sparrows!

FOR WHITTIER'S SEVENTIETH BIRTHDAY

DECEMBER 17, 1877

I BELIEVE that the copies of verses I've spun,
Like Scheherezade's tales, are a thousand and one;
You remember the story,—those mornings in bed,—
'T was the turn of a copper,—a tale or a head.

A doom like Scheherezade's falls upon me
In a mandate as stern as the Sultan's decree
I'm a florist in verse, and what would people say
If I came to a banquet without my bouquet?

It is trying, no doubt, when the company knows
Just the look and the smell of each lily and rose,
The green of each leaf in the sprigs that I bring,
And the shape of the bunch and the knot of the string.

Yes,—"the style is the man," and the nib of one's pen
Makes the same mark at twenty, and threescore and ten;
It is so in all matters, if truth may be told;
Let one look at the cast he can tell you the mould.

How we all know each other! no use in disguise;
Through the holes in the mask comes the flash of the eyes;
We can tell by his—somewhat—each one of our tribe,
As we know the old hat which we cannot describe.

Though in Hebrew, in Sanscrit, in Choctaw you write,
Sweet singer who gave us the Voices of Night,
Though in buskin or slipper your song may be shod;
Or the velvety verse that Evangeline trod,

We shall say, "You can't cheat us,—we know it is you,"
There is one voice like that, but there cannot be two,
Maestro, whose chant like the dulcimer rings
And the woods will be hushed while the nightingale sings.

And he, so serene, so majestic, so true,
Whose temple hypethral the planets shine through,
Let us catch but five words from that mystical pen,
We should know our one sage from all children of men.

And he whose bright image no distance can dim,
Through a hundred disguises we can't mistake him,
Whose play is all earnest, whose wit is the edge
(With a beetle behind) of a sham-splitting wedge.

Do you know whom we send you, Hidalgos of Spain?
Do you know your old friends when you see them again?
Hosea was Sancho! you Dons of Madrid,
But Sancho that wielded the lance of the Cid!

And the wood-thrush of Essex,—you know whom I mean,
Whose song echoes round us while he sits unseen,
Whose heart-throbs of verse through our memories thrill
Like a breath from the wood, like a breeze from the hill,

So fervid, so simple, so loving, so pure,
We hear but one strain and our verdict is sure,—
Thee cannot elude us,—no further we search,—
'T is Holy George Herbert cut loose from his church!

We think it the voice of a seraph that sings,—
Alas! we remember that angels have wings,—
What story is this of the day of his birth?
Let him live to a hundred! we want him on earth!

One life has been paid him (in gold) by the sun;
One account has been squared and another begun;
But he never will die if he lingers below
Till we've paid him in love half the balance we owe!

TWO SONNETS: HARVARD

At the meeting of the New York Harvard Club,
February 21, 1878.

"CHRISTO ET ECCLESLE." 1700

To GOD'S ANOINTED AND HIS CHOSEN FLOCK
So ran the phrase the black-robed conclave chose
To guard the sacred cloisters that arose
Like David's altar on Moriah's rock.
Unshaken still those ancient arches mock
The ram's-horn summons of the windy foes
Who stand like Joshua's army while it blows
And wait to see them toppling with the shock.
Christ and the Church. Their church, whose narrow door
Shut out the many, who if overbold
Like hunted wolves were driven from the fold,
Bruised with the flails these godly zealots bore,
Mindful that Israel's altar stood of old
Where echoed once Araunah's threshing-floor.

1643 "VERITAS." 1878

TRUTH: So the frontlet's older legend ran,
On the brief record's opening page displayed;
Not yet those clear-eyed scholars were afraid
Lest the fair fruit that wrought the woe of man
By far Euphrates—where our sire began
His search for truth, and, seeking, was betrayed—
Might work new treason in their forest shade,
Doubling the curse that brought life's shortened span.
Nurse of the future, daughter of the past,
That stern phylactery best becomes thee now
Lift to the morning star thy marble brow
Cast thy brave truth on every warring blast!
Stretch thy white hand to that forbidden bough,
And let thine earliest symbol be thy last!

THE COMING ERA

THEY tell us that the Muse is soon to fly hence,
Leaving the bowers of song that once were dear,
Her robes bequeathing to her sister, Science,
The groves of Pindus for the axe to clear.

Optics will claim the wandering eye of fancy,
Physics will grasp imagination's wings,
Plain fact exorcise fiction's necromancy,
The workshop hammer where the minstrel sings,

No more with laugher at Thalia's frolics
Our eyes shall twinkle till the tears run down,
But in her place the lecturer on hydraulics
Spout forth his watery science to the town.

No more our foolish passions and affections
The tragic Muse with mimic grief shall try,
But, nobler far, a course of vivisections
Teach what it costs a tortured brute to die.

The unearthed monad, long in buried rocks hid,
Shall tell the secret whence our being came;
The chemist show us death is life's black oxide,
Left when the breath no longer fans its flame.

Instead of crack-brained poets in their attics
Filling thin volumes with their flowery talk,
There shall be books of wholesome mathematics;
The tutor with his blackboard and his chalk.

No longer bards with madrigal and sonnet
Shall woo to moonlight walks the ribboned sex,
But side by side the beaver and the bonnet
Stroll, calmly pondering on some problem's x.

The sober bliss of serious calculation
Shall mock the trivial joys that fancy drew,
And, oh, the rapture of a solved equation,—
One self-same answer on the lips of two!

So speak in solemn tones our youthful sages,
Patient, severe, laborious, slow, exact,
As o'er creation's protoplasmic pages
They browse and munch the thistle crops of fact.

And yet we 've sometimes found it rather pleasant
To dream again the scenes that Shakespeare drew,—
To walk the hill-side with the Scottish peasant
Among the daisies wet with morning's dew;

To leave awhile the daylight of the real,
Led by the guidance of the master's hand,
For the strange radiance of the far ideal,—
"The light that never was on sea or land."

Well, Time alone can lift the future's curtain,—
Science may teach our children all she knows,
But Love will kindle fresh young hearts, 't is certain,
And June will not forget her blushing rose.

And so, in spite of all that Time is bringing,—
Treasures of truth and miracles of art,
Beauty and Love will keep the poet singing,
And song still live, the science of the heart.

IN RESPONSE

Breakfast at the Century Club, New York, May, 1879.

SUCH kindness! the scowl of a cynic would soften,
His pulse beat its way to some eloquent words,
Alas! my poor accents have echoed too often,
Like that Pinafore music you've some of you heard.

Do you know me, dear strangers—the hundredth time comer
At banquets and feasts since the days of my Spring?
Ah! would I could borrow one rose of my Summer,
But this is a leaf of my Autumn I bring.

I look at your faces,—I'm sure there are some from
The three-breasted mother I count as my own;
You think you remember the place you have come from,
But how it has changed in the years that have flown!

Unaltered, 't is true, is the hall we call "Funnel,"
Still fights the "Old South" in the battle for life,
But we've opened our door to the West through the tunnel,
And we've cut off Fort Hill with our Amazon knife.

You should see the new Westminster Boston has builded,—
Its mansions, its spires, its museums of arts,—
You should see the great dome we have gorgeously gilded,—
'T is the light of our eyes, 't is the joy of our hearts.

When first in his path a young asteroid found it,
As he sailed through the skies with the stars in his wake,
He thought 't was the sun, and kept circling around it
Till Edison signalled, "You've made a mistake."

We are proud of our city,—her fast-growing figure,
The warp and the woof of her brain and her hands,—
But we're proudest of all that her heart has grown bigger,
And warms with fresh blood as her girdle expands.

One lesson the rubric of conflict has taught her
Though parted awhile by war's earth-rending shock,
The lines that divide us are written in water,
The love that unites us cut deep in the rock.

As well might the Judas of treason endeavor
To write his black name on the disk of the sun
As try the bright star-wreath that binds us to sever
And blot the fair legend of "Many in One."

We love You, tall sister, the stately, the splendid,—
The banner of empire floats high on your towers,
Yet ever in welcome your arms are extended,—
We share in your splendors, your glory is ours.

Yes, Queen of the Continent! All of us own thee,—
The gold-freighted argosies flock at thy call,
The naiads, the sea-nymphs have met to enthrone thee,
But the Broadway of one is the Highway of all!

I thank you. Three words that can hardly be mended,
Though phrases on phrases their eloquence pile,
If you hear the heart's throb with their eloquence blended,
And read all they mean in a sunshiny smile.

FOR THE MOORE CENTENNIAL CELEBRATION

MAY 28, 1879.

ENCHANTER of Erin, whose magic has bound us,
Thy wand for one moment we fondly would claim,
Entranced while it summons the phantoms around us
That blush into life at the sound of thy name.

The tell-tales of memory wake from their slumbers,—
I hear the old song with its tender refrain,—
What passion lies hid in those honey-voiced numbers
What perfume of youth in each exquisite strain!

The home of my childhood comes back as a vision,—
Hark! Hark! A soft chord from its song-haunted room,—
'T is a morning of May, when the air is Elysian,—
The syringa in bud and the lilac in bloom,—

We are clustered around the "Clementi" piano,—
There were six of us then,—there are two of us now,—
She is singing—the girl with the silver soprano—
How "The Lord of the Valley" was false to his vow;

"Let Erin remember" the echoes are calling;
Through "The Vale of Avoca" the waters are rolled;
"The Exile" laments while the night-dews falling;
"The Morning of Life" dawns again as of old.

But ah! those warm love-songs of fresh adolescence!
Around us such raptures celestial they flung
That it seemed as if Paradise breathed its quintessence
Through the seraph-toned lips of the maiden that sung!

Long hushed are the chords that my boyhood enchanted
As when the smooth wave by the angel was stirred,
Yet still with their music is memory haunted,
And oft in my dreams are their melodies heard.

I feel like the priest to his altar returning,—
The crowd that was kneeling no longer is there,
The flame has died down, but the brands are still burning,
And sandal and cinnamon sweeten the air.

II.
The veil for her bridal young Summer is weaving
In her azure-domed hall with its tapestried floor,
And Spring the last tear-drop of May-dew is leaving
On the daisy of Burns and the shamrock of Moore.

How like, how unlike, as we view them together,
The song of the minstrels whose record we scan,—
One fresh as the breeze blowing over the heather,
One sweet as the breath from an odalisque's fan!

Ah, passion can glow mid a palace's splendor;
The cage does not alter the song of the bird;
And the curtain of silk has known whispers as tender
As ever the blossoming hawthorn has heard.

No fear lest the step of the soft-slippered Graces
Should fright the young Loves from their warm little nest,
For the heart of a queen, under jewels and laces,
Beats time with the pulse in the peasant girl's breast!

Thrice welcome each gift of kind Nature's bestowing!
Her fountain heeds little the goblet we hold;
Alike, when its musical waters are flowing,
The shell from the seaside, the chalice of gold.

The twins of the lyre to her voices had listened;
Both laid their best gifts upon Liberty's shrine;
For Coila's loved minstrel the holly-wreath glistened;
For Erin's the rose and the myrtle entwine.

And while the fresh blossoms of summer are braided
For the sea-girdled, stream-silvered, lake-jewelled isle,
While her mantle of verdure is woven unfaded,
While Shannon and Liffey shall dimple and smile,

The land where the staff of Saint Patrick was planted,
Where the shamrock grows green from the cliffs to the shore,
The land of fair maidens and heroes undaunted,
Shall wreathe her bright harp with the garlands of Moore!

TO JAMES FREEMAN CLARKE

APRIL 4, 1880

I BRING the simplest pledge of love,
Friend of my earlier days;
Mine is the hand without the glove,
The heart-beat, not the phrase.

How few still breathe this mortal air
We called by school-boy names!
You still, whatever robe you wear,
To me are always James.

That name the kind apostle bore
Who shames the sullen creeds,
Not trusting less, but loving more,
And showing faith by deeds.

What blending thoughts our memories share!
What visions yours and mine
Of May-days in whose morning air
The dews were golden wine,

Of vistas bright with opening day,
Whose all-awakening sun
Showed in life's landscape, far away,
The summits to be won!

The heights are gained. Ah, say not so
For him who smiles at time,
Leaves his tired comrades down below,
And only lives to climb!

His labors,—will they ever cease,—
With hand and tongue and pen?
Shall wearied Nature ask release
At threescore years and ten?

Our strength the clustered seasons tax,—
For him new life they mean;
Like rods around the lictor's axe
They keep him bright and keen.

The wise, the brave, the strong, we know,—
We mark them here or there,
But he,—we roll our eyes, and lo!
We find him everywhere!

With truth's bold cohorts, or alone,
He strides through error's field;
His lance is ever manhood's own,
His breast is woman's shield.

Count not his years while earth has need
Of souls that Heaven inflames
With sacred zeal to save, to lead,—
Long live our dear Saint James!

WELCOME TO THE CHICAGO COMMERCIAL CLUB

January 14, 1880

CHICAGO sounds rough to the maker of verse;
One comfort we have—Cincinnati sounds worse;
If we only were licensed to say Chicago!
But Worcester and Webster won't let us, you know.

No matter, we songsters must sing as we can;
We can make some nice couplets with Lake Michigan,
And what more resembles a nightingale's voice,
Than the oily trisyllable, sweet Illinois?

Your waters are fresh, while our harbor is salt,
But we know you can't help it—it is n't your fault;
Our city is old and your city is new,
But the railroad men tell us we're greener than you.

You have seen our gilt dome, and no doubt you've been told
That the orbs of the universe round it are rolled;
But I'll own it to you, and I ought to know best,
That this is n't quite true of all stars of the West.

You'll go to Mount Auburn,—we'll show you the track,—
And can stay there,—unless you prefer to come back;
And Bunker's tall shaft you can climb if you will,
But you'll puff like a paragraph praising a pill.

You must see—but you have seen—our old Faneuil Hall,
Our churches, our school-rooms, our sample-rooms, all;
And, perhaps, though the idiots must have their jokes,
You have found our good people much like other folks.

There are cities by rivers, by lakes, and by seas,
Each as full of itself as a cheese-mite of cheese;
And a city will brag as a game-cock will crow
Don't your cockerels at home—just a little, you know?

But we'll crow for you now—here's a health to the boys,
Men, maidens, and matrons of fair Illinois,
And the rainbow of friendship that arches its span
From the green of the sea to the blue Michigan!